We found 44425 price guide item(s) matching your search

AN EARLY 18TH CENTURY PINE THIRTY HOUR LONGCASE CLOCK BY JOHN FROST OF CHICHESTER the 10inch square brass dial with engraved back and set within a plain pine case. Lacking hands. Case for restoration.

A GEORGE III MAHOGANY IRISH LONGCASE CLOCK BY HUGH CUNNINGHAM OF DUBLIN the hood with eagle pediment and floral roundels, the case with column sides and supported on bracket feet. 7ft high.

A GEORGE III MAHOGANY LONGCASE CLOCK BY THOMAS GRACE OF LONDON with brass finials, the dial with silvered chapter ring and ornate gilt metal mounts to the dial, the case crossbanded with carved base. 6ft 9ins high.

19th century mahogany longcase clock by G.Harley, Bath, the painted dial with moon phase aperture, subsidiary second and date dials, the hood and case with spiral turned supports and gilt metal mounts, 8 day two train movement striking on a bell 93 x 26 x 9in. (236.22 x 66.04 x 22.86cm)

AN OAK AND MAHOGANY LONGCASE CLOCK by Thomas Snow, Birstwith, the thirty hour movement with anchor escapement and outside count wheel striking on a bell, 14" arched dial painted with a Country House and sea shells in the spandrels, calendar dial, crossbanded case with elaborate stringing, swan neck pediment with finial on turned columns, canted trunk with arched door, on panel base, 91 1/4" high to top of finial

A PINE LONGCASE CLOCK by Baker, Hull, the thirty hour single hand movement with anchor escapement and outside count wheel striking on a bell, 10" square brass dial with Roman numerals, the centre chased with foliage and with calendar dial over signature roundel, in scumble work case, the moulded cornice on attached columns, arched door, panel base on plinth, 79 1/4" high

A MASONIC OAK AND MAHOGANY LONGCASE CLOCK by T Marshall, the eight day movement with anchor escapement striking on a bell, the 14" arched dial painted with Masonic emblems amongst landscapes, the arch with allegorical figure scene, the chapter ring inscribed with owner Emanuel Clegg`s name in place of numbers, secondary dial over a painted shield flanked by male figures with banner inscribed "Industry and Benevolence Unite Us In Friendship", the dial inscribed verso "T Marshall maker 1845", the banded case with scrolled pediment on baluster turned columns, arched door flanked by reeded pilasters, panel base with waved apron and splayed feet, 91 1/4" high Provenance: The vendor is a direct descendant of the original owner

AN OAK LONGCASE CLOCK by Gabriel Smith, Chester, the eight day movement with anchor escapement striking a bell, 13" arched brass dial, the centre chased with name cartouche, secondary dial and calendar aperture, silvered chapter ring with Roman and Arabic numerals, the arch with silvered boss chased with an eagle, the case with arched split pediment centred by a brass turned finial and raised on fluted columns, banded door with moulded edge, on panel base and plinth, 87 1/2" high

AN OAK LONGCASE CLOCK by Thomas Lister, Halifax, the thirty hour movement with anchor escapement and outside count wheel striking on a bell, the 13" square brass dial with silvered chapter ring having Roman and Arabic numerals, the silvered centre chased with foliate scrolls and with signature over half penny moonphase and calendar dial, the case with gilt ball finials and caddy top on turned columns, arched door flanked by quarter columns, panelled base and bracket feet, 86 3/4" high

AN OAK THIRTY HOUR LONGCASE CLOCK, North Country, early 18th century, the single hand movement with cut away plates and anchor escapement, outside count wheel striking on a bell, 10" square brass dial, the matt centre with calendar aperture, silvered Roman chapter ring with fleur-de-lys marking the half hours, the case with cavetto cornice and plain frieze on turned engaged quarter columns, arched door, panel base with shaped apron, 81" high

A MAHOGANY LONGCASE CLOCK by T Tait, Felton, the eight day movement with anchor escapement striking on a bell, 13" arched dial painted with cottages in the spandrels and a figure in the landscape in the arch, Roman numerals and two secondary dials, the banded case with three brass finials and waved arch on baluster turned column, arched door flanked by quarter column, panel base, waved apron and bracket feet, 94" high

