We found 41737 price guide item(s) matching your search

An oak longcase clock, the thirty hour movement with anchor escapement and outside countwheel strike on a bell, the painted 12in dial with Roman numerals and date aperture and inscribed Webb & Son Newbury, the line-inlaid case and hood with plain columns and flat pediment, 92cm high

A carved oak longcase clock, the 30-hour movement with outside countwheel strike on a bell, the 10 1/4in square brass dial with Roman numerals and inscribed William Wilson, the elaborately carved case bearing the legend TEMPUS FUGIT, the hood with flat pediment, 202cm high

A carved oak longcase clock, the eight-day two-train movement with anchor escapement and rack strike on a bell, the arched dial with Roman numerals and Arabic five-minute divisions, subsidiary seconds dial and date aperture, the arch with boss inscribed John Goodfield LONDON, with elaborately carved case and domed hood, 220cm high

An oak longcase clock, the thirty-hour movement with anchor escapement and striking on a bell, the 10in square brass dial with single hand, Roman numerals and inscribed James Woods, in a plain case, the hood with flat pediment, 89cm high

A walnut longcase clock, the eight-day two-train movement with anchor escapement and striking on a bell, the 11 1/4in dial with Roman numerals and Arabic five-minute divisions and with subsidiary seconds dial and date aperture, the chapter ring inscribed Gab. Smith CHESTER, plain case and hood with stepped pediment, 230cm high

A simulated mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack strike on a bell, the arched dial with silvered chapter ring with Roman numerals and Arabic five-minute divisions, date aperture and subsidiary seconds dial, the arch with silvered base inscribed James Smith London, the parcel-gilt case with arched door and plinth base, the hood with stepped pediment, 200cm high

A mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack strike on a bell, the arched and painted dial with Roman numerals, subsidiary seconds dial and date aperture, the arched and dial painted with flowers, inscribed Jn. Spurrier Tewkesbury, the broad case with swan neck pediment, 230cm high

A pale oak longcase clock, the eight-day two-train movement with rack strike on a bell, the painted 12in square dial with Roman numerals, subsidiary seconds dial and date aperture, inscribed Alfred King. Chippenham, the plain case with a line-inlaid rectangular door with central shell rosette, the hood with swan-neck pediment, 199cm high

Two brass longcase clock dials, comprising: a round 13 /4in.example inscribed ELLIS SHEFFIELD, 35.5cm diameter; and an arched square 12in. dial, the chapter ring with Roman numerals, Arabic five minute divisions, subsidiary seconds dial and plaque inscribed Francis Gregg LONDON 501 the arch with 'Strike/Silent' dial, 30.5cm wide

An Oak Eight-Day Longcase Clock, signed Jno Bower, Kerrymuir, circa 1800], the case with swan neck pediment, shaped trunk door upon shortened plain rectangular plinth, 12-inch painted arched dial, centre field with subsidiary dials for date and seconds, the arch and corners with textured gilt and floral decoration, four pillar movement with anchor escapement and rack striking on a bell, 208cm high *John Bower is recorded as working in Kerrymuir 1802. See "Watchmakers & Clockmakers of the World", by G,H,Baillie, pg.36

A Mahogany Thirty Hour Longcase Clock, signed R Railton, Barnard Castle, circa 1840], case with swan neck pediment, wavy shaped trunk door, plinth with recessed panel upon shaped apron, 13-inch painted arched dial with Roman numerals, the arch and corners depicting hunting scenes, four pillar movement with anchor escapement, 215cm high

An Impressive Mahogany Inlaid Chiming Longcase Clock, circa 1890], the case with swan neck pediment and fluted columns, wavy shaped trunk door, rectangular plinth upon bracket feet, 17-inch arched silvered dial with engraved floral decoration, subsidiary seconds, the arch with Whittington/Westminster chimes and chime/silent, the massive three train movement with anchor escapement, eight hammers striking on nine tubular bells and a further one for the hour, backplate stamped "250", 272cm high

