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A Victorian oak cased 8 day longcase clock with Corinthian column supports and bevelled glass door panel. With brass arch top dial incorporating a painted moon roller, subsidiary seconds and with applied gilt Arabic numeral markers. Striking half hourly on a gong, 2m 21cm. Condition Report. To be used as a guide only. Fading to the case with a crack to the top centre of the door and some loss to the fretwork side doors. Dial in excellent condition. Sold with weights and pendulum. Three pins lacking to hold the dial in place with one remaining. The clock is setup in the saleroom but not running. The strike drive train will run if coaxed but the time drive train is stuck.
An 18th century style brass dial 8-day longcase clock, the dark oak coloured case classically styled with features typical of the second half of the 18th century and incorporating decorative patterned and floral carving, arched brass dial with applied silvered chapter ring, Tempus Fugit roundel and cast spandrels to the corners and arch, hour and half-past bell strike weight-driven movement by Keininger, with brass weights and pendulum - Estimate £150 to £250
An early 20th century longcase / grandfather clock having a fabulous three train movement chiming on gong together with music cylinder. The silvered dial on brass face with shaped spandrels having the arch with Whittington, Westminster and St Michael dial. The oak case with arched hood and glass cover, brass chains and weights to the trunk. Measures 189cm tall.
A 19TH CENTURY EIGHT DAY LONGCASE CLOCK BY B. MUSSON - LOUTH, the painted arched dial with subsidiary seconds dial and date aperture, bearing makers name, painted shooting scene to the arch, the crossbanded and inlaid case with central marquetry panel, twin weights and pendulum, H 213 cm S/D¦Condition Report:Crack to hood glass¦
AN EARLY 18TH CENTURY MAHOGANY CASED LONGCASE CLOCK BY JAMES LEICESTER - DRURY LANE - LONDON, the 12" arched silvered dial with Roman and Arabic numerals, 'strike and silent' subsidiary dial to the arch, eight day movement, striking on a bell, the hood with half turned pillasters and blind fret carved detail, twin weights and winding key, H 213 cm¦Condition Report:There is a vertical split to the base. No other obvious damage / worm. Movement looks to be original to the case / hood. Colour appears good. We cannot confirm working capacity.¦
Late 18th century longcase clock with mahogany case and matched movement. Fluted Doric columns support a canopy with caddy pediment, dog-tooth moulding tops a long door ending in box base. Brass face with brass spandrels and silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture. Signed Willm Mayhem, Woodbridge. Two-train eight-day movement. 229cm; 90in height. For condition report please see the catalogue at www.peterwilson.co.uk
A mahogany longcase clock, with double swan-neck pediment canopy with brass rosettes. Short-door with matched feathered veneers and box base with turned feet. The oval face is painted with floral and countryside motifs and painted Roman and Arabic numerals with subsidiary seconds dial and date aperture, signed Matthews, Welshpool. Two-train, eight day movement. 221 x 56 cm; 87 x 22 in. For condition report please see the catalogue at www.peterwilson.co.uk
An oak longcase clock with stepped canopy supported on Doric columns framing a square brass dial with brass spandrels, silvered chapter ring with Roman and Arabic numerals. Subsidiary seconds dial and date aperture. Signed Fran Pile, London. Eight-day, two train movement. 203 x 47 cm; 80 x 18.5 in. For condition report please see the catalogue at www.peterwilson.co.uk
Late 18th century longcase clock with oak case. Doric columns frame a square dial, with blind fretwork under the canopy. Face signed John Baker, South Petherton. Painted with figures on the spandrels with Roman numerals and subsidiary seconds dial. Single-train, eight-.day movement. 197 x 49 cm; 77.5 x 19 in. For condition report please see the catalogue at www.peterwilson.co.uk
An 18th century and later oak longcase clock, the hood with a moulded cornice, and three quarter columns above a long trunk door, box base and bracket feet, the 27.5cm brass dial with gilt leaf spandrels, the silver chapter ring with Roman numerals, the central silvered panel engraved with a landscape scene, inscribed Thos Hall, Rumsey, the 30-hour movement striking on a bell, 207cm high
A George III mahogany longcase clock, circa 1780, Thomas Crofts, Newbury, the arched hood with moulded cornice above twin fluted and brass mounted pilasters, the silvered dial with subsidiary seconds dial and strike/ silent dial above, the two train movement striking on a bell , the arched trunk door above a moulded base and shaped bracket feet, 210cm high
R Pugh, Newtown, a George III oak and mahogany cross banded cottage longcase clock, the square hood with broken swan neck pediment above a 12'' white enamel dial with Roman numerals and date aperture painted shells to the corners, thirty hour movement striking on a bell, between fluted brass capped pilasters above a cross banded ogee arched top trunk door flanked by brass capped quarter pilasters over a cross banded base and later plinth, 205cm high
Tibbert, Newtown, a George III oak and mahogany crossbanded cottage longcase clock, the square hood enclosing an 11'' brass dial with Roman and Arabic numerals and figural spandrels representing the seasons, thirty hour movement striking on a bell between fluted gilt brass Corinthian columns over a narrow ogee arched crossbanded trunk door, raised panel base and bracket feet, 200cm high
Peter Brisbourne, a George III oak and mahogany crossbanded cottage longcase clock, the square hood with blind fret carved frieze and 12'' brass dial with silvered chapter ring, Roman and Arabic numerals, subsidiary seconds dial and date aperture matted foliate centre, mask head spandrels, eight day movement, striking on a bell between turned brass capped pilasters above a crossbanded full length trunk door plain base and short bracket feet, 196cm high
