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WILLIAM AND MARY MINIATURE LONGCASE CLOCK THE MOVEMENT BY JOSEPH KNIBB, LONDON, CIRCA 1685 the later case hood with flat top hood and rectangular glazed side panels flanked by spiral twist columns, the rectangular door with boxwood and ebony star parquetry inlay, conforming parquetry to the step-moulded base, the 6 inch wide brass dial with winged cherub mask spandrels to silvered Roman and Arabic chapter ring with trident half hour markers, replaced blued steel hands, the movement on ball and spike feet with four ring-turned pillars, replaced knife edge verge escapement and countwheel strike on later bell 175cm high Provenance: Provenance: Collection of Basil Hodson Purchased Sotheby`s 26th January, 1968, lot 36
CHARLES II SILVER METAL MOUNTED, EBONY VENEERED ARCHITECTURAL LONGCASE CLOCK BY JOHANNES FROMANTEEL, LONDON CIRCA 1670 the 9 inch square gilt brass dial mounted with a silvered chapter ring and with foliate engraved spandrels, signed `Johannes Fromanteel, Londini`, the month going movement with four latched and ringed pillars joining rectangular plates, bolt-and-shutter maintaining power, anchor escapement and Roman striking on two bells, the arched case with applied brass mounts the trunk with fine applied mouldings, raised on bun feet 36cm wide, 193cm high Provenance: Collection of Basil Hodson
19TH CENTURY WELSH OAK EIGHT DAY LONGCASE CLOCK, by D Morgan Ystalyfera, having broken swan neck pediment with brass eagle finial, above arched aperture flanked by wrythen columns, the waist with plain crossbanded door flanked by canted angles on a crossbanded panel base with bracket feet. Arched painted face decorated with figure animals and buildings, having Roman numerals, seconds dial and date aperture. 17.5" x 13".
18TH CENTURY OAK EIGHT DAY LONGCASE CLOCK, by John Ramsbottom of Hall Green, having flat hood with moulded cornice over square aperture flanked by turned columns, the waist with plain moulded panel door on a panel base with skirted platform and later feet. Square brass 11.5" Dial with silver chapter ring having Roman numerals and seconds dial, two train movement striking on one bell.
RARE 18TH CENTURY EIGHT DAY LONGCASE CLOCK, by "Rice Jacks" of Carmarthen, having Chippendale style case with broken swan neck pediment above strapwork freize, arched aperture flanked by gilt metal mounted reeded corinthium columns, the waist with moulded shaped door flanked by strapwork canted angles on a panelled base. Brass arched face with engraved decoration, Roman numerals, seconds dial and date aperture. 17" x 12". Two train movement striking on one bell. (maker not recorded).
19TH CENTURY WELSH MAHOGANY EIGHT DAY LONGCASE CLOCK, by G Blethyn, Pembroke, having 18th century style case with broken swan neck pediment above dentil and strapwork freize, square aperture flanked by three quarter moulded columns, plain moulded waist door and a panel base. 12" Square painted face with Roman numerals, seconds dial and date aperture. Two train movement striking on one bell.
An 8 day oak longcase clock. the 12 inch brass dial signed John Silvester, Stafford, the matted centre with subsidiary seconds and foliate engraved date aperture, notch winding squares, wheat ear engraved border, the movement with 4 ringed pillars in a case with double caddy top, the break arch trunk door with lenticle, 8ft 4in (254cm) high.
An Irish mahogany longcase clock, with an 8 day movement striking on a bell and a 13inch square brass dial, the chapter ring signed Alexr Gordon, Dublin, subsidiary seconds dial and circular date aperture, winged mask spandrels, the hood with a swan neck pediment with carved rosettes above a foliage carved frieze centred a lion mask, corinthian capital pilasters, broken arch trunk door flanked by reeded quarter pilasters, the base on ogee bracket feet, 7ft 9in (235.5cm) high.
An 8 day ebonised longcase clock, the 12 inch brass dial signed John Trubshaw, London, beneath the silvered chapter ring, the matted centre with subsidiary seconds, date aperture and ringed winding holes, cherub and crown spandrels, the 5 pillar movement with anchor escapement and locking plate striking, in an ebonised pine case with glass lenticle and fret to the hood, 7ft 2in (219cm) high.