A MAHOGANY LONGCASE CLOCK by John Burges, Gosport, the eight day movement with anchor escapement striking on a bell, 11 3/4" arched brass dial with silvered chapter ring having Roman and Arabic numerals, matt centre with seconds dial and calendar aperture, the arch with signature boss, in modern case, the pagoda top with fret panel, turned finials on inlaid pilasters, moulded cornice on blind fluted columns, arched door flanked by quarter columns, the panel base with waved apron and bracket feet, 93 1/2" high

An early 19th Century Longcase Clock with painted arch dial in oak and mahogany case (incomplete).

An early 19th Century Longcase Clock, the painted arch dial with seconds and date rings and inscribed "Malton" with eight day movement in an oak case with broken arch pediment, mahogany cross banded door and bracket feet. 7` (214cms) high.

EARLY 19TH CENTURY EIGHT DAY LONGCASE CLOCK BY D BERRY OF HUNTINGDON, PAINTED BREAK ARCH FACE DEPICTING RURAL SCENES, ATTRACTIVE INLAID OAK CASING WITH SWAN NECK PEDIMENT AND INSET COLUMN SIDES

ART DECO COROMANDEL CROSS BANDED OAK LONGCASE CLOCK, ATTRACTIVE CHROMED DETAILED CHAPTER RING AND WEIGHTS

A Georgian 30-hour longcase clock movement with arched brass dial by Jonathan Scott of Newcastle

A German oak longcase clock with 30hr movement repeat striking on coiled gong

An Edwardian Mahogany Eight Day Longcase Clock, swan neck pediment, the case floral marquetry inlaid, brass and steel dial, with chime/silent dial and seconds dial, 91ins, (illustrated).

A Victorian Mahogany Eight Day Longcase Clock, swan neck pediment, the case profusely crossbanded and marquetry decorated, the painted enamel dial with Rolling Moon Mechanism and seconds dial, Maker H. Hudson, Longton, 92ins high, (illustrated).

A George III country oak cased longcase clock, the painted arched dial with Arabic numerals and subsidiary second dial decorated with floral spandrels and cornucopia with an eight day movement striking on a bell by Thomas Smith of Ridgewell, Essex

Mappin & Webb, London, 8-Day Striking Mahogany Longcase Clock having brass arched dial with raised figurehead, fish and scroll spandrels, with seconds dial having silvered chapter ring with Arabic numerals, bevelled glass panelled door below, on bracket feet, 2m 16cm high

J. Grant Jnr, Ann Easton, 19th Century Mahogany 8-Day Striking Longcase Clock having square painted dial with seconds dial and calendar, having Roman numerals (names rubbed), with Gothic glass panels to side of hood, single panel door, on round turned feet, 2m 2cm high

Georgian longcase clock movement with a painted square dial inscribed "R Honeybone Fairford" enclosing a thirty hour striking movement, with a pendulum and weight."

George III eight day longcase clock movement/dial by John Hunter of Bristol, the 12" brass dial with moon phase and High Water At Bristol Key, Roman and Arabic numerals, engraved spandrels depicting country folk, subsidiary seconds dial and calendar aperture.

George III eight day longcase clock movement/dial by Thomas Peirce of Bristol, the 12" brass dial having moon phase to the arch, Roman and Arabic numerals, subsidiary seconds dial and calendar apertures.

George III eight day longcase clock movement/dial by William Tarry of Newport, the 12" dial with moon phase to the arch, Roman and Arabic numerals, subsidiary seconds dial and calendar and moon phase apertures.

George III eight day longcase clock movement/dial by Richard Reed of Chelmsford, the 12" brass and silvered dial with Old Father Time automaton to the arch, subsidiary seconds dial and calendar aperture.

George III musical eight day longcase clock movement/dial by John Sedley of London, the triple train movement striking on a bell and playing on eight bells, silvered and brass 12" dial with moon phase and High Water At London Bridge, subsidiary seconds dial.

