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A George III mahogany and inlaid longcase clock case, 228cm high

An oak carved eight day longcase clock with a square brass dial bearing the name David Scott 1926.

A contemporary cherry wood longcase clock, having arched silvered and brass dial, with three train movement, glazed trunk door, pendulum and three weights, h.211cm

John Hodgson longcase clock, 8-day movement striking on a single bell, square brass dial with silvered chapter ring, oak case with mahogany cross banding.width 46cm (18"), depth 25cm (10"), height 186cm (73")Condition report: Overall condition good, replacement lock to door, movement fully refurbished.

Early 19th-century Longcase clock, 8-day movement striking on single bell, square painted dial with rolling moon, oak case, crossbanded in mahogany, broken swan neck pediment, trunk with quarter columns, box base with original bracket feet, inlaid all over with ebonised stringing.56cm (22"), depth 25cm (10"), height 210cm(83")Condition report: Reconditioned movement, dial signed but unreadable, boards forming box base with shrinkage, colour good.

W. Jackson, Frodsham, longcase clock with 8-day movement striking on single bell, unusual oval painted dial with rolling moon, chapter ring with Arabic and Roman numerals, two secondary dials, case with swan neck pediment incorporating painted panels, trunk with quartered columns, brass terminals, mahogany cross-banded door, box base with original ogee bracket feet.width 53cm (21`"), depth 25cm (10"), height 226cm (89") excluding finial

Reproduction oak longcase clock, the arch shaped dial inscribed Emperor Clock Company Ltd, having striking and chiming movement, 188cm high

George II round brass face single hour longcase clock, no makers name,  9 1/2 inch dial with smaller hour date, Roman numerals, oak and burl walnut case

George III eight day longcase clock with enamelled painted dial, harbour scene, Roman numerals, maker John Bell of Ashbourne, second hand mahogany case

A George III eight day oak and mahogany cross-banded longcase clock, the dial inscribed 'John Whitehead, Penrith', having a 12 inch brass dial, gilt spandrels

An early 19th Century inlaid oak longcase clock, with a painted dial, by W. Kirk of Nottingham

A reproduction longcase clock with broken swan neck pediment 202x 45x 26cm

David Somervelle, St Ninians, A Scottish mahogany longcase clock with 13.5 inch brass dial, 216cm High.

An oak grandmother clock with French movement (126cm high) and a miniature longcase timepiece ( 25cm high) (2)

A 19th century mahogany longcase clockthe dial insribed John Russell, FalkirkThe 12 inch brass dial with silvered chapter ring and Roman and Arabic numerals, subsidiary seconds dial and date aperture, the twin train movement striking a bell, contained within a hood with reed pillars above a trunk with shaped door raised on a box base with bracket feet 45cm wide, 25cm deep, 210cm high, 171/2in wide, 9 1/2in deep 82 1/2inch highFootnotes:John Russell, born c.1745-1817, was a highly respected clock and watch maker who in his later life rose to become Watchmaker to his Royal Highness the Prince Regent.For further information on this lot please visit Bonhams.com

Mahogany cased longcase clock, with ornately ormolu mounted brass dial, silvered numeral chapter ring Arched with two smaller dials for chime/silent and Whittingham/Westminster selections, triple weight driven movement chiming on nine tubular bells

Oak and mahogany cased longcase clock, with handpainted and enamelled dial, by R. Roberts, Bangor, for restoration. Approx. 222cm H x 77cm W x 23cm D

19th century mahogany cased longcase clock, with hand painted, gilded & enamelled dial, with painted figures & painted farming scene, by Thomas Taylor, Ellesmere

A mid 18th Century Longcase clock by Arch Laurie, the 30 hour movement with 12" brass dial, in oak case, the hood with flat carved side pilasters

J Bright Saxmundham. A 19thC oak country longcase clock, the shaped cornice surmounted by a brass orb and eagle finial flanked by two further brass finials above an arched trunk door, on stylised bracket feet, with painted 29cm diameter, Roman numeric and Arabic dial with floral spandrels, thirty hour movement with pendulum and weight, 207cm high.

William Dobbie, Falkirk. A 19thC Scottish mahogany drumhead longcase clock, with a carved scroll case raised above a widening trunk with arched door, on a panel base terminating in compressed bun feet, the 34cm diameter Roman numeric dial with subsidiary second hand and date aperture, stamped Willm. Dobbie Falkirk Clock Maker to The Queen with eight day movement, pendulum, two weights and key, 114cm high. William Dobbie was probably the most famous member of this family of clockmakers and was watch maker to Queen Victoria, he had work displayed in the 1851 Great Exhibition and was widely regarded as Falkirk's leading clock maker after the great John Russell.

