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A GEORGE III OAK LONGCASE CLOCK, THE BRASS DIAL SIGNED JOHN BOOT SUTTON ASHFIELD

A GEORGE III OAK LONGCASE CLOCK SIGNED ON THE BREAK ARCHED AND PAINTED DIAL JNO BISHOP SHERBORNE, WITH SUBSIDIARY SECONDS DIAL AND ROSE SPANDRELS, THIRTY HOUR MOVEMENT, THE CASE WITH FLAT TOPPED HOOD AND INLAID WITH DIAMONDS HAVING FLUTED PILLARS AND PANELLED BASE, 203CM H ++ Dial repainted, the paint chipped in the arch, seat board an old replacement but probably right for the case. No evidence of packing to the cheeks, structural bracing repairs to the back of the trunk, minor shrinkage cracks in the panel in the base

A mahogany cased longcase clock, the arched hood with spherical brass and spread eagle finials over a moulded dentil cornice, with glazed door flanked by fluted pillars, over an arched trunk door to a flat fronted base, the arched brass dial with silvered chapter ring, Roman and Arabic numerals, subsidiary seconds and date aperture to a matted centre, within mask head and floral scroll spandrels, the arch with silvered roundel inscribed "Tempus fugit", flanked by dolphin head and scroll applied decoration to an eight day striking movement inscribed "Walter Michell, Plymouth", 212 cm high (ILLUSTRATED)

A George III mahogany and boxwood line inlaid longcase clock, the hood with swan neck pediment, arched glazed door flanked by Corinthian pilasters over a shaped arched door centred by a vase inlaid medallion to a flat fronted plinth base, the arched brass dial with silvered chapter ring and Roman numerals, with subsidiary seconds dial engraved to the centre with floral scrolls amidst mask head and applied floral scroll spandrels to the arch, a silvered roundel inscribed "Tempus fugit" amidst applied floral scroll decoration to an eight day striking movement inscribed "Tho. Carter, Cricklade", 224 cm high

A MODERN MAHOGANY LONGCASE CLOCK with brass and silvered dial, with rolling ship aperture, and turned brass finial with eight-day movement by Sinclair Harding of Cheltenham, 75" high

A 19TH CENTURY BRASS FACED LONGCASE CLOCK MOVEMENT with relief decoration, by Francis Corrall of Lutterworth, fitted with an eight day movement and striking mechanism, in a carved oak case with geometric decoration and brass finial, 79" maximum

ROBERT SALTER OF OSWESTRY - An 18th Century oak longcase clock with square brass dial and date aperture, in a plain case with pillar supports, 81" high

A 19th Century oak Longcase Clock with swan neck pediment above a painted arched dial marked Whitmore, Northampton, eight day movement, 7ft H

An antique oak Longcase Clock, fluted columns and arched hood with associated movement, painted dial by Thomas Mercer, Hythe, A/F

An antique oak Longcase Clock, painted Hereford dial showing shepherdess to the arch below scrolled surmount to the hood

A late 18th century Longcase Clock with arched brass dial inscribed Thomas Woodruff, Salop, subsidiary seconds dial and date aperture, 8-day movement in oak case cross-banded with mahogany

An 8-day Longcase Clock, inlaid details and brass finials, Thomas Allen, Barnsley, c1876

A George III mahogany longcase clock, made up, the break arch dial painted with a rural scene, the dial singed W. Flather, Halifax, the chapter ring bearing Roman numerals, subsidiary second and date dials, arched hood with turned columns, trunk door flanked by fluted quarter pilasters, on a square base, two hour striking and thirty hour movement.

A longcase enamel clock face by Thomas Wilson of Peterborough, the spandels painted with pine cones, dial bearing Arabic numerals, subsidiary seconds and date dials, eight day two train movement, bell striking.

Eight day longcase clock of small size, the silvered brass 9¼" arch dial signed, W. Nash, Bridge, in mahogany case with ebony line, shell inlay and scroll cresting, 192cm high.

Early 19th century eight day longcase clock indistinctly signed, George Moore, Cumnock, with 14" painted dial, the arch with group, castle and landscape, the spandrels with the continents.

An early 20th century oak longcase clock, retailed by Bravingtons Ltd., the arched brass dial with a three train movement, striking the quarters on nine tubular gongs, with Westminster, Whittington and St. Michael chimes, strike/silent and chime/silent levers and three large brass weights, 229cm high

An 18th century oak longcase clock, the arched brass dial inscribed `Richard Simpson, Yarmouth`, the silvered chapter ring with black Roman and Arabic numerals, subsidiary seconds dial and date aperture, the eight-day movement striking on a bell, the hood with fret cut scrolls and brass finials, over an arched glazed door flanked by columns, the stepped arched trunk door on a rectangular base and bracket feet, with later case, dial diameter 28cm, overall height 222cm

A mahogany `miniature` longcase clock, 49.5cm

Dennis Chambers, an 18th century longcase clock, with eight day movement, brass and silvered dial, in oak case

A collection of doll`s house furniture and accessories, including a filigree fireplace, a Crescent cooker, a longcase clock, a telephone and a coal purdonium (playwear).

