A Georgian mahogany and oak cased eight day striking longcase clock by Sam Smallwood of Macclesfield, the twelve inch square brass dial featuring a subsidiary seconds dial, engraved date aperture and twin winding holes, flanked by applied spandrels, with twin weights and pendulum, height 7ft
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A Georgian mahogany banded oak cased eight day longcase clock by Samuel Butterworth of Rochdale, the 12in circular brass dial with silvered chapter ring, central engraved decoration and date aperture, the case featuring conch shell inlaid medallions and multi-wood checkered banding, raised on ogee bracket feet, with twin weights and pendulum, height 6ft 9" (strike bell removed)
A Georgian mahogany banded oak cased eight day striking longcase clock by Thomas Read of Knutsford, the 13in brass square dial featuring a silvered chapter ring and silvered centre section with engraved decoration, subsidiary seconds dial and date aperture, flanked by applied spandrels, with twin weights and pendulum, height 6ft 6"
A George III oak 8-day longcase clock, maker Thomas Hall of Canongate, Edinburgh, the arched brass dial with Roman/Arabic numeral chapter, subsidiary seconds dial and date aperture, pierced brass spandrels, the hood with swan neck pediment, above an arched door, on a plinth base, 222cm high x 48cm wide
An oak longcase clock, with a 30 hour posted movement striking on a bell with a 10.75 inch brass dial, the chapter ring signed Thomas Pinfold Banbury, with a matt centre engraved a bird and scroll leafage, the hood with a dentil cornice and blind fret frieze above turned columns, moulded edge trunk door on bracket feet, 86.75in (220cm) h.
Benjamin Barlow, Oldham. A George III mahogany longcase clock, with an 8 day movement, striking on a bell, with a 13.25 inch arched brass dial, with silvered chapter ring and subsidiary seconds dial, the centre painted a lake scene with a pierced date aperture, the arch with a painted moon phase dial with decorated parkland landscapes, with an applied name plaque signed Benjamin Barlow, Oldham, the hood with a swan neck pediment above a painted frieze of foliage and cherubs and turned columns, trunk with a moulded shaped top door and flanked by fluted quarter pilasters, the canted corner base on ogee bracket feet, 7ft (236cm) h.
A George III mahogany longcase clock, with an eight day movement striking on a bell, to an engraved silvered 13 inch arched dial, with sweep seconds hand and calendar, the arch with a strike/silent dial and inscribed JAMES SCOTT LEITH, the case with well cast gilt brass mounts, the hood with a swan neck pediment with carved rosettes and later eagle finial above pierced trellis panels, the shaped waist door with a moulded edge flanked by quarter pilasters, the base with canted corners on ogee bracket feet, right front part missing, 92in (233.6cm) h.
A walnut and burr walnut veneered longcase clock, with an 8 day movement striking on a bell, with five turned pillars and a 12 inch arch dial with silvered chapter ring signed Thomas Lumpkin, London, the matt centre with a pierced date aperture and subsidiary seconds dial, the arch with a Strike/Silent dial, the hood with turned pilaster and gilt metal caps above an arched burr veneered trunk door, sides and panel base, 89in (226cm) h.
An oak longcase clock, with an 8 day five pillar movement striking on a bell, with a 12 inch arch brass dial, chapter ring and subsidiary seconds dial, the centre with pierced date aperture, date ring missing, S/N lever above 60, the arch with a boss signed John Purden, London, in an associated case, with reeded columns, 84.5in (214.5cm) h.
An 18th century Japanned longcase clock, with an 8 day five pillar movement striking on a bell, with a 12 inch arched brass dial and silvered chapter ring, having a subsidiary seconds dial above an applied oval boss, signed Edward Man, London above pierced date aperture, the arch with a Strike/Silent dial, the pagoda hood with brass orb finials, above turned pilasters and an arched trunk door decorated chinoiserie scene and a conforming base, 87.5in (222cm) h.
An Irish mahogany longcase clock, the 8 day movement with a dead beat escapement within rounded top corner plates striking on a tube, with an enamel circular dial with subsidiary seconds dial, signed WM CARTY, DUKE ST. DUBLIN, the case with carved scroll decoration and a glazed trunk door, the base with large cracks, 6ft 9in (209cm) h.
An oak longcase clock, with an 8 day striking movement and a 12 inch brass dial with a silvered chapter ring, the centre engraved a Pseudo Coat of Arms and a motto above John Pipes London, the hood with a pagoda top and acorn finials above a blind fret frieze and reeded pilasters to a moulded edge trunk door, 94in (239cm) h.
