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HENRY WATSON, BLACKBURN; an 18th century oak cased eight day longcase clock, the brass face with applied chapter ring bearing Arabic and Roman numerals and subsidiary dial, set in an oak case with shaped rectangular door and boarded base, on bracket feet, height 199cm.

MARSH HIGHWORTH; a George III thirty hour Provincial pine longcase clock, with matted centre and brass Roman numeral chapter ring, height 193cm.

A 19th century mahogany eight day longcase clock, the painted Roman numeral dial with subsidiary seconds, with movement striking on a bell, in a panelled case with turned columns, height 227cm.Condition Report: The clock is believed to have been made locally in Hanley. There is a very feint name on the dial which may be Thos Hawthorn.

RICHARD R SNOW, HAREWOOD; an 18th century oak cased eight day longcase clock, the painted face with hunting dogs in landscape and village scenes above the painted dial set with Roman numerals and two subsidiary dials, in an oak case, the hood with broken swan neck pediment above turned columns and shaped door, height 246cm.

ROBERT WHITWORTH HEYWOOD; a 19th century eight day longcase clock, the painted face with rolling moon phase above dial set with Roman numerals and two subsidiary dials, in a flame mahogany case, the hood with broken swan neck pediment with a shaped door flanked by turned columns, height 225cm.Condition Report: Splitting to case, scratches and scuffs, lossses to veneer, case in need of restoration, no work evident, rolling moon connect, dial with touch ups, scratches and chips to paint.

A 19th century eight day longcase clock, the painted dial set with a landscape scene above the painted chapter ring bearing Roman numerals, within a mahogany case, the hood with broken swan neck pediment above a rectangular door, on plinth base, height 206cm, complete with pendulum and weights.

A reproduction mahogany cased longcase clock of small proportions with brass face and silvered chapter ring with both Arabic and Roman numerals, height 151cm.

AN EARLY 20TH CENTURY GILT DESIGN LONGCASE CLOCK MOVEMENT WITH WEIGHTS & PENDULUM

A  mahogany cased Tempus Fugit Longcase / grandmother clock. Mahogany veneer case with glass fronted hood with inset brass and silvered dial having brass spandrels, roman numeral chapter ring with Breguet cathedral hands enclosing a Westminster chime movement. Measures approx; 172cm x 35cm x 24cm.

19th Century George III oak cased longcase / grandfather clock. Oak plinth and trunk with glazed hood having swan neck pediment atop ( no movement / weights or pendulum). Measures approx; 218cm x 55cm x 26cm.

A continental painted longcase clock case

A 19th century mahogany longcase clock with brass and silvered dial

A Scandinavian painted longcase clock with pendulum and key

A 19th century oak longcase clock with brass dial, pendulum and key

A Scandinavian painted longcase clock, pendulum and key

A Scandinavian painted longcase clock, pendulum and key

A Scandinavian painted longcase clock, pendulum and key

A Scandinavian painted longcase clock, pendulum and key

A Scandinavian painted longcase clock, pendulum and key

A Scandinavian painted longcase clock, pendulum and key

A Tempus Fugit longcase clock.

An oak longcase clock

A George III Scottish inlaid mahogany 8-day longcase clock

Hamley, Warwick Place, London, Longcase Clock Hamley, Warwick Place, London, early 19th century Regency, 8-day movement striking on single bell, circular white painted dial with Roman numerals, all contained in figured mahogany case, canopy with arched moulded cornice surmounted by a single brass finial, circular glazed door and side panels, quartered fluted columns with brass capitals, trunk with arched door, also flanked by quartered fluted columns, box base with single panel, standing on bracket feet.51cm wide, 24cm deep, 218cm highMovement has been refurbished, cheeks are original and have not been altered/built up. No breaks to the glass, the glass on the hood is bevelled but not convex. Dial has some small areas of craquelure, mainly to the edge and the 'IX' numeral. Case in good order with some knocks and small scratches to the surface. The case door opens and locks smoothly and sits flat to the case. A few small cracks to the mahogany hood and case but nothing major. Please see all images.