An 8 day oak longcase clock, the 11½ inch brass dial signed on the silvered chapter ring Claude Viet, London, the matted centre with ringed winding holes, subsidiary seconds and date aperture, the 5 ringed pillar movement in a plain oak case, 6ft 2in (188cm) high. Provenance: Sold on behalf of the executors of the late Michael Wellby Esq.
A 8 day oak longcase clock with automaton, the 12in brass dial signed Geo Eveleigh, Beaminster, the centre engraved with a lakeside scene with sub seconds and date aperture, the arch containing a painted rocking ship, 4 pillar movement, in a case with flat hood and blind frets, 6ft 9in (206cm) high.
An 8 day oak longcase clock with automaton, the 12 inch brass dial signed Will Henell, Alresford, in the foliate engraved centre, recessed subsidiary seconds and ringed date aperture, the arch containing rocking silvered moon against a painted background of stars, the 5 pillar movement in a break arch case, 6ft 10in (208) cm high.
An 8 day mahogany longcase clock with automaton, the 12 inch brass dial singed on the silvered chapter ring Jno Dewe, London, subsidiary seconds and date aperture in the matted centre, the arch containing and automon of Old Father Time, the 4 pillar movement in a break arch case, 7ft 5in (226cm) high.
An 8 day mahogany longcase clock, the 12 inch brass dial signed on the boss in the arch Geo Maynard, Melford, the matted centre with recessed subsidiary seconds and date aperture, in a break arch case flanked by fluted canted corners, the hood with three eagle finials, 7ft 10in (236cm) high.
A quarter chiming mahogany longcase clock, signed in the arch Barker, Framlingham, florally engraved silvered centre with subsidiary seconds, levers for Chime/Silent at 10 o`clock and 4 Bells/8 Bells at 2 o`clock, the three train movement striking the hours on a gong, in a break arch case, the plinth and trunk flanked by fluted pilasters, 7ft 2in (219cm) high.
An 8 day mahogany longcase clock, with a 13 inch dial signed around the arch John Harrison, Newcastle, foliate engraved centre with date aperture, the arch containing painted moon dial, 4 pillar movement with anchor escapement, the case with leaf carved arch trunk door, the hood with swan neck pediment flanked by free standing fluted Corinthian capital columns, 8ft (244cm) high.
An 8 day longcase clock with automaton, the 12 inch brass dial signed Wm Mason, London, on a silvered plaque in the matted centre, subsidiary seconds and date aperture, the arch with a painted ship automon within a silvered ring, engraved Viglate et Horate, in a break arch case of good colour, with a panelled plinth, the hood with fluted columns, 7ft (213cm) high.
An 8 day Dutch walnut and marquetry longcase clock, the 12 inch brass dial signed Lourens DuChene, Amsterdam on the silvered chapter ring, subsidiary seconds and date aperture, ringed winding holes, four seasons spandrels, wheat ear engraved border, the arch with moon work, the 4 pillar movement with dutch striking, the break arch hood with fretwork and caddy top,the whole inlaid with birds and floral marquetry, similarly inlaid side panels, the bombe base with mask inlay, 7ft 11in (241cm) high.
A Victorian longcase clock, the painted roman dial bears indistinct Newcastle maker's signature, with subsidiary seconds dial and painted scene to the arch of a man outside a tavern, fruit pattern spandrels, two train movement with anchor escapement, the case with glazed arch door flanked by columns, banded waist door panel, base on slender bracket feet, 86in. high.
A late Georgian oak and mahogany longcase clock, the painted roman dial signed Wm. Hain, Burslem, subsidiary seconds dial and date aperture, with moon phase to the arch, two train movement with anchor escapement, the case with swan neck pediment, urn finials, arched glazed door flanked by turned columns, the shaped waist door flanked by fluted quadrants, panel base, 90in. high.