Three brass longcase clock finials. P&P Group 2 (£18+VAT for the first lot and £3+VAT for subsequent lots)

A George III Derbyshire oak and mahogany longcase clock, the 8 day bell strike movement fronted by a painted arched dial with sheep and waterfall spandrels, the arch painted with a cottage in a landscape, signed 'John Bell Ashborne', the boxwood and ebony strung case with swan neck hood with turned columns, over a incuse arched and cross banded door flanked by fluted quarter columns, on a panelled base, 84¼in. (214cm.) high.

A late 18th century Jersey mahogany longcase clock by James Thoreau, the eight day, bell strike four pillar movement fronted by an arched brass dial with foliate scroll spandrels and 'High Water at Jersey' with painted moonphase to the arch, signed 'James Thoreau, Jersey' to the centre, with engraved decoration of a ship and buildings at the mouth of an estuary, with subsidiary seconds dial and silvered arched date aperture and Roman chapter ring, the case with arched hood on fluted columns, over a narrow trunk with arched door, on plain base with plinth, 82¼in. (209cm.) high.

An early 19th century Jersey mahogany longcase clock by Louis Poignand, the eight day movement striking the hours on a bell, fronted by an arched brass dial with silvered Roman chapter ring and centre with engraved foliage and subsidiary seconds dial and date aperture, signed 'Louis Poignand Jersey', silvered strike/silent dial to arch and gilt foliate scroll spandrels, the case with swan neck top with turned finials over a boxwood strung and reeded roundel decorated frieze, on turned pillars, the trunk with lancet arched door flanked by reel turned pilasters, the plain base with short bracket feet and shaped apron, 88½in. (224.75cm.) high.

A mahogany longcase clock with painted face (Shedden Perth, Burns and his Highland Mary and the four seasons) Condition Report: Available upon request

GEORGE I MAHOGANY CHIMING LONGCASE CLOCK, BY JOSHUA WILSON, LONDON EARLY 18TH CENTURY with pagoda top, brass ball finials, arched brass dial, silvered chapter with subsidiary second and date dials, signed, stop fluted pilasters, brass inlay, moulded arched trunk door, brass stop fluted quarter columns, moulded base and plinth, chimes on four bells(50cm wide, 245cm high, 26cm deep)

An antique eight day longcase clock by Simon Dharme? of London - having 11 inch square dial, separate second hand and date aperture CONDITION REPORTBy our judgement, condition of lot is good.Notably, the door on the case is locked and no key is included.Height, 193cm.Our team of trusted experts are on hand to help and always endeavour to provide an accurate judgement. The ultimate responsibility lies with the buyer however, and we recommend that you make every effort to inspect the lot yourself.To that end, we have provided a number of additional images for your attention.

A 19th century longcase clock - for restoration - having painted arched dial

Tray of glass to include; an Edinburgh crystal mantel clock in the form of a longcase clock, globular vase and bowls etc. (5)(B.P. 21% + VAT)

AN IRISH GEORGE III MAHOGANY AND MARQUETRY LONGCASE CLOCK, the brass dial with calendar aperture and seconds dials, signed on a plaque, Chas. Smith, Dublin, the hood with blind fret frieze and triangular urn filled pediment, the trunk with seaweed marquetry panels above a crested door with half paterae centred by a draped urn and with quarter paterae, flanked by inlaid quarter engaged columns, on a plinth base centred by an urn, with ogee bracket feet. 227cm high

A LATE GEORGE III MAHOGANY LONGCASE CLOCK, the hood with broken swan neck pediment and central urn above an arch top door enclosing a brass and painted phases of the moon dial by Knox of Belfast, the case decorated with blind fretwork, corner pilasters and raised on platform base and ogee bracket feet. 225cm high

A GEORGE III INLAID MAHOGANY LONGCASE CLOCK, the hood with flat moulded cornice and blind fret frieze and enclosing a brass dial with date aperture and seconds dial by Alex Morton of Armagh, raised on square bracket feet. 221.5cm high