A Mahogany Eight Day Longcase Clock], the case with swan neck pediment, fluted pillars with corinthian capitals, wavy shape trunk door flanked by fluted inset pilasters, the plinth with raised panel upon bracket feet, 13-inch arched brass dial, dial centre with engraved decoration and subsidiary seconds, the arch with plaque inscribed "Ed Duncann, Newcastle", four pillar movement with anchor escapement and rack striking on a bell, later seatboard, dial and movement associated to the case, 240cm high

An Oak Thirty Hour Longcase Clock], the case with swan neck pediment, inlaid trunk door flanked by inset plain pilasters, inlaid rectangular plinth upon later feet, 11-inch square brass dial with chapter ring inscribed "Porthouse, Penrith", dial centre with engraved floral decoration and a cartouche inscribed "John & Eleanor, Ebdale", date aperture, four pillar movement with anchor escapement and outside countwheel striking on a bell, dial and movement associated to case, 214cm high

An Oak and Mahogany Eight Day Longcase Clock], the case with architectural breakarch pediment, wavy shaped mahogany crossbanded trunk door flanked by inset fluted pilasters, plain rectangular plinth upon bracket feet, 12-inch square brass dial with chapter ring signed "William Barnard, Newark", matted dial centre with date aperture and subsidiary seconds, later spandrels, four pillar movement with anchor escapement and inside countwheel striking on bell, dial and movement associated to case, 203cm high

An Oak Thirty Hour Longcase Clock, signed Coats, Wigan, circa 1770], the case hood with stepped pediment and gilded scroll decoration to the front, fluted pillars, wavy trunk door flanked by fluted inset pilasters, plinth with raised panel and later feet, 13-inch square brass dial with silvered chapter ring signed "Coats, Wigan", textured dial centre with subsidiary seconds and date aperture, four pillar movement with anchor escapement and outside countwheel striking on bell, 218cm high *Archibald Coates is recorded as working in Wigan between 1767-d.1797. See "Watchmakers & Clockmakers of the World", by G H Baillie, pg 62.

An Oak Eight Day Longcase Clock, signed Atkinson, Sheffield, circa 1740], the case with caddy hood, trunk door with glazed lenticle upon a plain rectangular plinth (slightly shortened), 12-inch square brass dial with chapter ring signed "Atkinson, Sheffield", dial centre with date aperture, subsidiary seconds and engraved floral decoration surrounding winding holes, four pillar movement with anchor escapement and rack striking on a bell, pendulum bob with presentation inscription dated "January 24th 1924", 218cm high

An Oak Thirty Hour Longcase Clock, signed Tho Talbott, Namptwich, circa 1715], case with later shaped pediment, twisted pillars and glazed side panels, rectangular trunk door with moulded edge and a lenticle, later rectangular plinth, 10-inch square brass dial with chapter ring signed "Tho Talbott, Namptwich", cherub spandrals, single hand, four pillar movement with anchor escapement and outside countwheel striking on a bell, 219cm high

A Mahogany Eight Day Longcase Clock, signed Thomas Watson, Blackburn, circa 1770], the case with swan neck pediment, wavy shaped door of good patination flanked by inset pilasters, the plinth with canted corners, raised quatre form panel upon shaped feet, 14-inch arched brass dial with Roman numerals, dial centre with subsidiary date dial and engraved crest, silvered arch signed "Thomas Watson, Blackburn", rolling moon disc for lunar scale with painted scenes, four pillar movement with anchor escapement and rack striking on bell, 230cm high *Thomas Watson, from Lancashire, is from a family of clock maker's and is recorded as working between 1770-95. See "Watchmakers & Clockmakers of the World" by G H Baillie.