A carved oak longcase clock, the brass roman dial signed F. Robin Lundi Fecit, two train anchor escapement striking on a bell, the case with carved swan neck pediment above glazed door flanked by bobbin turned columns, foliate carved waist door, carved panelled base with bracket feet, 85in. high.
A late Georgian mahogany longcase clock, with painted roman dial signed J.A. Monkhouse, Carlisle, with subsidiary seconds dial and date aperture, moon phase to the arch, painted spandrels, two train movement with anchor escapement, the case with swan neck pediment and star burst motif, arched glazed door flanked by plain columns, the arched waist door with oval inlaid decoration, with canted burr wood side, panel base on spreading bracket feet.
An inlaid mahogany longcase clock, the brass dial with silvered roman chapter ring, with main plate to centre bearing the name of 'Benson, Whitehaven', subsidiary seconds dial, bust portrait to aperture in arch, mask and foliate spandrels, two train movement and anchor escapement, the case with swan neck pediment and brass finial, arched door flanked by fluted columns, arched waist door centred by inlaid shell motif, flanked by fluted quadrants, similar inlay to panel base on ogee bracket feet, 90in. high.
Robt. Scholfield, Rochdale: an oak and mahogany banded longcase clock, the brass dial with silvered roman chapter ring, date aperture, with engraved crest to arch, foliate spandrels, two train movement with anchor escapement, the case with arched frieze above a glazed door flanked by turned columns, shaped and banded waist door flanked by quadrants, panelled base with canted corners, 82in. high.
John Weston, Wolsingham: a George III mahogany and banded longcase clock, the brass dial with silvered roman chapter ring, engraved to the centre with a recumbent lion amongst foliated scrolls, the subsidiary seconds dial engraved with snake and bird design, two train movement with anchor escapement, moon phase to the arch, the case with swan neck pediment and dentil decoration, arched door flanked by turned columns, the central section with blind fret frieze above a shaped and banded waist door flanked by fluted quadrants, panel base with canted corners and bracket feet, 86in. high. See illustration
J. Telford, Bellingham: a Victorian oak and mahogany banded longcase clock, painted roman dial, subsidiary seconds dial and date aperture, painted coastal scene to the arch with figures and castellated buildings to spandrels, two train movement with anchor escapement, the case with swan neck pediment above a glazed arched door flanked by turned columns, shaped waist door flanked by columns, panel base with bracket feet, 88in. high.
An oak thirty hour longcase clock, with brass roman dial signed Thomas Gate, Carlisle, also signed with the names of the first owners 'William & Nancy Pitt', with engraved foliate decoration, subsidiary date aperture, anchor escapement, the case with dentil cornice, glazed door and turned tapering column, shaped waist door, panel base on plinth feet, 83in. high.
A mid 19th Century mahogany longcase clock, the enamelled roman dial indistinctly signed with Newcastle maker, with scene of a dog chasing pheasant to arch, cottage pattern spandrels, subsidiary date and seconds dial, two train movement with anchor escapement, the case with arched glazed door flanked by plain columns, banded arched door flanked by fluted quadrants, panel base with bracket feet, 92in. high.
A mahogany longcase clock, the painted arabic dial signed 'Frames, Gateshead', with subsidiary seconds and date dials, shell pattern spandrels with painted scene of two ladies by a stream to arch, two train movement, anchor escapement, case with arched glazed door flanked by turned columns, arched waist door with canted sides, panel base on bracket feet, 82in. high.
A George III marquetry inlaid and boxwood strung mahogany veneered eight day longcase clock by Gaskell of Knutsford, the painted arched dial with rotating moonphase to the arch, subsidiary seconds dial, subsidiary date dial, and twin winding holes, the movement striking on a gong, with twin weights, pendulum and winder, total height approx 232cm (illustrated).
A George III marquetry inlaid and mahogany banded oak cased eight day longcase clock by Blakeborough, the painted arched dial with rotating moonphase to the arch, subsidiary seconds dial, subsidiary date dial and twin winding holes, the movement striking on a gong, with pendulum, twin weights, and winder, total height approx 235cm (illustrated).
