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A 19th Century oak and mahogany longcase clock by W. Williams of Llannadock, the 13ins arched painted dial with country scenes to arch and corners and with calendar aperture to the thirty hour movement striking on a bell, contained in case with scrolled cresting, with turned pillars to hood and trunk, on splayed front legs, 88ins high (extensively faded to case and worn to dial)
An early 19th Century oak longcase clock by James Last of Stalham (Norfolk), the 12ins arched painted dial with Roman numerals and subsidiary seconds dial and date aperture, the arch and spandrels decorated with shells to the eight day two train movement striking on a bell, contained in plain oak case with shaped cresting and turned and fluted pillars to hood, arched trunk door, 82ins high (case reduced in height and dial in need of cleaning), complete with pendulum, two cast iron weights, crank winding handle and door key Note : James Last record working Stalham 1796 and there is also recorded a clockmaker of the same name working 1836 (possibly father and son). The painted dial is by Walker & Hughes, Birmingham, who were in partnership from 1811 to 1835, and thus the clock will date circa 1820
A late 18th/early 19th Century mahogany longcase clock by Robert Woollan of Glastonbury, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals and date aperture, the arch showing phases of the moon, and with silvered name plaque to the border to the eight day two train movement striking on a bell, contained in mahogany case inlaid with figured panels, crossbanding and ovoid shell motif, the upper part with moulded scroll pediment and turned and fluted columns with Corinthian capitols to hood and with conforming quarter columns to trunk, 85ins high
An early 19th Century mahogany longcase clock by C. Heizman of Canterbury, the 12ins arched painted dial with Roman numerals and subsidiary seconds dial and with painted romantic landscape to arch, to the eight day two train movement striking on a bell, contained in plain mahogany case with arched and moulded cornice and plain turned pillars to hood, arched trunk door and on bracket feet, 80ins high Note: Charles Heitzman recorded working Canterbury 1832-1847
A fine walnut and floral marquetry longcase clock first quarter of the 18th century, the oak lined case with walnut veneered sides inset with stringing and cross banding, the front profusely decorated with floral marquetry on a background of ebony veneer, the hood with wide overhanging cornice supported on turned fruitwood columns to the front and quartered columns to the rear, all with gilded capitals and bases, the inlay of the long trunk door panel in varicoloured woods displaying birds, flowers in an urn supported by winged mythical figures and leafy foliage, surrounding a glass `bull`s eye` aperture with further birds, flowers and figures below, the base with an ogee moulding above another panel of floral inlay on a walnut plinth, the 12 inch square brass dial with subsidiary seconds dial, square date aperture and finely matted centre, mounted with spandrels of pairs of cherubs supporting crowns, engraved in the Roman chapter ring with minute track, `Clark Preston London`, maker of the movement which strikes on a single bell, 82½in. (209.5cm.) high, the trunk 12¾in. (32.5cm.) wide, plinth moved up and reaffixed to the bottom edge of the floral panel to shorten clock, original base of the case believed to remain behind plinth. See Illustration.
A Georgian oak longcase clock, the swan neck pediment over white painted arched face with Arabic and Roman numerals, painted spandrels, subsidiary second and date dials, eight day anchor escapement, striking bell flanked by fluted columns, arched trunk door, fluted quarter columns and plinth base, 205cm high
A 30-hour oak longcase clock. The brass dial with brass chapter ring with black Roman numerals with foliate and rococo pierced spandrels, date aperture, cut steel hands, the face signed `John Parson` and with light engraved flower heads. 30cm square brass dial, the movement striking on a bell. 196cm height approx.
A George III mahogany cased eight day longcase clock with arched brass dial, the arch inscribed `John Barr, Port Glasgow`, the dial with silvered chapter ring, engraved decoration, date aperture, subsidiary seconds dial, twin winding holes and applied brass spandrels, with twin weights and pendulum, height 228cm (7ft 6in) (illustrated)
A late Georgian mahogany banded oak cased eight day longcase clock, the painted arched dial with moonphase to the arch and inscribed `Holmes, London`, with twin weights and pendulum, trunk door applied with old trade label to the reverse for `H Wollen 137 Granby Street, Liverpool`, height 230cm (7ft 6in) (illustrated)
Early 20th Century mahogany longcase clock, the broken arch hood with swan neck pediment above an arched panel door flanked by reeded quarter pilasters above a silvered chapter ring, Arabic and Roman numerals, subsidiary seconds dial and chime silent selector in the arch, the two train regulator type movement chiming on gongs.
18th Century carved oak longcase clock, the broken arch hood above a shaped panel door and conforming plinth base, the brass dial with Arabic and Roman numerals, subsidiary seconds dial, date aperture and alarm dial to the arch, the two train movement with anchor escapement striking on a bell.
A GEORGE III LONGCASE MAHOGANY GRANDFATHER CLOCKLate 18th CenturyA George III longcase mahogany grandfather clock made by John Smith of Keighley. A graceful swan-neck broken pediment with central winged Griffin, is supported by mahogany columns featuring bronze Corinthian capitals and a shaped glass panel door. The enameled roman numeral face of the clock is signed J. Smith Keighley and surround by hand painted pastoral scenes, supported by a flame mahogany case with a locking shaped panel door. All supported by a hipped base with shaped reserve raised on tapered feet.Condition: Restorations to finish and moulding. Age cracking. Original backboards. Includes winding key, pendulum and weights.102 1/2 x 27 x 12 inches (260.3 x 68.5 x 30.4 cm). Starting Price: $1,400.00
A 19th Century Longcase Clock, the painted arched dial inscribed "J Barker, Easingwold" and with an eight day movement, the moon phase arch painted with ships and with seconds and date rings, in mahogany cross banded oak case, with swans neck pediment, plain turned pilasters and canted corners. 7` 1" (216cms) high.
A mahogany longcase clock: the eight-day movement striking on a bell, the twelve-inch arched brass dial with engraved Roman numerals to the raised chapter ring, a matted centre with subsidiary seconds dial, date aperture and cartouche engraved with the makers name `Willm Wallen, Henly, Oxon`, with cast brass corner spandrels and further dolphin spandrels to the arch either side of a silvered boss engraved `Tempus Fugit` below an eagle, the later mahogany case with canted corners and a swan neck pediment, height: 205cm.
An oak longcase clock: with the eight-day movement striking on a bell, the twelve-inch square painted dial with decorative floral corner spandrels, black Roman numerals and signed `Matt Murch, Honiton`, the oak case with mahogany crossbanding having a swan neck pediment with brass finial, height: 198cm.
A carved oak longcase clock: having an eight-day duration movement striking the hours on a bell, the twelve-inch square brass dial having a raised chapter ring engraved with black Roman numerals and blued steel hands, the centre engraved with c-scroll decoration and maker`s name `John Smith, Chester`, with a subsidiary seconds dial and date aperture, with cast-brass `female-head` spandrels to the corners, the flat-top oak case with carved decoration, having a serpentine moulding to the top of the trunk door and fluted columns to the hood, height: 202cm. * John Smith is a well-regarded Cheshire maker who is recorded as working in the mid-1700`s.
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41749 item(s)/page