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A 19th century carved oak 30-hour longcase clock, Thomas Templer, London, having silvered Roman dial, height 206cm

A Fenlocks longcase clock, reproduction, height 148cmCONDITION: It does have a pendulum, no weights but does have two winder keys

A Victorian oak eight-day longcase clock with painted Roman dial, height 222cm

A 19th century oak eight-day longcase clock with painted dial, height 220cm

A George III mahogany eight day chiming longcase clock, the arched 12 inch brass dial with silvered eagle and tempus fugit plaque over Roman chapter ring and subsidiary seconds, H.7ft 9in.CONDITION: Case of very good rich dark reddish mahogany tone and looks honest and untouched for many years, minor cracks and small faults throughout, more notable faults include scratching and scuffing of the trunk door where it rubs at the bottom, right side with a rather matted finish and would benefit from repolishing, trunk door lock is a later replacement and no key present, the plinth is a later replacement, dial and movement look to be in very good clean condition with no faults noted, although quite probably the movement is somewhat later being associated to the case, comes with three cast iron weights and a brass pendulum, not tested for timekeeping.

An early Victorian oak and mahogany thirty hour longcase clock, marked H. Carter, Ripon, height 226cm

A 19th century oak and mahogany 30 hour longcase clock by L. Dedlow of Penrith. 223 cm. CONDITION REPORT: Wear, fading, veneer cracks, some joint separation and repairs.

An early 19th century mahogany longcase clock by Jonathan Telford, the painted dial with moon phase, calendar function to the eight day movement striking on a bell contained in case with scroll cresting and shaped trunk door inlaid with boxwood stringing. 213 cm high with winding handle and trunk key. CONDITION REPORT: Slight veneer loss to hood and lacking feet. The dial is also slightly rubbed.

A modern longcase clock fitted with a Westminster chime three-train movement, in a mahogany case, 194cms (76.5ins) high.

A 19th century style oak miniature longcase clock, the hood and trunk with applied brass decoration, 39cms (15.25ins) high.

A 19th century longcase clock with a 34cms (13.5ins) square arched painted dial, Roman numerals, subsidiary seconds dial, date aperture and the arched painted with a coastal scene, fitted with an 8-day movement striking on a bell, in a mahogany case, 229cms (90ins) high.

Rutherford Jedburgh, Georgian Oak Cased Longcase Clock, Having a Painted Dial with two Subsidiary Dials, With two Lead weights, 215cm high

A 19th Century 8-day longcase clock movement and dial, painted with fox hunting scene, signed H. Yeoman, Nottingham

A 19th century 8 day longcase clock movement with 14" square painted dial

A north country mahogany longcase clock, moon phase arch dial, Bolton maker, 8 day movement

A reproduction oak longcase clock, striking on eight straight gongs, 192cm high, with three weights and pendulum.

A 19th century mahogany eight day longcase clock, the 13in arched painted dial inscribed 'Thos Gibson, Berwick', 217cm high, with weights, pendulum and winding key. 

An 18th century mahogany eight day longcase clock, the 11.5in square brass and silvered dial inscribed 'William Camden, London', 194.5cm high, with two mis-matched weights and pendulum. 

A 19th century Welsh pine 30 hour longcase clock, the 12in arched painted dial inscribed 'T Evans, Newcastle Emlyn', 213cm high, with pendulum, (no weight).

An 18th century 30 hour longcase clock dial and movement, the 11in square brass and silvered dial inscribed 'Robt Evens, Halsted'.

(THH) A George III mahogany eight day longcase clock, the 12in arched brass and silvered dial inscribed 'Richd King, Ratcliff Highway', height including finial 228cm, with brass faced pendulum and weights.

A George III oak and mahogany 30 hour longcase clock, the 12in square painted dial inscribed 'Henson, Stanion', 205cm high, with weight and pendulum. 

A 19TH CENTURY OAK EIGHT-DAY LONGCASE CLOCK, with circular cream painted dial, signed BROWNSWORD, Nottingham.

