We found 44426 price guide item(s) matching your search

A circa 1920s oak longcase clock, having a three-train striking and chiming movement, with weights and pendulum

A Regency mahogany and brass inlaid lancet top 8-day longcase clock, the dial signed William Reeves, London

A collection of over 40 men's stainless steel watch straps and expandable watch straps, new old stock, longcase clock hands, clock keys and 400 day suspension springs

Two 19th century longcase clock hoods

19th century longcase clock with a painted dial and German Black Forrest movement.

A 19th Century Oak Longcase Clock by Richard Roughedge of Twickenham, the 11ins square brass dial with silvered chapter ring with Roman and Arabic numerals and subsidiary seconds dial and date aperture to matted dial centre, cast spandrels, the eight day two train movement striking on a bell, contained in case with moulded and blind fret carved cornice, split turned fluted columns to hood, trunk door carved with mask and leaf scrolls, on plinth base carved with floral and foliage ornament, 76ins high

A 19th Century Oak Longcase Clock by George Hallifax of Doncaster, the 12ins arched brass dial with Roman and Arabic numerals subsidiary seconds dial and date aperture to the matted dial centre, cast spandrels, to the eight days two train movement striking on a bell, contained in case carved with floral and leaf scroll ornament with moulded scroll pediment and turned columns to hood, fluted quarter columns to trunk, on plinth base with bracket feet 95ins high

A Late 17th Century Walnut and Marquetry Longcase Clock by Thomas Cruttenden of Yorke, the 10ins square brass dial with engraved centre and silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture and with bold cast winged cherub head pattern spandrels, to the eight day two train five pillar movement striking on a bell contained in walnut and marquetry case, the rising hood with moulded cornice and spiral turned columns, trunk door inlaid with two shaped panels with flowers in a bowl, and with circular lenticel to centre, replaced plinth inlaid with similar floral panel, on bun feet 77ins high Note: Thomas Cruttenden recorded working London and York 1668-1698. He was apprenticed to Robt. Scignier in July 1668 and was then passed over to John Fromanteel until November 1677, free of The Clockmakers Company 1677. In 1680 he moved to York to establish one of the first important clock workshops in the North of England and became free of the City of York. He died in 1698. Provenance: Purchased Hotspur Antiques Ltd, 14 Lowndes Street, London SW1X 9DEExternally the clock presents very well indeed, showing wear commensurate with age and moderate usage.  There is some light shrinkage here and there on the veneer panels which is to be expected on a clock of this vintage. There is some light cracking on the door, and general chips and marks but no real areas of concern.  There is a nice patination. The item has been refurbished at some point but this would be historic. The two lower marquetry panels at the base of the trunk door have been replaced and the plinth base is later - the base has some marks. The marquetry retains good colour. The glasses have some marks but no obvious signs of damage or chips and may be considered original. The doors sits on its original hinges and functions correctly. Likewise the inner cabinet is in good condition. The weights appear original and are strung. The original winding crank is present. To the inside of the door there are various notations and pieces of information as shown in the images, relating to the clock.  The hood is in good condition, fits and locks correctly, the locking bracket appears to be original. No obvious sign of restoration but has had attention over the years on a historic basis. The mechanism and the fit is good and again appears to be contemporary with the case.  Some slight marks and one or two small wormholes, again historic, to the sides and lower hood plinth.  The dial is in very good condition but again at some point would have been re-silvered, but this is historic.  The engraving is complete and intact and the hands appear original.  The mechanism is complete although we cannot warrant the originality of all components. The clock winds, runs and sets but should be regarded as untested. The hammer and bell appear original. Overall a very nice example of this early clock. Please note we are unable to comment as to whether any additional movement would fit into the cabinet. This needs to be the decision of the prospective bidder.  Prospective bidders are strongly advised to view all images closely prior to bidding. 

