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Mahogany and oak eight day longcase clock, the 14" painted arched dial signed W. Helliwell, Leeds to the centre with subsidiary seconds and calendar dials, the case with short inlaid shaped door and the hood surmounted by a moulded swan neck pediment and brass ball and spike finial, 93" high (two weights)
LATE EIGHTEENTH CENTURY OAK AND MAHOGANY LONGCASE CLOCK, signed Scales, Kendal, the 14" painted Roman dial with subsidiary dial, river landscape spandrels and exotic bird to the centre, powered by a thirty hour movement, striking on a bell, housed in case with swan neck pediment, central finial and free standing fore columns, over a short trunk door and flame cut oblong panels, flanked by a reeded fore corners and raised on a plain base, 82 1/2" (209.5cm) high, (lacks feet and bell later)
EARLY TWENTIETH CENTURY COMBINATION CLOCK, THERMOMETER AND ANEROID BAROMETER, in an inlaid rosewood longcase clock pattern case, the 4" enamelled Roman dial with keywind movement, above a mercury thermometer to the trunk and aneroid barometer to the base, housed in an arch topped case with fan and ebony line inlays and stopped plinth, 19" (48.3cm) high
GEORGE III OAK AND MAHOGANY LONGCASE CLOCK, Signed Richard Hackett, Harringworth, the 12 1/4" brass dial with silvered chapter ring, subsidiary seconds dial and date aperture to the floral engraved centre, enclosed by pierced mask and scroll work spandrels, powered by an eight day movement chiming on a bell and housed on a case with swan neck pediment, with spike and ball brass finials and free standing forecolumns, over a long trunk door with shaped top, flanked by brass capped quarter columns to the fore corners and bracket feet, 89" (226cm) high
REPRODUCTION FIGURED MAHOGANY LONGCASE CLOCK, the 11" engraved brass dial with silvered chapter ring, scroll engraved decoration and silent/chime and St. Michael/Whittington and Westminster subsidiary dials to the arch, powered by a three weight movement with eleven hammers striking on two tracks (8+3) of rods, housed in a case with swan neck pediment, side frets and chamferred forecorners over a long, bevel glazed trunk door and panelled base with shaped plinth, 81" (205.7cm) high, movement with engraved monogram I.W.C. and numbered 102105
EARLY NINETEENTH CENTURY FIGURED MAHOGANY LONGCASE CLOCK , signed I. Vickers, Doncaster, the 14" painted Roman dial with subsidiary seconds dial and date aperture, decorated with floral spandrels and a pair of exotic birds to the centre, powered by an eight day movement striking on a bell and housed in a flat topped case with free standing, turned fore columns, over a flame cut, long trunk door with arch top, flanked by moulded fore corners and raised on a conforming base, 82" (208.3cm) high, lacks feet
LATE EIGHTEENTH CENTURY OAK LONGCASE CLOCK, SIGNED RICH RICHARDSON, the 12" brass dial wit slender engraved border, subsidiary seconds dial, date aperture and pierced urn and scrollwork spandrels, powered by a 30 hour movement chiming on a bell and housed in a caddy top case with eagle and ball finial's, turned three quarter forecolumns and glazed side frets painted with rural dwellings (one a.f.) above a long trunk door with fielded panel and arch top, raised on a plain base with plinth, 82" (208.3cm) high (base reduced)
Mahogany longcase clock, damaged pediment, the hood with turned and fluted uprights, lancet arched door, flanked by quarter fluted columns, box base lacking feet, 14" arch painted dial with moon phase, Arabic numerals, subsidiary date aperture, signed Thomas Holmes, Cheadle, eight-day movement striking on a bell, height 225cm.
19th century figured mahogany longcase clock, canted corners with turned quarter columns, lintel shaped door, on bracket feet with shaped apron, eight day movement enamel dial painted with Durham Cathedral scene, with subsidiary second and date hand, signed H.Esther, Morpeth, H224cm - no weights or pendulum
A George III oak and mahogany crossbanded eight day longcase clock, the brass Roman numeral dial signed 'Butler Bolton', with date aperture and subsidiary seconds dial, with broken swans neck pediment and trunk with blind fret detailing and fluted corner pilasters, on later and shortened and later bracket feet, 214cm H CONDITION REPORT: The glass to the hood is cracked. The trunk door is not warped but it does have an old crack. General age wear patina to the surface throughout, some losses and old chips here and there. Small loss to the bottom right corner of the door and a small but poor repair to the bottom edge of the door just to the left of this. Some losses also to the flowers as part of the scroll pediment. The plinth base is later and short in height. The clock is not currently running.
8-Day Longcase Clock with arched dial painted with roses & fruit to corners, marked Warham Birmingham?, golden oak case with marquetry inlay, on plinth base with bracket supports, arched door cross banded with chequered inlay, arched hood with 3 ball finials, 2 with spires, centre with spread eagle, fluted columns with gilt Corinthian capitals
George II green lacquered longcase clock, circa 1730, the concave cornice above a glazed arched hood door flanked by turned columns and arched trunk door above a panel base, with all over green lacquer Chinese scene decoration, the signed Jo's Dudds brass dial with a brass chapter ring and Roman numerals, subsidiary seconds and date aperture, twin train movement striking on a bell, 220cm high
An Oak Cased Thirty-Hour Longcase Clock, the XVIII Century brass dial signed John Liscomb?, silvered chapter ring with Roman numerals and subsidiary dial, within later (circa late XX Century) case, the hood with stepped pediment, blind fret to frieze and columns with brass capitals, the trunk door with applied panel, on bun feet, 196cm high.
Jacob Gelyn of Amsterdam, an 18th century Dutch walnut and marquetry eight-day Longcase Clock, broken arch dial with moon phase mechanism and date arch above a large silver dial with Roman numerals and subsidiary seconds hand, date aperture and days of the week aperture, the silvered chapter ring signed cornered by four individual gilt metal spandrels modelled as cherubic-style figures, shaped trunk door with pendulum viewing glass and raised on outset block-style feet, the whole of the clock case covered profusely in floral-style marquetry, with weights and pendulum, 237cm high CONDITION REPORT: For restoration and is non-running (see images), In our opinion the dial face mask does fit within the hood and the movement and dial are not married they look original. It looks like the back legs on both left and right are missing and the clock is leaning against the wall for balance. The door is also completely away from the main body.
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41749 item(s)/page