George III oak longcase clock, Joseph Atkinson, the stepped pediment above a square door to the hood flanked by columns above a long trunk door and panel base, the brass chapter ring having Roman hours and date aperture, single train movement with anchor escapement striking on a bell, 208cm high

A 19th Century Victorian antique mahogany longcase grandfather clock by Jas. Moore of Warminster. The case housing a painted dial with Roman numeral chapter ring and subsidiary seconds dial, with hand painted bird and floral decoration to the corners and top. Having an arched pediment with brass ball finials. Complete with pendulum and weights and winder. 210cm X 47cm X 26cm

An early 18th century walnut longcase clock with published provenanceJeremiah Martin, LondonThe overhanging cornice over a pierced fret on turned Doric columns, the trunk with long door veneered in bookmatched veneers framed by a quarter moulding, over a restored base, the 11 inch square brass dial with winged cherubs head spandrels, the silvered Roman and Arabic chapter ring with cross half-quarter marks, the finely matted centre with subsidiary seconds dial, ringed winding squares and decorated chamfered date aperture, the movement with five knopped and finned pillars, anchor escapement and inside countwheel strike on a bell. The case possibly associated. 2.14m (7ft) high.Footnotes:Literature: Illustrated in colour on the back cover of 'The longcase clock', by Eric Bruton (second edition, 1976). A copy of the book is included with this lot. Provenance: Single family ownership for the last 47 years, purchased from Stende Antiques in 1973. Jeremiah Martin worked at Tottenham High Cross, London from circa 1687 to 1716.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A late 17th century walnut marquetry inlaid longcase clockJeremiah Johnson in Exchange AlleyThe (probably associated) case with moulded cornice over turned Doric columns and a long door inlaid with three panels of bird and flower marquetry, centred by a lenticle with giltwood bezel, the base similarly inlaid, the 11 inch square brass dial with winged cherubs head spandrels framing the silvered Roman and Arabic dial, matted centre with ringed winding squares, decorated chamfered date aperture and subsidiary seconds dial, the movement united by five knopped and finned pillars, with anchor escapement and outside countwheel strike on a bell. 2.12m (6ft 11ins) high.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A late 17th century oyster veneered and marquetry inlaid longcase clock with ten inch dialJohn Clowes, LondonThe associated case with long trunk door centred by a glazed lenticle and inlaid with three shaped panels of birds within flowers and foliage, on a laburnum oyster veneered ground, the sides of the case displaying similar oyster veneered panels, (hood and base panel altered and restored), the 10 inch square brass dial with wide winged cherubs head spandrels framing the silvered Roman and Arabic chapter ring (the minute track unusually marked every 2.5 minutes with alternating dots and crosses), finely matted centre with subsidiary seconds ring and chamfered date aperture, signed along the lower edge 'John Clowes, Londini, Fecit', the weight driven movement with six knopped and finned pillars, anchor escapement and outside countwheel strike on a bell. 2.02m (6ft 8ins) high. Footnotes:John Clowes was born around 1651. He was made a freeman of the Clockmakers Company in January 1672 and described as a 'Great Clockmaker' (the term used to denote a maker of turret/tower clocks). In 1684 he made a clock for King Charles II for the sum of £25. He was made Assistant to the Clockmakers Company in 1708 and Warden in 1713, but he never took up the post. He died in 1717.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A marquetry longcase clock, late 17th century and laterBrounker Watts, London The case with low caddy top and three gilt wood finials over a sound fret and spiral columns, the long door with four panels of marquetry over an inlaid base (the case restored and partially rebuilt, including some re-veneering), the associated 11 inch square brass dial with winged cherubs head spandrels interspersed with engraved foliage, the silvered Roman and Arabic dial surrounding the finely matted centre with subsidiary seconds dial and decorated chamfered date aperture, the movement with four knopped and finned pillars, anchor escapement and inside countwheel strike on a bell, the backplate with evidence of a former securing bracket. 2.19m (7ft 2ins) high.Footnotes:Brounker Watts served his seven year apprenticeship under Joseph Knibb from January 1684 to February 1691. He was made Free of the Clockmakers Company in 1693 and worked in Fleet Street. In 1711 he avoided Stewardship of the Company because he was 'out of town' and died in 1719.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A mid 18th century mahogany longcase clockHugh Anderson, London The pagoda top with ball and spire finials over freestanding stop-fluted Doric columns, the trunk with well figured door framed by a pair of matching quarter columns on a panelled base with applied moulding and double stepped plinth, the 12 inch arched brass dial with rocking figure of Chronos in the arch over a Roman and Arabic chapter ring with matted centre, recessed subsidiary seconds dial and applied nameplate, the weight driven movement with anchor escapement rack striking on a bell. 2.37m (7ft 9ins) high.Footnotes:Hugh Anderson was an apprentice in 1737 and was active as a clockmaker circa 1745-55.