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An Irish inlaid figured mahogany eight-day longcase clock, the four-pillar rack-striking movement with anchor escapement, the 13.75 inch square brass dial with ringed winding holes, calendar aperture and subsidiary seconds dial to the foliate border engraved matted centre within an applied Roman numeral silvered chapter ring with fleur de lys half hour markers, Arabic five minutes and signed 'William Marshall, Dublin' along lower edge, in a broken pedimented case with dentil cornice and oval inlaid panel frieze above reeded pilasters to hood above shaped-top trunk door short panel flanked by reeded quarter columns to trunk, on panel inlaid plinth base with bracket feet, movement and dial mid 18th century, the case later, 235cm high.

An oak cased eight-day longcase clock, the four-pillar rack and bell striking movement now with 11 inch square brass dial with matted centre within an applied silvered Roman numeral chapter ring with fleur de lys half hour markers and inscribed 'Edw. May, Witney' along lower edge, the case with moulded dentil cornice over plain hood pilasters and long door flanked by reeded canted angles to trunk, on plinth base with moulded skirt, part 18th century, composite, 182cm high.

A carved oak eight-day longcase clock, the four-pillar rack and bell striking movement now with 12 inch brass break-arch dial with redundant arched calendar aperture and subsidiary seconds dial to the foliate engraved matted centre within applied Roman numeral chapter ring with arcaded minute ring, foliate half hour markers and Arabic five minutes, with bird and urn pattern spandrel applied angles and arch with a boss inscribed 'Arthur Glover, Newcastle' between dolphin cast foliate mounts, the case with foliate mask centred pagoda shaped pediment over fluted hood pilasters and shaped-top long trunk door, on panelled plinth with shaped skirt, overall carved with foliate designs, composite, dial and parts of case 18th century, 226cm high.

A George III figured mahogany eight-day longcase clock, circa 1770, the four-pillar rack and bell striking movement with 12 inch brass break-arch dial with calendar aperture, silvered seconds ring and arched plaque signed 'Tho's Henderson, Hull' within an applied silvered Roman numeral chapter ring with Arabic five minutes, with female mask scroll cast spandrel applied angles and strike/silent dial flanked by dolphin mounts to arch, in a break-arch case with cavetto moulded cornice and reeded pilasters to hood over break-arch flame figured trunk door and conforming raised panel plinth base with moulded skirt and rectangular pad feet, movement and dial possibly associated to case, 217cm high. Thomas Henderson is recorded in Britten's 'Old Clocks & Watches and their Makers' as working in Hull circa 1770.

A thirty-hour longcase clock with moonphase, the four-pillar outside countwheel bell-striking movement with anchor escapement and 13 inch square brass dial with subsidiary calendar dial and rolling moonphase to the foliate engraved centre signed 'T. Lister, Hallifax' to lower edge, with an applied Roman numeral chapter ring with Arabic five minutes and unusual rococo scroll cast spandrels applied to angles, now in a flat-top carved oak case with bobbin turned hood pilasters and scroll carved rectangular trunk door, on plinth base, movement and dial circa 1770, case later.

An eight-day longcase clock movement and associated dial, the four-pillar rack and bell striking movement with Osborne falseplate, the 12 inch brass break-arch dial with recessed seconds dial and calendar aperture to the matted centre, within Roman numeral chapter ring with Arabic five minutes and foliate scroll cast spandrel applied angles, the arch bearing signature boss 'Sam'l Buxton, Diss'.

A mid 18th century mahogany crossbanded oak longcase clock case, with box upstand over break-arch cavetto cornice and integral hood pilasters, the break-arch dial aperture 11 inches wide and 14.5 inches high, with break-arch trunk door and on reduced plinth base with bracket feet, 211cm high.