14" SQUARE PAINTED DIAL LONGCASE CLOCK, Roman numerals with subsidiary seconds and date aperture to the dial with cottage painted spandrels before a twin weight pendulum driven bell strike movement, the cast plate stamped 'Walker', (pendulum in part, no weights), the oak and crossbanded mahogany case with broken swan neck pediment over a single glazed door with flanking turned pillars, short trunk door with turned pillar side decoration on a long stepped base (requiring restoration, lower trunk parts loose and lacking), 217cms H, 54cms W

CIRCA 1840 OAK LONGCASE CLOCK, 13" square painted dial set with Roman numerals, subsidiary seconds dial and date aperture with bird decorated centre and shell painted spandrels before a twin weight pendulum driven bell strike movement, pendulum and one single weight included, the hood with broken swan neck pediment over a single glazed door with reeded and capped pillars, the short trunk door flanked by quarter cut reeded and capped pillars on a stepped trunk base, 217cms H, 51cms W

Reproduction longcase clock, with pendulum and three brass weights

John Juler of North Walsham longcase clock (pendulum, winding key and two weights present)

19th century 30 hour longcase clock with painted circular dial decorated with a bird in oak case 191cm highCondition report: Sound mostly original condition ,not running ,pendulum present but weight missing

Joseph Wood, Scarborough a faux-tortoiseshell moon-phase lacquer longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch break-arch dial having a raised chapter ring engraved with black Roman numerals and Arabic five-minute markings to the outer aspect, the dial centre having a subsidiary seconds dial, date aperture and engraved with floral decoration and the maker's name Joseph Wood, Scarborough, the arch having a moonphase disc painted with a seascape and landscape, the break-arch faux-tortoiseshell lacquered case having raised Oriental chinoiserie decoration to the base, trunk and hood, with three-quarter columns to the hood, height 212cm.* Biography Joseph Wood is recorded as working in Scarborough from circa 1760 until at least 1790 and is noted for the quality of his longcase clocks which are of the 'London style'.Reference Brian Loomes Clockmakers of Northern England Pub. Mayfield Books 1997.

Thomas Leadbeater, Sandbach a mahogany moonphase longcase clock: the eight-day duration movement striking the hours on a bell, the thirteen-and-a-half-inch break-arch painted dial having black Roman hour numerals with the centre having subsidiary seconds and date dials and signed Thos. Leadbeater, Sandbach, with decorative painted corner spandrels and a moonphase disc to the arch showing the phases of the moon and date, with decorative brass hands, the mahogany case with various inlaid decoration and stringing, the trunk having a shaped door, fluted and inlaid corners and a panel set below, the hood having fluted and inlaid square columns and surmounted by a swan-neck pediment, the base with canted corners, a circular panel, inlaid decoration to each corner and standing on bracket feet, height 226cms. * Biography Thomas P. Leadbeater is recorded as working in Bridge Street, Sandbach, Cheshire prior to 1822 until at least 1855. Reference Keith Appleby Clockmakers of Cheshire Pub. Farmhouse Antiques 1999.

Mark Hawkins, Bury St Edmunds, a lacquer longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch brass break-arch dial having a raised chapter ring engraved with black Roman numerals and Arabic five-minute markings to the outer aspect, the matted dial centre having a subsidiary seconds dial, date aperture and an applied plaque engraved with the maker's name Mark Hawkins, St Edmunds, Bury, with cast-brass vase spandrels to the four corners, the arch having a round boss engraved with a ho-ho bird with dolphin spandrels either side, the pagoda-topped black lacquered case having raised Oriental chinoiserie decoration to the arched trunk door, base and hood, with the hood having quarter pillars, height 212cm. * Biography Mark Hawkins is recorded as both a watch and clockmaker in Bury St. Edmunds working in the early-to-mid 18th century with his father, also Mark, working from before 1670 until at least 1710.

James Ritchie, Edinburgh, a mahogany longcase clock: the eight-day duration movement striking the hours on a bell and having a thirteen-inch round silvered dial engraved with black Roman hour numerals, subsidiary seconds dial, date dial and signed James Ritchie, Edinburgh, with blued steel moon hands and a cast brass bezel, the mahogany drum-head case having a curved top to the trunk door, quartered columns with panel below, a panelled base and standing on bracket feet, height 205cm.* Biography James Ritchie was apprenticed to James Howden of Edinburgh in circa 1799. He married Sarah (Sally) Neil in December 1804 and began his business at 29, Leith Street in 1809 gaining a reputation for his honesty and sound work. He was admitted as a Burgess of the city on the 18th of April 1816. He had a son Frederick who was apprenticed to Ritchie and who became his partner in 1838 aged only 11 years old. James Ritchie died intestate on the 5th of April 1850.Reference Donald Whyte Clockmakers & Watchmakers of Scotland Pub. Mayfield Books 2005. An advertisement for James Ritchie is shown on page 248.Donald Whyte Letter to Antiquarian Horology Journal of the Antiquarian Horological Society Winter 1992.

