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A 20thC oak cased longcase clock, with arched hood and brass dial with silvered chapter ring and spandrels, pendulum and weights, with single glazed door, 203cm high, 43cm wide, 25cm deep.

A first half 18th century japanned and simulated tortoiseshell longcase clockThomas Land, TivertonThe hood with moulded cornice over 3/4 and 1/4 columns, over a long trunk door decorated with flowers on a similar base, all on a faux-tortoiseshell ground, the 12 inch square brass Roman and Arabic dial with wheat-ear border, ringed winding squares and decorated date aperture signed between V and VII Tho. Land, Tiverton, the movement with four knopped and ringed pillars, anchor escapement and inside countwheel strike on a bell, 49.5cm wide x 26cm deep x 214cm high (19in wide x 10in deep x 84in high)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

† 1920s oak short longcase clock, with silvered dial arched case and glazed trunk door, the three train spring movement striking on a gong, pendulum broken, H152 cm Provenance: From a large listed country house located in Surrey. Please note that VAT at the current rate (20%) is additionally payable on top of the hammer for this lot as well as on our standard buyers premium which is also payable.

Oak longcase clock by Alldrett, Burton, hood with swan neck pediment, trunk with shaped door and column pilasters, on plinth base, painted dial, Roman chapter ring, subsiuary dials for date and seconds, two weights and pendulum, 218cm high

Modern Western German longcase clock with FHS movement

18th century mahogany longcase clock the painted dial with twin train movement, Roman numerals, subsidiary seconds dial and date aperture, by William Childs of Melbourne, 219cm high, with weights, door key and pendulum,

AN 18TH CENTURY 30-HOUR OAK AND INLAID LONGCASE CLOCK BY J.BADDELY, TONG WITH SQUARE BRASS DIAL

A MODERN LONGCASE CLOCK

A George III oak longcase clock,with circular painted dial, indistinctly signed 'Wm Hawkes, Derby' to a circular painted floral decorated dial,the hood with swan neck pediment, the case with pillared sides and crossbanded in mahogany, on a plinth base50cm wide23cm deep220cm highCondition ReportComplete with two weights, pendulum and key.Wear to the makers name on the dial, a timber shrinkage crack to the panel in the base.

A continental painted longcase clock with circular dial, pendulum and weights (a/f)

A Victorian painted longcase clock dial with pendulum 51 cm x 36 cm CONDITION REPORT: With movement.

An oak longcase clock with metal dial.

Benjamin Shuckforth, Diss, a carved oak longcase clock: the eight-day duration movement striking the hours on a bell with the twelve-inch break-arch brass dial having a silvered chapter ring engraved with black Roman numerals, the matted centre with subsidiary seconds dial and date aperture, with cast-brass vase spandrels to the four corners, the arch having a silvered boss engraved with the makers name Benjamin Shuckford, Diss, with blued-steel hands, the flat-top oak case with all-over c-scroll and floral carved decoration, all standing on bracket feet, height 220cm.Biography. Benjamin Shuckford (sometimes Shuckforth), born circa 1688, is a well-recorded maker working in the Market Place, Diss, Norfolk from before 1730 when he took John Frost as an apprentice. He married Dulcibella Dalton in 1732 and had a son also Benjamin. Benjamin Snr. died in April 1760.Reference. Clifford & Yvonne Bird, Norfolk & Norwich Clocks & Clockmakers, Pub. Phillimore & Co Ltd, 1996. Oak longcase clock illustrated plate 106.

A mahogany Westcountry longcase clock: the eight-day duration movement striking the hours on a bell with the twelve-inch painted break-arch dial having black Roman numerals, subsidiary seconds dial and date aperture, decorative gilt-brass hands, and floral decoration to the four corners, the arch painted with a further scene, the typical Westcountry mahogany case with boxwood and ebonised stringing, canted corners to the trunk, brass capitals to barley-twist columns to the hood surmounted by a crested moulding with eagle finials and all standing on bracket feet, height 212cm.

