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A pine cased eight day longcase clock, dial signed W. Muncaster, Douglas

An oak cased thirty-hour longcase clock

An oak longcase clock case

Thomas Foster, Tiverton, a mahogany convex dial wall clock the timepiece fusee movement with shaped shoulders and an anchor escapement, the fourteen-inch round convex dial with black Roman numerals, blued steel spade hands and signed Thomas Foster, Tiverton, the mahogany case with a cast brass bezel and moulded surround, diameter 41cm. * Biography Thomas Foster is recorded as working in Fore Street, Tiverton as an auctioneer, appraiser and dealer in game, from circa 1820 until at least the 1850’s. He was also an agent for the Universal Life Assurance Company. A longcase clock made by Foster is in the Tiverton Museum.

Joseph Bates, Londini fecit, a walnut longcase clock the later eight-day duration movement striking the hours on a bell, the 11 1/2-inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals, Arabic five-minute numerals and meeting arrow-head half-hour decoration, the matted centre with ringed winding holes, a subsidiary seconds dial and engraved decoration surrounding the square date aperture, with cast brass cherub-head spandrels to the four corners and signed Joseph Bates, Londini fecit, with later blued steel hands, the walnut flat-topped case with blind fret to the hood, cushion moulding below the hood, beaded moulding to the trunk door with crossbanding and lenticle glass to the trunk door, with satinwood stringing to the case sides, the restored base with further crossbanding and stringing, height 210cm. * Biography Joseph Bates is recorded as having been apprenticed in 1679 to William Standish and free of the Clockmakers Company in 1687. He was married between 1683 and 1706, and worked in White Alley, Holborn.

Winterhalder & Hofmeier, Schwarzenbach, a chiming longcase clock the three-train, eight-day duration movement striking the hours on one tube and the quarters on a further four tubes, with brass bound weights and a steel rod pendulum with a brass bob, the eleven-inch brass break-arch dial having a raised chapter ring with raised brass Arabic numerals, with engraved filigree decoration to the dial centre and four corners, with a subsidiary seconds dial, blued steel hands, two subsidiary dials to the top corners for ‘strike/silent’ and ‘chime/silent’ and signed on a silvered cartouche W&H Sch, the mahogany case having a glazed trunk door, short panelled base with further inset panelling to the sides, castellated moulding to the hood with a pediment top, with turned three-quarter columns to the trunk and turned columns to the hood, standing on bracket feet, height 215cm. * Biography Anton Winterhalder, born 1838, founded the business in Schwarzenbach, Germany having married and taking Anton Hofmeier into partnership in 1850, with the company finally closing upon the death of Linus, last son of Winterhalder, in 1930. The movements and clocks made by this firm are often believed to be the among the best produced in Germany at this time.

William Cockey, Yeovil, a mahogany longcase clock the thirty-hour birdcage movement with turned, ringed pillars, striking the hours on a bell with an outside countwheel, the eleven-inch square brass dial having a raised chapter ring engraved with black Roman hour numerals, Arabic five minute numerals and signed either side of VI o’clock Willm. Cockey, Yeovil, with cast brass female-head spandrels to the four corners and a matted dial centre, the oak case having a swan-neck pediment with brass patrae and fluted pillars to the hood with cast brass capitals, with the plain base standing on bracket feet, height 201cm * Biography William Cockey was a member of the well-known Warminster family of clockmakers and bell founders. He both made and maintained clocks for a number of churches in the area including supplying a clock for the tower at Castle Cary Church for which he was paid 8-0-0. In 1736 it is recorded in the records of Montacute Church ‘Mr. Cockey For Righting the Clock and for the Agreement for the Keeping of in Repair for ye Year 1-4-6’. From 1737 until 1761 Cockey was paid 5-0-0 per annum to look after this clock. A number of clocks are recorded by William Cockey including a longcase example in the Dorset Clock Museum at Owermoigne.

John Pitt, Tetbury, an oak longcase clock the eight-day duration movement striking the hours on a bell, the thirteen-inch break-arch painted dial with Arabic hour numerals, floral corner spandrels, a date aperture to the centre, decorative brass hands and signed Jno Pitt, Tetbury, the oak case with fluted canted corners to the trunk, a break-arch trunk door inset with stringing, the hood having square fluted pillars with brass capitals and a swan-neck pediment, standing on bracket feet, height 217cm. *Biography John Pitt is recorded as working in Tetbury, Gloucestershire from the early 19th century. A prolific maker of longcase clocks it is known that he ‘looked after’ the clock at Tetbury Market House from 1816 until 1852 with a payment of 2-2-0 per annum.

