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Thirty hour longcase clock movement, the 12" square painted dial signed Passmore, Barnstaple, with calendar aperture (weight chain and pulley)

Thirty hour longcase clock movement, the 11" painted square dial signed Harley & Son, Salop above an arched aperture window; together with four further longcase clock movements (5)

Tom Robinson - The Longcase Clock, with sleeve; Time & Place - English Country Clocks 1600-1840; Ronald Rose - English Dial Clocks, with sleeve; Dawson - The Iden Clock Collection, with sleeve (4)

Pair of cast iron longcase clock weights (2)

Light oak thirty hour longcase clock, the 11" square brass dial signed George Brownleys, Staindrop to the chapter ring enclosing a matted centre with calendar aperture, the case with long moulded door, the hood surmounted by a stepped moulded cornice and caddy top with three giltwood finials, 93" high (weight)

Oak eight day longcase clock, the 12" brass arched dial signed Richard Northen, on a silver disc to the arch over a silvered chapter ring enclosing an engraved silvered centre with subsidiary seconds and calendar dials, the case with long rounded arched door and the hood surmounted by a caddy top, 85" (pendulum)

Irish mahogany eight day longcase clock, the 14" square brass dial signed George Parker, Dublin on a plate to the matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, enclosed by a wide silvered chapter ring, the case with medium length wavy fluted and crossbanded door flanked by quarter carved cable pilasters, the hood surmounted by a foliate carved moulded swan neck pediment over a lion head mask, 88" high (pendulum and two weights)

Eight day longcase clock movement with seat board; together with a selection of moon phase dials, spandrels, bells and other parts

French fruitwood and oak two train longcase clock, the 11" brass arched dial inscribed to the arch over a calendar aperture and silvered chapter ring enclosing a matted centre with central alarm dial, the case with long door and the hood with a rounded arched moulded cornice, 92" high (weights, pendulum and key)

Eight day longcase clock movement, the 12" brass arched dial signed Killingworth, Cambridge to the foliate engraved centre with subsidiary seconds dial and calendar aperture enclosed by a brass chapter ring and surmounted by an engraved boss to the arch (two weights and pendulum)

Walnut and oak eight day longcase clock, the 14" cream dial signed John Blaylock, Carlisle with subsidiary seconds dial, the tapered canted case with medium length oak door and surmounted by a rounded moulded hood with convex glazed door, 80" high (with two oval cast iron weights also bearing the maker's name, pendulum)

Large assortment of clock winding keys, to include longcase, mantel and other examples

Oak eight day longcase clock with five pillar movement, the 12" brass arched dial signed George Blagdon, Chichester on the silvered chapter ring enclosing a matted centre with recessed subsidiary seconds dial, with strike/silent dial to the arch, the case with long rounded arched door and the hood surmounted by a moulded rounded arched pediment, two brass ball and spike finials and a pierced caddy top, 92" high (pendulum, two weights and winding key)

Pair of brass cased longcase clock weights (possibly month going) (2)

Thirty hour longcase clock movement, the 10" square painted dial signed John Simms, Chipping Norton under a calendar aperture

Pine thirty hour longcase clock, the 12" painted arched dial signed Henry Weight, Tetbury below a calendar aperture and subsidiary seconds dial, the case with long rounded arched reeded door and the hood surmounted by a moulded swan neck pediment, 84" high (pendulum and weight)

Mahogany eight day longcase clock, the 13" painted arched dial signed D. Thomas, Aberdare below a subsidiary seconds dial and rounded arched calendar aperture, the inlaid case with short door flanked by fluted pilasters, the hood surmounted by a rounded arched cornice, 77.5" high (pendulum, two weights)

Oak eight day longcase clock, the 11" square brass dial signed Sam Bradley, Worcester to the chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, the case with long moulded rounded arched door, the hood surmounted by a stepped caddy top, 86" high (at fault)

Flame mahogany eight day longcase clock, the 12" arched brass dial signed Thomas Nevill, Bristol to the silvered chapter ring enclosing subsidiary seconds and calendar dials to the engraved centre, rocking ship aperture to the arch, the case with long rounded arched doors flanked by canted Corinthian column pilasters, the pillared hood surmounted by a pierced caddy top flanked by brass ball and spike finials, 91" high (pendulum, two weights)

Interesting reverse winding five pillar day longcase clock movement, the 12" square brass dial signed D. Lestourgeon London on the brass chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture David Lestourgeon - Born in Rouen came to London in 1681, Hugenot refugee. Member of Clockmakers' Company 1698 - 1731 POSSIBLY MONTH GOING

Mahogany eight day longcase clock, the 12" painted arched dial with subsidiary seconds and calendar dials to the centre and subsidiary strike/silent dial to the arch, the case with moulded rounded arched long door, the pillared hood surmounted by a moulded arched cornice, 81" high (pendulum, two weights)

Quantity of miscellaneous clock parts and tools, to include a small onyx alarm timepiece signed Seth Thomas to the dial, 3.5" high, a small wooden clock timepiece, 10" high, various weights, bells, winding keys, an 11" square brass longcase clock dial etc

