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An 18th century thirty hour longcase clock movement, square brass dial signed John Porthouse, Penrith adapted in a later light oak case as a wall clock, date aperture, Roman chapter, replaced hands and weight.

A French farmhouse longcase clock, case only, scumbled and painted with floral motifs, dated 1809 inside, Danish

AN OAK AND INLAID EIGHT DAY LONGCASE CLOCK, 19TH C with arched brass dial and dolphin spandrels, the line inlaid case with swan neck pediment, on panelled base, 220cm h, elements associated ++In apparent good condition, the movement reasonably clean and complete

AN EDWARD VII OAK LONGCASE CLOCK, C1910 with brass breakarched dial with CHIME/SILENT dial to the arch, the substantial, well engineered brass three train movement with nine tubular gongs, the trunk enclosed by a breakarched door with bevelled glass light above panelled base, the sides with raised and fielded panels, with three weights and pendulum, 252cm h ++Very good quality and complete, in working order, the movement dusty/dirty, not repolished

An early 19th century eight day longcase clock the white painted dial with Roman numeral chapter marks with second and date subsidiary dials, polychrome painted spandrels, the mahogany case with glazed door to hood flanked by two columns with gilt capitals, plain mahogany case, 86in. (218.5cm.) high.

An 18th century lacquered chinoiserie cased eight day longcase clock the square brass dial signed 'Redshaw Newcastle' to the silvered Roman chapter ring, the matted centre with silvered subsidiary seconds at noon and date arch at six above an engraved compass rose, gilt foliate scroll spandrels, twin train bell strike movement, the case with (probably later) architectural pediment with turned finials and blind fret frieze, the case decorated overall with gilt foliage and scrollwork, the trunk door with lacquered chinoiserie panel, 94in. (238cm.) high.

An 18th century Channel Islands longcase clock by Nicolas Blondel the brass arched dial signed on a silvered roundel to the arch, 'Nicolas Blondell a Guernesey', with silvered chapter ring and subsidiary seconds at noon, date aperture at six, matted brass centre, pheasant and cornucopia spandrels, the eight day movement with anchor escapement, in an oak case with flared pediment on turned pilasters, arched trunk door or pierced butterfly hinges, plain plinth base, reduced in height, 77in. (195.5cm.) high.

A Thomas De Garis of Guernsey mahogany eight day longcase clock mid-19th century, the silvered arched Roman dial with subsidiary seconds, date aperture, engraved foliate and roundel spandrels and an engraved eagle and 'Tempus Fugit' banner to the arch, the dial signed 'Thos. De Garis, Guernsey', the case with swan neck pediment centred by a gilt brass eagle finial over an arched glazed door flanked by turned pillars, the cross banded trunk with shaped arched door, on a plain base, 86in. (218cm.) high, lacks plinth.

A mid 19th century Longcase Clock, the arched dial inscribed "Kirby, Malton" with seconds ring, date aperture and painted with sporting scenes. With eight day movement, in mahogany and oak case with swan's neck pediment and baluster turned pilasters, the trunk with quarter round mouldings and inlaid decoration, on bracket feet. 7' 6" (229cms) high.

A DUTCH FLORAL MARQUETRY AND WALNUT EIGHT-DAY LONGCASE CLOCK, 18th Century, the 12 inch square brass dial, signed "Daniel Bloos, Amsterdam", with subsidiary dials and silvered chapter with Roman numerals hours and outer Arabic minutes, four-pillar movement, the pagoda topped case with urn finial, the trunk with cast brass framed lenticle in Rococo style, profusely inlaid with vases of flowers. 232cm

A POLLARDED OAK EIGHT-DAY LONGCASE CLOCK, the 12 inch brass break-arch dial, signed "David Lestourgeon, London", with silvered chapter with Roman numerals and Arabic outer minutes, subsidiary seconds and date aperture, five-pillar rack and bell striking movement, the case with moulded arched hood and crossbanded and half-veneered trunk door, the base with quarter columns. 212.5cm

