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Two eight day longcase clock movements with 11" square brass dials, signed Adams Blimhill and Thomas Benniworth St Albans respectively (2)

Thirty hour longcase clock movement, the 12" painted arched dial signed Walters, Llandilo, with calendar aperture

Thirty hour longcase clock movement with outside countwheel, the 12" square brass dial signed John Dickinson, Cartmel, on a silvered disc within a foliate engraved matted centre with ringed winding holes and calendar aperture enclosed by a silvered chapter ring (weight)

Eight day longcase clock movement, the 11" square dial with brass chapter ring enclosing an engraved matted centre with ringed calendar aperture

Three train longcase clock movement playing on four small bells, the 11" square brass dial signed William Haldern, Darlaston on the silvered chapter ring enclosing a polished brass centre with subsidiary seconds dial, ringed winding holes and calendar aperture

Eight day longcase clock movement, the 13" painted arch dial with subsidiary seconds dial, calendar aperture and moon phase to the arch

Lacquered eight day longcase clock, the 12" brass arched dial signed John Dene, London on the chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, the case with long arched door surmounted by a pagoda moulded pediment, 93" high; also another oak and mahogany crossbanded eight day longcase clock, the 13" square painted dial signed C. & J. Holmes, Cheadle, with subsidiary seconds dial and calendar aperture, the case with long wavy arched crossbanded door and the hood surmounted by a stepped pediment, 82" high (2). Both these clocks are in need of extensive restoration

Mahogany eight day longcase clock with five pillar movement, the 12" brass arch dial signed William Horn Hale, Devizes to the arch over a strike/silent subsidiary dial and a silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, the case with moulded wavy arch long door, the hood surmounted by moulded swan neck pediment over Gothic blind fret carved panels, 95" high (pendulum, two weights)

English mahogany eight day longcase clock with five pillar movement, the 12" square brass dial signed Justin Vulliamy, London on an arched shaped plate to the matted centre with subsidiary seconds dial and calendar aperture enclosed by a silvered chapter ring, the case with long door and the hood surmounted by a caddy top and three brass ball and spike finials over a blind fret foliate carved panel, 101" high (original two brass cased weights and pendulum; also with winding and case keys). This clock has come to auction from the Vulliamy family by direct descent. The seat board bears an old Camerer Cuss trade label. The inside back of the case bears the retail plaque of James Oakes, no. 2103

Oak thirty hour longcase clock, the 12" brass arched dial signed Stephen Simpson, Greeta Bridge to the arch above a moon phase aperture, the silvered chapter ring enclosing a foliate engraved centre inscribed Benjamin & Betty Fell, the case with long wavy crossbanded door flanked by rounded pilasters, the hood surmounted by a moulded carved swan neck pediment, 84" high (pendulum and weight)

Oak eight day longcase clock, the 12" square brass dial signed John Butterly, Horsham, Fecit to the silvered chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, the case with long moulded door and the hood surmounted by a pagoda top with ball and spire finial, 88" high (pendulum, two weights)

Oak eight day longcase clock, the 12" painted arched dial signed Beringer & Schwerer, Truro under an arched calendar aperture and subsidiary seconds dial, the arch painted with a huntsman and his dog, the case with long moulded arched door and the hood surmounted by a swan neck pediment, 84" high; (pendulum and weight)

Pine thirty hour longcase clock, the 10" square brass dial signed G. Steevens, Hindon, to the brass chapter ring enclosing foliate engraved matted centre, the case with long beaded moulded door, the hood surmounted by moulded stepped pediment, 76.5" high (pendulum, weight)

Mahogany eight day longcase clock, the 13" painted arched dial signed Jas. Slater, Uttoxeter to the centre with subsidiary seconds dial and calendar aperture, the case with long moulded panelled door, the hood inlaid with boxwood lines surmounted by a moulded swan neck pediment, 87" high (pendulum, two weights, winding key)

Ebonised eight day longcase clock with five pillar movement, the 12" brass arched dial signed Joseph Stephenson, London on a circular silvered boss to the arch, over a silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, within a re-painted chinoiserie decorated case with moulded arched door and the hood surmounted by a flat stepped pediment, 84" high (pendulum, door key and two weights)

Mahogany eight day longcase clock, the 13" painted arched dial signed Evans, Armagh, no. 121, with subsidiary calendar dial, the case with medium length rounded arched door flanked by quarter fluted columns and the hood surmounted by a moulded swan neck pediment and brass ball and spike finial, 90" high (pendulum, two weights and winding keys)