Early XIXth Century Oak and Mahogany 30 Hour Longcase Clock having floral painted arched dial and signed Matt W Bradberry, Leyburn

Antique Oak Eight Day Longcase Clock having arched enamel dial painted with cottages and shepherdess, signed John Longstaff, Bishop Auckland

A Georgian Oak cased Longcase Clock, country made, having moulded hood with plain turned columns, long door with arched top. Standing on moulded base, the brass face with etched shipping scene and signed Hy. Williams, Llancarvan, with 30 hour movement. 17 1/2`` wide x 76 1/2`` tall x 8 1/2`` deep.

A VICTORIAN LONGCASE CLOCK having oak and mahogany crossbanded case, hood with swan neck and later finials, trunk with inlay and turned pilasters, 8-day four pillar mechanism with anchor escapement and rack bell strike, faced by an arched brass dial, inscribed Tempus Fugit, silvered chapter ring and centre, 2.25m high (includes two weights and a pendulum)

A LATE VICTORIAN/EDWARDIAN DARK STAINED OAK LONGCASE CLOCK, having richly carved case with swan neck hood acanthus fan and fish scale carving, generous three train musical mechanism with five gongs, faced by an arched silvered dial, 2.4m high

AN EARLY 19TH CENTURY OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, the hood with swan neck pediment and crossbanded shaped waist panel door and box plinth, on later bracket feet, eight day four pillar mechanism with gong strike, faced by a painted dial, with raised circular Roman enumerated centre, 2.23m high

AN ENGLISH MAHOGANY LONGCASE CLOCK the brass break arched dial engraved to the centre with three eagles and leafy scrollwork, having square date aperture, silvered chapter ring, mask spandrels and lunar work above, eight day movement in line inlaid case with paterae to the hood, fretted swan neck pediment, fluted pillars and conforming door, on bracket feet, 236cm h, 18th c and later ++Fully restored and cleaned as supplied to the late owner some years ago. The calendar ring dislodged but present, the dial and movement perhaps original to the case which has replacements and repair and probably early 20th c inlay, repolished overall

AN ENGLISH INLAID OAK LONGCASE CLOCK the brass dial with silvered chapter ring, signed to the engraved centre Willm Gill Hastings, with rococo spandrels and thirty hour movement, the case with stepped pediment, reeded pillars and applied and inlaid decoration, 182cm h, part 18th c ++Restored and with replacements. The case repolished. Seat board old, the backplate of the movement packed, the base of the case split and reduced in height but in the same condition as when bought by the late owner from a clock dealer in 1997 for £1400

A GEORGE III OAK LONGCASE CLOCK the painted dial signed T HARDWICK Ridgmount, with pierced giltmetal hands and rose spandrels, thirty hour movement, the case with swan neck pediment, turned pillars and moulded door, 197cm h ++The dial and movement original to one another, the dial with small faults but not repainted, the seat board old, no evidence of packing of the cheeks, the case with small losses but not repolished, the base reduced in height

A GEORGE III OAK LONGCASE CLOCK the brass dial signed on the silvered arch Thos Kelham Grimston, with silvered chapter ring and engraved centre with twin subsidiary dials, rococo spandrels and eight day movement with widely projecting open pediment, brass mounted turned pillars and moulded door flanked by fluted pilasters, 233cm h ++Old worm damage in the backboard, movement and dial original to one another, the lacquer on the dial discoloured, the seat board replaced, the movement and dial a good fit for the case but not necessarily original, the case in good condition, lightly cleaned and with small restorations

A WALNUT LONGCASE CLOCK the brass dial signed on the silvered chapter ring ISAC LORIMER LONDON, having matted centre with subsidiary seconds dial, ringed winding holes, square date aperture and mask spandrels, eight day five pillar movement, in featherbanded case with stepped pediment, parcel gilt pillars and moulded door with lentical, 219cm h ++Replacements and restorations; case repolished purchased from a dealer by the late owner from a clock dealer in December 2001 for £8000

George III mahogany longcase clock, the hood with dentil cornice, blind fretwork frieze, the door with conforming corner brackets flanked by reeded Corinthian columns, the trunk with long door flanked by conforming reeded pilasters and standing on ogee bracket feet, the circular dial with matted centre and silvered chapter ring with Roman and Arabic numerals, eight day striking movement, 221cm high

George III oak longcase clock by John Day of Wakefield, the hood with swan neck pediment and tapered cylindrical columns, trunk with long door and standing on bracket feet, square brass and silvered dial having engraved central decoration, Roman and Arabic numerals and calendar dial, signed, unassociated 30 hour movement, 231cm high

