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A 19th century oak cased 30 hour longcase clock, the painted face with Arabic numerals and date aperture, decorated with flowers, inscribed to the centre, the door with green bottle glass window, approximately 207cm high CONDITION REPORT: The clock has been housed in the vendor's garage for a number of years. Size of dial 30.4cm high x 30.8cm wide.
Joseph Barker, Easingwold - a Victorian oak painted dial eight day longcase clock, the 11" dial with secondary date and seconds dials, floral spandrels, the movement striking on a bell to a plain case, height 201 cm. Label to the interior states overhauled by R.M. Collins of Grimsby, 2003, dial by John Brookes of Louth.
K Mozer (London). A 20thC mahogany longcase clock, the break arch dial painted with a pheasant and flowers, dial bearing Roman Numerals, subsidiary seconds dial, three train eight day movement with Westminster chimes, the case with a broken arch pediment and hood with fluted columns, on a plain trunk and bracket feet, with key, 230cm high.
19th Century mahogany longcase clock by John Symonds of Reepham (Norfolk), the hood with fretwork and moulded cornice, arch shaped glazed door flanked by tapered pillars, trunk with arch shaped long door and standing on bracket feet, the arch shaped painted dial with Roman and Arabic numerals, subsidiary seconds dial and calendar aperture, eight day striking movement Condition:
A late 18th Century Oak Cased 8 Day Longcase Clock, Robert Davy - Aylsham, the case with arched hood and long plain trunk door and raised on a plinth base with shaped apron,an arched and silvered dial, signed to the arch enclosing a Roman and Arabic chapter ring with outside minute track and further engraved interior with subsidiary seconds and pierced hands, 214cmH
A George III oak and mahogany cross banded longcase clock, the arched hood with broken scroll swan neck pediment enclosing a 13 inch white painted dial with rolling moon phase in the arch, Roman numerals, subsidiary seconds dial and date aperture and marked 'Harlow, Lane End', gilt painted fan corners, 8 day movement striking on a bell above a shaped top trunk door flanked by fluted quarter pilasters and on shaped bracket feet, 226cm high
EARLY REGENCY MAHOGANY LONGCASE CLOCK, BY JAMES JEW, GLOUCESTER EARLY 19TH CENTURY the domed hood with a moulded cornice above an arched silvered dial engraved in the boss with an eagle and motto Tempus Fugit, above a Roman numeral dial marked at the quarter hours, signed 'J. Jew./ Gloucester' with subsidiary seconds and calendar dials, flanked by reeded column with gilt brass Corinthian capitals, above a long trunk with a moulded arch door with leaf carved corners flaNked by stop-fluted quarter columns, on a plinth base with bead moulded panel, raised on a gadrooned moulded base and ogee bracket feet; the eight day movement striking a bell, the door stamped 'T. STRATFORD' 261cm high, 57cm wide, 27cm deep
WALNUT MARQUETRY MONTH-GOING LONGCASE CLOCK, JOSEPH WINDMILLS, LONDON EARLY 18TH CENTURY the stepped caddy top with pierced fret moulding above a silvered Roman number chapter ring signed 'J. Windmills' and matted brass dial with two winding holes, date aperture, and subsidiary seconds dial, flanked by spiral pilasters, above a moulded trunk door with an oval lenticle and plinth base, the case inlaid with figures, strapwork and foliate scrolls; the month-going movement striking a bell 223cm high, 41cm wide, 22cm deep Note: Joseph Windmills, a highly regarded maker, was made Free of The Clockmakers' Company in 1671 and became Master in 1702. His son, Thomas, was apprenticed to him in 1686 and made Free in 1695. Around 1700, Joseph and Thomas became partners in the business and although the majority of their clocks continued to be signed Joseph Windmills, a few were signed Windmills and a very small number were signed by Thomas. Both father and son were deeply involved with The Clockmakers' Company and Thomas became Master in 1718. Joseph died in 1724.
LATE EIGHTEENTH CENTURY LINE INLAID MAHOGANY LONGCASE CLOCK WITH ROLLING MOON PHASE AND CENTRE SECONDS, SIGNED THO HADFIELD, CHAPEL, the 14" painted dial with subsidiary dial (blanked) and date aperture to the centre, painted with two windmills and enclosed by floral spandrels, with moon phase to the arch, powered by an eight day movement striking on a bell and housed in a case with swan neck pediment and brass ball and spike finial above free standing cluster columns to the fore corners, the flame cut long trunk door with shaped top and flanked by square, reeded quarter columns and raised on a chamfered base with ogee bracket feet, 95" (241.3cm) high
LATE EIGHTEENTH CENTURY INLAID OAK AND MAHOGANY LONGCASE CLOCK SIGNED KIRKPATRICK, LINCOLN, the 12" painted Roman dial with subsidiary seconds dial, enclosed by spandrels painted with maids in front of cottages and an Abbey ruin to the arch, powered by an eight day movement striking on a bell and housed in a case with broken swan neck pediment and free standing turned fore columns, over a panel inlaid with rearing horse and scroll work and short trunk door, flanked by quarter columns an raised on a panelled base with ogee bracket feet, 85 ¾" (217.8cm) high
LATE EIGHTEENTH CENTURY LINE INLAID OAK AND MAHOGANY CROSSBANDED OAK LONGCASE CLOCK WITH ROLLING MOON PHASE, SIGNED WALKER, COVENTRY, the 14" painted dial with subsidiary seconds and date dials to the centre, enclosed by spandrels painted with figures in rural pursuits, set beneath a rolling moon phase to the arch and housed in a case with broken swan neck pediment above free standing, fluted columns to the fore corners, over a long trunk door with shaped top, flanked by fluted quarter columns and raised on a panelled base (a/f) with ogee bracket feet, 87" (221cm) high
EARLY NINETEENTH CENTURY INLAID OAK AND MAHOGANY LONGCASE CLOCK WITH ROLLING MOON PHASE, SIGNED BARRACLOUGH, HAWORTH, the 14" painted dial with subsidiary d seconds and date dials to the centre painted with exotic birds, enclosed within floral spandrels and set beneath the moon phase to the arch, powered by a thirty hour movement striking on a bell and housed in an arch top case with swan neck pediment and free standing brass capped and fluted fore columns, over a long trunk door with shaped top and oval shell inlay, flanked by square, reeded, quarter columns, and raised on a conforming base with chamfered fore corners and later plinth base, 95" (241.3cm) high
A reproduction mahogany longcase clock (with 11 3/4" square brass dial) silvered chapter ring, cast cherub mask and foliate spandrels, labelled Smallcombe Essex, the trunk partially enclosed by a rectangular glazed panelled door and flanked by canted bead work mouldings, the hood with architectural swan neck pediment
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41737 item(s)/page