A George III boxwood strung flame mahogany veneered eight day longcase clock by Thos Gaskell of Knutsford, the painted arched dial with rotating moonphase to the arch, subsidiary seconds dial, date aperture, twin winding holes, the movement striking on a gong, with pendulum, twin weights and winder, height approx 217cm (illustrated)
An 18th century oak cased eight day longcase clock by William Plant of Walsall, the arched brass dial engraved with a bird and stylised foliage, featuring subsidiary date dial, subsidiary seconds dial, twin winding holes, with twin weights, pendulum and winder, height approx. 217cm (illustrated).
A 20th century Georgian Revival marquetry inlaid boxwood strung crossbanded and feathered mahogany finished chiming longcase clock of small and narrow proportions, the arched silvered dial with chased decoration, `Chime/Silent` subsidiary dial, three winding holes, with winder, height approx 186cm (illustrated).
A fine quality `Sun and Moon` longcase clock by Geoffrey Bell of Winchester, circa 1971, being a highly detailed replica of a circa 1780 J Ferguson astronomical Sun, Moon and Tidal clock, these clocks were made in limited numbers and with this lot comes a quantity of original correspondence from Geoffrey Bell to the purchaser, also with weight and pendulum, total height including finial approx 204cm (illustrated).
A George III oak and mahogany longcase clock by Richard Holt, Newark with eight-day movement striking on a bell, arched dial painted with a neo-classical female,the hood with broken swan-neck arch above plain turned pillars with brass mounts, arched long trunk door flanked by fluted quarter pilasters, on box base. 212 cm Condition Report Lacking plinth/bracket base f/r
A George III mahogany longcase clock, arched painted dial, signed Jos: Symcock, Nantwich, moon phase lunette, subsidiary second dial, the spandrels decorated with figures emblematic of the seasons, eight-day two chain movement, striking on a bell, the case with a scrolled pediment piece and umbrella finials, cluster column outlines, Gothic arched door, ogee bracket feet, height 240cms.
A 19TH CENTURY OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, the hood with swan neck pediment and flank pilasters, the trunk with waist panel door and box base with fielded panel, eight day Clerkenwell type four pillar mechanism with bell strike, faced by an arched painted dial with remnants of moon phase, 2.2m
An interesting collection of John Whitehurst of Derby FRS 1713-88, J. Whitehurst II of Derby 1761-1834 and J. Whitehurst III of Derby. Comprising an original ink signature on paper John Whitehurst of Derby (1713-88); together with a pen and ink sketch design for a bell tower copula with weather vane, probably late 18th century, approx 17 x 18cm; together with a pen and ink sketch of 'An Escapement for a clock 1800'. probably drawn by John Whitehurst II of Derby; another pen and ink sketch titled 'A perpetual day of the moth in a clock', depicting a calendar gear wheel mechanism and calendar for a longcase clock, draw and ready to make, probably drawn by John Whitehurst II of Derby, after 1788 and approx 25 x 36.5cm; a rubbing/engrave template complicated sundial, dated 1812- an interesting sundial is in Derby museum, dated 1812 and another can be seen at Locko Park, approx 31 x 34cm; a watchman's time pieces sheet dated 1812 which would have been parted into a longcase clock; an indenture of 1819 relating to John Whitehurst II and second son Charles Howard Whitehurst reference a sale of a house in St Alkmunds churchyard, probably a draft, approx 59 x 43cm.
James Whitehurst, Congleton - A George III mahogany and satinwood strung longcase clock, the broken swan neck pediment and square hood with pillars, enclosing a brass approx 32cm d dial with Roman numerals, inscribed Whitehurst, Congleton, eight day movement, the trunk with arched door, raised on plinth base and short bracket feet, approx 219cm h.
A George III mahogany longcase clock, by John Whitehurst II of Derby, dated 1791, the broken triangular pediment and square hood with ionic pillars enclosing a 13" brass dial signed Whitehurst, Derby, dated 1791, with arched date aperture and engraved arrow hand, ringed winding holes, Roman numerals, pierced hands, eight day movement, in mahogany case with arched door, raised on plinth base and bracket feet, approx 226cm h.
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41737 item(s)/page