We found 41737 price guide item(s) matching your search

A modern reproduction longcase clock with lead glazed door. 76cm.

BRITTEN: Clocks & Watches, CUSS: Antique Watches, ROBINSON: The Longcase Clock and various other clock reference works

A 19th Century Longcase Clock with square painted dial inscribed John Wild, Macclesfield, rolling moon movement, 8-day, in mahogany case having cross-banding and shell inlay, the hood with fluted columns

An early 20th Century Longcase Clock with circular silvered dial with three train chiming movement in amboyna case having cross-banding and ormolu mounts, ribbon and pendant husk inlay, 7ft 6in

An antique Longcase Clock with square brass dial inscribed Bremner, Shiffnall, corner spandrels, date aperture, 8-day movement in oak case, the hood with turned columns

An antique oak Longcase Clock, 8-day striking movement, date aperture, Rand Smallwood, Macclesfield, with mahogany cross-banding

An oak longcase clock, the brass dial signed `Bunston, Lyme Fecit`, the chapter ring with Roman numerals with subsidiary seconds dial and date aperture, with a two-train five pillar movement striking on a bell

An early 19th century mahogany 8-day longcase clock, arched, painted dial with floral spandrels, trunk door displaying evidence of known war damage, with pendulum and weights, 7ft. 8in. - as viewed

A small Edwardian inlaid mahogany longcase clock, with silvered dial and German gong-striking movement, trunk and plinth inlaid with urns in box and harewood, with key and pendulum, 4ft. 4in. high

William Hart Stevenson, Edinburgh (act. 1766-81) - A good Scottish 18th century mahogany eight-day longcase clock, the case with swan neck pediment, the engraved silvered arch dial with subsidiary seconds and date aperture, 216 cm high Note: apprenticed to Normand Macpherson to which the clock offered here shares many similarities

A 19th century mahogany eight-day longcase clock, the arched painted dial signed Wm. Frodsham, London, having sub-seconds - 224 cm high Condition Report Movement overhauled, dial repainted

Ashton, Ashburn, an 18th century oak eight-day longcase clock, the silvered chapter ring on engraved brass dial incorporating subsidiary seconds and date, 30 cm square, the case later carved, 213 cm high

Richard Cockings, Andover, a late 18th century mahogany and oak eight-day longcase clock, the painted arched dial with pheasant shooting scene to the arch, having subsidiary seconds over a date aperture, 203 cm high

William Ball, Bicester, an 18th century stained pine/oak 30hr longcase clock, the 25 cm square engraved brass dial with silvered chapter ring and single hand, 184 cm high Condition Report For restoration, appears complete, the case over-painted, the plinth/bracket feet missing

Joseph Stancliffe, an 18th century carved oak 30hr longcase clock, the 31 cm square engraved brass dial with silvered chapter ring, 214 cm high Condition Report Overhauled/cleaned, running as displayed

A 19th century mahogany cased longcase clock with circular dial with Roman numerals and two secondary dials (with weights and fittings), (examine).

GARRETT - LONDON (possibly Charles or John) A LATE 17TH/EARLY 18TH CENTURY LONGCASE CLOCK, having period 11" dial with cast spandrels, subsidiary seconds, 8-day mechanism with anchor escapement, in a later case richly embellished with marquetry, ha ving moulded pediment, flank pilasters with brass capitals and a waist panel door, on plinth with moulded base, 1.99m

A late 19c Austrian mantel clock in the form of a miniature longcase clock. The oak case has swan neck pediments to the hood and the 4" square dial is flanked by turned columns. The trunk has turned quarter columns and it, and the base, have central carved panels. The square brass dial has brass spandrels and a silvered chapter ring and the Leuzkirch two train movement strikes hours and halves on a gong, 19" tall overall

A mid 18c eight day longcase clock , the 12" arched brass dial signed Sam Buxton, Diss and having scroll spandrels, a matted dial centre and unmatched steel hands. There is a moon phase dial in the arch and seconds and date indicators. The five pillar movement is rack striking on a bell. It is housed in a mahogany case, the hood having a flat cresting with three finials and a row of Greek key moulding below. There are plain columns flanking the dial and fluted quarter columns to the trunk which has a long trunk door with arched top. The base has a later high plinth added with a wavy plinth beneath, 91" tall overall

20th Century Gothic style Longcase Clock with Gilt Metal Clock Face. Complete with Three Weights, Pendulum and Case Key. No Visible Signature. Rubbing and Surface Wear to Case, No Confirmation of Running Condition. Appears to have been last serviced in 2005. Please Examine this Lot Carefully Before Bidding. Measures 75 Inches Tall and 21-1/2 Inches Wide. We will not ship this item due to its size. We will happily recommend a list of outside vendors upon request. Starting Price: $150.00