19th Century mahogany longcase clock, the arch shaped hood with carved and reeded decoration, trunk with long door flanked by conforming split pillars and standing on bracket feet, circular painted dial with Roman numerals and subsidiary seconds dial, eight day striking movement, 199cm high

George III mahogany longcase clock by William Wasbrough of Bristol, the hood with swan neck pediment and tapered cylindrical columns, trunk with long door and standing on bracket feet, arch shaped brass and silvered dial with moon phase and High Water At Bristol Key, engraved decoration to the centre, Roman and Arabic numerals, subsidiary seconds dial and calendar aperture, eight day striking movement, 248cm high

A GEORGE III MAHOGANY LONGCASE CLOCK, the eight day movement striking on a bell, the silvered, arched brass dial signed John Howlett, Bath, Roman numerals with Arabic numerals to the quarters, secondary seconds dial and calendar aperture, engraved with a ship to the arch, the glazed hood with swan neck pediment decorated with bosses and flanking a ball and spike finial, brass capped corinthian pillars to the sides, the case with line inlay, the shaped door flanked by reeded canted angles, box base, 229cm high overall. See illustration

A 19th Century Longcase Clock, the painted arch inscribed "J Richmond, York", with date aperture, 30 hour movement in oak and mahogany case with swans neck pediment, turned pilasters and shell inlaid door. 7` 5" (227cms) high.

A 19th Century Longcase Clock with painted arch dial, seconds ring and date aperture, in oak caddy top case with fluted turned pilasters. 7` (214cms) high.

* A George III inlaid mahogany eight-day longcase clock with moonphase, D. Collier, Eccles, early 19th century the four pillar rack and bell striking movement with 14 inch square white painted Roman numeral dial with arched calendar and ‘axehead’ moon apertures and signed D. Collier, Eccles to the seated lamb painted centre, the spandrels painted with female figures emblematic of the four seasons, the case with pierced swan neck crest above cavetto cornice, baton inlaid frieze and turned columns to hood, oval paterae inlaid frieze to throat over gothic ogee arch shaped trunk door flanked by reeded pilasters to angles, on crossbanded plinth base with canted angles and ogee bracket feet.

A Scottish George III tortoiseshell japanned eight-day longcase clock Robert Clidsdale, Edinburgh circa 1775 The five pillar rack and bell striking movement with 12 inch brass break-arch dial with calendar aperture and narrow silvered subsidiary seconds ring to the matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes to outer track and gilt female mask and scroll cast spandrels to angles beneath arch with circular silvered boss signed Rob.t Clidsdale, Edinburgh above Strike/Silent switch and flanked by dolphin cast mounts, in a pagoda pedimented case with glazed aperture to upstand and three quarter columns to hood above break-arch door decorated in raised gilt and polychrome with oriental figures within a garden terrace landscape on a mottled ‘shell’ ground to trunk, on conforming plinth base with moulded skirt, (case with restoration) 234cm (92ins) high. Robert Clidsdale is recorded in Smith, John OLD SCOTTISH CLOCKMAKERS 1453-1850 as being apprenticed to Alexander Brand in 1738, he gained his Freedom in 1754 and worked presumably until his death in 1786.

A George III oak eight-day longcase clock, Josiah Kember, Shaw, circa 1775 The four pillar rack and bell striking movement with 12 inch square brass dial with subsidiary seconds dial and calendar aperture to the ho-ho bird and foliate scroll engraved matted centre within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers, Arabic five minutes to outer track and signed Jos. Kember, Shaw to lower edge, the angles with bird and urn cast spandrels, the case with shallow box upstand, ogee cornice and foliate blind fret to frieze above three quarter columns to hood, rectangular caddy moulded door to trunk, on plinth base with moulded skirt, 210cm (82.5ins) high. Josiah Kember is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Shaw 1771-7.

Georgian square painted dial longcase clock movement, with a fusee movement striking on a bell by J Wilson of Nuneaton with painted shell and bird decoration, subsidiary date aperture missing, with pendulum, 30.5cm Further images and condition reports are available at www.reemandansie.com

Early nineteenth century eight day longcase clock with arched painted dial with subsidiary seconds and calendar aperture in oak case by Josh Knight, Halstead Further images and condition reports are available at www.reemandansie.com

Early nineteenth century eight day longcase clock with arched painted white dial, subsidiary and date apertures and, pierced gilt hands, the arch decorated with a shepherdess at rest with her flock beyond and floral gilded decoration to spandrels, encased in a mahogany veneered case with fluted columns, shaped door and break arch hood comprising of swan neck pediment, classical acorn and leaf gilt frieze and fluted Doric columns, by Anderton of Huddersfield Further images and condition reports are available at www.reemandansie.com

