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Inlaid mahogany longcase clock, the fretwork swan neck pediment over blind fretwork frieze above an arched painted dial named for Gibson of Saltcoats with portrait panel of George III to the arch and symbols representing the continents to the spandrels, the face with subsidiary seconds dial and calendar ring, the hood flanked by later reeded columns over trunk with side spiral pilasters and inlaid central patera and all over detail, all raised on bracket feet, 88in (223.5 cm) high
A fine Devon automaton longcase clock, the eight day striking movement with a silvered dial, the open lunette depicting Adam and Eve in the Garden of Eden with paterae foliage engraved arc, the centre engraved with a view of Plymouth Ho with shipping inscribed John Buttall, Plymouth, the calendar arc with strawberry pointer, Rococo foliage to the corners, the mahogany case with arched hood, foliage carved and dentil architectural detachable pediment with brass finials and brass Corinthian capitals to reeded pillars, the trunk with an arched flame figured door and festoons of foliage to the angled corners, the veneered base on a plinth. 7 ft. 9 in. overall height.
A late 18th century oak longcase clock, the eight day five pillar movement with a strike later converted to a gong, arched brass and silvered dial with strike, silent regulator to the lunette, a subsidiary second dial and calendar inscribed "LUTON" and applied later name plates for David Field, cast gilt brass fret foliage corner spandrels, the glazed door hood with turned walnut side pillars, the trunk with an arched door, the base on a plinth. 6ft 6in. (198cm). .
A Dorset longcase clock, the 30hour movement with an outside counter wheel, striking on a bell, marked WH & Co no 19 the square 11in painted dial decorated a bird on a bough to the centre above a calendar aperture and inscribed Barrett Blandford, gilt roses to the corners, the hood with a glazed door, brass capped pillars and a swan neck pediment with turned wood finial, the trunk with a mahogany veneered panel above a rectangular door, the base on a shaped plinth, 6ft. 10in (2.08m).
A LONGCASE CLOCK by Thomas Milner, London, the eight day movement with arched brass dial, secondary dial and calendar aperture, in gilded and black lacquered chinoiserie case with garden scenes, figures, birds and flowers, moulded cornice on turned pilasters, arched door, panel base, on plinth, 89" high
A LONGCASE CLOCK by William Townly, Chepstow, the eight day movement with arched brass dial having painted moonphase, inscription over "High Water at Bristol Key", secondary dial and calendar aperture, in mahogany and crossbanded case, moulded cornice, fluted columns, arched door flanked by fluted pilasters, panel base on plinth, 83 1/2" high
A LONGCASE CLOCK by Michael Heaton, Bierley, the thirty hour movement with arched brass dial chased with scrolling foliage and with painted moonphase, secondary dial, in oak and crossbanded case with scrolled pediment on turned columns, arched door flanked by quarter columns, canted panel base and bracket feet, 85 1/2" high
A LONGCASE CLOCK by J Bell, Doncaster, the eight day movement with arched brass dial chased with scrolling foliage, in mahogany case crossbanded with stringing, scrolled pediment with brass finials and marquetry patera on fluted columns, canted trunk with arched door, shaped apron and splayed feet, 91" high
A LONGCASE CLOCK by W Spark, Aberdeen, the eight day movement with arched dial painted with Prince of Wales feathers and flowers, secondary dials, in mahogany case with stringing, scrolled pediment on Corinthian pilasters, arched door flanked by fluted quarter columns, panel base and bracket feet, 84 1/4" high
A LONGCASE CLOCK by Thomas Lister, Halifax, the thirty hour movement with square brass dial chased with foliate scrolls, secondary dial and half penny moonphase, in oak and mahogany case with scrolled pediment on turned columns, arched door flanked by quarter columns, panel base and bracket feet, 87" high
A LONGCASE CLOCK by Robert Wiggan, Colne, the thirty hour movement with arched dial painted with a landscape, the spandrels with figural emblems of empire, secondary dials and painted moonphase, in mahogany and crossbanded case with ebony stringing, scrolled pediment on fluted columns, arched door flanked by cluster column pilasters, canted panel base with inlaid roundel, on bracket feet, 91" high
A LONGCASE CLOCK by J Fletcher, Leeds, the eight day chiming movement with arched brass dial chased with scrolling foliage, in associated mahogany and crossbanded case with scrolled pediment on gilt metal mounted baluster turned columns, arched door flanked by similar columns, panel base and bracket feet, 97 1/2" high