A carved oak Victorian chiming longcase clock the eight-day duration movement striking the hours on a tubular gong and the quarters on eight further tubular gongs, with three brass bound weights, the fourteen-inch break-arch brass dial with moonphase aperture to the arch, a raised chapter ring with applied brass Arabic hour numerals, the dial centre engraved with c-scroll decoration and with a subsidiary seconds dial, with cast-brass female-head spandrels to the corners, with two subsidiary dials to the top corners for ‘chime/silent’ and ‘Westminster/Whittington’, with blued steel hands, the oak case with carved decoration, fluted pillars with brass Corinthian capitals to the break-arch hood, with a carved ‘green man’ mask to the centre of the top moulding, with a glazed trunk door, a panelled base and standing on bracket feet, height 250cm.

A 19thC pine longcase clock, the arch dial painted with church and cottage scene by J Simpson Cryan (AF), 195cm high.

A 19th century longcase clock, with an arched brass dial, inscribed Bennett, Uttoxeter

A modern mahogany longcase clock

A brass dial 30 hour longcase clock, inscribed `Henderson, Hull` with oak (possibly later) case

Edwardian longcase hall clock silvered dial bevel glass panels to door, 3 train movement, chiming on rod gongs - 180cm high

An early 19th century oak longcase clock, the painted square dial signed Fernal of Wrexham, and having an 8-day striking movement

An antique stained pine longcase clock having unsigned painted square dial and a 30 hour movement (a/f)

A 19th Century oak longcase clock case

A good quality mahogany eight day striking longcase clock with an arched 12 painted dial having secondary and calendar dials - signed Ja Peters Cambridge with reeded columns to the hood and case flanking a shaped long trunk door on a stepped base - standing 91" tall to finial Condition report: In working order and case in clean condition and probably 20thc and missing two pieces of moulding to the fretwork "

A 19th century oak longcase clock case - Height 83 will take an 11" square dial"

A French mahogany longcase clock case to take , a 27cm square dial - no movement

Egerton Whitehurst of Congleton - A George III oak longcase clock, circa 1780, the square hood enclosing silvered dial with Roman numerals, inscribed Whitehurst Congleton, before gilt cherub season spandrels, date aperture, eight day movement, the trunk with shaped door, raised on plinth and bracket feet, the dial approx 29cm w, 206cm h. Footnote: The dial and movement have been cleaned and serviced and the clock is in perfect working order

A VICTORIAN OAK AND MAHOGANY COTTAGE LONGCASE CLOCK with white painted dial, having date aperture, by J C Huband of Evesham, the case with scroll pediment, 203cm high

A VICTORIAN OAK AND MAHOGANY LONGCASE CLOCK with arch painted dial, by D Shaw of Leicester, having an eight day movement, the case with scroll pediment, 223cm high overall

A rare George II oak cased longcase wedding clock of unusually small proportions, by William Porthouse of Penrith, the square brass dial signed with married couple`s names, `Willm & Ann White 1747`, with penny moon, silver Roman chapter ring decorated with fleur-de-lys, gilt cherub spandrels, lunar scale and date apertures, 30 hour movement striking on the hours on a single bell, the case with flat hood with stepped ogee moulded pediment, over a square door flanked by turned fruitwood pillars, the trunk with ogee arched door, on a plain base, 72in. (182.5cm.) high. * Provenance: John & Paddy Butterfield, Old Ropery Antiques, Kilham, E. Yorks. See Illustration.

A REPRODUCTION MAHOGANY DWARF LONGCASE CLOCK

George III mahogany longcase clock, the hood with spiral turned columns and swan neck pediment, by Dan Brown Glasgow, engraved brass dial with second hand and date dials 94in. (239cm)

An 18th Century oak and walnut Longcase Clock with square brass dial inscribed P and W, Tewks`y with gild spandrels, weights and pendulum, 6ft 7in H (lacks hand)

Early nineteenth century inlaid mahogany longcase clock, the hood with moulded swan neck pediment, turned pilasters, the eight-day movement, enamel arched dial painted with roses to the arch and spandrels, subsidiary seconds dial and date aperture inscribed "Jn Hall (?) Belper", 218cm high

Late eighteenth/early nineteenth century oak longcase clock, the hood having broken swan neck pediment with brass eagle and ball finial, reeded pilasters with brass corinithian capitals, the door to trunk applied a shield flanked by chamfered corners and standing on bracket feet, the eight-day movement having subsidiary seconds dial and date aperture, the painted arched dial inscribed "Jn Bamfor (?) Neath", 231cm high

Late C17th 30 Hour Longcase Movement by William Risbridger, Dorking, Circa 1690 with single hand, silvered chapter ring, Roman Numerals, date aperture mounted as a wall clock with golden oak hood

An early 20th Century oak longcase clock with arched dial, stamped Union St. Bristol with a Westminster chime and an inscription to the case dated 1.1.36.