A Regency mahogany eight day longcase clock, the 13 inch arched enamel dial signed 'JAS Webster, Salop', with central subsidiary seconds and date dials, within a ring of Arabic numerals under a portrait painted to the arch, the hood with wrythen front corner pilasters over an oval panel trunk door and crossbanded box base, raised on splay bracket front feet, 244cm high
A George III oak crossbanded mahogany eight day longcase clock the 12 inch square brass dial with silvered centre and chapter ring signed 'R Webster, Salop' under a subsidiary seconds dial and date aperture within a ring of Arabic and Roman numerals, the hood with reeded front corner pilasters over a crossbanded long trunk door on a single panel box base raised on ogee bracket feet, 199cm high
Wignall, Ormskirk, an early 19th century mahogany longcase clock the hood with broken scrolls, swan neck pediments surmounted by three ball and spire finials above a 14'' white enamel dial with Roman numerals, subsidiary seconds and date dial, colour painted shells to the corners, eight day movement striking on a bell, between brass capped pilasters over an ogee arched top, 3/4 length trunk door and panel between reeded 3/4 columns on a plain panel canted base and bracket feet, 237cm overall height
Thomas Kenerdell, Wigan, a George III mahogany longcase clock the arched hood with scroll pediment and boxwood patera enclosing a 13'' arched brass dial with silvered chapter ring, Roman and Arabic numerals, subsidiary seconds dial and date aperture, matted centre, cherubs head, spandrels and silvered named roundel in the arch, eight day movement striking on a bell between fluted pilasters over a blind fret frieze and shaped top boxwood strung trunk door between fluted quarter pilasters with blind fret work bases and on conforming canted base and ogee bracket feet, 226cm high
Joss Banister, Colchester, a George III oak cottage longcase clock, early 19th century, the arched hood with shaped pediment and three ball and spire finials over 12'' arched white enamel dial with subsidiary seconds dial and date aperture, Roman numerals, painted flowers in the corners and named in the arch, eight day movement, striking on a bell between fluted brass capped pilasters over an arched top trunk door, ogive moulding and plain base shaped plinth and bracket feet, 209cm high
J Twigg, Burslem, a George III oak and mahogany crossbanded cottage longcase clock. the square hood with 13 inch white painted enamel dial, Roman numerals, subsidiary seconds dial and date aperture, eight day movement striking on a bell between fluted brass capped pilasters over a crossbanded shaped top trunk door between fluted quarter pilasters, raised panel canted base and bracket feet, 194cm high
A late 18th Century oak and mahogany banded longcase clock by Samuel Burton of Hawkshead, the 28cm brass dial with calendar aperture to the 30 hour movement striking on a bell, contained in case with angled cornice and quartered fluted columns to trunk, 205cm high, trunk door warped and hole to dial Note: Samuel Burton briefly recorded working in Hawkshead in Loomes [Brian], Clocks of Northern England
A late 18th Century oak cased longcase clock, Thomas Richardson, the square brass dial with corner spandrels, subsidiary seconds dial, date aperture and oval name plate, fitted an eight-day movement, the case with free standing columns to the hood and quarter columns to the trunk, the dial 30.5cm wide
Fine early 18th century eight day longcase clock, by Langley Bradley, London, with 12 inch square brass dial with silvered chapter ring, subsidiary seconds and date aperture, ringed winding holes, cast crowned cherub spandrels and wheat-ear border, five-pillar movement striking on a bell, in very fine seaweed marquetry inlaid case with caddy top, blind fret panel, brass ringed lenticle glass to door, on platform base, 230cm high (pendulum, two weights and key present) CONDITION REPORT General overall condition is reasonable, movement is very dusty and we are unable to confirm if it is in full working order. Dial is in good order. However, spandrels may have been replaced at some time. Case has had extensive repair and refurbishment. The plinth has been rebuilt at some time and the base surround is a replacement, some moulding is damaged. Door hinges and back are replacements. Hood has been extensively renovated but has damage to fretwork. Rear pillars have been replaced with square beading. Dial mask has been replaced and hood door securing bolt does not function. Front door pillars are now screwed in. Caddy top is loose and requires glueing. On balance the refurbishing seems to suggest that the case and movement may not be original to each other
18th century eight day longcase clock with silvered and gilt arched dial, signed - Thomas Burges Gosport, with strike / silent subsidiary dial in arch, subsidiary seconds and date aperture, in a fine walnut case with arched and crossbanded door, on plinth base, 216cm (key, pendulum and weights present)
18th century eight day longcase clock with brass arched dial, signed - Jonathan Tolputt, Portsmouth Common, with subsidiary strike / silent in arch, subsidiary seconds and date aperture, rococo scroll spandrels, in dome-top mahogany case with Greek key pediment, reeded columns and pilasters, on bracket feet, 196cm (pendulum and weights present)
18th century eight day longcase clock with silvered arched dial, signed - William Vesper Limehouse, with strike / silent in arch, subsidiary seconds and date dials, in a fine mahogany case, with reeded columns and pilasters, on bracket feet, 240cm high (key, pendulum and weights present) CONDITION REPORT General overall condition good, movement is clean but we are unable to confirm if it is in full working order. Seat board possibly a replacement. Case side cheeks have been cut at some time and there is a packing piece on right. Left hand equivalent is missing, movement leans forward. Silvered dial is scratched and marked in places, name is William Vesper not Pespur. Case generally good, door and plinth veneers are cracked, some of column brass inlay is missing. Hood is in good condition, some minor repairs to veneers, three finials missing, weights are cast iron and not brass cased. Pendulum is large and has a flat brass rod

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44425 item(s)/page