D. Angelo & Cadenazzi, Winchester, a mahogany longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch break-arch painted dial having black Roman hour numerals and floral corner spandrels, the dial centre having subsidiary second, date dials and signed D. Angelo & Cadenazzi, Winchester, with floral decoration painted within the arch and blued steel spade hands, the mahogany case having ebonised crossbanding to the arched trunk door and base, the hood with inlaid stringing and fluted pillars with cast-brass capitals and surmounted with whales-tooth cresting, all standing on bracket feet, height 217cms.

Samuel Northcote, Plymouth a mahogany longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch silvered break-arch dial engraved with black Roman hour numerals and Arabic five-minute markings to the outer aspect, the dial centre engraved with subsidiary seconds and date dials along with the maker's name Saml. Northcote, Plymouth, the arch engraved with a Strike/Silent dial, the arch-topped mahogany case having boxwood crossbanding to the to the trunk and hood doors, with the quarter pillars to the trunk and hood having brass stops and capitals, the pediment surmounted by three brass ball-and-spire finials and with a raised panel to the base, height 212cm inc. finial.* Biography Samuel Northcote is recorded as working in Plymouth as a clockmaker and optician. He died in his eighty-third year on the 13th November 1791. His son, also Samuel, continued as a watch and clockmaker and died aged 71 in 1813. Samuel jnr's son James Northcote RA was apprenticed to Samuel but settled as an accomplished portrait painter becoming a Royal Academician.Reference Clive N. Ponsford Devon Clocks & Clockmakers Pub: David & Charles 1985.

A small and slim mahogany grandmother longcase clock: the eight-day, weight-driven movement striking the hours on a bell and having a brass cylindrical pendulum bob, the 6½-inch brass break-arch dial having a raised chapter ring engraved with black Roman numerals and Arabic five-minute numerals to the outer aspect, the dial centre engraved with floral decoration, with cast-brass c-scroll spandrels to the corners, the arch with an applied boss signed with the makers name J. Hughs, London and further c-scroll spandrels, the arched mahogany case having a shaped moulding to the trunk door, barley-twist columns to the hood and all standing on bracket feet, height 176cm.

J. Hudson, Nottingham, an oak longcase clock: the thirty-hour duration movement striking the hours on a bell and having a twelve-inch square painted dial with black Roman numerals, decorative corner spandrels, date aperture and decorative brass hands, the oak case with mahogany crossbanding, the hood having turned pillars with cast-brass capitals and surmounted by a swan-neck pediment with a cast-brass ball-and-spire centre finial, height 212cm.

Philip Avenell, Farnham, a lacquer longcase clock: the eight-day duration movement striking the hours on a bell with decorative steelwork to the bell stand and having a twelve-inch break-arch brass dial with a raised silvered chapter ring engraved with black Roman numerals and Arabic five-minute numerals to the outer aspect, the dial centre having a subsidiary seconds dial, date aperture and engraved with floral decoration and the maker's name within a cartouche Philp. Avenell, Farnham, with cast-brass c-scroll spandrels to the four corners and decorative blued steel hands, the arch having a Strike/Silent dial with matching spandrels, the black lacquered flat-top case having raised Oriental chinoiserie decoration to the arched trunk door, base and hood, with the hood having quarter pillars, height 204cm.* Biography Philip Avenell is recorded as working in Farnham, Surrey circa 1765 before moving to London in circa 1775 where he died in 1809.