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A fine and very rare mid 18th century gilt brass-mounted walnut musical and astronomical longcase clock with mirrored panelsGeorge Clarke in Leadenhall Street, LondonThe arched hood set with mirrored panels flanked by freestanding facetted glass brass-mounted Doric columns over a full width door set with five shaped mirrored glass panels, all with bevelled edges throughout and framed by beaded brass borders, on a matching base (restored), the 14 inch arched dial with silvered arc detailing 12 tunes, namelyA March No.1Poor Robins ComplaintPretty Salley (sic)This great world isTransported wth. pleasureThe grand MusquelineThe Mock to BellsizeMasquerade MinuetA MarchSpanish JiggA Rigadoon No. 4A Young Virgin of 15 over the engraved polished/blued spherical 'Halifax' moon, the main body of the dial set with a subsidiary dial to each corner offering Strike/Silent, Chime/Not Chime, Moon's age 1-29.5 and the phase i.e. 'New Moon' 'First Quarter', 'Full Moon', and 'Last Quarter', and a twice XII-XII framed by a six times 0-48 outer ring, with Roman and Arabic chapter ring, subsidiary seconds, date aperture and signature arc, the massive movement with shaped plates united by ten knopped and ringed pillars, the anchor escapement with crutch beat adjustment to the heavy pendulum, rack striking the hour on the hour on a vertical bell, and playing one of twelve tunes every three hours on 27 hammers and 15 bells via a 13 inch pinned barrel mounted transversally to the rear, with trip repeat. 2.61m (8ft 7ins) high. Footnotes:Provenance: Christie's 13 November 2014, lot 138.George Clarke worked from Leadenhall Street, London throughout the second quarter of the 18th century. As well as supplying the UK domestic market with well-made longcase, bracket and lantern clocks, he also had a strong trade with the Eastern and Ottoman markets. These export markets preferred a more ostentatious style and Clarke made strong use of lacquer, tortoiseshell, mirror and glass to appeal to the continental aesthetic. A good example of this is the red-lacquered hooded wall clock made for the Turkish market which was sold in these rooms on 14th June 2005, lot 125. Perhaps his most famous extant clock is the large musical bracket clock with glass (or 'crystal') spherical finials and cupola over facetted glass columns in the collection of The Goldsmith's Company, previously in the Wetherfield Collection. It shares the same facetted glass columns as the current lot. Another comparable clock to this lot was recorded by Lord Macartney during his visit to China 1792-1794 in the Emperor's Great Hall of the Summer Palace:'At one end I observed a musical clock that played twelve old English tunes, the 'Black Joke', 'Lillibullero', and other airs of the 'Beggars' Opera'. It was decorated in a wretched old taste, with ornaments of crystal and coloured stones but had been, I dare say, very much admired in its time. On the dial appeared in large characters, 'George Clarke, Clock and Watch Maker, in Leadenhall Street, London.' This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A FINE AND RARE EARLY 18TH CENTURY FAUX TORTOISESHELL JAPANNED LONGCASE CLOCKBenjamin Broadhead, LondonThe caddy top with turned finials over a pierced fretwork cornice raised on brass-mounted Doric columns (the hood door opening to reveal a gilt-decorated mask) and a long trunk door with central lenticle, decorated in raised gesso and flat gilt work with chinoiserie figures, birds in flight and floral groups, to a conforming base, the 12 inch brass dial with early form of shallow arch centred by a strike/silent subsidiary dial and an engraved 'Green Man' mask flanked by foliate scrolls and Indian mask spandrels, the Roman and Arabic chapter ring with half-quarter marks and good blued steel hands, the matted centre with subsidiary seconds and chamfered date aperture, signed 'B. Broadhead, Londini Fecit' to the centre within a shaped foliate cartouche, the weight driven movement with five knopped pillars (the central one latched), with anchor escapement and internal rack strike on the bell. 250cms (8ft 2.5ins) high.Footnotes:Benjamin Broadhead was apprenticed to William Speakman in 1702, Speakman having just completed his 12 month duty as Master of the Worshipful Company of Clockmakers. Benjamin gained his Freedom after the standard 7 year apprenticeship, in 1709. There is much merit in this clock, the case is particularly high quality, with the sides measuring 1 and 3/16ths of an inch thick and the faux-tortoiseshell and gilt japanned decoration would have looked alive in the flickering light of a fireplace or Queen Anne candlestick. The dial of the clock is also rare for London work of the period - the Green Man mask in the arch is notable, as is the waisted signature cartouche to the centre - a closely related signature can be seen on a quarter chiming longcase clock of circa 1700/05 by Jonathan Puller in the Wetherfield Collection, item number 123, another by Puller is included in this sale, lot 72.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A fine late 17th century arabesque walnut marquetry inlaid longcase clock with interesting provenanceLangley Bradley, London The hood with original caddy and pair of carved urn finials over two blind frets and inlaid Doric columns framing the inlaid door, the long door with three shaped panels of Berain-esque marquetry featuring birds amid symmetrical strapwork and scrolls, set to the inside with a typed biography of Bradley on Ireton Wood Hall headed paper, on the matching base with double plinth, the 11 inch square brass dial with winged cherubs head spandrels framing the silvered Roman and Arabic chapter ring with meeting-arrowhead half-quarter marks and fancy half-hour markers, the finely matted centre with ringed winding squares, decorated chamfered date aperture and a subsidiary seconds dial, with original blued steel hands, the movement with five knopped and finned pillars, anchor escapement and outside countwheel strike on a bell. With pendulum and the pair of brass weights. 