Mahogany eight day longcase clock, the 12" painted arched dial signed Joseph Bath, Taunton with subsidiary seconds dial and calendar aperture, the case with short rosewood crossbanded door flanked by cable twist pillars and the hood surmounted by a swan neck pediment, 86" high (pendulum and two weights)

Thirty hour longcase clock movement, the 12" square painted dial signed Banister, Lichfield with calendar aperture; also another longcase clock movement, the 11" square painted dial signed Chas Steel, Campden, with calendar aperture (2)

Miniature inlaid oak longcase clock timepiece, 13.5" high

Marquetry month duration longcase clock, the six pillar movement with outside countwheel striking on a bell, the 12" square brass dial signed Bon Bywater, Stamford to the silvered chapter ring enclosing a subsidiary seconds dial and calendar aperture to the later engraved centre, with winding hole release lever to the left of the dial, the later inlaid case with long door and central glass lenticle, the pillared hood surmounted by a cushion top and turned ball finials above a carved blind fret carved panel, 92" high (pendulum, two weights)

Mahogany eight day longcase clock, the 14" painted arched dial with subsidiary seconds dial and calendar aperture, with moon phase to the arch, the case with long figured and banded wavy moulded edged door and the panelled hood surmounted by a swan neck pediment, 83" high (pendulum, two weights and two winding keys)

Good mahogany eight day five pillar longcase clock, the 12" brass arched dial signed Ellicott, London on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, with strike/silent dial to the arch, the movement with five knopped pillars, deadbeat escapement and rack striking on a bell, the case with long rounded arched door, the hood surmounted by a pagoda moulded arched top with pierced foliate fretwork panels and three brass ball and flame finials, 106" high (pendulum, two weights and keys)

Thirty hour longcase clock movement, the 10" square brass dial signed Sam Lawson, Kighley on the silvered chapter ring enclosing a matted foliate engraved centre with calendar aperture (weight)

Oak eight day longcase clock, the 12" square brass dial signed George Hewett, Marlboro to the chapter ring enclosing subsidiary seconds dial and arched calendar aperture to the engraved centre, the case with long moulded door, the hood surmounted by a stepped moulded cornice, 81.5" high (pendulum, two weights)

Oak thirty hour longcase clock, the 11" square painted dial signed Jas Thristle, Stogursey with calendar aperture, the case with long door and the hood surmounted by a swan neck pediment and brass ball finial, 81" high (pendulum and weight)

Wooden twelve drawer chest enclosing a quantity of clock fittings and tools, to include longcase pulleys, case fittings, lathe attachments etc

AN OAK DWARF LONGCASE CLOCK WITH BRASS DIAL AND THREE TRAIN MOVEMENT CHIMING ON ROD GONGS

AN EARLY 19TH CENTURY OAK AND CROSSBANDED THIRTY HOUR LONGCASE CLOCK, THE PAINTED DIAL INSCRIBED JN WAINWRIGHT NOTTINGHAM, 204CM H

19TH CENTURY MAHOGANY AND OAK LONGCASE CLOCK WITH PAINTED FACE AND EIGHT DAY MOVEMENT A/F

A George III mahogany eight-day longcase clock, John Agar, York A George III mahogany eight-day longcase clock, John Agar, York, late 18th century, the four pillar rack and bell striking movement with trip repeat and 12 inch brass break-arch dial with subsidiary seconds to the matted centre within applied silvered Roman numeral chapter ring with Arabic five minutes to outer track and signed JN'O AGAR, York to lower margin, the angles with rococo scroll pierced spandrels beneath arch with subsidiary calendar dial flanked by conforming mounts, in a case with moulded cornice over blind fret upper quadrants and columns flanking dial, the trunk with rectangular caddy moulded door over plain plinth base, 199cm high.

An ebonised longcase clock, with 10in square brass dial and thirty hour movement, with outside count wheel, striking on a bell, plus weight and pendulum, 195cm high, case and movement matched

An oak longcase clock, with later carving, the 12in square brass dial converted to 8 day, inscribed 'Richard Midgley' with rolling moon and date, 200cm high

A 1920s oak longcase clock, the brass dial with strike/silent and Westminster, Whittington and Winchester dials in the arch, striking and chiming the quarters on twelve rods, 199cm high, three brass cased weights and flattened steel rod pendulum

A German 'Ting Tang' miniature longcase clock, with carved oak case, by Lenzkirch, the eight day movement striking the hours on two gongs, 59cm high, needs attention

An early 19th century longcase clock, the arched painted dial inscribed 'J N Symonds Reedham', with 8 day movement, 226cm high

EARLY NINETEENTH CENTURY FIGURED MAHOGANY AND INLAID LONGCASE CLOCK, signed William Buxton, Bishop Auckland, the 13" painted Roman dial with subsidiary seconds and date dials, spandrels depicting ruins and a duck shooting scene to the arch, powered by an eight day movement striking on a bell and housed in a crossbanded case with swan pediment and free standing forecolumns over a foliate scroll inlaid panel and short trunk door with shaped top, flanked by a split turned half column and raised on a conforming base with shaped plinth, 91" (231.1cm) high