19TH C. MAHOGANY SCOTTISH 8-DAY LONGCASE CLOCK, A & W. Marshall (Wishaw), swan neck pediment, painted 12in. Roman dial, subsidiary and calendar dials, elaborately decorated lunette depicting 'Domestic Happiness', spandrels decorated depicting Asia, America, Africa and Europe, hood with columns and pilasters, bow fronted door, panelled base, bracket feet, 220cms (h)Provenance: private collection PenarthComments: untested, dial restored, one winding hole missing brass surround, split to base

19TH FRENCH COUNTRY COMTOISE LONGCASE CLOCK, L. Roussier (à Cerizay), 8in. enamel Roman dial, pressed metal mount, scumble painted pine case, pressed metal pendulum, 230cms (h)Provenance: private collectionComments: untested

19TH C. MAHOGANY WELSH 8-DAY AUTOMATON LONGCASE CLOCK, C. Tyte (Swansea), 13in. painted Roman dial with rocking ship automaton, subsidiary dial and calendar aperture, spandrels painted with castle ruins, brass mounted columns and reeded pilasters, boxwood and checker strung case, tall bracket feet, 235 (h) x 49cms (w)Provenance: private collection Vale of GlamorganComments: untested, hood probably associated, brass capitals replaced, winding hole surrounds missing, pendulum rod broken, inspection advised

19TH C. MAHOGANY WELSH 8-DAY LONGCASE CLOCK, Mark Marks (Cardiff), 11in. painted Roman dial, arch and spandrels painted with Classical and Gothic ruins, subsidiary dial and calendar aperture, swan neck pediment, shank reeded columns, canted angles, arched front bracket legs only, 230 (h) x 48cms (w)Provenance: private collection PenarthComments: untested, minor restorations

19TH C. OAK WELSH 8-DAY LONGCASE CLOCK, Thomas Clatworthy (Ystralyfera), painted 12in. dial with depiction of the death of Captain Vicars, subsidiary dial and calendar aperture, spandrels painted with nautical scenes, 194cms (h)Provenance: private collection Vale of GlamorganComments: untested, later case, dial with minor restoration

18TH C. MAHOGANY 8-DAY LONGCASE CLOCK, Thomas Foden, Congleton, central Ho-ho brass finial with brass acorn outers, 13in. full silvered dial with Roman hours and Arabic minutes, decorative star engraved winding holes above flower sprig, hood door with reeded brass bezel, reeded shanked pilasters to hood and trunk, chamfered base, plinth, 225cms (h)Provenance: private collection PenarthComments: untested, finials maybe associated.

A Small 18th Centuary Painted Cupboard, converted from a country longcase clock hood, with moulded cornice over single glazed door, shelved interior, 47cm high; together with an Edwardian mahogany tray, three pairs of bellows and an octagonal mahogany stand (6)

A Mahogany Eight Day Longcase Clock, early 19th century, 12" arch painted dial, unsigned, 221cm highWith pendulum and two weights

A Mahogany Eight Day Longcase Clock, 12" arched brass dial, with silvered chapter ring signed Thomas Stansbury, Hereford, the dial arch with rolling moonphase aperture, dial and movement circa 1770, later case in late 18th century style, 209cm highWith pendulum and two weights

JOHN TURNBULL, HAWICK? - An 18th century style oak cased eight day longcase clock, with 12" brass arch-top dial, swan pediments, brass mounts, pendulum and two weights. Overall 51x228x27cm.

An Emperor mahogany effect longcase clock, H. 180cm.

W. B. CORNFORTH, MACCLESFIELD; a 19th century mahogany cased eight-day longcase clock, the painted dial set with Roman numerals and subsidiary seconds dial, the corners painted with conch shells, within a case with broken swan neck pediment to the hood, the main body with columns (feet cut down), height 221cm.Condition Report: - The dial has been repainted at some time, it has scratches. The case has numerous problems, including splits, lifting veneer, feet cut down, pieces missing from the columns. Possibly not the original turned section to the pediment, etc.

A Georgian carved oak 8 day longcase clock with brass dial, by John Farley, Fecit, complete with weights and pendulum.