2.39m (7ft 10ins) high.Footnotes:Langley Bradley was apprenticed to Joseph Wise in 1687 and was admitted to The Worshipful Company of Clockmakers in 1695, rising to become Master in 1726. Sir Christopher Wren was a key supporter of his and may have been involved in Bradley being awarded the contract for the new clocks at St Pauls, Hampton Court and another in the Admiralty Building. King William III presented a Bradley watch to Wren on completion of St Pauls Cathedral. This lot may well have been supplied to Ireton Wood Hall from new. It was purchased more recently when the house, parts of which date back to the 17th century, was sold along with its 540 acres, in 2019.Literature: Cescinsky and Webster 'English Domestic Clocks', 1913, plate 147.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A fine early 19th century floorstanding regulator of one month duration, with ten inch dial and five-bar gridiron pendulumJames Hatton, LondonThe arched hood with canted stop-fluted front angles and inlaid quadrants over a long arched glass panel framed by an intricately moulded door and matching canted angles, on a base with moulded panel and (later) double plinth, the ten inch one-piece silvered circular dial with outer Arabic minute track enclosing the large subsidiary dials for running seconds (marked in Arabic fives) and hours (marked in Roman numerals), with original blued steel hands, latched to the massive weight driven movement by four heavy dial feet, the shouldered and footed plates united by six distinctive tapering vase-shaped pillars, further strengthened by a heavy brass bracket bridging the top of the plates, the movement with Harrisons maintaining power to the five wheel train, each arbor running in endstops, each wheel of six crossings driving high-count pinions, terminating in a delicate 'scape wheel, the five-bar gridiron pendulum suspended from the brass bridge and terminating in a very heavy lenticular brass bob with engraved rating nut and reading against a silvered beat scale mounted to the backboard. Ticking. Together with the original (?) brass weight, door key and custom made steel crank winder. 193cms (6ft 4ins)Footnotes:James Hatton is best known as a maker of fine chronometers, but also made and sold longcase clocks under his own name; he was Chronometer maker to the Honourable East India Company, based at 4, St. Michael's Alley, Cornhill, London, from circa 1799-1812. He was apprenticed to George Margetts and Tony Mercer lists a partnership with his former Master 'Margetts & Hatton' operating 1805-1811. The current clock displays the best of early 19th century London work, from the proportions of the case, to the quality of the engraving, the design and execution of the pendulum, and of course, the exceptional workmanship throughout the movement itself.Provenance: Single family ownership for 58 years. A label applied to the inside of the hood states 'Bought from T.D Tacey, North Quay, Douglas, 27th April 1962. Price £45.00.'This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A fine and rare late 18th century mahogany striking regulator longcaseJohn Monkhouse, LondonThe case with a raised architectural cresting surmounted by three ball finials over canted front angles and a long solid mahogany door with good figuring and moulded edge, on a raised panel base and double apron, the 10 inch one-piece silvered dial boldly signed in the low arch 'John Monkhouse' with strike/silent selection lever over a minute track and upward curving aperture revealing the hours, the seconds indicated on a large Arabic subsidiary spanning from the centre to the XII position, with bolt-and-shutter maintaining power lever to the side, the weight driven movement with shouldered plates united by five knopped pillars, both trains with delicate wheel work and high count pinions, the strike with rack system on a bell, the going with large deadbeat 'scapewheel and pallets to a long steel crutch and unusual steel-rod pendulum with heavy bar running into the large lenticular bob secured by an engraved rating nut. Running and striking. Together with a later winding key, two brass (not matching) weights, and door key. 2.02m (6ft 8ins) high. Footnotes:Provenance: Single family ownership for the last 71 years. This clock was bought by the vendor's father from William Lee, BADA-registered Antique Dealer, 39, Stonegate, York, on 11th June 1949 for the sum of £65.00. The receipt from 1949 is included with this lot. John Monkhouse is listed as working from London 1756-1771. A similar regulator by him is illustrated in Roberts: 'English Precision Pendulum Clocks', Schiffer 2003, Figs. 21-2A,B,C. It is featured as an example of the short-lived fashion in the late 18th century for more elaborate regulator cases, interestingly, the dial displays the same large overlapping subsidiary seconds ring as the current lot.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A late 18thC/ early 19thC longcase clock, the arched dial painted with flowers and birds indistinctly named for a Sleaford maker, with an eight day four pillar movement, in an oak and mahogany crossbanded case, 210cm high overall, (AF).