NINETEENTH CENTURY STAINED PINE LONGCASE CLOCK, the 13" painted Roman dial, with subsidiary dial and aperture, enclosed by floral spandrels and set beneath a rural scene to the arch, powered by an eight day movement striking on a bell and housed in a case with swan neck pediment and free standing, turned fore columns over a plain trunk door and chamferred corners raised on a plain base with shaped plinth, 86" (118cm) high 7'2" (2.13m) high

LATE EIGHTEENTH CENTURY OAK LONGCASE CLOCK with moon phase brass dial, signed Thomas Lister, Halifax, the 12" dial with Halifax moon phase and date aperture to the scroll engraved centre, powered by a 30hr movement striking on a bell and housed in a case with swan neck pediment and gilt wood ball and spike type finials above freestanding forecolumns and long trunk door with shaped top, flanked by quarter columns and raised on a panelled base with moulded plinth, front section missing, 86" (218.5cm) high overall

EDWARDIAN MAHOGANY AND MARQUETRY INLAID LONGCASE CLOCK, the 11 1/2" Arabic dial with silvered chapter ring, matted centre, mask pierced spandrels and silent/chime dial to the arch, powered by an eight day movement striking on six rods and housed in an arch top case with bell flower and scroll work inlay, pierced side frets and chamferred forecorners, above a conforming long trunk door with shaped top and raised on a panelled base with shaped plinth

EARLY NINETEENTH CENTURY FIGURED MAHOGANY LONGCASE CLOCK, indistinctly signed, the 12" painted roman dial with subsidiary seconds and date dials, stag spandrels and landscape with maid to the arch, powered by an eight day movement striking on a bell, housed in a case with swan neck pediment and eagle and ball brass finial, above free standing ebonised fore columns, over a flame cut long trunk door with arch top, flanked by quarter cut rope twist columns and raised on a plain base with peg feet, 81 1/2" (207cm) high

EARLY NINETEENTH CENTURY INLAID FIGURED MAHOGANY ROLLING MOONPHASE LONGCASE CLOCK, the 15" painted dial decorated with a rural scene to the centre and allegorical figural spandrels, beneath the moonphase to the arch, powered by an eight day movement striking on a bell, and housed in a case with swan neck pediment and free standing, turned fore columns, (lacks glass) over a flame cut and crossbanded trunk door with scalloped top, flanked by fluted forecorners and raised on a conforming chamferred base with ogee bracket feet, 92" (233.7cm) high

A circa 1800 oak longcase clock with shaped pediment and reeded pillars flanking a single glazed door housing a 13 ins square painted dial set with Roman and numbered numerals, subsidiary seconds dial and date aperture, the circular painted centre with Masonic emblems and Lodge Member under an arch with the words 'Pulsanti Apperiator' above, twin wind pendulum driven movement striking on a bell, pendulum weights and winding key included, shaped top, long trunk door with flanking quarter cut reeded pillars on a stepped trunk base, 206 cms high

An early 19th Century inlaid mahogany longcase clock, the hood with broken architectural pediment, single glazed door with boxwood string inlay and flanking reeded pillars before a 13.5 ins square dial having shell painted spandrels and Roman numerals, twin wind pendulum driven movement striking on a bell, pendulum and weights included, the trunk door crossbanded and boxwood strung with Sheraton style shell inlay, quarter cut reeded side columns, central panel and trunk base front similarly decorated, unmarked dial, possibly Scottish, 223 x 49 cms

A MAHOGANY LONGCASE CLOCK, the painted dial inscribed 'Jas Wood, Dorchester' (lacking hood)

AN ELABORATELY CARVED MALAYSIAN LONGCASE CLOCK CASE (case only)

Cometti of Lewes. A George III mahogany cased thirty hour longcase clock, with 12 inch painted dial, 6ft 7in.

John Blaylock of Carlisle. A William IV mahogany eight day longcase clock, the 14 inch painted arched dial decorated with a scene of cattle drovers, 7ft 4in.

Harris of Northiam. A George III mahogany thirty hour longcase clock, with painted square dial, 5ft 11in.

William Hoadley of Rotherfield. A George III oak cased thirty hour longcase clock, the signed 10 inch square dial with single hour hand, 6ft 1in.

John Naishbourn of Gloucester. An early 18th century eight day longcase clock, the 12 inch square brass dial with silvered chapter ring, subsidiary seconds and date aperture, in oak case with later Dutch style walnut and marquetry decoration. 6ft 7in.

A substantial Victorian oak longcase clock case, the full length door with trailing fruit, ribboned and garland decoration, the arched hood to accept 30 cm broken arch dial and movement

A Regency oak and mahogany longcase clock with turned spindle mouldings, the broken arch brass dial with engraved chapter ring, spandrels and arch with subsidiary calendar and secondary dials and eight day striking movement, John Skinner of Exeter

A 19th century broken arch painted longcase clock dial, 36 cm wide with rolling lunar phase and painted spandrels with eight day striking movement

Modern pine double weight longcase clock