Eighteenth century thirty hour longcase clock with square brass dial, engraved Joseph Fifield of Winchester, in oak case with later carved decoration Further images and condition reports are available at www.reemandansie.com

Eighteenth century longcase clock, square painted dial with floral decoration in an oak case by Phillpot of Thaxted Further images and condition reports are available at www.reemandansie.com

Edwardian miniature mahogany longcase clock with inlaid satinwood fan and swag decoration, on a stepped plinth base, 37.5cm high Further images and condition reports are available at www.reemandansie.com

Georgian square painted longcase clock dial with a thirty hour movement striking on a bell by Thomas William and William Hay of Shrewsbury, with painted floral decoration and subsidiary date aperture, 31cm Good original condition - movement appears complete but dirty Further images and condition reports are available at www.reemandansie.com

AN OAK EIGHT DAY LONGCASE CLOCK, the arched painted dial with Roman numerals and Arabic five minutes, subsidiary seconds and date aperture, signed Wm. Goffe, Shipfton (sic), decorated with birds and rose spandrels and moon phase, the hood and case with elliptical marquetry decoration, 84" high

AN OAK EIGHT DAY LONGCASE CLOCK, the 12" square brass dial with Roman numerals, Arabic five minutes, subsidiary seconds and date aperture, signed Geo. Yonge, Andover, with engraved urns and `C` scrolls and rack striking, the hood with dentil moulded break arch pediment, central brass eagle and ball finial over a carved door with fluted pilasters and foliate carved trunk and base, 83 ½" high

AN 18TH CENTURY EIGHT DAY LONGCASE CLOCK, the 12" arched brass dial with silvered Roman chapter ring, Arabic five minutes, matted centre with seconds ring and date aperture, urn and bird spandrels, the arch with silvered disc inscribed Walter Michell, Plymouth, flanked by dolphin mounts, green and gilt japanned case, the hood with foliate decoration over a break arch door decorated with figures and pagoda over a matching base raised on bracket feet, 87 ½" high

A 12" ARCHED BRASS EIGHT DAY LONGCASE CLOCK MOVEMENT with silvered Roman chapter ring, lozenge half hours and Arabic five minutes, the matted centre with subsidiary seconds and date aperture, the arch with silvered convex boss, signed Nat Delander, near the Royal Exchange, London, flanked by dolphin mounts and with mask and scroll spandrels, the five pillar movement with rack strike

AN OAK EIGHT DAY LONGCASE CLOCK, the arched painted dial with Roman numerals, subsidiary seconds and date aperture, signed W. Spry, Hereford, the spandrels representing the seasons beneath a ploughing scene to the arch, the hood with swan neck pediment, central spike and ball finial and plain pilasters over a short mahogany crossbanded trunk door and base, 87" high

AN OAK EIGHT DAY LONGCASE CLOCK, the 10" square brass dial with Roman chapter ring, signed Mary Cole, Barnstaple, matted centre, cherub and coronet spandrels and rack striking, the hood with parquetry frieze, 74 ½" high

AN 18TH CENTURY OAK 30 HOUR LONGCASE CLOCK, the 12 1/4" square brass dial with Roman chapter ring, stylised fleur-de-lys half hour marks, signed Saml. Cocks, Worcester, matted centre, cherub and coronet spandrels and outside count wheel strike, the caddy top hood with three quarter fluted columns over a rosette carved door and base, 82" high

AN 18TH CENTURY OAK EIGHT DAY LONGCASE CLOCK, the 11 1/2" square brass dial with silvered Roman chapter ring, Arabic five minutes, signed Joseph Cooper, Whitchurch, the matted centre with subsidiary seconds, date aperture and rung winding holes, mask and scroll spandrels and engraved border, the caddy top hood with plain three quarter columns over a foliate carved trunk and base, the door with lenticle, 84" high

AN 18TH CENTURY OAK 30 HOUR LONGCASE CLOCK, the 10" square brass dial with Roman chapter ring, fleur-de-lys half hours, the centre signed Geoe. Hewett, Marlbro, (sic), with single hand, shell and scroll spandrels and posted movement with count wheel strike, the moulded hood with three quarter plain columns over a long door and single skirt base, 78" high

AN 18TH CENTURY OAK LONGCASE CLOCK with a moulded cornice above blind fretted frieze, the brass dial with Roman numerals and gilt spandrels inscribed `David Hatfield Bosworth` and with date aperture, the case later carved with stylised and flowering foliage, eight day movement striking on a bell, 76 1/4" high

A WALNUT EIGHT DAY LONGCASE CLOCK, the arched painted dial with Arabic numerals, subsidiary seconds and date aperture, signed S. Ballin, Wotton, with rose spandrels beneath a foliate arch, the moulded hood with plain pilasters over a star inlaid trunk door with shaped top and crossbanded base, 82" high