George III oak cased longcase clock, the swan neck pediment above a glazed door flanked by columns and Corinthian brass capitals above the long trunk door with shell inlay on a panel base, the arched dial with moon phase, silvered chapter ring with Roman hours and Arabic minutes, subsidiary seconds and date, twin train movement with anchor escapement striking on a bell, 231cm high

Boxes & Objects - a 19th century Staffordshire blue and white Willow pattern cow creamer; micro mosaic oval panels; a family bible with colour illustrations; three glass plates, some colour transparencies; a rectangular box, the lid titled 'Peace In Our Time 1938'; a cast metal model of a longcase clock; etc

VALERY OF PARIS; a 19th century slate mantel clock with applied gilt metal panels flanking the circular enamel dial with Roman numerals, height 43cm, a 19th century mahogany banjo barometer by A. Commomba of Charles Street Hatton Gardens (af), height 104cm, and a 19th century longcase clock dial with painted detail and moon phase aperture (3).Additional InformationThe face with general wear, scuffs, scrapes, scratches, the clock with minimal chips to the edges of the slate. Not tested, no guarantee of working order. The barometer with minor loss to the veneer, corners and edges, general wear throughout, mercury has leaked, will need attention. The back glass of the clock does not close fully as the hinge is slightly offset.

THOMAS BIRCHALL OF NANTWICH; an early 19th century longcase clock, the brass face with silvered dial with bird finial and subsidiary dials, in crossbanded oak case, raised on bracket feet, height 208cm, with pendulum and weight.Additional InformationReplacement glass for the hood which is not attached, knocks, splitting and wear to the case, water damage and fading.

STANYER OF NANTWICH; a 19th century oak and mahogany crossbanded longcase clock for restoration, the silvered dial set with Arabic and Roman numerals, subsidiary dial and date aperture, the trunk with quarter turned fluted columns, height 188cm.Additional InformationDial heavily scratched, not tested, no guarantee of working order, further scuffs, scrapes and general wear, has been cut down

JOSEPH WILDE OF MACCLESFIELD; a 19th century longcase clock with painted dial and moon phase and subsidiary seconds dial inside, set with Roman and Arabic numerals, in a mahogany case with brass eagle finial, height 228cm, with pendulum and weights.Additional InformationComplete with pendulum and weights, cracking to the veneer, general wear, scratches and scuffs to the case. The dial with craquelure and the dial has probably been repainted.

JAMES BARLOW, NORTHWICH; a 19th century mahogany eight day longcase clock, the square painted enamel dial with subsidiary seconds and date aperture, height 220cm. 

TRUGARD OF DARTMOUTH; an early 19th century thirty hour longcase clock, the brass dial with Arabic and Roman numerals and subsidiary dial, in pine case, height 198cm, with weight and pendulum.Additional InformationGeneral wear to the case, the door is bowed, also splitting to the door and side panels, possibly old repairs to do the door, scuffs and wear to the dial, replacement screws to the dial.

