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Contemporary three train longcase clock, the 9.75" square brass dial in a plain case with glazed long door, 69" high

Mahogany eight day longcase clock, the 12" brass arched dial signed J.A. Page, Plymouth to the arch over a subsidiary seconds dial and calendar aperture, the flamed case with long arched door inlaid with boxwood lines and flanked by fluted canted corners and surmounted by an arched cornice with three ball finials, 86" high

Good walnut eight day longcase clock, the 12" brass arched dial signed Markroick Markham, London on a boss to the arch, the matted centre with subsidiary seconds dial, calendar aperture and bevelled winding holes, with strike/silent to the arch, the case with long arched door inlaid with boxwood lines and surmounted by an arched stepped pediment over a pierced foliate carved panel, 95" high

Walnut eight day longcase clock, the 11" square brass dial with floral engraved centre, the case with a short door, crossbanded and inlaid with boxwood lines and surmounted by a triangular pediment, 75" high

Oak eight day longcase clock, the 12" square brass dial signed Joshua Alloway, Taunton on the silvered chapter ring, the matted centre with subsidiary seconds dial and calendar aperture, the case with long door inlaid with a star and surmounted by a swan neck pediment over a fretwork panel, 80" high

Fine eight day longcase clock with six pillar movement, the 10" square brass dial signed Thomas Pare, Londini Fecit on the silvered chapter ring, with ringed winding holes to the matted centre, within a later specially commissioned burr walnut case with cock beaded long door surmounted by a rising hood with stepped pediment over a foliate pierced fretwork panel and barley twist columns, 72" high

Walnut eight day longcase clock, the 12" silvered arched dial signed William Vale, London, with subsidiary seconds dial, calendar aperture and strike/silent to the arch, the case with arched molded door surmounted by a pagoda top, 86" high

Walnut eight day longcase clock, the 12" brass arched dial signed Josiah Smith, Bristol on a plate to the matted centre with subsidiary seconds dial and calendar aperture, the arch with moving Father Time, the shortened case with arched door inlaid with chequered lines and surmounted by an arched top with pagoda cornice, 86" high

Oak eight day longcase clock, the 12" arched brass dial signed John Clark, with subsidiary seconds dial and calendar aperture to the matted centre, with moon phase to the arch, the case with long door and carved overall with scrolling foliage and surmounted by stepped pediment, 79" high * This clock is believed to have belonged to Lady Eleanor Arundel of Wardour Castle, Tisbury, Wiltshire*

Mahogany eight day longcase clock, the 13" painted arched dial signed W. Cox, Devizes, with subsidiary seconds dial, calendar aperture and an oval hunting vignette painted to the arch, the London style case with long moulded arched door, flanked by ormolu mounted quarter pilasters surmounted by a pagoda top with three ball finials, 99" high

Mahogany eight day longcase clock, the 12" arched silvered dial signed John Stratton, Devizes, the case with long arched door inlaid with ebony stringing and surmounted by an arched pediment, 82" high

Mahogany eight day longcase clock, the 12" brass arched dial signed Jonathan Feron, Lewes, with subsidiary seconds dial and calendar aperture to the engraved matted centre, the arch applied with a silvered engraved moon face boss, the case with long ebony banded door surmounted by a swan neck pediment and ball and spike finial, 85" high

Oak eight day longcase clock, the 12" brass arched dial signed Cavit, Bedford, with subsidiary seconds and calendar dials, the case with long arched door and surmounted with an arched moulded pediment with three brass ball finials, 86" high

Oak eight day longcase clock, the 12" brass arched dial signed William Gough , London on a boss to the arch, with subsidiary seconds dial and calendar aperture to the matted centre, the plain case with a long door, surmounted by a stepped pediment, 78.5" high.

Oak thirty hour longcase clock with 10" enamelled square dial, the case with long door surmounted by a moulded stepped cornice, 84" high

Mahogany eight day longcase clock, the 12" brass arched dial signed George Sims, Horslydown to the foliate engraved centre, with subsidiary seconds dial and calendar aperture, the arch inscribed ÒThe Union" over a later printed rural scene, the flamed case with long door flanked by quarter fluted columns and surmounted by a pagoda top with two later ball and spike brass finials, 93" high

Mahogany eight day longcase clock, the 13" painted arch dial signed Bowling, Leeds with subsidiary seconds dial, calendar aperture and moon phase to the arch, the case with long door flanked by quarter pillars and inlaid with boxwood and ebony lines, surmounted by a swan neck pediment, 94" high