A GEORGE III MAHOGANY EIGHT-DAY LONGCASE CLOCK, the 11¾ inch brass break-arch dial with strike/silent and silvered chapter with Roman numerals and outer Arabic minutes, signed "Thomas Hunter Junior, London", date aperture and subsidiary seconds, five-pillar movement striking the hours and half hours, the case with moulded break-arch trunk door. 214cm

AN ARABESQUE MARQUETRY AND WALNUT EIGHT-DAY LONGCASE CLOCK, the 12 inch square brass dial with silvered chapter with Roman numerals and outer Arabic minutes, subsidiary seconds and date aperture, signed "Peter Garon", five finned pillar outside countwheel bell-striking movement, the case with foliate fret to the moulded entablature above scroll inlaid hood door with integral columns, the trunk with decorated throat moulding above rectangular lenticle centred trunk door profusely inlaid with scrolling foliage and strapwork within a conforming surround, the plinth with ogee top moulding and conforming marquetry panel within laurel border, on moulded skirt base. 216cm

An early 19th century mahogany and oak longcase clock having swan neck pillar hood containing painted dial and 30 hour movement by J Telford, Carlisle, on shaped trunk and square base

A late 18th century oak longcase clock having square pillar hood containing brass dial and 30 hour movement by Sam Parrat on arch trunk and square base

A longcase clock, the arched brass dial signed Ben Brandreth, Middlewich, with silvered chapter ring and subsidiary date and seconds dials and with phase of moon and date aperture, in an oak case with chequer stringing, 205cm high/see illustration Condition Report: Case inlaid at a later date, some veneer missing, lock to door replaced, backboard patched, spandrels renewed. Calendar and moon phases operable. Not in working order. Return moulding loose. Doubtful if the clock, face and case have always belonged together, possible marriage. Trunk and base irregular.

A late 18th Century elm cased thirty-hour longcase clock by Thomas Sharp, Stratford, the case with square hood and 8½" brass dial with decorated spandrels, 189cm high/see illustration Condition Report: The dial has for obsolete holes on the reverse it is therefore probably associated, the seat board with crude restorations and the dial aperture crudely cut but original. The movement needs attention as the winding gear teeth are worn and the weight habitually pulls the chain through the winding wheels other than acceptable scratches, small splits and old worm holes, the clock case is in acceptable condition.

A longcase clock with 18th Century eight-day movement, signed Francis Mason, with decorated spandrels, subsidiary second hand and date aperture, the William and Mary walnut style case inlaid marquetry panels and with bull's eye pendulum aperture/see illustration Condition Report: Rack striking, four pillar movement, over oiled, with half hour passing strike, 10 inch dial The case completely re-made with later inlay. Case weights and pendulum associated. Case circa 1900 205cm high

A 19th Century watchstand in the style of an 18th Century Dutch walnut and marquetry longcase clock inlaid flowers and foliage with bombe shaped base, the interior with gilt metal pierced mounts and fitted a pocket watch, 50cm high/see illustration

An 18th Century walnut cased eight-day longcase clock, the hood with blind fret frieze and spiral columns, the trunk enclosed by a rectangular door, banded in herringbone, fitted a 10½" dial with subsidiary seconds dial, date recorder and decorative spandrels, 204cm high Condition Report: Decorative furnishing clock Rack striking Face- 11 inch dialwith later brass plate spandrels and hands Case later and restored- replaced case, board and cheek, case is later than movement Circa 1870 No opening door to hood- rising not sliding No woodworm No sign of maker

A George III mahogany longcase clock, the later 13" circular dial signed Edward Casson, Newcastle with eight-day striking movement, the hood with swan neck pediment and box strung case, 229cm high/see illustration Condition Report: Case with raising veneer in places, both side panels slightly pitted, back board split, frieze cross-banding rising, blisters to veneer on hood.