A George III 30-hour mahogany longcase clock, the painted square dial signed Hargrave-Settle

George III oak longcase clock with brass dial engraved Sam Shepley, Stockport Case with scratches in parts, hood with a later wooden dial surround, later added bracket feet, some later added mouldings, some veneers have been replaced, some cracking in parts, later added side cheeks, dial and movement look complete, case possibly later due to the later added side cheeks, clock is sole with only one weight and a pendulum, weight missing.

A George III oak eight day longcase clock with brass dial engraved Sterland, Nottingham

A highly unusual painted Swedish eight day Longcase Clock with automaton mechanism, the pierced gallery above dentil cornice and 9.5" dial with silvered chapter ring, Roman numerals and automaton movement with ships etc., further over a fluted trunk door and on shaped bracket feet, 210cm high

A Regency oak longcase clock, the broken arch painted dial showing fishermen on a river bank, painted spandrels showing floral detail, fitted with an eight day striking movement with subsidiary calendar and secondary dials, the hood/swan neck cornice

A Georgian oak longcase clock, the slender trunk supporting an arched hood with column supports and enclosing a broken arch brass dial with applied chapter ring, secondary and calendar dials and eight day striking movement by Henry Mills of Horton

A Georgian mahogany longcase clock, the square hood with reeded columns enclosing square brass dial with silvered chapter ring, subsidiary calendar and secondary dial and eight day striking movement by Samuel Stretch of Bristol

A 19th century Flemish oak longcase clock, the trunk with full length door and flared base with geometric carved floral detail, the hood with pierced frieze enclosing a circular glass dial and thirty hour striking movement

An early 19th century oak cottage longcase clock with boxwood and ebony string inlay, the hood enclosing a broken arch painted dial and thirty hour striking movement

An early 19th century oak longcase clock, the shaped door cross banded in walnut, the hood with swan neck cornice enclosing a broken arch with subsidiary calendar and secondary dials and eight day striking movement

AN OAK AND WALNUT BANDED LONGCASE CLOCK by Dollif Rollisson, Halton, Leeds, the eight day movement with anchor escapement striking on a bell, arched brass dial with Roman and Arabic numerals and tulip chased centre with seconds dial and calendar aperture, silvered sunburst to arch, the case with arched moulded cornice and ebony finials raised on turned columns, ogee arched door, the case with panel base and bracket feet, 88 1/4" high (Illustrated)

AN OAK LONGCASE CLOCK by Thomas Lister, Halifax, the thirty hour movement with anchor escapement and outside count wheel striking on a bell, 12" square brass dial with Roman and Arabic numerals, half penny moonphase and calendar aperture, the centre with signature and ebonised foliage, the case with scrolled pediment surmounted by brass finials on turned columns, arched door flanked by quarter columns, panel base and bracket feet, 87" high (Illustrated)

AN OAK LONGCASE CLOCK by Martin Roper, Penrith, the thirty hour movement with anchor escapement and outside count wheel striking on a bell, the 12" square dial with Arabic numerals, and painted with a swan, the spandrels with geometric motifs, calendar aperture, the mahogany banded case with cavetto moulded cornice on turned columns, canted trunk with arched door, panel base, on plinth, 79" high (Illustrated)

A SCOTTISH MAHOGANY LONGCASE CLOCK, 19th century, the eight day movement with anchor escapement striking on a gong, circular white enamelled dial with Roman numerals, secondary dials, the hood with moulded cornice, leaf carved surmount and spandrels, canted trunk with arched door carved with foliage, panel base with stringing, on bracket feet, 85 1/2" high

A mid 19th Century Longcase Clock, the arched dial painted with a ploughing scene and with gilt floral spandrels inscribed "Abel Holtby, Great Driffield", with seconds ring, date aperture and eight day striking movement in mahogany case, with swans neck pediment, knulled pilasters, small trunk door, shape apron and bracket feet. 7` 5" (226cms) high.

An early 19th Century Longcase Clock, the dial with phases of the moon arch, floral painted spandrels, seconds and date rings and inscribed "John Leslie, Kirkaldy" with eight day movement, the mahogany case with pierced fret carved decoration and brass ball finials, plain turned pilasters above a cross banded trunk door, with chequer banded inlay and canted corners on bracket feet. 7` 6" (230cms) high.