Pinn, Exmouth, an oak longcase clock: the thirty-hour duration movement striking the hours on a bell, the square eleven-inch painted dial with floral and scroll decoration to the four corners and a ruined castle scene to the centre, with black Arabic numerals and signed Pinn, Exmouth, the oak case with mahogany cross-banding, the hood with a swan-neck pediment, three-quarter pillars and brass ball-and spire finials, height 202cm.Biography Richard Pinn is a well recorded maker working in Fore Street, Exmouth. He married Jane Bayley in 1797 and in 1811 had his shop broken into being robbed of fourteen gold & silver watches. He kept the Chapel clock in order prior to his death in July 1834.Reference Clive N. Ponsford Devon Clocks & Clockmakers David & Charles 1985.

Thomas Hill, Lambourn an oak longcase clock: the thirty-hour duration bird-cage movement striking the hours on a bell with an outside countwheel, the twelve-inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals and signed Thos. Hill, Lambourn, with the centre engraved with floral and c-scroll decoration, with cast-brass c-scroll corner spandrels and blued steel hands, the flat-top oak case having turned quarter-columns to the hood, height: 200cm.Biography Thomas Hill is recorded as working in Lambourn, Berkshire from 1721 until circa 1771 and after.

Watkin Owen, LLanrwst an 18th century oak longcase clock: the eight-day duration movement striking the hours on a bell and having an thirteen-inch square brass dial with the raised silvered chapter ring engraved with black roman numerals, the centre having a subsidiary seconds dial, date aperture and engraved with c-scroll decoration and makers name Watkin Owen, Llanrwst, the oak case having a shaped trunk door and fluted corners, with a shaped raised panel to the base, the hood having a typical Llanrwst architectural pediment top with brass ball-and spire finials and frets within the frieze, with cast-brass capitals to the turned pillars, height 224cm.Biography Watkin Owen was a member of the well-known Owen family of clockmakers working in Llanrwst and the son of the fine maker John Owen who died in 1776 leaving the twenty-year old Watkin to take on the running of the business.. An in-depth study of the family is published in The Clockmakers of Llanrwst, Colin & Mary Brown, Bridge Books 2002, Chapter II The Owens and Chapter IV The Clocks of Watkin Owen, pages 77-96.

Peter Clare, Manchester. a Georgian walnut moonphase longcase clock: the eight-day duration movement striking the hours on a bell, the thirteen-inch break-arch brass dial having a raised silvered chapter ring engraved with black Roman numerals and with the makers name P. Clare, Manchester, the matted centre with subsidiary seconds and date dials, and engraved with floral decoration, with cast-brass female-head spandrels to the four corners, the arch having a painted moonphase disc with the silvered plate to the arch showing moon setting and time, the typical North-west style walnut case having three-quarter columns to the trunk and shaped moulding to the door as favoured by the Clare family, with canted corners to the base, the hood having a swan-neck pediment with turned wooden finials, with cast-brass capitals to the pillars and ogee moulding to the door, height 232cm.Biography The Clare family were well-known clockmakers in Manchester with Peter, born 1729, taking on an apprentice, John Grundy, in August 1761. He married Mary Whitall in June 1772 with his address given as 119, Deansgate. A Quaker, he was married a second time to Alice having moved to number 69 Deansgate and died in July 1799. In his time he was described as not only a clockmaker, but also smoke-jack inventor, scientific lecturer, bell-founder and lightning-conductor fitter.Reference Edmund Davies Greater Manchester Clocks & Clockmakers, Pub. Mayfield Books 2007, with a full biography on pages 74-82 and including illustrations of two moonphase longcase clocks signed by Clare including fig. 6.18 having a near-identical dial. Also shown is a portrait of Peter Clare by Joseph Allen.

R. Lear Pinhey, Plymouth Dock, a mahogany moonphase longcase clock: the twelve-inch break-arch brass dial having a raised silvered chapter ring engraved with black Roman hour numerals, the centre further engraved with c-scroll decoration, subsidiary seconds dial, date aperture and makers name R. Lear Pinhey, Plymo. Dock, with cast-brass c-scroll spandrels to the four corners, the arch with moonphase disc painted with stars and moon, and showing High Water at Plymo. Dock and moon dates, with blued steel hands, the eight-day duration movement striking the hours on a bell, the arch-topped mahogany case having fluted canted corners, the hood surmounted by three eagle-and-ball brass finials, all standing on bracket feet, height 214cm.Biography Richard Lear Pinhey is recorded as working at Plymouth Dock from circa 1770 being a witness to the marriage of his sister Mary to the clockmaker William Lancaster in November 1771 and was witness to Lancaster's will in 1815.Reference Clive N. Ponsford Devon Clocks & Clockmakers Pub. David & Charles 1985.