Benjamin Gray and Justin Vulliamy, London. A fine red lacquer eight-day longcase clock with moonphase, circa 1760, the substantial five-pillar rack and bell striking movement with anchor escapement, the 13 inch brass break-arch dial with calendar aperture, large silvered seconds ring and applied silvered plaque signed 'Benjamin Gray & Just. Vulliamy, London' to the finely matted centre, within an applied silvered Roman numeral chapter ring with Arabic five minutes and rococo scroll cast spandrel applied angles, with strike/silent lever at 3 o'clock and moonphase within foliate engraved border to arch, the gilt decorated pagoda pedimented case with three large urn finials over break-arch cavetto moulded cornice and brass capped turned pilasters to hood, the trunk with break-arch door raised gilt and polychrome decorated with figures and pagodas over two square rigged sailing vessels within foliate panel borders, the plinth further decorated with figures beside a gazebo, on double skirt base, case with restoration to decoration, 276cm high. The celebrated partnership of Benjamin Gray and Justin Vulliamy was established three years before the marriage of Vulliamy to Gray's daughter in 1746. At this time Gray was clockmaker to George II. Vulliamy's son, Benjamin, later became clockmaker to George III. This particular clock departs from the usual square dial walnut longcase product of the partnership thus was probably a special order, although signature features such as the unusually large subsidiary seconds ring are present.

Thomas Pierce, Bristol. An eight-day longcase clock movement and dial, circa 1780, the four-pillar rack and bell striking movement with anchor escapement, the 12 inch square single-sheet brass Roman numeral dial with calendar aperture, subsidiary seconds dial and signed 'Thomas Pierce, Bristol' to centre within engraved chapter ring with Arabic five-minutes. See footnote to previous lot.

Thomas Bullock, Bath. An unusual figured mahogany eight-day longcase clock with rocking figure automaton entitled 'The Large Bread Warehouse', circa 1770, the four-pillar rack and bell striking movement with anchor escapement and automaton linkage to arch, the single-sheet silvered brass break-arch Roman numeral dial with calendar aperture, subsidiary seconds dial and signed 'Thomas Bullock, Bath' to the Hoho bird and rococo scroll engraved centre, the chapter ring with Arabic five minutes within unusual engraved spandrels representing the four elements, the arch with polychrome rocking figure of a gentleman carrying a bag of flour within bakery interior, with kiln to his right and engraved legend above, the swan neck pedimented case with simulated blind fret infill and dentil cornice over integral pilasters to hood above shaped-top door to trunk, on plain plinth base with bracket feet, 230cm high. Thomas Bullock is recorded in Moore, A J 'The Clockmakers of Bristol 1650-1900' as working 1764-1773. The automaton and legend in the arch strongly suggest that this clock was made to special order by the owner of one of the larger Bath bakeries of which there were several operating at this time, the most well known being Sally Lunns, North Parade Passage which is now a museum.

An early 19th century inlaid mahogany eight-day longcase clock with rocking figure to arch, the four-pillar rack and bell striking movement with 12 inch white painted Arabic numeral break-arch dial with arched calendar aperture, subsidiary seconds dial and signed 'W. Hitchcock, Chard' to centre within Arabic numerals and Four Seasons polychrome painted spandrels, the arch with circular aperture containing rocking figure of Chronos within floral painted gilt ground infill, the swan neck pedimented case with floral inlaid oval cartouche decoration over Corinthian pilasters to hood above rectangular conch shell inset trunk door flanked by reeded quarter columns, on panel moulded plinth base with bracket feet, 220cm high. A William Hitchcock is recorded in Moore, A J 'The Clockmakers of Somerset 1650-1900' as working in Chard from 1789.

A Bristol area inlaid mahogany eight-day longcase clock with moonphase, the four-pillar rack and bell striking movement with 13 inch cream painted break-arch Arabic numeral dial with arched calendar aperture, subsidiary seconds dial and signed 'Weight' to centre, with polychrome figural painted spandrels emblematic of the four continents and moonphase to arch, the swan neck pedimented case with wavy edge door and fluted pilasters to hood, over line bordered rectangular door flanked by canted angles to trunk, on conforming plinth base, 214cm high.