Joseph Kirk, Skegby, Longcase Clock Joseph Kirk, Skegby, early 18th century longcase clock, 8-day movement striking on a single bell, brass arched dial with a 31 day calendar date dial to arch, silvered chapter ring with Roman and Arabic numerals for hours and minutes, subsidiary minutes dial above a makers plaque for 'Jos. Kirk, Skegby'. All contained in a walnut case with caddy top and three large turned finials to canopy, pierced carving to frieze, glazed door and side panels, trunk with four turned columns to the corners, long door inlaid with feather-banding and double mould with central bullseye glass panel, box base.51cm wide, 23cm deep, 250cm highAfter inspection the movement appears to have been restored at some point. The cheeks do not appear to be original and have been altered. The three finials are also later additions. There is also a break to the glass on the hood which can be seen in the online images. The bullseye in the case is flat and not convex. There are some cracks to the veneer on the case and a coupe of path repairs to the sides. The clock did not come with a key and we have not been able to open the trunk door. Please see all images.

John Stanyer, Nantwich Longcase Clock John Stanyer, Nantwich, late 18th century longcase clock, 8-day movement striking on a single bell, arched brass dial engraved with maker's name incorporating a rolling moon, silvered chapter ring with Roman and Arabic numerals for hours and minutes, secondary minutes dial and date aperture, all contained in a mahogany case, canopy with swan neck pediment and gilded Bristol blue glass panels, surmounted by three brass finials, glazed door flanked by reeded tapering columns with brass capitals, trunk with arched door and brass capped quartered columns, box base with single panel, standing on ogee bracket feet53cm wide, 26cm deep, 232cm high

Josiah Stringer, Stockport Longcase Clock Josiah Stringer, Stockport, early 18th century longcase clock, 8-day movement, striking on single bell, brass arched dial incorporating rolling moon, silvered chapter ring with Roman and Arabic numerals for hours and minutes, secondary minute dial and date aperture with makers plaque 'Josiah Stringer, Stockport', all contained in burr walnut case with mahogany crossbanding, ebony and satinwood stringing throughout, canopy with moulded cornice, glazed door flanked by tapering columns with brass capitals, trunk with arched door, central star marquetry inlay, box base also with star inlay, on bracket feet47cm wide, 26cm deep, 223cm high

Whitestone Littlemore, London, Longcase Clock Whitestone Littlemore, London, circa 1700 longcase clock, 8-day single train movement, brass square dial with silvered chapter ring, Roman and Arabic numerals for hours and minutes, subsidiary seconds dial, hood with swan neck pediment and central brass finial, glass dial flanked by barley sugar twist columns, door to trunk with moulded bead and glass bullseye panel, box base. Comes with weight and pendulum.43cm wide, 24cm deep, 217cm high

Henry Watson, Longcase Clock Henry Watson, mid 18th century longcase clock, 8-day movement striking on a single bell, square brass dial, chapter ring with Roman and Arabic numerals for hours and minutes, subsidiary date aperture with urn and eagle spandrels to the corners, mahogany case, canopy with swan neck pediment and central carved shell finial, glazed door flanked by two gun barrel turned columns, long scalloped linenfold door to trunk with carved shell motif to the top, quartered columns, box base on bracket feet.49cm wide, 26.5cm deep, 220cm high

Late 18th-century longcase clock Late 18th-century longcase clock, refurbished 8-day movement, striking on single bell, square brass dial applied with spandrels, chapter ring with Roman and Arabic numerals, central dial with minute and date apertures, oak case with swan neck pediment, trunk with short door flanked by quartered reeded columns, box base with single panel, ogee bracket feet.Movement appears to have been refurbished, new seat board.

James Wilson, Askrigg, Longcase Clock James Wilson, Askrigg, mid 18th century narrow longcase clock, 30-hour movement striking on a single bell, arched brass dial with silvered chapter ring with Roman and Arabic numerals for hours and minutes, arch with makers details 'J. Wilson, Askrigg', all contained in a narrow pine case, moulded canopy with glass door, case with long door on plinth base28cm wide, 18cm deep, 203.5cm highLater case, tarnished chapter ring. Dial size including arch is 21cm high x 15.3cm wide.

