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An early 19th Century oak and mahogany eight day longcase clock, by 'Pratt, Nottingham', the hood with a swan neck pediment and fitted with turned columns, the glass door enclosing a 13 inch white enamelled painted dial with black Roman numerals, two winder holes and subsidiary dial, bearing inscription to arch, the case section with an oak door set between chamfered edges, projecting base and standing on bracket feet, measuring 225cm high; complete with two weights and pendulum
A VICTORIAN MAHOGANY LONGCASE CLOCK, with a painted face J Telford, Coatbridge, with rural scenes and Roman numerals, 236cm high Condition Report: Minute hand is detached. No pendulum or weights. knob missing on hood. No Keys. Face cracking.Some split to lower sections, small losses to veneer.
A QUEEN ANNE WALNUT LONGCASE CLOCK BY SAMUEL WATSON LONDON the brass month going movement with six turned and finned pillars, with an anchor escapement striking on a bell, with an outside countwheel, the twelve inch brass dial with a silvered chapter ring, with Roman and Arabic numerals, the matted centre with a subsidiary seconds dial and date aperture, signed 'Sam Watson London', with gilt boys and crown spandrels, the hood with a blind fret carved frieze, above a trunk door with book matched burr veneers 216.6cm high Provenance From a Private Cornish Country Estate. Catalogue Note See Britten's 'Old Clocks & Watches and their Makers': Samuel Watson, Coventry and London, horologist, is listed as active between 1649-1710, 'inventor curious piece of clockwork; a clock sold to Charles II, shows the rising and setting of the sun and many other motions.' He is credited with inventing the five-minute repeater.
A GEORGE II JAPANNED LONGCASE CLOCK BY JAMES JORDAN CHATHAM the brass eight day movement with five turned and finned pillars, with an anchor escapement striking on a bell, the twelve inch brass arched dial with Roman and Arabic numerals, the matted centre engraved with a basket of flowers and birds, with a subsidiary seconds dial and date aperture, signed 'Iam Iorden, Chatham', with gilt boys and crown spandrels, the arch with an engraved boss, the black and green lacquer case with gilt highlights decorated with chinoiserie scenes 254.5cm high
A PAINTED CHIMING LONGCASE CLOCK BY THOMAS TURNER LONDON the brass eight day three train movement with four turned pillars, the anchor escapement striking on eight bells and a gong (fixed to case), the twelve inch brass arched dial with a silvered chapter ring with Roman and Arabic numerals, the centre engraved with two boys on a see-saw, with a subsidiary seconds dial, with adjuster for 4/7 bells, with gilt mask spandrels, the arch with chime/silent dial and signed 'Thos Turner London', the case painted in the manner of Angelica Kauffmann with figures, cherubs, urns, flowers and scrolling foliage, the hood with two brass finials 252cm high
An early 19th century mahogany cased eight day longcase clock by G Claridge, Chepstow, the arched hood with wrythen pilasters flanking the 33cm painted break arch dial, centred with a subsidiary second dial, date aperture and signed with the makers name, enclosing the two train movement striking on a saucer bell, the case with inlaid geometric ebony stringing, 223cm high, two weights and pendulum
A mid 19th century mahogany cased eight day longcase clock by Thomas Leadbeater, Wrexham, the 36cm painted break arch dial with moon phase and subsidiary second dial, signed with the makers name, the two train movement striking on a saucer bell, the mahogany case applied with satinwood cross banding and wrythen pilasters, raised upon bracket feet, 232cm high, two weights and pendulum
An early 19th century oak and mahogany cross banded eight day longcase clock by J Edwards Corwen, the 36cm painted break arch dial centred with a subsidiary second dial and signed with the makers name, the two train movement striking on a saucer bell, within an oak case applied with chevron banding and integrated quarter pilasters, upon a plinth base and bracket feet, 227cm high, two weights and pendulum
A George III oak and mahogany cross banded eight day longcase clock signed Fernall, Wrexham, the 33cm painted square dial, centred with a date aperture, subsidiary second dial and the makers name, the two train movement striking on a saucer bell, within a 'flat top' hood with reeded pilasters upon the case with a shaped door and conforming quarter pilasters, 207cm highCondition reportNo visible name stamped in backplate, 'cut out' to the back of the case indicate alterations and probable associated movement
A large George IV oak and mahogany cross banded eight-day longcase clock, the 36cm painted break arch dial with rolling moon phase movement and two subsidiary dials, the hood with broken swan neck pediment and central case door flanked by cluster column pilasters, 226cm high, two weights and pendulum
An 18th century oak and mahogany crossbanded longcase clock, the arched moonphase dial inscribed ‘High Water at Bristol Key’, by Walborough and Thomas, fitted with subsidiary seconds dial and date aperture, enclosing eight-day four pillar movement striking on a bell, the hood with broken arch pediment, over a plain with lancet door, with pendulum and weights, dial 30cm wide, 215cm high Condition report: Rusting to dial hands and surface marks to dial. Splits and losses to plinth, cracking to veneer. Central finial loose and damaged but present. Top board of hood warped and lifting. Pendulum slightly bent.Dial 300mm wide, 420mm high. Additional photos added. The movement does not sit securely within the case with the hood door open.
A George III lacquered longcase clock, with an arched brass dial, with a silvered chapter ring with subsidiary seconds and calendar aperture, inscribed William Ray, Sudbury, with a eight-day movement and striking the hours on a bell, with a ball mounted hood, chinoiserie decorated trunk and door, with weights and pendulum, dial 11.5in., 243cm highCondition report: Case worn, and ball finials damaged. Dial and movement appears to have been cleaned.It appears to have originally been black, rather than a deep red or green. The case is structurally in a good order. There are losses/flaking sections to the lacquer. The seat board and case do not show obvious signs of adjustment, such as additional timbers, which suggests they may be original.
Mid 18th century 8-day longcase clock by Samuel Lee of London, with silvered and brass dial, subsidiary seconds and date aperture in mahogany case with blind fretwork pediment, with two weights, pendulum, keys and crank, 207cm highCondition report: General overall condition very good, movement is dirty, some steel parts are rusty, bell strike has been muffled and we are unable to confirm if the movement is in full working order. Dial is very good, some wear to silvering, hands rusty. Movement appears original to the case and there is no visible evidence of any replacement parts. Case is very good, some evidence of old woodworm, holes filled and polished. Pillar capitals on both case and hood have been painted gold.
18th century 30 hour longcase clock by John Garland, Cuckfield with brass square dial striking on bell in chinoiserie decorated black lacquered case (later decorated). 190cm high - pendulum and weight present.Condition report: General overall condition good, movement is dirty and we are unable to confirm if it is in full working order. Seat board has been glued in place but movement appears original. Dial has been cleaned, silvering on chapter ring has been removed and some of numerals have been retouched, matted centre has a mark to right side. Case is in good condition, some evidence of filled old wood worm, and has been renovated, decoration has been retouched. Hood is good, one side glass is cracked and there is a chip to the inside of the door glass.
Oak longcase clock, the hood with cavetto cornice, plain frieze, turned columns, long door, fielded panel base, bracket feet, 10£ square brass dial with cast cherub spandrels. silvered chapter ring, signed Fran Robotham, Hampstead, 30 hours movement striking on a bell, height 192cm, with pendulum, weight and door key.
Oak and mahogany longcase clock, the hood with brass finial and swan neck pediment, half turned columns, short inlaid door flanked by half turned columns, box base, bracket feet, 12" arched painted dial signed James Northwood, Newport, 30 hour movement striking on a bell, height 223cm, with weight, pendulum and door key.
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41749 item(s)/page