An early 19th century oak, mahogany and inlaid eight day longcase clock, the arched painted enamel dial with moon phase above a shell inlaid door on bracket feet, height 228cm.

JOHN CRANE OF BROMSGROVE; an 18th century oak case thirty hour longcase clock, painted dial with Arabic and Roman numerals and subsidiary dials, the oak case with blind fret decoration to the hood, height 210cm, with weight and pendulum.Additional InformationLosses to the hood, heavy wear, minor chipping to the dial in parts, complete with weight and pendulum, no keys

FISHER OF PRESTON; an 18th century oak cased longcase clock, the brass face with silvered circular dial with Arabic and Roman numerals with subsidiary dial, with quarter carved Corinthian column supports, height 206cm, with pendulum and weights.Additional InformationWe do not have a winding key so we cannot tell if it is in working order. general wear to the case. Old losses and chipping/splits to the case throughout. 

An early 20th century oak cased eight day longcase clock of small dimensions, the circular dial set with Arabic numerals, above plaque inscribed 'Presented to Mr T. Smith by R.D. Staff Fulwood Barracks, Preston, on his retirement 1935.', height 127cm, with pendulum and movement striking on a gong.Additional InformationScuffs and scrapes to case and dial. Not tested, no guarantee of working order.

A reproduction oak cased longcase clock of small proportions with blind fret detail to the hood, white painted dial set with Roman numerals, raised on bracket feet, height 153.5cm, width 32cm.Additional InformationWe are unaware if the clock is in working order, general wear, light scratches, scuffs.

A reproduction oak cased longcase clock of small proportions, the brass dial inscribed ‘Paul Eden Llanbedr’ and ‘E. J. Fox’, with weights and pendulum, height 179cm.

GASKILL OF KNUTSFORD; a 19th century oak and mahogany crossbanded longcase clock for restoration, the painted dial set with Arabic and Roman numerals and flanked by fluted columns, on plinth base, height 198cm, with pendulum and two weights (af).Additional InformationExtensive rubbing to detail, chips and losses throughout including the board above the dial and the hood, split to plinth front panel, extensive general wear throughout, requires attention and restoration.

JOSEPH ELFORD OF LYMINGTON; an 18th century oak cased thirty hour longcase clock with brass face and silvered dial set with Roman numerals, in Flemish style case, height 183cm, with weight and pendulum.Additional InformationOld repairs to the case and door, complete with pendulum and weight, losses to the case, the clock has probably been reduced in size.

A 19th century oak, mahogany and inlaid eight day longcase clock, the hood with broken swan neck pediment, the dial set with Arabic numerals, subsidiary seconds dial and date aperture with painted bird and floral detail, the movement striking on a bell, on plinth base to bracket feet, height approx 223cm, with twin weights and pendulum.Additional InformationThe hood lacking the finial, the dial crazed with some chips and losses, fading to numerals, further usual scuffs, scrapes, scratches to hood and case. Some pronounced chips and gouges, will need attention and restoration. Not tested, no guarantee of working order.

An early 18th century thirty hour longcase clock, the silvered dial inscribed ? with single hand, housed in a pine case, possibly originally chinoiserie decorated Dial ;25cm Height of clock ;188.5cmCondition report: wear to silvered dial surface blemishes to carcass

19th century longcase clock, the arched top with moonphase and striking eight-day movement, brass chapter ring with Roman numerals

A MODERN OAK CASED LONGCASE CLOCK WITH BRASS FACE, MOON ROLLER AND TRIPLE WEIGHT - PENDULUM H-194 CM

AN ANTIQUE OAK AND MAHOGANY LONGCASE CLOCK WITH ENAMEL DIAL R - MILLER - PERTH A/F TWIN WEIGHTS - PENDULUM

A LARGE MODERN WEST GERMAN LONGCASE CLOCK H-205 CM, WITH A SMALLER CLOCK (2)

Oak longcase clock, swan neck pediment and satinwood panels, ebony stringing, close wood cross-banding, hood with turned columns, long arched door, box base, bracket feet, 12 inch arched brass dial signed Latham, London, subsidiary seconds dial and date aperture, eight day movement striking on a bell, height 220cm.

Mixed wood longcase clock, carved pediment long door, bracket feet, 12" arched painted dial, movement inaccessible, height 225cm.