Kent, Saffron Walden, a lacquer longcase clock:, the eight-day duration, five-pillar movement striking the hours on a bell, the twelve-inch break-arch dial having a raised silvered chapter ring engraved with black Roman numerals, Arabic five minute markings fleur-de-lys half-hour decoration and with an arcaded minute ring, the silvered dial centre with a subsidiary seconds dial, date aperture and engraved with a seascape scene, the arch having a silvered boss engraved with the name Kent, Saffron Walden, the black lacquer case with raised chinoiserie decoration, three-quarter columns to the hood, a shallow caddy top, a break-arch trunk door and giltwood finials, height: 223cm. * Biography The Kent family of Clockmakers were working in Saffron Walden, Essex starting with Henry who was apprenticed in 1699 with this clock probably made by John Kent Snr who was married in 1764 and had a clockmaking son, also John, who was born in 1765. A William Kent had moved to Saffron Walden from Lynton in Cambridgeshire by 1753 and died there in 1783, a maker who numbered his clocks.

Henry Beard, Bristol, a mahogany longcase clock:, the eight-day duration movement striking on a bell, with the twelve-inch painted arched dial, with black Roman numerals, floral decoration painted to the four corners, a subsidiary seconds dial and date aperture to the centre, blued steel hands and a moonphase disc set within the arch, signed by the maker Beard, Bristol`, the false plate to the dial is signed by the dialmakers `Walker & Hughes, Birmingham`, the mahogany case of typical Bristol form, with a swan-neck pediment and fluted pillars to the hood, wavy moulding to the inner aspect of the hood door, canted corners to the trunk, inlaid stringing decoration to the base and trunk door, standing on bracket feet. Height: 220cm. * Biography Henry Beard, born 1795, is recorded as working at 5, St John Street, Bristol from before 1836, and known to have been living at this address in 1851. He was the son of the carpenter William Beard and apprenticed to Thomas Palmer, jeweller on the 29th of August 1805, so presumably was free seven years later in 1812. Walker & Hughes were well-known makers of painted clock dials working in Birmingham from 1812 until 1835 when the partnership ended.

John Mends, Plymouth, a late 18th Century oak longcase clock:, the eight-day duration movement striking the hours on a bell, with the twelve-inch arched brass dial having a raised chapter ring engraved with black Roman numerals and outer Arabic five minute markings, the matted centre with a large date aperture and a shaped plaque engraved with the maker`s name John Mends, Plymouth, with blued steel hands and shell cast brass spandrels to the four corners, the arch with a round convex boss engraved with a depiction of an eagle with dolphin spandrels either side, the oak and mahogany case having quartered fluted columns to the trunk with brass capitals, mahogany crossbanding to the door and base, further mahogany panels above and below the door, the hood having fluted columns with cast brass capitals and a swan neck pediment, all standing on bracket feet, height: 223cm. * Biography John Mends is recorded working as both a clock and watchmaker in Plymouth, Devon. He took out a licence on the 7th of May 1767 to marry Mary Clements of Stoke Damerel.

John Bower, Blerefedon, an oak longcase clock:, the eight-day duration movement striking the hours on a bell, the eleven-inch arched brass dial having a raised chapter ring engraved with black Roman numerals and Arabic five-minute markings, the silvered dial centre engraved with c-scroll decoration, with a subsidiary seconds dial, date aperture and alarm disc and decorative blued steel hands, the arch with a silvered boss engraved with the maker`s name John Bower, Blerefedon with cast brass c-scroll spandrels to the four corners and arch, the oak case with a break-arch door to the trunk, a swan neck pediment to the hood with inset fretwork, brass eagle centre finial and ball & spire side finials, the three-quarter columns to the hood with brass capitals, height: 202 cms

Jas. Lawson, Stirling, a mahogany longcase clock:, the eight-day duration movement striking the hours on a gong, the thirteen-inch round brass dial engraved with black Roman hour numerals, decorative half-hour markings, date and seconds subsidiary dials, tulip engraving to the centre and signed Jas. Lawson, Stirling, with decorative blued steel hands, the mahogany case with an arched top, fluted canted corners to the hood, fluted quartered columns to the trunk inlaid with shell decoration to an oval on the trunk door and with boxwood stringing to the case, with crossbanding to the base and standing on bracket feet, height: 206cm.