A Georgian oak 8 day longcase clock with brass dial, by Robert Scholfield.

A Georgian mahogany 8 day longcase clock with painted dial.

A Georgian mahogany 8 day longcase clock with painted dial decorated with birds by Alker of Wigan.

An oak and mahogany longcase clock, the painted dial with black Roman numerals, subsidiary sub dial and signed W J Davies Carnarvon, to the corners stylised painted daffodils, 220cm high, 56cm wide (max), 23cm (deep) ## key ##

A 20thC mahogany cased longcase clock, the brass dial with silvered chapter ring bearing Roman numerals, cherub spandrels, the hood with swan neck pediment and urn finial, the trunk with glazed panel, with pendulum and three weights, on bracket feet, 202cm high.

John Lee of Loughborough. An 18thC mahogany cased longcase clock, the brass dial bearing Roman numerals, eight day movement, with central moon decoration and raised spandrels depicting the four seasons, the hood with a moulded cornice above Corinthian column brass capped pilasters, the trunk with a panelled door flanked by further pilasters, on bracket feet, with pendulum and weights, 200cm high.

A 19thC oak cased longcase clock, the white enamel dial bearing Roman numerals and Arabic numerals and quarters, subsidiary seconds and date aperture, eight day, bell strike, with hand painted decoration to top depicting a thatched cottage, lake and figure with painted floral spandrels, the hood with inlaid swan neck pediment and finial, on cylindrical columns, on bracket feet, pendulums and weights, 212cm high.

An Early 19th Century, George III, oak longcase clock with painted dial by George Hardy. With pendulum and key.