Edward Bilbie, Chew Stoke. A rare William & Mary thirty-hour musical longcase clock, circa 1695, the substantial three-train posted movement with four square section brass pillars riveted into the base plate and secured via brass nuts at the top plate, with verge escapement, outside countwheel bell strike and music playing every three hours via a 2.75 inch pinned cylinder on eight bells with twelve hammers, the movement raised on four steel spurs, the 9.5 inch square brass dial engraved with leafy tulip trails around a formal flowerhead and signed 'Edward Bilbie Fecit' to centre, within an applied Roman numeral chapter ring with stylised trident half hour markers and foliate cast winged cherub head pattern spandrel applied angles, now in a walnut veneered case with ogee cornice over rectangular door to hood and narrow trunk with slender door, on plinth base, 203cm high. Edward Bilbie is thought to have learnt the clockmaking trade from Edward Webb, who died in 1694. Bilbie started casting bells in 1698 and it is highly probable that he was making clocks by this time. This clock bears a very strong resemblance to an example by Edward Webb (as discussed in Moore, A J 'The Clockmakers of Somerset 1650-1900' Appendix vii) thus may well be one of the first clocks made by Edward Bilbie. The level of decoration and attention to detail lavished on the arbors, collets and other parts of the clock indicates a great deal of pride by the maker, possibly supporting a theory that this may well be his masterpiece. The movement and dial have survived in remarkable original condition, however the case is almost certainly associated but of the period with later veneers.

An unusual oak cased rack-striking thirty-hour longcase clock with alarm and day of the week indication, circa 1735, the substantial four finned pillar movement with anchor escapement and alarm mechanism mounted on the backplate, the 11.5 inch brass square dial with foliate engraved calendar aperture, ringed false winding holes, silvered alarm disc and day of week with deity symbol sector to the matted centre, within an applied silvered Roman numeral chapter ring with fleur de lys half hour markers and signed 'Jn'o Limbry, Currymallet' along lower edge, the angles applied with cast female mask and scroll pattern spandrels, the case with box upstand over moulded cornice and integral pilasters to hood, above line bordered rectangular trunk door and plain plinth base with bracket feet, 200cm high. John Limbry is recorded in Moore, A J 'The Clockmakers of Somerset 1650-1900' as working in Curry Mallet circa 1729. This clock is illustrated on page 159 and on the back cover. The movement demonstrates a remarkable level of attention to detail and originality in its specification and finish.

Late 18th Century Mahogany Eight Day Longcase Clock with Painted Face, The Movement by George Ballard of Frome

WAGGITT, RICHMOND; an oak longcase clock the eight day striking movement with square brass 11 1/4 inch dial silvered chapter ring with cast gilt spandrels the hood with square top turned pilasters, plain case raised on ogee bracket feet, 86 inches high overall

JOHN FARMER, PONTEFRACT; an oak and crossbanded longcase clock the eight day striking movement with 13 inch arched brass dial with subsidiary seconds dial with engraved decoration and cast spandrels the hood with broken scroll pediment and turned reeded columns on a plinth base, 90 inches high

An early Victorian oak longcase clock, William Carpenter, London, the eight-day movement striking on gong, the case later foliate-carved, H 228cm W 49cm

A longcase clock dial, painted with landscape, William Burrell, Ashton Keyes, H 43.5cm

A George III longcase clock, Thomas Pinfold, Banbury, having eight-day movement, in later-carved oak case, H 212cm W 46cm

An early 19th Century oak longcase clock by Robert Richards of Uttoxeter, the 14ins arched painted dial with subsidiary seconds dial and date aperture, the arch painted with a figure fishing to the eight day two train movement now striking on a gong, contained in oak case banded and crossbanded in mahogany, with moulded scroll pediment and turned pillars to hood, shaped trunk door with fluted quarter columns, the plinth base with raised centre panel, on moulded plinth base, 88ins high. Note : Robert Richards recorded working Uttoxeter 1835-1842