John Martin, Bristol a moonphase longcase clock:, the eight-day duration movement striking the hours on a bell, the twelve-inch arched brass dial having a raised chapter ring engraved with black Roman numerals, fleur-de-lys half-hour markings, diamond half-quarter markings and signed either side of VI o`clock John Martin, Bristol, the matted centre having a subsidiary seconds dial, date aperture with wheatear border engraving, the moonphase aperture to the arch with a silvered plate above engraved High water at Bristol Key, with cast brass urn spandrels to the four corners and arch, the blued steel hands now painted gold, the mahogany case with barley twist columns to the trunk and hood, a wavy moulding to the hood door, cresting to the hood and an inset panel with moulded edges to the base, standing on bracket feet, height: 214cm. * Biography John Martin is recorded as working in St Ewans Parish, Bristol becoming a Burgess in 1714 and voting in the Parliamentary elections of both 1722 and 1734. He had a number of apprentices, including Henry Hellier of Chipping Sodbury who joined him in February of 1719 and Thomas Bayley in May 1724 at a premium of ten guineas.

I Plumly, Godshill, an early 18th century oak longcase clock:, the thirty-hour duration, plated movement striking the hours on a bell with an outside countwheel, the eleven-inch square brass dial having a raised chapter ring engraved with black Roman numerals and Arabic five-minute outer markings, with rococo style cast brass spandrels to the four corners, the centre engraved with a scene depicting a traveller with his horse alongside a river with a windmill beyond, with blued steel hands, the oak flat-topped case with three-quarter columns to the hood and a plain base, height, 200cm.

Oak longcase clock

A George III mahogany eight-day longcase clock with moonphase, the four pillar rack and bell striking movement with 14 inch brass break-arch dial with subsidiary seconds dial and calendar aperture to the mythological beast decorated engraved centre within Roman numeral chapter ring and scroll cast spandrels beneath rolling moonphase to arch signed Jamieson, Kilbride to lunettes, in a swan neck pedimented case with an inlaid oval urn motif to the shaped-top trunk door, 210cm high. Provenance: Widgenton House, Buckinghamshire

A Scottish William IV figured mahogany eight-day longcase clock, circa 1830, the four pillar rack and bell striking movement with 13 inch circular white painted Roman numeral dial with subsidiary seconds and calendar dials and bearing signature W. ROBERTSON, FORFAR to centre, the case with ball finials to the shaped pediment above circular cushion moulded hinged glazed bezel flanked by rounded angles to hood, the trunk with shallow-arch crossbanded caddy-moulded doors flanked by conforming canted angles, on plain plinth base incorporating integral bracket feet with shaped apron between, 218cm (86ins) high overall.

A Scottish Victorian figured mahogany eight-day longcase clock, Willocks, Brechin, mid 19th century, the four pillar rack and bell striking movement with 13 inch circular white painted Roman numeral dial with subsidiary seconds and calendar dials and signed Willocks, Brechin to centre, the case with ball finials to the shaped pediment above circular cavetto moulded hinged glazed brass bezel flanked by slender turned columns to hood, the trunk with shaped-top bowfronted flame figured door flanked by conforming columns standing on a swollen frieze, on panel outline plinth base incorporating integral bracket feet with shaped apron between, 218cm (86ins) high overall.

A modern oak cased longcase clock, with brass dial, with three weights chiming the quarters

A longcase clock, with painted arched dial, with moonphase and calendar aperture, eight day movement, in oak case

J & W Nicholson, Berwick on Tweed. An early 19th century mahogany eight day longcase clock, with 13 inch arched painted dial, subsidiary seconds and date dials, 7ft 3in.

Peglar of Blandford. An early 19th century mahogany eight day longcase clock, the 12 inch arched painted dial with ship automaton and spandrels depicting the continent with subsidiary seconds and date aperture, 7ft 3in.

Casm. Prada. High Wycomb. A George III mahogany eight day longcase clock, the 12 inch arched painted dial with subsidiary seconds and date dials, 6ft 8in.

James Coltbred, South Shields. A Regency strung mahogany eight day longcase clock, the 13 inch arched painted dial decorated with a portrait of a lady and flowers with subsidiary seconds and date dials, 7ft 4in.

John Shepherd, Goodman Fields. An early 18th century walnut longcase clock the 12 inch square brass dial with silvered Roman chapter ring, subsidiary seconds and date aperture, 7ft.