Ainsworth Thwaites, London a slim oak longcase clock: the thirty-hour duration movement having a verge escapement and striking the hours on a bell with an outside countwheel with the six-inch break-arch brass dial having a raised chapter ring engraved with black Roman numerals and Arabic five-minute markings to the outer aspect, with c-scroll and rococo engraved decoration to the centre, corners and arch and blued steel hands, the arch having a round boss engraved with the maker's name Aynsworth Thwaites, London, the slim oak case having a shallow arch to the trunk door, a flat-top hood with wood pillars and a plain base standing on bracket feet, height 185cm.* Biography Aynsworth (sometimes Ainsworth) Thwaites is recorded as being apprenticed in 1735 and a member of the Clockmakers' Company from 1751 until 1880 working in Rosoman Row, Clerkenwell. His son John, apprenticed 1772, went into partnership with George Jeremiah Reed to form the well-known clockmaking firm Thwaites & Reed.

John Sweeby London, a mulberry, walnut and seaweed marquetry longcase clock: the eight-day duration movement having finned pillars and striking the hours on a bell with an inside countwheel, the twelve-inch square brass dial having a raised silvered chapter ring engraved with black Roman hour numerals, Arabic five-minute numerals and decorative half-hour markings, the matted dial centre having ringed winding holes, a raised silvered seconds dial and a date aperture with engraved surround, with blued steel hands and cherub-head cast-brass corner spandrels, engraved either side of VI o'clock with the maker's name John Sweeby Londini fecit, the flat-top walnut case inlaid having shaped marquetry panels to the trunk door and a round lenticle glass and inlaid marquetry to the trunk, base, hood and convex throat moulding, with the tapered hood pillars having cast brass capitals, with ebonised mouldings, complete with brass bund weights, height 211cm.*Biography John Sweeby (Sweby) is recorded as having been apprenticed to William Speakman in 1663 and a member of The Clockmakers' Company from 1671 until 1690.*Notes Reference Brian Loomes Watchmakers and Clockmakers of the World, Pub. NAG Press 1988.

George Ellis, Oaken Gates, an oak and mahogany longcase clock: the thirty-hour duration movement striking the hours on a bell and having a painted twelve-inch break-arch dial with black Roman numerals, date aperture, decorative gilded brass hands and decorated with rural buildings to the four corners and arch, the oak case with mahogany crossbanding and panels, the fluted quarter columns to the trunk having cast-brass capitals, the hood with a swan-neck pediment and fluted pillars, the panelled base standing on bracket feet, height 214cm.*NOTE The height of the clock is 214cm and not 124cm as described.* Biography George Ellis is recorded as working in Oaken Gates, Shropshire from circa 1842 until at least 1850.* Notes Reference. Douglas J. Elliott Shropshire Clock & Watchmakers Pub. Phillimore & Co Ltd 1979.

EARLY 20TH CENTURY OAK LONGCASE CLOCK, 205CM HIGH

MODERN REPRODUCTION LONGCASE CLOCK, 197CM HIGH

A George III figured mahogany 8 day longcase clock by John Hamilton, Glasgow. With brass arch top dial bearing a silvered name plate and chapter ring, ornamented with dolphins and scroll work spandrels. With swan neck pediment, twist supports and raised on slender splay bracket supports, 210cm. Exceptionally good clean condition. Running, tested overnight. With weights, pendulum and keys.

An early 19th century mahogany 8 day Scottish longcase clock, the silvered and brass dial marked William Man, Aberdeen, height 220cm

A George III mahogany 8 day longcase clock, brass and silvered dial-marked John May Southampton, height 207cm

Furnival Sheffield; a George III oak longcase clock, the moulded broken swan neck pediment with brass orb finials, brass mounted free standing fluted pilasters, the arched long trunk door flanked by fluted quarter columns, on a panelled base, the 12.5" circular brass dial with Roman and Arabic numerals, the twin train movement striking on a bell, 214cm high, with key (2).

A. Molinare Halesworth; a George III oak longcase clock, the square hood with brass orb finials and freestanding columns, panelled long trunk door, the 12" brass dial with subsidiary seconds, the twin train movement striking on a bell, 208cm high.

Scott Perth: a Regency mahogany satinwood crossbanded boxwood and ebony strung longcase clock, the arched hood with broken swan neck pediment and brass orb and spire finial, freestanding rope twist columns, the arched long trunk door between ropetwist quarter pilasters, the 13" painted dial with figure panels, subsidiary seconds and calendar dials, the twin train movement striking on a bell, the pendulum painted with a house in a highland landscape, 230cm high.

LONGCASE CLOCK, George III oak, with eight day movement and painted face inscribed 'Geo Travis, Thorne', 224cm H x 22cm. (slight faults)

A 30 hour Drury of Banbury longcase clock, with painted coquillage dial, now in a well made pine case, 188cm