Good green lacquer and chinoiserie decorated eight day longcase clock, the 12" brass arched dial signed Jos Stephens, London on a boss to the arch, with subsidiary seconds dial and calendar aperture to the matted centre, five pillar movement, the case with long rounded arched door fitted with a lenticle, gilded and lacquered with figures in maritime pursuits, birds and animals, surmounted by an arched pediment with three gilded ball finials, 88" high

A George III oak and mahogany crossbanded longcase clock, arched enamel dial with Roman numerals, painted to the arch with a country lane with thatched cottages, abbey ruins to spandrels, seconds subsidiary, date aperture, twin winding holes, eight day movement striking on a bell, hood with swan neck pediment, flanked by turned baluster columns, shaped arched rectangular trunk door centred by a shell patera within a diamond shape lozenge, flanked by canted angles, skirted base, 218cm high, c.1810

A George IV mahogany longcase clock, arched enamel dial with Roman numerals, moon phase, painted to spandrels with female figures allegorical of the four seasons, seconds and minutes subsidiary dials, twin winding holes, eight day movement striking on a bell, hood with swan neck pediment, flanked by turned columns, shaped triple arched rectangular trunk door, flanked by Doric columns, outlined throughout with crossbanding, canted rectangular base, 216cm high, c.1825

A George III oak and mahogany crossbanded longcase clock, circular enamel dial with Roman and Arabic numerals, painted to the centre with a fanciful bird perched amongst flowers, date aperture, thirty hour movement striking on a bell, hood with swan neck pediment, flanked by brass capped columns, shaped arched rectangular trunk door flanked by conforming quarter columns, plinth base, 202cm high, c.1800

A George III oak and mahogany crossbanded longcase clock, the arched enamel dial inscribed Cotterill, Wirksworth, Arabic numerals, painted to the arch with a bird amongst flowers, further flowers to spandrels, date aperture, 30-hour movement striking on a bell, the hood with swan neck pediment, Doric columns, arched rectangular trunk door flanked by canted angles, inlaid to the centre with an oval shell patera, conforming base, shaped plinth, 220cm high, c. 1805 John Cotterill is one of a prolific dynasty of Derbyshire clock makers, and records show that he signed dials wth his surname only c. 1805 -08

A George III oak and mahogany longcase clock, painted arched enamel dial inscribed Geo. Slater, Burslem, Roman numerals, moon phase dial painted with a sailing ship on a choppy sea, shells and leaves to spandrels, seconds subsidiary, twin winding holes, eight-day movement striking on a bell, the hood with swan neck pediment, turned columns, shaped rectangular trunk door flanked by turned split columns, canted base, outlined with boxwood stringing, shaped apron, bracket feet, 234cm high, c. 1820

An early 19th Century Longcase Clock, the brass dial inscribed "Thomas Willis, Felton" with 8 day striking movement in oak case with fret carved swan's neck pediment and dentil cornice with plain turned pilasters, canted corners and on bracket feet. 7' 6" (229cms) high.

A 19th Century Longcase Clock with white circular dial and 8 day striking movement in oak case with arched panel door on a plinth base. 6' 2" (188cms) high.

A miniature Longcase Clock with German movement in oak case, 15 1/2" (40cms) high and another in mahogany case. (2)

An early 19th Century Longcase Clock, the painted arch dial inscribed "Lampin, Leicester", painted with a lake landscape and with floral spandrels and with date aperture, with 30 hour movement in oak and mahogany case with swans neck pediment, turned pilasters and on bracket feet. 7'2" (218cms) high.

George III Longcase Clock, with square brass dial, (30cms 12"), silvered chapter ring inscribed, "J. Stancliffe - Barkisland", engraved crescent, calendar date dial and lunar date dial below a penny moon phase, cast and pierced brass spandrels, eight-day movement and contained within an oak case, with swan-neck pediment, the hood with inverted tapered fluted columns, above an arched door, flanked by quarter column pilasters, plain base and bracket feet, 221cms, (7'4").

A George III mahogany longcase clock, late 18th century, the hood with inlaid Prince of Wales plumes and brass capped columns, the brass dial engraved Thomas Radford, Leeds, the eight day rack striking movement with anchor escapement, the trunk with break arch door over crossbanded panel plinth, two weights and pendulum, 231 cm high.

An early 20th century Continental moulded oak longcase clock, the cavetto cornice above circular gilt metal dial, within a glazed and moulded long door with acanthus leaf and reeded pilasters, upon bracket supports, pendulum and two weights, 210 cm high.

A 19th century oak longcase clock, the swan neck hood with turned columns and brass reeded eagle finial, the 12'' arched enamel dial painted with floral and farmyard scene signed Geo. Stuart, Newcastle, the eight day rack striking movement with anchor escapement, the trunk with arched door and reeded canted corners over plinth base, pendulum and one weight, 218 cm high.