Jonas Barber, Winster Longcase Clock Jonas Barber, Winster, 18th Century longcase clock, 30 hour movement striking on a single bell, white painted arched dial with Roman and Arabic numerals for hours and minutes, secondary minutes dial, arch with a painted hunting scene, all contained in a mahogany case, canopy with break arch cornice, central brass finial, glazed door flanked by tapering columns with brass capitals, trunk with quartered columns, box base with chamfered edge all standing on bracket feet48cm wide, 24cm deep, 217cm high

A MODERN TRIPLE WEIGHT LONGCASE CLOCK WITH GLASS FRONT

An Oak Eight-Day Longcase Clock, later dial, 190cm highWith two weights, pendulum and winding keySize of the dial - 11 inches Mask Aperture - 11.5 inches Length of trunk door - 79 cm 

An Art Deco Striking Longcase Clock, case with aneroid barometer, 191cm high

An Oak Thirty-Hour Longcase Clock Signed Deacon, Leciester, late 18th century, 12" square painted dial with floral painted spandrels, 196cm highWith pendulum and weight

A Modern Mahogany Longcase Clock, retailed by Cahrles E Short, Brighton

An Oak Eight-Day Longcase Clock, signed Jno, Nimmo, Hawick, 13" arch painted dial, with four seasons spandrels and a ploughing scene in the arch, inside the trunk door with a Brian Loomes label, 215cm high

A Mahogany Eight-Day Longcase Clock, early 19th century, 14" square painted dial, signed Jas. Scott, Kendal, 215cm highWith two weights and a pendulum

A very large late 19th/early 20th century walnut and mahogany cased longcase clock by W. Carpenter of London, the face with a subsidiary seconds dial, a moon phase and a silvered chapter ring with Arabic numerals, the trunk with a glazed door enclosing the pendulum and chimes. H.255 W.60 D.33cm.

A 19th century mahogany longcase clock, the arched hood with globe finials and rope twist columns above a short trunk door, box base and bracket feet, the dial painted with a village in the arch and spandrels with a seconds subsidiary dial and calendar aperture, 215cm high

An 18th century oak cased 8 day longcase clock, the case having a stepped cornice above a 12" silvered dial engraved to the centre 'Jonathan Frost Exeter' and having a date aperture and a subsidiary seconds dial, flanked by two turned pilers and star marquetry inlay to door, the four pillar movement striking on a single bell, 205cm high x 46cm wide

A reproduction burr yew longcase clock, the arched top case having applied gilt metal mounts, pierced grilles and marquetry floral design, the dial with 'Tempus Fugit' plaque above a silvered chapter ring and pierced spandrels, the 8 day Franz Hermle movement striking on eight rods, 204cm high x 55cm wide

An 18th century oak cased 30 hour longcase clock, the case having a stepped and dental moulded cornice above a 11" dial engraved to the centre 'Joel Ettry Horton' and having a date aperture, silvered chapter ring and pierced gilt metal spandrels, the movement striking on a single bell, 199cm high x 50cm wide

A GEORGE III MAHOGANY LONGCASE CLOCK BY JOHN MYERS, LONDON late 18th century, with an eight day, two-train five pillar movement, the brass face with silvered dial, roman numerals, subsidiary second and date dials, and a strike or silent dial, the flame mahogany case with an architectural hood, with gilt metal orbs to the shaped and moulded cresting, 231.5cm high x 49cm wide

An Early 19th century oak and mahogany Longcase clock by Thomas Robinson, of Sheffield, 8-day movement, painted brass face with Roman numerals, 211cm high x 54.5cm wide.

THOMAS KNOWLES; an 18th century thirty hour oak longcase clock, the silvered chapter ring set with Roman numerals, inner brass dial with moon phase calendar window, two winding holes, chiming, dial diameter 30cm, oak case with broken swan neck pediment, side columns, case with quarter columns, height 220cm.