Oak eight day longcase clock, the 12" brass arched dial signed Benjamin Lautier, Bath, with strike/silent subsidiary dial to the arch over subsidiary seconds dial and calendar aperture, the case with long beaded moulded rounded arched door fitted with a lenticle, the ornate hood surmounted by a carved swan neck pediment, 89" high (pendulum, two weights, winding key)

Small ebony veneered eight day longcase clock with latched movement, the 9" square brass dial signed Johannes Fromanteel, Londini, Fecit below silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, the later veneered case with long moulded door, the hood surmounted by a triangular moulded pediment, 78" high, (two weights, pendulum). Request full condition report*

Small walnut eight day longcase clock with latched movement, the 10" square modern brass dial spuriously signed Joseph Knibb, London beneath the silvered chapter ring enclosing a subsidiary seconds dial and calendar aperture, the later veneered case with beaded long door, the hood with barley twist supports surmounted by a swan neck pediment with central carved motif above a pierced fretwork panel, 78.5" high (two weights, pendulum). Request full condition report*

Pine thirty hour longcase clock, the 12" square dial painted with a ship, the case with long moulded door and the hood surmounted by a moulded stepped pediment, 71" high (pendulum, weight)

Mahogany eight day longcase clock, the 12" arch brass dial signed Thomas Utting, Yarnmouth to the matted centre with subsidiary seconds dial, calendar aperture and strike/silent dial to the arch, the case with long moulded door and the hood surmounted by a swan neck pediment with turned finial, 82.5" high (pendulum and two weights)

Pine thirty hour longcase clock, the movement with outside countwheel, the painted arched dial signed Js. Truscott, St Colomb above a calendar aperture, the case with rounded arched moulded door flanked by gadrooned pilasters, the hood surmounted by a moulded arched cornice, 79" high (pendulum, weight)

Oak crossbanded eight day longcase clock, the 13" square brass dial signed Jn. Roberts, Holyhead to the foliate engraved centre with subsidiary seconds dial and calendar aperture, the crossbanded case with a serpentine arched moulded long door flanked by reeded pilasters, the hood surmounted by a stepped moulded cornice, 82" high (pendulum, winding key, two weights)

Good Mappin & Webb mahogany musical three train longcase clock, the substantial movement with 11" cylinder and striking on nine tubular bells, the 12" arched brass dial signed Mappin & Webb, 172 Regent Street. W. on a silvered plaque to the finely engraved foliate fret centre with subsidiary seconds dial within a silvered chapter ring beneath subsidiary chime/silent and Westminster/Whittington/St Michael dials, the case with bevelled glazed long door and the hood surmounted by a swan neck pediment, 91" high (pendulum, three weights, winding key)

Mahogany inlaid eight day longcase clock, the painted arched dial with subsidiary seconds dial, inside calendar dial (hand missing) and moon phase to the arch, the case with short wavy door flanked by turned baluster tapering pillars and inlaid overall with geometric and conch shell panels, the hood surmounted by a solid moulded swan neck pediment, 94" high

Good English mahogany eight day longcase clock, the 12" brass arched dial signed James Chater, London on a silvered engraved plate to the arch over an unusual lunar indication aperture, with silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, the rack and bell striking movement with five knopped pillars and trip repeat, the case with long reeded moulded rounded arched door flanked by ormolu mounted quarter fluted pillars, the hood surmounted by a moulded arched wavy top cornice with three ball and spire brass finials, 94.5" high (pendulum, winding key, two weights and two door keys)

Good walnut month going longcase clock with five pillar movement, the 12" brass arched dial signed John Helot, London on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, also with strike/silent dial to the arch, the case with long moulded arched door and the hood with moulded wavy pediment and three ball and spike brass finials, with brass cased lead weights, 89" high (pendulum, two weights, door key and two winding keys)

Fine English walnut marquetry eight day longcase clock with five pillar movement, the 11" square brass dial signed Christopher Gould, Londini, Fecit beneath the silvered chapter ring enclosing a matted centre with subsidiary seconds dial, calendar aperture and ringed winding holes, the case with long door fitted with a lenticle, the front inlaid overall with birds amidst flowering foliage and the hood with moulded stepped cornice over a pierced fretwork panel, 81" high (pair of brass cased weights and pendulum)

Seven various longcase clock pendulums and rods (7)

Eight day birdcage longcase clock movement

Fifteen longcase clock seat boards (15)

Eight day longcase clock movement; together with an American Waterbury Clock Co. ogee wall clock, an incomplete American wall clock, two ogee wall clock weights and an assortment of various clock dials