A Mahogany Eight Day Longcase Clock, signed Cha Blanchard, London, circa 1760], the case with pagoda pediment, brass capped stop fluted pillars, break arch moulded trunk door with well figured wood flanked by inset fluted pilasters, plinth with moulded panel, 12-inch brass arched dial with silvered chapter ring, matted dial centre with subsidiary seconds, and a recessed silvered plaque signed "Cha Blanchard, London", the arch with subsidiary month dial and a sector date dial, five pillar movement with anchor escapement and rack striking on a bell, 237cm high *Charles Blanchard from London is recorded between b.1688-1768. See "Watchmakers & Clockmakers of the World", by G H Baillie, pg 29

An Impressive George III Musical Mahogany Longcase Clock, signed Paul Rimbault, London, circa 1780], the case with swan neck pediment and finely pierced fret work, glazed side panels, the moulded trunk door flanked by inset with stop brass fluted pilasters, plinth with raised moulded panel flanked by stop brass fluted pilasters upon bracket feet, 12-inch arched dial with blue painted background, white painted chapter ring with inner date ring with corresponding central date hand, dial centre signed "Paul Rimbault, London", floral decoration, the top corners with subsidiary dials for Both/Both Strike/Chime Silent and music tune selections Minuet/Air/Hymn/Hymn/Alemand/March, the arch with automaton scene of "Adam and Eve" below the tree life and background painted landscape scene, the massive three train movement with anchor escapement, fifteen hammers striking on eight bells and striking a further bell for the hour, 245cm high

A 19th Century oak cased eight day longcase clock, the 12 inch painted dial, signed Jas Knight, Halstead, having a twin train movement with an anchor escapement, striking on a bell, 123cm

An eight day longcase clock, the brass dial with ringed winding holes and cherub spandrels supporting a striking and repeating movement, now housed in a black lacquered and chinoiserie case, dial 10 inch diameter, case 2m high

An early 19th Century Scottish mahogany longcase clock, the arched dial painted with 'Burns and Highland Mary' and the spandrels as England, Ireland, Scotland and Wales, with an eight day movement, inscribed Thomson, Kilmarnock, 2.30m high

A George III oak cased eight day longcase clock, the 13 inch brass dial, with a silvered chapter ring, pierced brass spandrels and a subsidiary minutes dial, surmounted by a moon phase

A mahogany and inlaid longcase clock, the arched painted 12 inch dial with an 8-day movement and subsidiary seconds dial and date aperture inscribed 'Jacob Moseley, Neath'

A nineteenth century oak longcase clock, with swan neck pediment above pierced scrolled fretwork, having arched door flanked by turned columns enclosing a movement by M Collingwood of Alnwick, the painted enamelled dial with Roman chapters and floral spandrels beneath an arched landscape panel with figure and sheep standing by tree, the trunk with rectangular door and corner quarter columns, raised on moulded panel base with roundels to corners and supported on bracket feet - complete with brass pendulum, pair of weights and key. (86.5in).

A nineteenth century mahogany longcase clock case, with arched hood and glazed door flanked by turned columns, the trunk inlaid with burr walnut marquetry panel and boxwood stringing, the moulded base similarly crossbanded and inlaid with boxwood and ebony stringing, raised above a shaped apron with bracket feet. (88in).

An Italian reproduction walnut marquetry longcase clock, with broken swan-neck pediment flanking a turned finial, having brass dial with Roman chapters and decorative pierced scrolled spandrels, the glazed moulded door flanked by split fluted baluster mouldings, the trunk with arched glazed door having three brass weights and pendulum driving the mechanism with Westminster chimes, the moulded base with decorative floral marquetry panel above a shaped apron, on ogee bracket feet. (81.5in).

A late eighteenth century walnut cased longcase clock, with moulded cornice above carved blind fretwork frieze, with square door having turned columns enclosing a movement by Wilson of Stamford, the silvered square associated dial with Roman chapters and date aperture, the trunk with cushion moulded panelled door having circular glass bob lenticle aperture, raised on moulded plinth base with square panel - some alterations. (84.75in).