Windmills, London, a marquetry longcase clock: the eight-day duration, five-pillar movement striking the hours on a bell with the twelve-inch square brass dial having a raised silvered chapter ring engraved with black Roman hour numerals, fleur-de-lys half-hour markings and engraved with the makers name Windmills, London, with the matted centre having a date aperture and subsidiary seconds dial, with cast-brass corner spandrels, border engraving and blued steel hands, the walnut veneered case with all-over bird-and-flower marquetry inlaid decoration, the hood with a shallow caddy-top surmounted by brass finials, ebonised quarter pillars with cast brass capitals, height 234cm including finial.Biography Thomas Windmills of St Martins-le-Grand, London, was the son of the great clockmaker Joseph Windmills and became a member of the Clockmakers' Company in 1695 and Master of the Company in 1718, following in the steps of his father who had been Master in 1702 having been made a Freeman of the Company in 1671 and a Warden in 1699. The two were in partnership together from circa 1700 a period of time at which the use of the signature Windmills without initials may well have come into use.A lacquer longcase clock signed Windmills, London is displayed in the Victorian & Albert Museum, London.Reference J.A. Neale Joseph & Thomas Windmills Pub. Antiquarian Horological Society 1999.

AN 18TH CENTURY OAK LONGCASE CLOCK the 30cm brass dial inscribed 'J Fletcher, Barnsley' (heavily restored)

A 19TH CENTURY STRIPPED PINE EIGHT-DAY LONGCASE CLOCK with painted arch dial (heavily restored)

A MID 18TH CENTURY OAK LONGCASE CLOCK the 23cm brass dial inscribed 'Geo. Steevens, Hindon' (heavily restored) approx 206 height

A 1920S OAK LONGCASE CLOCK with arched top, striking on rods

A 19TH CENTURY OAK AND MAHOGANY 30 HOUR LONGCASE CLOCK with painted dial (heavily restored)

Mahogany longcase clock, the hood with swan neck pediment, turned columns, case with short door, box baser, fourteen inch arched painted dial, with floral lunette and spandrels, subsidiary seconds and date dials, signed J Rigby, Liverpool, eight-day movement striking on a bell, 232cm.Condition report:There are damages and chips to the wood in places, one of the swan neck ends has snapped and is detached. The sides are rubbed and marked. The dial has some some crasing and there are some patches of flaking paint. There is no key for the door, and it is untested. Comes with pendulim and weights.

Oak and mahogany longcase clock, the hood with urn finial, swan neck pediment, turned columns, short door, bracket feet, 12" square painted dial with subsidiary date aperture, signed John Fox, Great Easton, thirty hour movement striking on a bell, 209cm.

Inlaid mahogany longcase clock, the hood with architectural pediment, turned Corinthian columns, trunk with long door and ogee bracket feet, twelve inch arched painted with with hunting scene to the lunette and floral spandrels, signed Shepperley & Pearce, Nottingha, eight day movement striking on a bell, height 219cm, with pendulum and weights.

Early 19th century eight day oak-cased longcase clock, the detachable hood with three turned finials, eagle surmount above glazed door enclosing the 12in brass dial, with Roman and Arabic numerals, subsidiary seconds dial and date aperture, named to R Francis, Attleburgh, decorated with gilt metal repoussé and mask spandrels, with pendulum and two lead weights, overall 226cm high.

Jaycee Tempus Fugit modern chiming longcase clock in a dark oak case with 3 weight driven mechanism Ht 188cm 

A 19th Century Mahogany cased longcase grandfather clock having an enamel dial with Roman Numeral chapter ring, faceted hands and moonphase ship & sun to to arch. The faces corner spandrels being decorated with strawberries. Arched hood with scroll swan neck and brass ball globe finial. Complete with weights & pendulum. 

An early 20th century oak cased longcase clock having a gilt face with roman numerals to the chapter ring. Weights, key and pendulum present. Measures 202cm high.