George III eight day longcase clock movement/dial by Samuel Whichcote of London, the 12" dial with strike/silent dial to the arch, Roman and Arabic numerals, subsidiary seconds dial and calendar aperture.

George III 30 hour longcase clock movement/dial by William Green of Milton, the 11" square brass dial with Roman numerals.

18th Century eight day longcase clock movement/dial by John Finch of London, the 12" square brass dial with Roman and Arabic numerals, subsidiary seconds dial and calendar aperture.

Early 19th Century eight day longcase clock movement/dial by Shakeshaft of Preston, the 13" square brass and silvered dial with Roman and Arabic numerals, subsidiary seconds dial.

George III eight day longcase clock movement by Lanson of Wigan, the 14" square brass dial with Roman and Arabic numerals, subsidiary seconds dial.

George II eight day longcase clock movement by William Bathe of Bristol, 12" brass dial with Roman and Arabic numerals, subsidiary seconds dial and calendar aperture.

George III eight day longcase clock movement/dial by Stephen Blackborn of Oakham, the 12" brass dial with Roman and Arabic numerals, subsidiary seconds dial and calendar aperture.

George III 30 hour longcase clock movement/dial by John Ettry of Horton, the 10" square brass dial with single hand, Roman numerals.

Early 18th Century 30 hour longcase clock movement/dial by Edward Bilbie of Chew Stoke, the 11.25" square brass dial with central engraved decoration, Roman and Arabic numerals and calendar aperture.

19th Century eight day longcase clock movement/dial by Richard Garland of Plymouth, the 12" dial with engraved eagle to the arch, Roman numerals, subsidiary seconds dial and calendar aperture.

George III eight day longcase clock movement/dial by Thomas Monkhouse of London, the 12" dial with strike/silent dial to the arch, Roman and Arabic numerals, subsidiary seconds dial and calendar aperture.

George III eight day longcase clock movement/dial by Samuel Ogden of Benwell, the 11.5" square brass `Penny Moon` dial with later arch, Roman and Arabic numerals, subsidiary seconds dial and calendar apertures.

George III eight day longcase clock movement/dial by Thomas Hillier of Frome, the 12" brass and silvered dial with moon phase and High Water At Bristol Key to the arch, Roman and Arabic numerals, subsidiary seconds dial and calendar aperture.

George III eight day longcase clock movement/dial by John Morgan of London, the 12" brass dial with silvered chapter ring having Roman numerals, subsidiary seconds and minutes dials and calendar aperture.

George III 30 hour longcase clock movement by George Quarman of Temple Cloud, the 12" square brass dial with engraved decoration depicting country folk, subsidiary seconds dial and calendar aperture.

George III 30 hour longcase clock movement/dial by Thomas Williams of Chew Stoke, the 12" square brass dial with central engraved decoration depicting a Bishop in a landscape, Roman and Arabic numerals, calendar aperture.

Two George III 30 hour longcase clock movements/dials by J. Graham of Langholm and Mary Roper of Oakhill, the respective 11" and 12" square brass dials each having Roman and Arabic numerals, the Roper example having subsidiary seconds dial and calendar aperture, the Graham example having calendar aperture only.

George III mahogany longcase clock by William Jourdain of London, the hood with moulded arch shaped pediment and tapered reeded columns, trunk with long door flanked by conforming split pillars with brass inserts, brass arch shaped dial with moon phase, Roman and Arabic numerals, subsidiary seconds dial and calendar aperture, eight day striking movement, 221cm high.

19th Century mahogany longcase clock case, the hood with swan neck pediment and tapered reeded columns, the trunk with shaped door having inlaid Masonic square and compass and urn within a serpent surround, flanked to either side with bell husk decoration and reeded split pillars, 241cm high.

George III mahogany London longcase clock case, the pagoda hood with applied gilt paper decoration, arch shaped door flanked by tapered reeded pillars with brass inserts, trunk with arch shaped long door flanked by conforming split pillars and standing on bracket feet, 242cm high.