A miniature mahogany longcase clock case, the arch top hood with columns to the sides and canted columns to the trunk, fitted a drum-shaped clock movement with enamel dial and Roman numerals, 57cm high/see illustration

A mid 18th Century walnut eight-day longcase clock, by Samuel Marshall, London, the hood with turned columns to the sides, the trunk enclosed by a rectangular door, the brass dial with transition arch engraved and signed Samuel Marshall, London, with subsidiary seconds and date aperture/see illustration Condition Report: Side panels split and later veneer inset on both sides, left hand side panel to hood split and lifting at top, slight blistering to right hand panel, beading replaced in places, in working order 206cm high

Early 18th century longcase clock with eight day movement, twelve inch brass dial with cherub spandrels, matted centre and winding holes and subsidiary seconds dial, calendar aperture and silvered chapter ring, signed Bar Dammant Colcestrice fecit, in an associated tall floral marquetry inlaid case with three-panel door and oval lenticle, hood with floral marquetry border and carved architectural pediment (one weight only and pendulum), 220cm overall height CONDITION REPORT General condition of movement is good but very dirty and we are unable to say if it is in full working order. Case appears to be associated. Seat board has been raised to fit hood. Backboard is split. Marquetry is cracked on door and plinth. Lenticle surround is scuffed. Some other damage. Hood has no dial mask and side panels have been filled. Frieze carving possibly later replacement

Early 19th century-style longcase clock with eight day movement striking on a gong, fourteen inch brass break arch dial with pierced face mask spandrels, silvered centre with foliate / fruit decoration, subsidiary seconds dial and silvered chapter ring, break arch with dolphin spandrels and silvered centre, signed - Tempus Fugit, in a mahogany and oak case with wide trunk, short shaped door and deep plinth, hood with turned columns and swan-neck pediment with applied brass rosettes (weights and pendulum present, key lacking), 234cm overall height

19th century longcase clock with eight day movement, eleven inch brass dial and silvered chapter ring, signed - J. W. Lucchesi, Cambridge for restoration, in an oak case with domed top (weights and pendulum present), 225cm overall length

18th century longcase clock with eight day movement, with eleven inch brass break arch dial with urn spandrels, matted centre with subsidiary seconds dial and calendar aperture, silvered chapter ring, break arch with dolphin spandrels and silvered disc, signed - Nat. Hedge, Colchester, in an associated bleached mahogany case with domed door, hood with brass-capped Corinthian columns and domed top (pendulum, weights and key present), 215cm overall height

Early 18th century longcase clock with thirty hour movement, nine inch square brass dial with face mask spandrels, signed - Deykin, Worcester 1491, in a pine case with full length door, hood of architectural form, with turned columns (weight and pendulum present), 191.5cm overall height

Regency period longcase clock with eight day moon roller movement, thirteen inch white enamel break arch dial with painted floral spandrels, Arabic numerals, ringed winding holes and subsidiary seconds dial, gold painted hands, signed - T. Saltby, Grantham, break arch with calendar scale and moon dial in a boxwood inlaid mahogany case, arched door with inlaid shell paterae, hood with turned columns and swan-neck pediment (pendulum, weights, door key and winder present), 209cm overall height

Early 19th century eight day longcase clock by Chas. Allmark of Chester, with fourteen inch square painted dial with landscape reserves, subsidiary seconds and date aperture, in oak and mahogany veneered case with rosewood crossbanding (two weights and pendulum present), 220cm high

Mid-18th century longcase clock with eight day movement, twelve inch brass break arch dial with pierced foliate spandrels, matted centre with subsidiary seconds dial and calendar aperture, silvered chapter ring, break arch with dolphin spandrels and silvered disc signed - Nat. Hedge, Colchester, in an oak case with arched door, hood with arched door and caddy top (weights, pendulum and key present), 220cm overall height