Fourteen various sized longcase clock weights (14)

Quantity of longcase clock dials, weights and pendulums

Quantity of various clock hands to include nineteen longcase clock second hands, nine pairs of various dial hands, steel and brass longcase clock hands etc

Five various brass engraved longcase clock calendar chapter rings; together with quantity of brass capitals, caps and rosettes, six various spire finials and a large quantity of longcase locks and lock keys

Selection of longcase clock winding keys; together with a small quantity of smaller crank keys

Quantity of various longcase clock dial corner and arch spandrels; together with an assortment of brass clock fittings

Good English regulator pulley; together with a pair of good quality brass longcase clock weight sleeves (3)

Six large clock bells; together with four longcase clock pendulum bobs (10)

Twenty eight day longcase clock pulleys, twelve thirty hour longcase clock pulleys and a collection of chains and pulley sprockets

Mahogany inlaid two train lancet mantel clock, the movement striking on a gong, the 3.5" white dial within a shaped case inlaid with boxwood lines and a central paterae, 10.25" high, (pendulum); together with an Ansonia clock timepiece in the form of a longcase clock, 11" high and a German brass torsion clock, 12.5" high (pendulum) (3)

A reproduction longcase clock in the Georgian style with yew wood veneered case and arched hood enclosing a brass dial with cast spandrels and silvered chapter ring

James Hewitt - Sunderland. A mid 18thC longcase clock, the arched dial with gilt metal spandrels, surrounding a silvered chapter ring with engraved centre, with an eight day, four pillar movement striking a bell, in figured mahogany case with blind fret decoration, on ogee bracket feet, 220cm high

A 19thC painted longcase clock dial, decorated with rural scenes, the dial signed G Paige of Navenby, 31cm wide.

A Bentima modern longcase clock.

A modern longcase clock by C Wood & Sons.

A 19thC painted clock dial, signed Richard Holt Jnr, Newark, decorated with hunting scenes, pheasants etc, 30cm wide, and various other parts from a longcase clock.

An early 19thC longcase clock, the square dial indistinctly signed and painted with flowers, with a thirty hour movement, in oak case, 208cm high

An 18th century oak longcase clock by John William Boot, Sutton circa. 1710 with brass face, the case with later carved decoration

James Hardy & Co., Aberdeen, a Scottish inlaid mahogany cased 8 day longcase clock, the 12" brass and steel dial, signed in the arch, with subsidiary seconds and date calendar, engraved with scrolling foliage and with spandrels cast with masks, mythical beasts and scrolls, the urn topped hood with swan neck pediment above free standing tapering fluted pilasters, the trunk with fluted quarter columns flanking a figured door centred by a floral motif, the base with shaped apron and raised on bracket feet, with weight, pendulum and case key. 2.12m

J. Lawson, Bradford, a George III oak cased 8 day longcase clock, the 13" brass dial engraved with a bird and sprigs of acanthus, scroll and acanthus cast spandrels, rolling moon mechanism, the hood with swan neck pediment and brass sphere finial, the case with reeded quarter columns flanking a trunk door over a fielded panel base. 2.30m to top of sphere

Walker, Workington, a mahogany and oak cased 30 hour longcase clock, the 14" dial painted in the arch with ships, the hood with swan neck pediment and free standing pilasters, the broad case raised on bracket feet. 2.35m

Inlaid miniature longcase clock with pocket watch movement

An oak three-weight longcase clock

An oak dwarf longcase clock

A George III oak thirty-hour longcase clock, the painted dial signed Thos. Fletcher, Barnsley

An 18th century eight day striking longcase clock movement with an 11 square dial signed W I F 1742 WHITFIELD CLIFTON - missing second hand in need of some restoration"

An 18th century oak longcase clock by William Peacock of Kimbolton. 11 brass dial with date aperture and steel hands 30 hour movement. A nice example by this local maker. 79" tall"

A seven foot Welsh eight day oak longcase clock circa 1830 commemorating a visit by the Prince of Wales. Having a circular brass dial with silvered chapter ring featuring the Prince of Wales feathers. The case is profusely carved, the hood featuring oak leaves and acorns surmounted by the Prince of Wales feathers, his crown and the motto Ich Dien German for I SERVE. The door featuring the Princes coat of arms and the statement "Honi soit qui mal y pense" which is a French phrase meaning: "Shamed be he who thinks evil of it", and the base a depiction of Saint George and the dragon. The movement possibly earlier than the case. The movement has extended barrels.