19th Century oak London style longcase clock case, hood with stepped pediment and tapered cylindrical pillars, the trunk with arch shaped long door and standing on a plinth base, 242cm high.

George III oak longcase clock by E. Martin of Bristol, hood with stepped cornice and cylindrical pillars, case with long door and standing on a plinth base, square brass dial with silvered chapter ring having Roman numerals, subsidiary seconds dial and calendar aperture, eight day striking movement, 200cm high.

Mid 18th Century pine longcase clock by Thomas Kefford of Royston, hood with stepped cornice and tapered pillars, trunk with long door, square brass dial with single hand, silvered chapter ring with Roman numerals and signed Tho Kifford (sic) Royston, 196cm high.

Late 18th/early 19th Century Dutch marquetry longcase clock, the hood with shaped pediment and carved scroll crest above a fretwork panel, the case having a long door with glazed lentil panel with bombe base standing on hair claw feet, English arch shaped brass dial with engraved medallion signed Tom. Corp, London, seconds subsidiary dial and rocking ship automaton - eight day striking movement, 250cm high.

George III inlaid and crossbanded mahogany longcase clock, the hood with broken arch pediment and eagle finial, reeded pillars, the case with long door inlaid with musical instruments, ribbons and flowers flanked by reeded pilasters, standing on bracket feet, arch shaped brass dial with silvered chapter ring, second subsidiary dial and calendar aperture and with rocking figure of Father Time - eight day striking movement, 234cm high.

Edwardian Sheraton Revival inlaid and crossbanded mahogany longcase clock, hood with swan neck pediment, three brass finials and reeded pillars, case with bevelled glass door, standing on bracket feet, arch shaped brass dial with silvered chapter ring and subsidiary dials - eight day movement with Whittington and Westminster chimes, 254cm high.

A George III oak and mahogany longcase clock by Lough Penrith, having a swans neck pediment with blind fretwork panels beneath, with arched glazed door enclosing the brass dial with moon phase, Roman numerals and date aperture, with false winding holes and thirty-hour movement by Lough, Penrith, flanked by fluted quarter columns, with dentil cornice below, with blind fretwork frieze and shaped trunk door flanked by fluted quarter column corners, with blind fretwork beneath and with brickwork base raised on a plinth. Height 82 ins.

A George III oak and mahogany longcase clock by Brownbill Leeds, with steeple and ball brass finial between a swans neck pediment with punched brass terminals in turn above the arched glazed door being crossbanded and flanked by fluted columns enclosing the painted dial with girl and cat to arch and with Roman numerals with subsidiary Arabic numerals and seconds and date dials to centre and eight-day striking movement above the shaped trunk door flanked by fluted quarter column corners and with conforming base raised on bracket feet. Height excluding finial 94 ins.

A George III oak and mahogany crossbanded longcase clock, with swans neck pediment with eagle and ball finial between above a moulded cornice and crossbanded frieze in turn above the glazed door enclosing the 12 inch square brass dial with mask and foliate spandrels, silvered chapter ring with Roman numerals, subsidiary date and seconds dials by Joyce of Ruthin and with eight-day striking movement flanked by fluted column corners, with shaped trunk door crossbanded in mahogany also flanked by fluted quarter column corners and with conforming base. Height excluding finial 85 ins.

A George III oak and fruitwood crossbanded longcase clock, with swans neck pediment with punched brass terminals with equestrian emblems above the glazed door enclosing the 12.25 inch square brass dial and eight-day striking movement by Hampson, Wrexham, with Roman numerals and subsidiary Arabic numerals and spandrels emblematic of the four seasons, with date aperture and subsidiary seconds dial, flanked by simple turned columns above a long arched crossbanded trunk door flanked by quarter column corners and with conforming base. Height 89 ins.

A George III mahogany longcase clock by William Kelham Egremont, with swans neck pediment above the arched glazed door enclosing the arched painted dial with Roman numerals and eight-day striking movement by William Kelham of Egremont and with pastoral scene to arch, the false plate stamped "William Whittaker" and flanked by fluted quarter columns, with conforming shaped trunk door being crossbanded and base raised on bracket feet. Height 87 ins.