Late 18th century longcase clock with eight day movement, twelve inch brass break arch dial with face mask spandrels, matted centre, subsidiary seconds dial and calendar aperture, signed on applied silver plaque - John Jullian Brentford, break arch with dolphin spandrels and strike / silent dial in a black chinoiserie lacquered case with arched door, hood with lacquered decoration and architectural pediment (weights and pendulum present), 215cm overall height CONDITION REPORT General condition of movement is good but very dirty, however we are unable to say if it is in full working order. Case is in poor condition, lacquering is worn and damaged. There is some damage to hood carcass. Weights and pendulum are present. We have key

Rudyard Kipling interest - late 19th century fruitwood miniature longcase clock with inset circular enamelled clock movement, 29cm high. NB. By repute given to the late owner's mother by Mrs Rudyard Kipling - the Kiplings were close family friends

An oak longcase clock, square brass dials, signed Danl Dalton, Church Lawford, silvered chapter ring, cast spandrels, single hand, thirty-hour movement, striking on a bell, the case with cavetto moulded hood, long door, ogee bracket feet, height 202cms.

A George IV mahogany and inlaid longcase clock, possible Anglo-Irish, painted dial, with a moon phase lunette, subsidiary second dial and date dial, spandrels painted with flowers, the dial centre with birds, eight-day two chain movement, the case inlaid with floral tendrils, flower urn, shells and rosettes, pendants and spandrels, swan-neck pediment, wide bodied door with Gothic arches, flanked by fluted baluster columns, height 250cms.

Oak Longcase clock, the hood with a cavetto moulded cornice, three quarter turned columns, long door, bracket feet, 10 inch square brass dial with cast spandrels, Roman numerals, signed John Spence, Market Harborough, thirty hour movement striking on a bell, height 191cms.

Early 19th century oak and mahogany Scarborough longcase clock, inlaid geometric rosewood parquetry case, enamel dial painted with hunting scene, eight day movement, signed Sedman, Scarbro H224cm

Two Royal Copenhagen porcelain vases and a miniature Delft longcase clock, tallest 14cm high (3)

A circa 1920 mahogany small longcase clock, 168cm high.

A painted dial, for a longcase clock, with an arch, signed W Nickifson, Newcastle, 33 cm wide, a Continental wall clock, in a simulated wood frame, 38 cm diameter, and a parasol, with carved ivory handle (lacks silk) (3)

A longcase clock, the 30.5 cm arch square silvered dial signed John Pollard, Plymo Dock, with Roman numerals, subsidiary seconds dial and calendar aperture, the arch with HIGH WATER AT PLYMO DOCK and phase of the moon, fitted an eight day movement, in an inlaid mahogany case, 214 cm high Condition report Report by GH Seat board probably not original and cheeks have been chocked by 2 to 3 mm on both sides. The movement does not appear to match the face, the movement is marked T. Pyke, Bridgwater, Somerset. The front of the movement appears to have been at some point, chopped and modified to accommodate the face. The high water at Plymouth Dock dial does not appear to be connected to anything. Also looking at the movement, the clock does not appear to have been used for sometime. The fit of the face into the hood is reasonably good but quite possibly they were not intended for one another. Parts of the face appear to have been covered in a yacht varnish like substance in order to protect the silvering. The case itself is in reasonable condition, with some possible areas of restoration and chips, scratches and gouges commensurate with age. Two weights, a pendulum and a key are present but no winding key.

Antique oak longcase clock signed Thomas Bridge, London, the hood with moulded cornice, arch shaped glazed door flanked by cylindrical columns, trunk with arch shaped long door and central lenticel, standing on a plinth base, brass dial with later arch, having Roman and Arabic numerals, subsidiary seconds dial and vacant calendar aperture, signed Thos Bridge Londini Fecit, eight day striking movement, 213cm high Condition: Please see extra images and TELEPHONE department for further details

Early 18th Century oak longcase clock by Simon Thorne of Tiverton, the hood with moulded cornice, square glass door, trunk with long door and standing on a plinth base, the square brass dial with single hand and Roman numerals, 30 hour movement, 195cm high Condition: Please see extra images and TELEPHONE department for further details