An early 19th Century figured mahogany longcase clock by W. Palin of Nantwich, the 14ins arched painted dial with subsidiary seconds dial and date aperture, the arch decorated with Christ entering Jerusalem and the spandrels decorated with sheaves of wheat to the eight day two train movement striking on a bell, contained in case with moulded scroll pediment and carved leaf paterae, turned and fluted columns to hood, the Gothic pattern trunk door flanked by turned and fluted columns, plinth base with cant corners, on bracket feet, 89ins high Illustrated. Note : William Palin recorded working Nantwich 1828-1834

An 18th Century tortoiseshell effect and japanned longcase clock by William Harris of London, the 12ins arched brass dial with silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial, date aperture and ringed winding holes, and engraved wheat ear pattern borders to the eight day two train movement striking on a bell, contained in case with moulded overhanging cornice and plain turned pillars to hood, the whole decorated in gilt with pavilions by a lake and scale and trellis pattern ornament, 86ins high Illustrated. Note : Possibly by William (Aaron) son of William Harris, apprenticed 1735, clockmaker working in London 1743-1773 - clock circa 1760

A 19th Century mahogany longcase clock by Ballard of Cranbrook, the 12ins arched painted dial with subsidiary seconds dial and date dial and showing phases of the moon to the arch to the eight day two train movement striking on a bell, contained in figured mahogany case with shaped and moulded cresting and turned, fluted and brass stopped columns to hood, arched trunk door, and with fluted and brass stopped quartered columns with Corinthian capitols to trunk, the plinth with raised astragal mouldings, 81ins high (in need of repair and restoration) Illustrated. Note : William or Frederick Ballard recorded working Cranbrook 1826-1866

A George III oak longcase clock, by James Shiell, Earlston, the hood with swan neck pediment arch door and fluted columns, the arch top brass dial with second hands and roman numerals, above a trunk with ogee door, flanked by fluted columns, upon plinth with shaped apron, (220cm tall)

A Walnut longcase clock, circa 1930, the arch top hood with pierced fret work side panels, the brass dial signed Tempus Fugit, with silver chapter ring and pierced cherub spandrels, the trunk with arch top door and panelled plinth, (196cm tall)

Seventeen various crested china ornaments including two Gladstone bags [Birmingham and Barrow in Furness], suitcases [Wales and Llandudno], longcase clock [Accrington], anvil [Tipperary], etc

A collection of watch and clock repairing tools, etc. to include vice, tweezers, screwdrivers, etc. together with two longcase clock pendulums and a large quantity of leather and metal 'as new' wrist watch straps

An 18c mahogany longcase clock with swan neck pediment, fluted columns to the side of the hood and trunk, enclosing a shaped door with inlaid shell motif over a plain base on bracket feet; the brass dial inscribed 'And'r Dickie, Edinburgh' with brass chapter ring, seconds and date dials and eight-day movement, 221 cms

A tall 18c mahogany longcase clock with curving arched top and brass finials, fluted columns to the side of the hood over a plain trunk shaped door and panelled base, raised upon a platform support; the brass dial inscribed 'Nat'l Hedge, Colchester' with silvered chapter ring, seconds and date dials and eight-day five pillar movement, 251 cms.

A circa 1800 Oak Longcase Clock the caddy topped hood over a floral painted arched 30cm dial with seconds dial, date aperture and black Roman numerals. The 8-day movement striking on a bell, shaped top and crossbanded trunk door flanked by angled ebony inlaid corners on crossbanded panelled base, 256cm high.

An early 19th Century Oak and Mahogany crossbanded Longcase Clock, the hood with broken swanneck pediment over 30cm square painted dial with pheasants to the spandrels, date aperture, black Roman numerals and inscribed 'VORLEY THRAPSTONE'. The 30-hour movement striking on a bell. Short trunk door on a panelled base, 206cm high.