John Watts, Canterbury, an oak longcase clock, the arched brass dial, with applied crown and cherub surmount, with subsidiary seconds dial in scribed Jno Watts Canterbury, and eight day hour repeat action.

Richard Wright, Witham, a George III eight day longcase clock, the 11 inch brass arched named dial with Roman numerals, and subsidiary date and seconds dial, with pierced cherub, crown and scroll spandrels, the arch inscribed Tempus Fugit, in arched oak and mahogany crossbanded case, 206cm high. (Some later restoration).

A mahogany-cased drum-head longcase clock, the hood with arched moulded cornice and circular glazed door, flanked by moulded quadrant columns, the trunk with arched top to the rectangular door, flanked by fluted quadrant columns, raised on a panelled plinth flanked by fluted stop chamfers, the 8-day movement having a circular enamelled dial with subsidiary calendar and seconds dials, the false backplate stamped Beilby & Hawthorn, Newcastle, circa 1800, 183cm high

18th Century oak eight day longcase clock with later Victorian carving square brass dial with moonphase and date aperture by John Varley

D. Jones Junior, Merthyr, 8-Day Striking Longcase Clock having painted arched dial with seconds dial and calendar, in mahogany case having all over inlaid stringing, arched hood with turned finials, reeded column supports, rectangular door, on bracket feet, 2m 27cm high (in need of restoration)

A Miniature Simulated Rosewood Longcase Clock having inlaid shell motif and stringing, with white enamel dial (dial cracked), having Roman numerals, 36cm high

Early 19th century inlaid oak cased eight day longcase clock with arch topped moonphase dial, signed Jno. Wilson, Peterborough

A GEORGE III MAHOGANY LONGCASE CLOCK by Edward Buckwell of Brighton, the white enamelled dial with Roman numerals, subsidiary date and seconds dial, the arch painted with a classical urn, with an eight-day movement striking on a bell, the arch topped hood with scrolling cornice, the dial flanked by twin fluted columns, 91" high.

A GEORGE III MAHOGANY LONGCASE CLOCK with a silvered dial signed “John Blackford, Plymouth Dock”, with a subsidiary seconds dial and date aperture, the arch with a rocking ship automaton, with an eight-day movement striking on a bell, the hood with an arched top, the trunk with a long door flanked by canted corners, 77" high.

A MINIATURE TORTOISESHELL AND SILVER PIQUE LONGCASE CLOCK, the case inlaid in the neo-classical manner, the watch with white enamel dial, Arabic numerals and subsidiary dial, 101/2"

A GEORGE III OAK AND MAHOGANY LONGCASE CLOCK, the white enamel dial signed “J Ivifon, Carlisle”, with Arabic numerals and subsidiary seconds dial, the arch painted with a portrait of a bearded gentleman, the spandrels with neo-classical style motifs, with a thirty hour movement, striking on a bell, the hood with scrolling cornice, the trunk with a long door, flanked by quarter recessed columns, 89" high.

A GEORGE III OAK LONGCASE CLOCK, with a brass dial signed James Wood of Dorchester, the dial decorated with buildings in a landscape, the chapter ring with Roman numerals and a subsidiary seconds dial, with a thirty hour movement, striking on a bell, with a flat topped hood, the dial flanked by gilt capped columns, 80" high.

A GEORGE III OAK LONGCASE CLOCK, the brass dial signed “Thomas Sone, Fareham”, the chapter ring with Roman numerals and subsidiary seconds dial and date aperture, with an eight-day movement striking on a bell, the arch topped hood surrounded by three eagle and ball finials, the dial flanked by turned columns, 83" high.

A GEORGE III MAHOGANY LONGCASE CLOCK by Robert & Peter Higgs of London, the brass dial with a chapter ring engraved with Roman numerals, with subsidiary seconds dial and date aperture, the arch with a strike/silent dial engraved Locar/Silencio, with an eight-day five pillar movement striking on a bell, the pagoda topped hood with brass capped and stop-fluted columns, the case with a long arch topped door, 96" high.