A large quantity of crested ware to include Bavarian, Arcadian, Goss examples, etc, vases, including models of longcase clock, cottage, covered cheese dish, tortoise, etc.

A 1950s Enfield longcase clock, oak case, having brass dial with arabic numerals housed with an eight day movement striking on rods. H194, W51cm.

An 18th Century painted dial mahogany veneered longcase clock with moon phase and shipping decoration, second and date functions, by Joseph Thristle of Stogursey, H. 216cm.

An Edwardian oak cased musical longcase clock with westmister whittington and st. michael chimes.

A 19TH CENTURY MAHOGANY MINIATURE LONGCASE CLOCK POCKETWATCH HOLDER 37cm high

AN 18TH CENTURY OAK EIGHT-DAY LONGCASE CLOCK, JAMES HEWITT, SUNDERLAND (1749-52) the square hood with arched dial with broad sivered chapter ring, moon phase, two winding apertures and date aperture, subsidiary seconds dial, all flanked by Corinthian columns, the slender trunk with boxwood lined base, with two weights, pendulum and winder. 207cm highNew timber added to the seatboard. Split to the base. Wear to the silvering. Unknown whether working or not.

AN 18TH CENTURY OAK THIRTY-HOUR LONGCASE CLOCK, SIGNED JOHN PORTHOUSE, PENRITH the 11-inch square brass dial with date aperture, the hood with free-standing columns, the case with long trunk door, with pendulum and weight. 193cm high

AN 18TH CENTURY OAK EIGHT-DAY LONGCASE CLOCK, SIGNED R. HOUTON, OVERSLEY GREEN with 10-inch square brass dial, the hood with blind-fretwork carving to the frieze and turned pilasters, the slender case with long trunk door, the base with bracket feet, with pendulum and two weights. 202.5cm highPossible alterations to the hood. New timber added below the seatboard. Split to the base front. In otherwise good condition commensurate with age.

A BRASS LONGCASE CLOCK MOVEMENT LATE 18TH / EARLY 19TH CENTURYthe brass eight day movement striking on a bell, with a silvered chapter ring with Roman hours and Arabic minutes, subsidiary seconds dial and date aperture with a matted centre, with cherub and crown spandrels, with a pair of weights and a key30 x 30.4cm

A MAHOGANY AND INLAID 'LONGCASE CLOCK' TABLE TIMEPIECEIN SHERATON REVIVAL STYLE, EARLY 20TH CENTURYthe brass eight day movement stamped 'EG'L, with an ivorine dial with Arabic numerals between boxwood paterae above an arangement of four drawers31.5cm high, 10cm wide, 10.6cm deep

1940's oak longcase clock, domed top, glaze door, bun feet, triple weight movement striking on eight gongs, height 191cm.

Mahogany longcase clock, the hood with swan neck pediment, brass finials, rope twist columns, trunk with short door and matching columns, lointh base, 14" arched painted dial with moon phase, subsidiary seconds dial dna ddate aperture, eight day movement striking on a bell, height 228cm.Condition report:Clock not set up in the saleroom but weights, pendulum, winding key (looks to be a replacement) and trunk key all present. The movement appears complete and has the appearance of being relatively recently cleaned/ serviced so it is likely to run but not guarantee can be given. The sound board looks to have been recently re-screwed into the block. The dial looks to have patches of repainting (the word Dudley in particular) and re-gilding to the face also. The hood finials are all a little loose and the central ball finial is lacking the original spike. The brackets for the hood door have gorged a heavy mark out of the base of the hood (see image). The mahogany surround of the glazed door is splitting and appears to have been repaired. The rest of the case has some repaired veneers and cross-banding, and there are just a few areas presently missing. The base of the trunk has been split to the left hand side and a heavy scar is left (see image). The back board appears original, no evidence of worm activity, there is natural splitting along the grain lines quite centrally.

An oak Tempus Fugit longcase clock