A 1920's solid oak cased Tempus Fugit Longcase / grandmother clock. Oak case with glass fronted hood with inset brass and silvered dial having brass spandrels, roman numeral chapter ring with Breguet cathedral hands enclosing a Westminster chime movement. Measures approx. 167cm x 31cm x 23cm.

A GEORGE III OAK EIGHT DAY LONGCASE CLOCK, the shaped hood with floral fretwork design, glazed door enclosing a brass 11 inch dial, surrounded by spandrels and mythical creatures, plaque inscribed 'Stripling Lichfield' spindle supports, shaped trunk door on a square plain plinth, height 223cm, one pendulum, two weights (condition - no key or winding key, minor surface wear)

A Victorian mahogany 8 day longcase clock, the circular dial marked William Harvey, Stirling, height 218cm

An early 19th century oak 30 hour longcase clock marked M. Irish, Lewes, height 196cm

An early 19th century mahogany eight day longcase clock, with painted dial, height 210cm

A George III mahogany 8 day longcase clock, the moonphase dial marked Ely Stott, Wakefield, height 227cm

19th century Scottish Mahogany and Inlaid 8 day Longcase Clock, the arched face painted with scenes of figures representing Britannia, Scotland, England, Ireland and Wales, the dial with Roman numerals, seconds dial, date dial and marked ' Robt Milne, Montrose ' , 212cm high

A mahogany miniature longcase clock. 41 cm high.

A George III oak 30 hour longcase clock, the painted dial signed Corrall, Mansfield

8-day mahogany cased longcase clock with a brass dial striking the hours on a coiled gong (missing), brass break arch dial with silvered chapter ring, Roman numerals, Arabic five-minutes and minute track, with semi-circular calendar aperture and seconds ring, cast spandrels with a silvered boss to the break arch inscribed �Tempus Fugit�, inlaid mahogany case with a swan's neck pediment and reeded pillars to the hood and case, conforming plinth on shallow bracket feet. No pendulum or weights. Hands missing.Dimensions: Height: 230cm  Length/Width: 52cm  Depth/Diameter: 25cm

Mid Victorian 8-day mahogany longcase clock with a painted dial and moon phase disc to the break arch, convex dished dial with Roman numerals, and minute markers, makers name indistinct, non-matching stamped brass hands, calendar aperture and seconds dial, spandrels depicting the four seasons, veneered mahogany case with a swans neck pediment and inlay, canted corners to the trunk with a wavy topped door, square plinth and applied skirting, rack striking movement with a Walker and Hughes cast false plate, striking the hours on a bell. With weights and pendulum.Dimensions: Height: 230cm  Length/Width: 50cm  Depth/Diameter: 25cm

A miniature oak cased longcase clock, silvered dial, brass chapter ring with manual wind movement.40cm tall.

A reproduction yew longcase clock, striking on eight straight gongs, 195cm high, with pendulum and three weights. 

A 19th century oak and mahogany 30 hour longcase clock, the 11 1/2in square painted dial inscribed 'Richd Barton, Southam', 196cm high, with pendulum and weight. 

A Mahogany Eight Day Longcase Clock, arch brass 13" dial signed Monks, PrescotDial 18.25" high

An Oak Eight Day Longcase Clock, circa 1770, 13" brass dial, signed Jno Stanyer, NantwichCase faded in parts, trunk door slightly bowed, later bracket shaped feet.Movement looks complete.With pendulum and two weights.Mechanism not tested for its working condition.

An Oak Chiming Longcase Clock, 20th century, striking on gong rods, 182cm high

An Oak Thirty Hour Longcase Clock, 12" square brass dial with chapter ring, signed S. Lawson, Keighley (possibly a later case), 210cm highCase has faded, hood capitals with chips, later feet.Dial with scratches and is discoloured.Movement dirty.Seatboard is later.With pendulum and one weight.

A Sheraton Revival Miniature Mahogany Longcase Clock, housing a timepiece with platform escapement, with enamel dial signed MacMichael, to the Queen, 54cmCase is faded in parts, small surface scratches, left hand side of the case with cracks, dial edge with cracks between 1 & 2'oclock position, movement is dirty and with a later platform escapement, movement fully wound and not working.