William Bowtell, London, a mahogany longcase clock, the hood with swan neck pediment and later gilt eagle finial and reeded columns, the break arch 12inch dial signed to a boss in the arch, mask spandrels, silvered chapter ring and seconds dial, date aperture, with 8 day four pillar movement, the trunk with rectangular door raised on a figured plinth and bracket feet (movement and dial early 18th century, the case later) 225cm high

A walnut marquetry and adapted longcase clock, the 12inch dial signed to the arch 'Ricd Daking Halstead', with seconds dial and date aperture, Rococo scroll spandrels and engraved centre, with 8 day five pillar movement, within an earlier adapted marquetry case circa 1700 having extended painted arch to the hood, lenticle to the trunk door within three floral panels, the plinth with replaced striking and reduced backboard, 227cm high * This maker recorded by Britten as working c.1780

A 19th century oak 8 day longcase clock, the circular 13inch enamel dial indistinctly signed and marked Woodbridge, with seconds and calendar dials, and four pillar movement, 224cm high

A 19th Century mahogany longcase clock with painted dial, 8 day movement by S. Wallace, Gateshead with swan neck pediment and turned pilasters.

A Prattware watch-stand, modelled as a longcase clock between two figures leaning on plinths, the clockcase moulded with Classical figures and palmette borders, c.1820-26, some restoration, 28cm. Together with a pocket watch movement. (2) Cf. John and Griselda Lewis, Pratt Ware, p.104.

An early 19th Century mahogany longcase clock with brass dial, inscribed to the arch "Thomas Currie, Edinburgh", with roman numerals and subsidiary seconds and date dials, fitted eight day movement striking on a single bell, the hood with swan neck pediment above applied pen work panels, flanked by fluted corinthian brass-mounted pilasters, further pilasters to the trunk below, raised on a plinth base with later bracket feet.

A George III mahogany longcase clock, the white painted dial inscribed "Mary Mitchell, Cockermouth", with moon phase to the arch and subsidiary seconds dial painted with male and female figures, 14in. wide, fitted eight day movement striking on a single bell, the hood with swan neck pediment above turned pilasters, the panel door to the trunk with bone escutcheon flanked by reeded pilasters and canted base raised on bracket feet, 20in. x 88in. high.

An early 19th Century oak longcase clock with 12in. arched brass dial, roman numerals, subsidiary seconds dial and date aperture, engraved to the arch Chas. Lunan, Aberdeen, 726, fitted eight day movement striking on a single bell, the extensively renovated case surmounted by a broken arch pediment with acanthus leaf motif and three turned finials above fluted brass-mounted pilasters, an arched panelled door to the trunk, raised on bracket feet, 18in. x 88in. high.

An early 19th Century Scottish oak longcase clock, the painted dial inscribed "Geo. Blackie, Mussleburgh", decorated with painted flowers, subsidiary seconds dial and date aperture, fitted eight day movement striking on a bell, the case with swan neck pediment and reeded pilasters to the hood and trunk below, raised on a plinth base, 17in. x 82in. high.

An early 19th Century Scottish oak longcase clock with 12in. brass dial, roman numerals and subsidiary seconds dial and date aperture, a circular boss to the arch engraved "John Wadderston, Earlstoun", fitted eight day movement striking on a single bell, the hood with swan neck pediment decorated with foliate motifs, turned brass-mounted pilasters below, plain arch to panelled door to the trunk, raised on a plinth base with bracket feet, 17in. x 86in. high.

An early 19th Century longcase clock, the 10 3/4in. brass dial inscribed "P. Mathew, Wincanton", with subsidiary seconds dial and date aperture fitted eight day movement striking on a single bell, the short mahogany case with scrolling swan neck pediment and brass ball finial, the hood flanked by spiral twist brass mounted pilasters and chamfered case below decorated with inlaid stringing and cross banding, raised on bracket feet, 19in. x 79in. high.

An early 19th Century mahogany longcase clock, the white painted dial inscribed "Burton, South Shields", with roman numerals and subsidiary seconds and date dial, painted figures to the arch, fitted eight day movement striking on a single bell, the hood surmounted by later pierced pediment, arched panelled door and trunk decorated with cross banding and inlaid boxwood stringing, raised on bracket feet, 19 1/2in. x 87in. high.

An early 19th Century mahogany longcase clock, the associated movement with brass chapter ring, seconds dial and spandrels, fixed to a pewter coloured background, circular boss to the arch inscribed S. King, Monkwearmouth, 1800, eight day movement striking on a single bell, the hood flanked by turned pilasters with arched panelled door below decorated with boxwood stringing and inlaid cross banding, raised on bracket feet, 20in. x 85in. high.

AN 18TH CENTURY OAK LONGCASE CLOCK with brass square dial by James Rose of Lichfield, having single hand, cast cupid and coronet spandrels with 30 hour movement in a plain oak case with bullseye glass door, 76" high

A 19TH CENTURY OAK LONGCASE CLOCK with arched painted dial, seconds dial and inscribed 'Yaxley West of Docking', the case having an arched front door with eight day striking movement, 72" high