JOSEPH HECHSTETTER, LONDON. A WALNUT AND MARQUETRY INLAID EIGHT DAY LONGCASE CLOCK, LATE 17TH CENTURY, the 11.5 inch square gilt brass and silvered dial with amorini and coronet spandrels, Roman chapter ring, subsidiary seconds dial and calendar aperture, signed Jos. Hechstetter, London, the trunk finely inlaid with birds amongst carnations and tulips, 208cmBaillie records Joseph Hechstetter as flourishing 1687-1704.

A George III mahogany longcase clock. The case with shaped pediment over a pair of fluted column supports and an arch topped tomb door, box plinth base. The broken-arch painted dial decorated with a shepherdess amongst a pastoral landscape, above an Arabic and Roman chapter with second and date subsidiary dials, inscribed John Bridges, Ipswich, the eight day two train movement with anchor escapement striking bell.

Miniature Longcase Clock, Walking Cane, Stationery Rack, Crucifix and Ethnic Carved Wood Head (5)

Oak Miniature Longcase Clock, 123cm tall

Antique Oak and Mahogany 30-hour Longcase Clock with painted arched dial, R Myers, Darlington

1920's Oak Triple Weight Longcase Clock

Edward Gatland, Cuckfield Sussex, 30-Hour Striking Longcase Clock in oak case having square brass dial and pierced spandrels with Roman and Arabic numerals (12" dial), turned column supports with arch panelled door, 2m 18cm high

An Arts and Crafts Tall walnut 8 Day Striking Westminster Chime Longcase Clock

An Arts & Crafts Style Oak 8-Day Striking Longcase Clock having circular gilt dial with Arabic numerals, glass panelled door, 1m 95cm high

Worsfold Dorking, 30 Hour Striking Longcase Clock having square brass dial (10"), in oak stained case, 2m 9cm high

A Goldscheider earthenware vase of cylindrical tapering form, decorated in the Art Nouveau manner with a female surmount and broad swag of flowers on a mottled pink ground, together with a painted plaster table clock, fashioned as a longcase with attendant child, impressed mark LMC and numbered 797, 40cm & 54cm respectively.

"A longcase clock, Whitehaven, eight day movement, decorated dial "

An early 20th century oak longcase clock with brass dial and weight driven chiming movement

A reproduction longcase clock, triple chain weights and Westminster chimes

AN OAK LONGCASE CLOCK, THE BRASS BREAKARCHED DIAL SIGNED W H MAY NOTTINGHAM, WITH SUBSIDIARY SECONDS DIAL AND CHIMES SILENT DIAL TO THE ARCH, THE CASE WITH BREAKARCHED HOOD AND PANELLED TRUNK AND BASE C1930

A VICTORIAN OAK AND MAHOGANY LONGCASE CLOCK, THE BREAKARCHED DIAL PAINTED WITH FIGURES OF YOUNG WOMEN EMBLEMATIC OF THE SEASONS BENEATH A RURAL SCENE, HAVING EIGHT DAY MOVEMENT

A VICTORIAN INLAID OAK LONGCASE CLOCK, THE BREAKARCHED AND PAINTED DIAL SIGNED JOSH AULT BELPER, WITH A HUNTING SCENE TO THE ARCH, HAVING EIGHT DAY MOVEMENT

A Georgian longcase clock, the tall slender trunk in oak with cross banded detail and arched door beneath a square hood enclosing a polished brass 12 inch dial with scrolling acanthus spandrels and face mask detail, secondary dial, calendar aperture and 8 day movement engraved R Hampson, Warrington

An 18th Century Longcase Clock, the brass dial inscribed "William Porthouse, Penrith", above a plaque inscribed "Daniel & Ann Fisher" with date aperture, ormolu spandrels and thirty hour movement, the oak case with fluted side pilasters and on bracket feet. (hood restored). 6` 10" (208cms) high.

An 18th Century Longcase Clock, the steel and brass dial inscribed "Jasper Taylor, London" and dated 1754, with date aperture and engraved decoration, with eight day movement, striking on a gong attached to the back board and in an oak and mahogany case with swans pediment, fluted pilasters and canted corners, raised on compressed bun feet. 6` 8" (204cms) high, diameter of dial 10" (26cms).

An 18th Century Longcase Clock, the steel and brass dial with a single hand and inscribed James Rose, Lichfield, in a later oak case. 6`2" (189cms) high.

A late George III mahogany longcase clock. The case with shaped pediment above a pair of fluted column supports and a moulded trunk door, flanked by fluted quarter pilasters raised on a box plinth base, the eight day two train movement with anchor escapement striking bell, set painted broken-arch topped Roman dial with moon phase and second subsidiary dial and date aperture.