A nine-tube chiming mahogany longcase clock Early 20th century, probably British, the movement stamped ``C.R.C. / C.R. Crookshank / 9974`` and ``3476``, the engraved brass dial with silver chapter ring with raised gilt brass Arabic hour numerals, 4 silvered subsidiary seconds dials, regulation for strike / silent and chime / silent, attached to a three-train quarter chiming and hour strike movement with Westminster and Whittington chimes, within a heavily carved, glazed case, 9`2.5`` H x 24.5`` W x 17`` D, est: $6000/9000 Literature: Roberts, Derek. ``British Longcase Clocks,` West Chester, PA: Schiffer Publishing, 1990, p. 169, a similar example illustrated. Condition: Generally good condition. Movement complete; appears to run. The case with general marks, nicks, scratches, wear and shrinkage cracks commensurate with age. The hood with later added screw holes to each side corresponding to later added mounting brackets that have since been removed. A crack to scroll of pediment. The scalloped door molding of hood with a crack to left side, a loss to right side, and a 4``-long loose section on right side. Each side panel of hood with losses to fretwork, more severe on left side; pieces retained. Three areas of repair to carving applied over glazing on door of trunk. A repaired break to molded edge on top left corner of base. Chipping to base and feet. No key to doors. Moran`s does not guarantee working condition. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL

Late eighteenth century Northern longcase clock with eight day movement, white enamel dial with painted bird decoration and fruit and floral spandrels, signed - Collier Eccles, subsidiary second dial, calendar aperture and moon roller, pierced gilt metal hands, in a flame mahogany case with fluted columns and short door, architectural hood with turned columns, swan-neck pediment and central urn finial, 224cm overall height

Eighteenth century Scottish longcase clock with eight day movement, silvered break arch dial with engraved spandrels, subsidiary second dial and calendar aperture, break arch signed - John Peatt Crieff, flanked by engraved hypocamps, in a mahogany case with full length arched door, the hood with fluted columns, dentil cornice and caddy top with central pierced panel, 214cm overall height CONDITION REPORT Good overall condition is fair. Movement has been cleaned but we are unable to say whether it is in full working order. Dial silvering is marked and scratched, some damage around winding holes. Minute hand is missing and dial may not be original to movement. Seat board has been raised and movement and case may be a marriage. Overall, case is good, trunk door hinges have been replaced, hood is missing one side glass and all three finials are lacking. Fretted decoration is damaged

Eighteenth century longcase clock with eight day movement, circular brass dial with engraved floral decoration and rosette windy holes, subsidiary seconds dial and calendar aperture, signed - Tho's Mankes, Chesterfield, in a pale mahogany case with fluted columns and full length shaped door, the hood with plain turned columns and brass Corinthian capitals, hood door with circular glass panel and blind fret corners, 206cm overall height

Eighteenth century Scottish longcase clock with eight day movement, brass break arch dial with engraved centre, silvered chapter ring and gilt metal spandrels, break arch signed - James Peddie Stirling, subsidiary second and calendar dials, in a mahogany case with inlaid boxwood stringing and arched door, hood with inlaid boxwood and ebony columns, arched door and swan-neck pediment with applied brass roundels, 207cm overall height

Early eighteenth century longcase clock with eight day movement, break arch dial with matted centre, silvered chapter ring and classical mask spandrels, applied silvered cartouche, signed - Milward Hammersmith, break arch with dolphin mounts and central silvered panel with engraved eagle, in a flame mahogany case with fluted columns and full length shaped door with inlaid boxwood and ebony border, hood with fluted columns and swan-neck pediment with carved rosettes, 214cm overall height CONDITION REPORT Dial dimensions are 12 inches x 12 inches. Break arch is hemisphere 9.75 inches x 4.5 inches

Late eighteenth century longcase clock with eight day movement, brass break arch dial with engraved centre, brass chapter ring and scroll and foliate spandrels, break arch with scroll and foliate mounts and central cartouche, signed - Jas Richardson Helmsley, in a light oak case with shaped door, hood with plain turned columns and architectural pediment, 202cm overall height

Late eighteenth / early nineteenth century longcase clock with thirty hour movement, twelve inch square brass dial with classical mask spandrels, brass chapter ring and engraved centre, signed - Bagnall Dudley, subsidiary calendar aperture, in an oak case with full length door, hood with square glazed door, plain turned columns with brass capitals and an architectural pediment, 196cm overall height

A collection of crested china ware including a bathing hut, longcase clock, yacht and other vessels

A late 18th century longcase clock movement and 25cm square brass dial by Samuel Wainwright of Northampton No 1869

Modern Mahogany Cased Triple Weight Longcase Clock

18th Century longcase clock movement, Thomas Gilkes, Charlbury, the brass 30 hour movement with signed dial, brass chapter ring with roman hours, figural spandresl, striking on a bell, 23cm x 23cm

19th Century mahogany longcase clock, Piggin, Norwich, the swan neck pediment above a square glazed door and tapering column, the long trunk door above a plinth base, white painted signed dial with gilt and blue painted spandrels, arabic hours and date aperture, twin train 30 hour movement striking on a bell, 195cm high