An early 18th century 8 day longcase clock movement, with five ringed pillars and striking on a bell with an 11 inch brass dial, silvered chapter ring signed Will Cockey, Wincanton, subsidiary seconds dial, pierced date aperture with engraved surround and a rose to the centre. Seconds and minute hands missing.
A West Country oak longcase clock, with an 8 day movement striking on a bell, with a 12 inch brass dial, the chapter ring signed T. Rudd, Warminster to a matt centre with subsidiary seconds dial, hand missing, and pierced date aperture, the trunk door with a parquetry star and mahogany crossbanding, 6ft 4in (193cm) h.
An 8 day oak longcase clock, with a 5 pillar movement striking on a bell, with a 12.25 inch arch brass dial with subsidiary seconds dial and date aperture, the centre engraved foliage and a bird, the arch with an applied boss signed Heny Baker, Maling, in a later carved oak case, 93.5in (237cm) h.
An oak and mahogany banded longcase clock, having an 8 day movement with four baluster pillars and striking on a bell, with a 12 inch painted arch dial and a subsidiary dial, pierced date crescent and signed Sidwell, Nuneaton, the hood door with barber pole stringing above a pointed top trunk door with stringing and marquetry shell, 89.75in (228cm) h.
A 19th century mahogany and oak longcase clock, with an 8 day movement striking on a bell to a 13 inch painted arched and convex dial, signed Richd. Holt, Newark, the arch painted a hunting scene, the hood with turned columns above a shaped trunk door with moulded canted angles, with stringing on bracket feet, 89in (226cm).
An 18th century Dorset oak longcase clock, with an 8 day movement striking on a bell, with a 12 inch brass dial having a silvered chapter ring signed John Spinney, Stickland, Fecit, with a floral engraved centre having a subsidiary seconds dial and pierced date aperture, the case with three giltwood ball finials, the trunk door reversed and re-hinged, the base reduced, 84in (213cm) h.
A walnut and marquetry longcase clock, with an 8 day movement striking on a bell and a 11 inch brass dial with silvered chapter ring signed Wm Speakman London, with a subsidiary seconds dial, ringed winding holes and a pierced date aperture with scroll decoration, the hood centred a monogram WA, flanked by a pair of cherubs and foliage, a pair of ball and spire finials to a moulded cornice with a blind fret frieze, with turned pilasters above a cavetto moulding, the trunk door with the same monogram, birds, vases of flowers, lions and foliage and with replaced glass lenticle, the base panel with a marquetry parrot, 85.5in (217cm) h.
"HAMBLER, N-FRAMPTON A VICTORIAN MAHOGANY LONGCASE CLOCK, having hood with swan neck pediment and flank columns, figured veneered boxwood strung trunk with canted corners and box base, raised on bracket plinth, eight day four pillar mechanism with an" chor escapement and false plate, arched painted dial with subsidiary seconds, 2.3m high
A George III Mahogany North Country Longcase Clock, the painted arched dial with moonphase movement, Arabic and Roman numerals and subsidiary seconds dial and with two train movement striking on a bell, the hood with swan neck pediment above an arched door flanked by pilasters and a shaped panel door, raised upon low supports
A George III eight day longcase clock, the 12 inch square brass dial signed `John Richard Lansamlet`, with centred date aperture and subsidiary seconds dial, within a ring of Roman and Arabic numerals, with pierced corner spandrels, the hood with chequer stringing and fluted front corner hood pilasters, over a serpentine arched trunk door between front corner fluted trunk pilasters, on a box base with quatrefoil shaped single panel, on short bracket feet, 200.5cm high Note: Brian Loomes notes a John Richard Llansamlet as active in the late 18th century in `Watchmakers and Clockmakers of the World Volume 2`.
A small month going Longcase Clock of William and Mary design, with silver chapter ring and ormolu spandrels on a black velvet background and bell strike in a walnut and floral marquetry case, the stepped hood with a fret carved panel above plain turned pilasters and on a plinth base. 6` 1" (185cms) high.
An early 19th Century Longcase Clock, the brass arched dial inscribed "T Ramsbottom, Criglestone" with phases of the moon aperture and date ring, the arch painted with a rural landscape, in oak case with swans neck pediment, the trunk with quarter round mouldings and shaped door. 7` (214cms) high.

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44426 item(s)/page