Samuel Shortman, Newnham, an early 19th century longcase clock, the painted arched thirteen inch dial supporting and eight day bell striking movement, 218cm

William Priddy, Langport, an early 19th century pine longcase clock, twelve inch square dial, supporting a thirty hour bell striking movement, 202cm

James Gale, Newport, an early 19th century oak, mahogany crossbanded longcase clock, the eight day movement striking upon a bell, faced by painted arched Roman dial, 215cm

LATE 18TH / EARLY 19TH CENTURY EIGHT DAY LONGCASE CLOCK,by Cuthbert Hunter of Newcastle, mahogany cased, the hood with gilt finials and broken swan neck pediment, the signed dial with silvered chapter ring, date aperture and applied gilt spandrels, with twin drum movement, above domed door to plinth base, 230cm high approximately

A MAHOGANY MUSICAL LONGCASE CLOCK BY J. HEYWOOD, NORTHWICH the brass three train movement with four turned pillars striking the hours on one bell and chiming on a nest of eight bells, the twelve and three quarter inch brass dial with black Roman hour and Arabic five minute numerals, months of the year, days of the month and Saint's days, inscribed to the centre 'Labour here with all my Might/To tell the Hours of Day and Night/Thy constant care then let it Be/To serve the GOD as I serve Thee' and 'Heywood / Northwich' amongst foliate scrolls, beneath an arched brass moon dial with the days of the month, inscribed 'He appointed the Moon for Certain Seasons', the arched case in the manner of Gillows, the hood centred with a Prince of Wales plumes of feathers with a gilt crown, the broken swan neck pediment and blind fretwork above a glazed door flanked by four fluted columns and four half columns to the side, the trunk with applied scrolling foliage to the door flanked by fluted columns and above a fruiting swag, the base with similar decoration, on bracket feet, with three weights and a pendulum 255cm high

A WILLIAM AND MARY WALNUT AND MARQUETRY LONGCASE CLOCK BY JOSEPH WINDMILLS, LONDON, LATE 17TH CENTURY the brass eight day twin train movement with four turned pillars, the anchor escapement striking on a bell, the ten and a half inch brass dial with a silvered chapter ring with black Roman hour and Arabic five-minute numerals and inscribed 'J Windmills London', the matted centre with a subsidiary seconds dial and a date aperture inside cherub head spandrels, the hood with a square, glazed door framed with a floral inlay and flanked by turned columns with gilt capitals and bases, the trunk with a circular glazed lenticle to the door, between panels inlaid with birds amongst scrolling foliage, with two weights and a pendulum 202cm high Catalogue Note Joseph Windmills an esteemed maker and was made free of the Clockmakers' Company in 1671 and became master in 1702. He was in partnership with his son Thomas and they were based in Tower Street, London.

A WALNUT AND OLIVEWOOD OYSTER VENEERED AND PARQUETRY LONGCASE CLOCK PROBABLY BY SAMUEL WATSON, LONDON, LATE 17TH CENTURY AND LATER the brass eight day movement with four turned pillars, the anchor escapement striking the hours on a bell, the brass ten and a quarter inch dial with a silvered chapter ring with black Roman hour numerals interspersed with fleur-de-lis markers with a matted centre, with a subsidiary seconds dial, a date aperture and pierced hands, the shuttered wind holes inside cherub head spandrels, the hood with silk backed fretwork frieze, with ebonised spiral twist columns, the trunk decorated with fan and star paterae on an oyster ground, with a glazed lenticle, on a plinth foot, with a pair of weights, pendulum and key 197cm high Provenance The family collection formed at Well Head House, Halifax, Yorkshire. Catalogue Note Samuel Watson (d.1740) was elected as Sherriff of Coventry in 1686 before going to London in 1690. Watson made two astronomical clocks for King Charles II. He had been made 'Mathematician in Ordinary' to the King in 1682 when he delivered the first clock. Watson was the leading astronomical clockmaker at the end of 17th century. He seemed to specialise in table (spring) clocks but he also made some longcase clocks and a number of watches.

19th century oak cased longcase clock, lacking pendulum and weights

A GEORGE II CHINOISERIE LACQUERED LONGCASE CLOCK the brass dial with matted centre, subsidiary seconds dial and date aperture, the silvered chapter ring with Roman hour markers and Arabic minutes, signed 'Pingstone London' within pierced spandrels, sun motif to break arch, 48cm wide 215cm high