An assortment of 18th and 19th century clock parts, including two longcase square dials, a post-framed movement and a distressed dial clock - as viewed

A George III mahogany eight day longcase clock, the arched brass dial signed Jos. Sarjent, Jermyn St, St James, (altered and reconstructed), 7ft 3ins

A George III mahogany eight day longcase clock, the arched brass dial with strike / silent, subsidiary seconds and date aperture signed Sam'l Day, Saffron Walden, No. 214, 6ft 10ins

A George III mahogany eight day longcase clock, the arched brass dial with painted moonphase, silvered Roman chapter ring and inner date ring, signed Gibson, N'castle, (later Edwardian case), 8ft 4ins

A George III oak thirty hour longcase clock, the square brass dial with Roman chapter ring and date aperture, signed Thomas Harben, Cliff, Lewes, 6ft 3ins

A George III mahogany longcase clock, by E Drakeford, Congleton, the eight day movement running on anchor escapement and having arched 14ins painted Roman dial decorated with flowers at the angles and pastoral vignette to the arch with subsidiary seconds dial and crescent date aperture; the case having caved 'Chinese' cushion pediment above parcel gilded swan neck moulding and flanking reeded columns, the crossbanded shape flame veneered door flanked by quartered reeded columns, the panelled base raised on ogee feet, 8ft 3ins

A George III mahogany 30 hour longcase clock, the arched brass dial signed Rich Parry, Whitechapel, 6ft 8ins

A Victorian mahogany 8-day longcase clock, the arched Roman dial printed with a religious scene and ruins, 7ft 5ins

A Victorian mahogany and oak eight day longcase clock, the arched painted dial with moonphase, subsidiary seconds and date dials, signed J.Hunt, New Road, Oxford, 7ft 3ins

A George III lacquered eight day longcase clock, the arched brass dial with strike / silent, subsidiary seconds and date aperture, signed Hen'y Cooley, London, 7ft 6ins

A George III brass eight day longcase clock dial and movement, the square dial with subsidiary seconds and date aperture signed John Cannon, Marlborough, with incomplete carved oak case

A mid 18th century brass eight day longcase clock dial and movement, signed Sam'l Quarmar, Temple Cloud, with an associated distressed oak case

A George III inlaid mahogany eight day longcase clock, the arched brass dial with painted automaton eyes 'face' (inoperative), subsidiary seconds and date aperture, signed Jos'h Dashwood, Bridport, 7ft 4ins

Early 19th Century Longcase Clock, with arched painted dial, inscribed, "Stonehouse, Leeds", with a secondary seconds dial and date dials, the spandrels painted with fans, with rolling moon face in the arch, eight-day movement, contained within a mahogany case, with swan neck pediment, centred by an inlaid panel, decorated with a conch, with inverted tapered hoods, with inverted tapered hoods, with herringbone inlay and brass capitals, arched door with central oval panel, inlaid with Britannia, with a plain base, inlaid with a sunburst and on bracket feet, 234cms,(7'8").

Late 17th/early 18th Century Longcase Clock, with square brass dial, inscribed, "William Abbott Sarson Fecit", with secondary seconds dial and date aperture, cast and embossed spandrels, thirty-hour movement, striking on a bell and contained within an oak case, the hood with moulded cornice and turned column pilasters, above a panelled door, with glass circular panel and on a plain base and bun feet, 218cms, (7'2").

18th Century Longcase Clock, with square brass dial, inscribed, "J. Goddard, London", secondary seconds dial and date aperture, with Roman numerals, embossed and cast spandrels interspersed by engraved leafy scrolls, eight-day five pillar movement, contained within a mahogany case, the hood with moulded cornice above a blind fretwork frieze, turned column pilasters above a marquetry inlaid door, with two panels decorated with a bird a vase, a peony and other spring flowers and with tulip decorated spandrels, the sides with laburnum oyster veneers, on a plain base, 204cms, (6'8").

18th Century Longcase Clock, inscribed, "William Mordan, Nottingham", with secondary seconds dial and date aperture and rolling moon face in the arch, cast and embossed spandrels, eight-day movement contained within an oak case with swan-neck pediment, the hood with inverted tapered fluted columns, arched doors with mahogany crossbanding, fluted quartered column pilasters, plain base and bracket feet, 219cms, (7'2").