A George III oak longcase clock, pagoda top with blind fret frieze, square brass dial with black Roman numerals and Arabic five minute divisions, enclosed by cast spandrels, calendar aperture, inscribed 'Will. Snow, Otley, No. 334', mahogany crossbanded arched door enclosed by mahogany quarter columns, base with shaped bracket feet, 8 day movement striking on a bell, dial 28cm, 216cm high overall
A 19th century mahogany longcase clock, arched dial painted with romantic scenes, black Roman numerals, subsidiary seconds and date dials, inscribed 'Blackburn ? Gateshead', curl veneer crossbanded arched door enclosed by turned columns, similar veneered plinth base, dial 51cm high, 229cm high overall, 8 day movement striking on a bell
A George III oak longcase clock with swan neck pediment on brass capped turned columns, arched brass dial, subsidiary seconds and calendar aperature, inscribed 'Robt. Higgs London', plain case with stepped angular arched door, panel base on shaped apron and bracket feet, dial 42cm high, 215cm high overall, 8 day movement striking on a bell
Secessionist ebonised longcase clock, the pediment with carved abstract tree motif over wide stepped cornice above further carved details and a circular brass face with numerals in black over an open section displaying pendulum and weights on panelled base section on plinth base, 90in (228.6cm) high
Victorian mahogany drumhead longcase clock, the carved pediment over circular laquered metal dial with printed foliate details and Roman numerals in black and with seconds dial and calendar ring over a spreading rectangular trunk section with panel door, all raised on bun feet, complete with key, pendulum and weights, 82in (208.3cm) tall
A Small Mahogany Longcase Clock, circa 1890, the case with flat top and fluted columns, trunk door of good colour and flanked by inset fluted pilasters, plinth with raised panel upon bracket feet, 8-inch square brass dial with Roman chapter ring, dial centre with engraved floral decoration, four pillar movement with anchor escapement and rack striking on a bell, 171cm high
An Oak Eight Day Longcase Clock, signed Henry Harding, the highly carved case with flat top pediment, figural canted pilasters, plinth with central carved panel, brass claw ball feet, 14-inch arched brass dial with silvered chapter ring, dial centre engraved, seconds and date aperture, four pillar movement with anchor escapement and rack striking on bell, dial and movement circa 1770, case 19th century, 244cm high
An Oak Eight Day Longcase Clock, the case with flat top pediment, wavy shaped trunk door upon a plain rectangular plinth, 11-inch square brass dial with silver chapter ring signed "F Bayley Uttoxeter", matted dial centre with date aperture, four pillar movement with anchor escapement and rack striking on bell, dial and movement associated, 201cm high
A Mahogany Thirty Hour Longcase Clock, signed Stancliffe, Halifax, circa 1810, the inlaid case with swan neck pediment, wavy shaped trunk door, plain rectangular plinth upon moulded feet, 14-inch white painted arched dial, centre field signed "Stancliffe, Halifax", subsidiary dials for seconds and date, rolling moon in the arch with lunar scale, corners decorated with flowers, four pillar movement with anchor escapement and countwheel striking on a bell, 232cm high
An Oak and Mahogany Eight Day Longcase Clock, signed Rowntree, York, circa 1820, case with swan neck pediment, case with later inlay decorated with birds and flowers, wavy shaped trunk door flanked by fluted pilasters, rectangular inlaid plinth upon bracket feet, 13-inch arched painted dial signed "Rowntree, York", dial centre with subsidiary dials for seconds and date, four pillar movement with anchor escapement and rack striking on bell, 219cm high
An Oak and Mahogany Eight Day Longcase Clock, signed J Atkinson, Gateshead, circa 1810, the case with flat top, arched trunk door flanked by mahogany inlaid canted corners, plain rectangular plinth upon shaped feet, 13-inch painted arched dial, centre field with date and seconds, flower decoration to the corners and the arch with painted landscape scene, four pillar movement with false plate stamped "William Whitaker, Halifax", anchor escapement and rack striking on bell, 203cm high
An Edwardian Oak and Mahogany Chiming Longcase Clock, swan neck pediment with three brass finials, painted glass inserts, brass ended Corinthian capitals, the arched truck door with mahogany banding and flanked by mahogany inset pilasters, the plinth with raised quatre form panel, upon later feet, 14-inch arched brass dial with silvered chapter ring, subsidiary seconds, chime/silent in the arch, massive three train movement with anchor escapement, 230cm high