A WILLIAM III/QUEEN-ANNE WALNUT AND FLORAL MARQUETRY EIGHT-DAY LONGCASE CLOCK JOSEPH WINDMILLS LONDON, CIRCA 1700-05 The six finned and latched inside countwheel bell striking movement with anchor escapement regulated by seconds pendulum, the 11 inch square gilt brass dial with subsidiary seconds, ringed winding holes and conforming calendar aperture to the matted centre within applied silvered Roman numeral chapter ring with stylised sword-hilt half hour markers and signed J. Windmills, London to lower margin, the angles applied with twin cherub and crown spandrels with foliate scroll engraved infill to the plate between, the case decorated with floral and foliate marquetry and with caddy top over glazed hood door with turned columns flanking the aperture, with concave throat moulding and trunk door centred with a lenticle and decorated with three-shaped panels incorporating central bird amid flowers, on conforming plinth base with decorated shallow skirt. 232cm high excluding later finials, 49cm wide, 26.5cm deep Provenance: Acquired August 1919, 'A fine Wm & Mary long case clock with bird & flower marquetry panels'The life and work of Joseph Windmills and his successors is comprehensively documented in Neale, J.A. Joseph and Thomas Windmills Clock and Watch Makers 1671-1737. Joseph joined the Clockmakers' Company as a free Brother on 29th September 1671 - the same year that Joseph Knibb, Daniel Quare and Thomas Tompion also gained their freedom of the Company. He initially worked from Blow Bladder Street in St. Martins le Grand, London before moving to premises at 'Swan Court, Mark Lane End, next Tower Street' by April 1674 where the business remained. Joseph took his son, Thomas, as an apprentice who, after gaining his freedom in 1696, is thought to have immediately gone into business with his father; shortly after 1700 the firm became a partnership which lasted until Joseph's death in 1724. As a contemporary of Knibb, Quare and Tompion, Joseph Windmills would have had to compete with some of the finest clockmakers that have ever lived during a period of heightened scientific enlightenment. In this environment Windmills excelled, producing clocks of a quality that equalled many of his more famous peers. Condition Report: The movement is in working condition however is due for a gentle clean/service as lubrication is somewhat dry/gummy and the plates are a little tarnished with some oil staining. The escape wheel and arbor are 19th century 'service' replacements otherwise movement appears essentially all original with no visible evidence of alteration or noticeable replacements. The centre movement pillar is not fitted with a latch all other latches are present. The dial plate retains old yellow lacquer surface which has mellowed/discoloured; it is a little dirty with a few spots of oxidation, the silvering is fairly heavily oxidised; the calendar ring is operational. The hands are replacements of incorrect design and size (with respect to the hour hand). The spandrels appear original and retain good strong gilding.The movement and dial retain the original seatboard which rests at the correct level within the case with no evidence of alteration confirming that the movement and dial are original to the case. The movement backplate has spare holes from a previous securing bracket which is no longer present - there are corresponding holes to the case backboard. The case has generally survived in original 'untouched' condition, The top board to the caddy superstructure, finials and blocks are 19th century replacements; and the 'box' beneath the caddy would have been faced with scroll-pierced fretwork which has bee substituted for a piece of dark veneer. The cornice frieze would have originally also been faced with fretwork - this has been replaced by a section of marquetry veneer which appears Dutch and most likely 'salvaged' from a piece of furniture. The hood door is in good condition; the hinges are unusual being externally mounted (to the right-hand side) however they appear original. The wooden column caps and bases conform with other known examples by Windmills; the lower right front is loose and also appears to be a later turning that the others. The crossgrain chin moulding to the left-hand side is missing a section around 6 ins in length. The rear of the caddy is open and was most likely originally closed with thick paper pasted over the aperture. The throat moulding has a small veneer chip to the rear left-hand edge and a small loss to the leading upper edge of the marquetry at the front otherwise are in good condition. The trunk door is straight with some slight springing to the edge moulding to top left-hand corner and some small localised losses to the marquetry (corresponding to slight movement in the carcass board clamp) towards the lower edge. The lock and hinges appear original and undisturbed. The sides of the trunk are in good condition - the left-hand side has a small veneer chip to the rear edge and evidence of some light historic worm infestation (long gone!). The right-hand side has some 'rubbing through' of the crossbanded veneer towards the front leading edge at the level of the lower door hinge. The plinth base is original and undisturbed retaining marquetry veneers in good original condition having only slight losses to the upper left-hand edge and towards the centre. The side veneers have horizontal shrinkage cracking (but are stable) and some historic worm damage. Unusually the clock retains its original skirting faced in marquetry. The design of the marquetry suggests that the skirt may have originally been taller, there are also veneer losses to the sides and some historic worm damage. Faults to the case are otherwise limited to minor bumps, scuffs, bruises and wear commensurate with age and use. The surface/colour is particularly good and untouched with the marquetry having raised 'glue' texture around the various elements indicating that the finish is old. The backboard retains all of its origiginal height continuing all the way to the lower edge of the base.Clock is complete with pendulum, original brass-cased weights, door key and a winder. Condition Report Disclaimer

A GEORGE II/III GREEN JAPANNED EIGHT-DAY LONGCASE CLOCK THE MOVEMENT AND DIAL BY JOHN BURGES, GOSPORT, CIRCA 1730, THE CASE CIRCA 1760 WITH LATER DECORATION The five pillar rack and bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch brass break-arch dial with subsidiary seconds and calendar aperture to the matted centre within silvered Roman numeral chapter ring and female mask and scroll cast spandrels to angles, the arch with recessed shaped silvered plate signed John Burges, GOSPORT within foliate scroll engraved infill, now in a pagoda-top case later decorated in polychrome and gilt with chinoiserie designs onto a mid-green ground 230cm high, 52cm wide, 25.5cm deep Provenance: Barbara Gibbs and thence by descent John Burges is recorded in Loomes, Brian Watchmakers & Clockmakers of the World, Volume 2 as working in Gosport circa 1726 SALEROOM NOTICE: Please note the correct measurements have been updated Condition Report: Movement is in clean working condition and survives in its original form; the strike train hammer pin wheel and the escapewheel have however been re-pinioned (service repairs no doubt to address past wear). The dial has some patchy discolouration/oxidation to the silvering otherwise is in good clean condition although the hour hand is a replacement of incorrect length. Movement retains original seatboard which now rests on packing applied to the cheek uprights of the case confirming that the movement and dial are not original to the case. The case has been entirely re-painted but is structurally sound with the carcass being essentially original with some repair/rebuilding to the lower edge of the base only. The decoration is generally in very god condition although there is some retouching to the lower part of the trunk door which also exhibits a very slight warp.Clock is complete with two weights, pendulum, case key and a winder. Condition Report Disclaimer