A Victorian Scottish mahogany longcase clock, the hood surmounted by brass eagle finials with projecting concave cornice above a circular door flanked by fluted tapering columns, having enamelled dial with Roman chapters and two subsidiary dials, the trunk with panelled door and chamfered corners above a moulded base supported on turned feet, the hood with gothic shaped glazed apertures to sides. (84in).

An early nineteenth century oak longcase clock, with shaped swan neck pediment surmounted by gilt and gesso ball finials, above pierced fretwork frieze, having an arched glazed door flanked by fluted columns with brass capitals enclosing a painted dial by George Davison of Wooler, with Roman chapters and painted hunting hound spandrels beneath a pastoral scene of shooters resting in landscape with their dogs and game, the trunk with gothic shaped door flanked by quarter columns, raised on a moulded base with bracket feet. (84.5in).

Mahogany longcase clock ,the swan neck pediment with ball finial and blind fretwork foliate detail over arched brass dial by John Hamilton of Glasgow with silvered chapter ring, subsidiary seconds dial and date aperture and with gilt metal spandrels flanked by fluted columns over an arched trunk door with quarter pilasters on a base section fitted with bracket feet

Mahogany longcase clock ,by J. Blair, the scroll crest over stepped cornice, the arched painted dial with scene of Cotter's Saturday Night, the spandrels with representations of the four seasons, the hood with side spiral pillars over trunk with quarter spiral pilasters all raised on bun feet, 87 1/2in (222.4cm) high

Mahogany longcase clock ,the swan neck pediment over stepped cornice and inlaid details above arched hood door with painted dial showing Warwick Castle to the top and country architecture to the spandrels, the face with seconds dial and calendar ring over inlaid trunk door and base section, 88in (223.5cm) high

Mahogany longcase clock ,the swan neck pediment with central finial over an arched dial with silvered chapter ring, seconds ring and date aperture within cast gilt metal spandrels, marked for James Cowan, Edinburgh and flanked by columns with brass capitals, over a plain trunk door and raised on bracket feet, 85in (216cm) high

A 19th century mahogany longcase clock, the hood with broken swan neck pediment and Ionic columns , above a long trunk door, box base and bracket feet, the 35.5 cms dial painted with a Cathedral to the arch and cottages to the spandrels, the dial with Roman numerals, seconds subsidiary dial and calendar dial, the eight day movement striking on a bell, 230 cms high.

An impressive 19th century oak longcase clock, carved to the top with a coat of arms, the hood with caryatid figures, one titled 'youth', the other 'age', with the inscription 'Think as you watch the hours go by that time will end and you will die' dated 1854, above a long trunk door with glazed panels enclosed between Ionic columns, on a geometric panelled base and plinth, the 29 cms square brass dial with silvered chapter ring, seconds subsidiary dial and calendar aperture, inscribed Richard Lowe, Newport, the 8 day movement striking on a bell, 247 cms high.

A 19th century longcase clock case, the hood with broken swan neck pediment and turned columns above a short trunk door, box base and bracket feet, 216 cms high.

Thomas Parc, London, an 18th century oak cased longcase clock, the ball finial mounted scrolling cornice above an arch glazed door flanked with fluted columns enclosing a 12 inch brass dial with silvered chapter ring, subsidiary seconds dial, ring turned winding holes and etched centre plate within gilt cast spandrels and with four pillar bell striking movement above a long trunk door, standing on a plinth base with bracket feet and a shaped apron, 216cm high

Lumley & Gudgeon, Bury, an 18th century oak cased eight day longcase clock, the finial headed moulded cornice above an arch glazed door flanked with gilt metal mounted columns enclosing a 12 inch painted arched dial with secondary seconds dial, strike/silent and date aperture, with four pillar bell striking movement above an arched long trunk door flanked with reeded canted corners, standing on a plinth base, 217cm high

A 19th century Irish brass inlaid mahogany eight day longcase clock, the shaped cornice above a circular glazed door with gadrooned edge enclosing a circular painted dial with secondary seconds dial and deadbeat escapement, four pillar gong striking movement above an arched long trunk door flanked with gadrooned quarter columns, standing on a plinth base with bracket feet and a shaped apron, 211cm high