Early 19th Century Longcase Clock, with painted arched dial, inscribed, "Marris, Hull", with secondary seconds dial and date aperture, the arch and the spandrels painted with summer flowers and fruits, eight-day movement, contained within an oak case, with concaved hood, with fluted column pilasters, Gothic arched door and on plain base, 220cms, (7'2").

Early 19th Century Longcase Clock, painted arched dial, inscribed, "J.M. Thom, Bilston", secondary seconds dial and date aperture, the centre of the dial painted with an interior scene, the spandrels painted with seated ladies in an interior and garden scenes, with a rolling moon phase in the arch, eight-day movement, contained within a mahogany case, with swan neck pediment, the hood with inverted tapered supports, above an arched door with ebony and boxwood banding, with quarter column pilasters and on a plain base, 230cms, (7'7").

18th Century Longcase Clock, the square brass dial with Roman numerals and inscribed; "Baddely - Tong", secondary seconds dial and crescent date aperture, eight-day movement, contained within an oak case, with break arch pediment, fretwork cornice, the hood with turned supports above the door, the central oval panel inlaid with flowers and with floral arched spandrels and boxwood and ebony beading, quarter column pilasters and on a plain base, 280cms, (6'10"). Baddely is recorded working at Tong circa 1720.

18th Century Longcase Clock, painted arched dial inscribed, "Jas. Huston, Johnston", with secondary seconds dial and date dial, the spandrels decorated with female figures in the four seasons and the arch decorated with a scene entitled, "The Fortune Teller", eight-day movement, contained within a mahogany case, with moulded cornice on a plain hood, above a panelled door with quarter column pilasters carved with leaves, on plain base and bracket feet, 216cms, (7'1").

18th Century Longcase Clock, with painted dial, inscribed, "J & C Schwerer, Northampton", with secondary seconds dial and date aperture, the spandrels painted with deer and hounds, the arch painted with a huntsman and hound, eight-day movement and contained within an oak case with swan-neck pediment, the hood with baluster turned columns above a mahogany veneered frieze, arched door with central lozenge, canted corners and on a plain base, 188cms, (6'2").

AN 18TH CENTURY OAK 30 HOUR LONGCASE CLOCK, by Peter Selby of Wareham, having caddy top hood with arched apeture flanked by turned pillasters, moulded arched waist door and panelled base. Arched brass face with engraved decoration, seconds dial and date apeture, 30 hour movement striking on one bell. The face 12" Wide x 17" High, overall 83" High. (Peter Selby, Wareham, 1760- 1795).

EARLY 19TH CENTURY MAHOGANY LONGCASE CLOCK, by G. Barker of Leeds, having hood with broken arch pediment. Painted arch face flanked by twin columns painted arch door to the waist with quarter pilasters. Crucuform panelled base on splayed bracket feet. The case decorated overall reeded and bead moulding. The face decorated with scene entitled 'Lazarus and the Rich Man' and other classical figures. Eight day movement striking on one bell with seconds and date dials face 20. 5" x 14. 5". Clock 92" High.

EARLY 19TH CENTURY WELSH OAK LONGCASE CLOCK, by Joseph Kern of Swansea, having broken swan neck pediment above arched apeture flanked by turned columns, rectangular cross beaded waist door flanked by canted angles on panelled base with bracket feet. Eight day movement striking on one bell with painted face having rocking ship seconds dial and date attire face 12. 5" x 18", clock 84" high overall. (Joseph Kern Swansea recorded 1844-1850).

A 19TH CENTURY LONGCASE CLOCK, by William Hopkins of Llandeilo, having cross banded and inlaid case with arch painted dial decorated with hunting scenes. Eight day movement striking on one bell. (William Hopkins Rhosmaen Street, Llandeilo 1847-1941).

A 20TH CENTURY OAK LONGCASE CLOCK, having silvered circular face, glass door revealing pendulum and weights, on short cabriole legs. 78" High.

AN EDWARDIAN INLAID MAHOGANY LONGCASE CLOCK, having broken arch hood. Brass faced and silvered chapter ring. Pointed arch door panel bare on bracket feet. Eight day movement striking on four gongs. 88" High.