Country-made oak and mahogany longcase clock, hood with swan neck pediment and turned columns, trun with short door, twelve inch arched painted dial unsigned, date aperture, thirty-hour movement striking on a bell, 210cm.

Early oak longcase clock, hood with moulded cornice and turned columns, trunk with long arched door, ten inch square brass dial with cast spandrels, subsidiary date dial, single hand, signed Wilkins Leicester,thirty hour movement striking on a bell, 203cm. Condition report:Pendulum and weight are present. The left cheek has been adapted to fit the seat board, unsure if a marriage. Cse has replaced back board and evidence of old woodworm to the sides, repair to the top of the hood, hood is not 'square', trunk does not have a lock, adapted stepped base.Additional images have been uploaded to the lot page on our website for you to view.

18th Century Chinoiserie lacquer longcase clock, the broken arch hood above an arched panel door and conforming plinth base, the brass dial with Arabic and Roman numerals, strike silent selector, subsidiary seconds dial and date aperture, signed John Ford, London, the two train movement with anchor escapement striking on a bell (for restoration)

19th Century arched top longcase clock dial and movement, the painted dial inscribed Brookes, Birmingham, with Arabic numerals, subsidiary seconds and date dial, the two train movement striking on a bell (lacking pendulum and weights), 19.25" high x 14" wide N.B. There is no case with this lot

An oak and mahogany crossbanded longcase clock by Jn Harrey, Weymouth, with a painted broken arch dial complete with a date aperture, with a two train movement, complete with weights and a pendulum,210cm highCondition ReportSplits to the case. Knocks, losses and wear to the case. Wear and rubbing to the dial. Movement untested and will require the attention of a clock restorer.

A George II strung walnut and burr walnut eight-day longcase clock, by John Dorrell, London, with an arched, brass dial, the hood with carved foliate decoration and columns,52.5cm wide25.5cm deep212cm high Condition ReportKnocks, wear and losses. Some splits and restoration. Clock has not been tested.

Pearfon, Berwick, a 19th century oak longcase clock, the hood with broken swan neck pediment and fluted columns, the trunk with arched plain field door on a box base, the 30.5cm painted arched dial signed Pearfon, Berwick, with subsidiary seconds and date aperture, the eight day twin train movement with anchor escapement striking to a bell, 221cm high.

Adam Costen, Kirkham, an oak and crossbanded longcase clock, the hood with moulded cornice and turned pillars, the trunk with ogee arched panelled door on a box base, the 30-hour movement striking to a bell, with 29cm square brass dial with silvered chapter ring, signed Adam Costen, Kirkham, 201cm high.

James Pike, Newton Abbot, an 18th century mahogany and ebony crossbanded longcase clock, the hood with moulded cornice and square fluted columns, the trunk with ogee arched panel door and canted angles on a box base, the 28cm all brass dial signed James Pike, Newton Abbot, the 30-hour movement striking to a bell, 193cm high.

Puckridge, London, a Georgian mahogany longcase clock,, the arched hood with spire finials, the trunk with arched moulded panel door flanked by canted angles on a box base with bracket feet, having a 30.5cm arched silvered dial with subsidiary seconds and strike /silent to the arch, signed Puckridge, London, 5271, the twin train eight day movement striking to a bell, 223cm high.