Robert Hislop, Peebles, a 19th century mahogany cased eight day longcase clock, the moulded cornice above an arch glazed door enclosing a painted 13 inch arched dial with secondary date and seconds dials and with four pillar bell striking movement above a cushion moulded case with arch moulded bow front trunk door, standing on a panelled plinth base with bracket feet and a shaped apron, 209cm high

A MAHOGANY LONGCASE CLOCK, mid 19th Century, swan neck pediment, painted dial with lunar equation in the arch, subsidiary seconds dial and date aperture, signed 'Edward Radford, Hanley', the trunk door flanked by acanthus pilasters, height 220cm, (two weights and pendulum)

A MAHOGANY LONGCASE CLOCK, c.1770-1790 swan neck pediment, arched brass dial with painted lunar equation, signed 'Joseph Hampson, Wrexham', subsidiary seconds dial and date aperture, cherub spandrels, raised Roman chapter, eight day movement, bell strike, height 240cm.

A STRUTT OF BLACKWELL OAK LONGCASE CLOCK, second half of the 18th Century, brass dial with scroll spandrels, silvered chapter, date aperture, thirty hour movement, bell strike, height 197cm, (pendulum and weight)

Oak cased longcase clock, the 11" square dial with seconds and date rings, 30 hour movement, hand painted quadrants signed Wynn, Alresford (Hampshire), the whole in good complete but a/f condition c.1825 78" high

An eight day longcase clock with a moonroller painted dial with seconds sweep contained in a good quality mahogany case the hood with painted glass 98" high to finial

An eight day longcase clock with a brass arched dial with seconds hand and calendar contained in a mahogany case recently restored

A Modern Longcase Clock, with Arabic numerals

A GEORGE III OAK EIGHT DAY LONGCASE CLOCK by JOHN GALABIN, LONDON. The brass domed top dial with a column flanked hood over a plain case. 7ft high.

An oak longcase clock, the eight day movement striking on a bell with a subsidiary bell, to a repainted arch dial with subsidiary seconds dial and date aperture, inscribed 'Edwd Renouf, Jersey', the moonphase painted a shipping scene and landscape, 7ft 4in (223.5cm) h.

A mahogany longcase clock, the 8 day movement striking on a bell to a 12in brass dial with silvered chapter ring, subsidiary seconds dial and date aperture, the oblong boss inscribed 'WM Gaite, Shepton Mallet', 7ft 2.25in (219cm) h.

An oak longcase clock, the 18th century 30 hour movement striking on a bell, to a 9.75in square dial, with a silvered chapter ring inscribed 'P.Bower, Redlench', with shell spandrels, 6ft 5.5in (197cm) h.

A George III oak provincial longcase clock, the 30 hour movement striking on a bell stamped 'W. H. & Co. Bristol', to a 10in square brass dial with date aperture and silvered chapter ring inscribed 'Jno Ettry, Horton', with cherub mask spandrels, the base reduced, 6ft 3.5in (192cm) h. Brian Loomes states ' John Ettry, Horton, ca. 1750-70'.

A Victorian mahogany longcase clock, the eight day movement striking on a bell to a painted arch dial with subsidiary seconds and calendar dials, inscribed 'F. Birckley, Manchester' (worn), the moonphase painted ships and landscapes, the carved and veneered case with rosewood banding, 7ft 7in (231cm) h.

An early 19th century oak and mahogany eight day longcase clock, the square brass dial signed Thos Lister (associated)

An early 19th century inlaid mahogany eight day longcase clock, the arched white enamel dial with moon phase (in need of restoration but several missing pieces present)

An attractive 19th century inlaid mahogany eight day longcase clock with indistinctly signed arched painted white enamel dial

An attractive late 18th century oak and mahogany eight day longcase clock, the square brass dial signed Henry Higginbotham, Macclesfield