A Scottish Mahogany Eight Day Longcase Clock, signed James Cowan, Edinburgh, circa 1760, the case with flat top and fluted columns, trunk door and plinth with moulded quatreform frames, 12-inch brass arched dial with silvered chapter ring, matted centre field with seconds and date aperture, the arch with silvered plaque signed "James Cowan, Edinburgh", surrounded by foliate engraved decoration, strike/silent, later hands, four pillar movement with rack striking on a bell, 217cm high
An Oak and Mahogany Eight Day Longcase Clock, signed William Davies, Chester, circa 1770, the case with swan neck pediment, wavy shaped trunk door with mahogany crossbanding flanked by inset fluted pilasters, brickwork decoration upon a plinth with canted corners, 13-inch arched brass dial with silvered chapter ring with inner date ring with corresponding central date hand, dial centre with engraved floral decoration and signed "William Davies, Chester", subsidiary seconds, the arch with painted landscape scene and rolling moon disc, four pillar movement with anchor escapement and rack striking on bell, 235cm high
A Walnut Eight Day Longcase Clock, signed Jams Smith, Aspeden, circa 1705, the case with flat top and hood pilasters, the trunk door with a moulded border and inset with a lenticle, 12-inch square brass dial with silvered chapter ring signed "Jams Smith, Aspeden", matted centre field with subsidiary seconds and date aperture surmounted by scroll engraving, dial border with engraving, blued steel hands, five pillar movement with anchor escapement and inside countwheel striking on a bell, later seatboard, 206cm high
A 19th century oak longcase clock, the hood with broken swan neck pediment and fluted Ionic columns above an ogee arched long trunk door, box base and bracket feet, the brass dial with moonphase to the arch and gilt spandrels, the silvered dial with Roman numerals, calendar dial inscribed 'Blaylock, Longton', the 30 hour movement striking on a bell, 220 cms high.
A 19th century oak longcase clock, the hood with moulded pediment and turned columns above an arched long trunk door and box base, on a plinth, the 30.5 cms square dial painted with roundel and leaf spandrels, Arabic numerals and calendar aperture, inscribed 'Owen Richards, Bala', the 30 hour movement striking on a bell, 191 cms high.
A 19th century mahogany longcase clock, the hood with broken swan neck pediment, central globe finial and rope twist columns above a short trunk door box base and bracket feet, the 30.5 cms dial painted with a ruin to the arch and similar spandrels, with Roman numerals, seconds subsidiary dial and calendar aperture, inscribed, the eight day movement striking on a bell, 225 cms high..
A 19th century oak and mahogany longcase clock, the hood with broken swan neck pediment, urn finial and Ionic columns above a shell inlaid long trunk door and box base, the 30.5 cms dial painted with a swan and flowers to the arch and flowers to the spandrels, the dial with Roman numerals, seconds subsidiary dial and calendar aperture inscribed 'Owen Bon.... Merthyr Tydfil', the eight day movement striking on a bell, 212 cms high.
A George III oak and mahogany crossbanded eight day longcase clock, the twin train movement with anchor escapement striking on a bell, unmarked false plate, the arched dial painted with rustic village scene and flowers to the spandrels, subsidiary seconds dial and date aperture, the hood with swan neck pediment and fluted columns, above boxwood strung trunk with chamfered angles, the base centred by shell paterae 228cm high
GEORGE GRAHAM A Victorian eight day quarter chiming longcase clock, the triple train movement with anchor escapement striking on four and eight bells, the brass dial with silvered Roman chapter ring, cast spandrels and moon phase to the arch, subsidiary seconds dial and strike/chime and four bells/eight bells, inscribed 'George Graham, Clock Maker', within elaborate mahogany case with satinwood panels, rosewood cross banding, boxwood and chequer stringing, gilt brass mounts, the straight corniced hood, trunk and base with fluted Corinthian columns to the angles, ball and eagle and cockerel finials, the trunk with glazed door 253cm high
A GOOD GEORGIAN MAHOGANY EIGHT DAY LONGCASE CLOCK the brass faced dome top movement by ADAM JOHNSTON, DOWN PATRICK with applied pierced mounts, subsidiary seconds dial and date aperture. Set within a swan neck and urn finial pediment hood over column sides, blind fretwork, plain case with fluted column sides, the base with canted corners. 7ft 8ins high.
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41737 item(s)/page