A LATE 20TH CENTURY TEMPUS FUGIT LONGCASE CLOCK, the arched hood enclosing a 9.5 inch brass and silvered dial, three weights and one pendulum (condition report: general signs of usage)

A 19TH CENTURY MAHOGANY EIGHT DAY LONGCASE CLOCK, the hood with twin swan neck pediment and turned supports, the arched glazed door enclosing a 12.5 inch painted dial, depicting Roman numerals and seconds dial, signed W.Underhill, Newport, restored by A.J Thornton, Stone, 1976, a single trunk door, on a box plinth, height 213cm (condition report: condition report: no keys, two weights, one pendulum, losses, repairs and restoration, other signs of historical usage)

A 19TH CENTURY OAK CASED LONGCASE CLOCK, the hood with twin swan neck pediment, an arched glazed door, enclosing an 11.5 inch painted dial, signed Leeson, Coleshill, marquetry inlay, a single trunk door, on a box plinth, height 224cm (condition report: no trunk key, two winding keys, two weights, one pendulum, historical woodworm, light marks, slight sun bleaching, other signs of usage)

A GEORGIAN OAK EIGHT DAY LONGCASE CLOCK, with swan neck pediment above an arched glazed door, that's enclosing a 12.5 inch painted dial, depicting Roman numerals, seconds dial, indistinctly signed, a single trunk door on a box plinth (condition report: ideal for restoration, due to hands and finial missing, crack to glass door, loose sections, damaged pendulum, other wear and usage, two weights)

An 18th century style burr walnut thirty hour longcase clock, marked Kenfield, Winchester, height 203cm Size of the dial 25cm x 25cm

A George III mahogany eight day longcase clock, the brass dial marked Millard, Tewkesbury, height 209cm

An early 19th century mahogany eight day longcase clock, marked Thompson of London, height 214cm It has weights, pendulum and key. We do not know if it runs or rings. Working order not guaranteed.

A Victorian North Country eight day longcase clock, painted dial marked Alldridge, Birmingham, height 234cm

19th Century mahogany longcase grandfather clock by Thomas Wilson of Spalding having a hand painted face with arabic numerals, date aperture and subsidiary dial with shell detailing. The body with broken swan neck pediment and box wood inlay to body. Measures 226cm tall.

Longcase clock, decorated in the manner of André Charles Boulle, 208.5cm high

An early 20th Century oak dwarf longcase clock

A 19th Century oak 8-day longcase clock, the painted dial signed J.A. Snelling, Alton (lacking weights and pendulum)

19th Century Mahogany Longcase Clock, the movement by Jon Dennet, Muston, with eight-day, moonface and painted dial within a swan neck pediment and column sides, H 222 cm (To be collected from Abridge RM4)

A longcase clock, with a painted dial, fitted a thirty hour movement, in a pine case, 193 cm highIn need of restoration

A longcase clock, the brass dial signed J Whitworth, Lussley, with a phase of the moon and a subsidiary date dial, fitted an eight day movement striking on a bell, in an oak case198.5 cm high

A longcase clock, the dial signed Edmund Edmonds Newton, having a silvered chapter ring with Roman numerals, subsidiary seconds dial, date aperture and painted phase of the moon to the arch, fitted an eight day movement, striking on a bell, in a mahogany case202 cm high, no finial, 47.5 cm wide at hood, from a local deceased estate, generally dirty and needing cleaing/repairing,no idea when it last had any work, but can only assume it was a few decades ago, whilst there is no mechanism to turn the bell off, either do not wind this up or take the bell offDial 43 cm x 30 cm

James Stewart Armagh Three Weight Walnut Cased Longcase Clock, hood with arched top and door, reeded columns, trunk with a crossbanded door, crossbanded base on bracket feet, brass dial, with silver chapter ring, Roman numerals, minute aperture.

An impressive, fine 18thC. mahogany cased longcase clock by Thomas Hunter of London with brass & silvered dial, winds & runs, crack to one side panel glass, stands 2165mm tall x 510mm at widest

An 18th Century heavily carved oak longcase clock with silvered Roman chapter ring, date and seconds dials, sign Henry Hardin. Blued steel pierced hands and 8-day movement with rack and snail striking a bell. 231cm high. With a pendulum