19th Century mahogany longcase clock by James Wenham of Swaffham, the hood with an arch shaped pediment, glazed door flanked by reeded pillars, the trunk with long arch shaped door flanked by spiral twist spilt pillars and standing on bracket feet, arch shaped painted dial with 'rocking ship' to the arch, Roman and Arabic numerals, subsidiary seconds dial and calendar aperture, eight day striking movement, 213cm high Condition: Please see extra images and TELEPHONE department for further details

Antique inlaid mahogany longcase clock signed Francis Jersey, London, the hood with arch shaped cornice, conforming door flanked by tapered cylindrical columns, trunk with long door flanked by fluted split pillars and standing on bracket feet, arch shaped dial with Roman and Arabic numerals, subsidiary strike/silent and seconds dials, eight day movement striking and chiming on eight bells, 241cm high Condition: Please see extra images and TELEPHONE department for further details

A mixed lot to include a mahogany sideboard, twin pedestal dining table, 19th Century breakfast table, a bookcase and an oak longcase clock

A Bravingtons Ltd Art Deco longcase clock, having silvered dial with Arabic numerals, pendulum and weights.

An early 19th Century oak eight day longcase clock, by 'Charles Robotham, Leicester', the white enamelled dial with black Roman numerals and hand painted decoration to spandrels

First quarter 19th Century longcase clock with painted dial, Arabic numerals with date (no name), 30 hour, in oak case, circa 1825.

An 18th century oak longcase clock with later carved decoration, having arch top hood, full length door and plinth base, associated arch brass dial and 8 day movement with rocking lion to the arch, by Ralph Wilson, Stamford, height 87"

A late 18th/early 19th century oak cottage longcase clock with swan neck pediment and reeded pillars to the hood, similar quarter pillars and full length door, square painted dial and 8 day movement by R. Mitchell, Stafford, height 82"

A Geoge III mahogany longcase clock: George Graydon, Dublin the 34cm inscribed brass arched dial with Roman chapter ring and outer seconds dial, subsidiary seconds dial and calendar aperture, eight day movement, the arch engraved with heraldic motif, the arched hood with brass ball and spire finial, shaped door inlaid with satinwood star burst, H 194 cm

A George III mahogany longcase clock: James Tupman, London The circular inscribed enamelled dial with Roman chapter ring, eight day movement, the hood with brass inlayed quadrants beneath a dentil moulded frieze and stepped hood, H 193cm

An 18th century longcase clock: James Boultwood, Matching Green the brass arched inscribed dial with Roman chapter ring and outer seconds dial, eight day movement, gilt foliate spandrels, moulded arched hood, squat case, H 182cm

A George III longcase clock with 8-day movement striking a bell, Rob. Knox of Bath, brass dial with arhed top, applied pierced brass spandrels and chapter ring with Roman and Arabic numerals, the hood with swan-neck pediment, fluted columns, quarter pilasters to the trunk, pedestal base, 225cm, (as found without hood glass panel).

A mid-18th century mahogany longcase clock by William Gardner, Sandwich, with eight-day movement striking a bell, the 12-inch square brass dial with silvered chapter ring with Roman numerals, subsidiary seconds and calendar dials, applied gilt brass spandrels, the hood with brass ball finial, swan-neck pediment and classical columns, the trunk with figured arched door, on pedestal base

18th century eight day longcase clock with painted moon face dial, subsidiary second dial with twin train movement, in later French walnut case, 230cm high

Edwardian mahogany longcase clock with shell inlaid patera, broken arch pediment, Windsor clock maker, 42cm high

18th century mahogany 30-hour longcase clock, the cream painted dial with Arabic numerals and date aperture, by Jn. Wells, Chipping Norton, 206cm high,

A modern oak longcase clock, by Old Charm, three brass weights and pendulum, Westminster chimes