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A George III mahogany eight day longcase clock, the arched painted dial detailed 'Danl. Dickerton, Framlingham', with a subsidiary seconds dial and date arch, the two-train movement chiming a gong, the case with arched wood and door flanked by fluted canted angles, with weights and pendulum, 126 cm high. Illustrated.

A 19th century mahogany longcase clock, the arched hood with rope twist columns, above a short trunk door enclosed between rope twist columns above a box base and bracket feet, the dial painted with ships to the arch and spandrels, with Roman numerals, seconds subsidiary dial and calendar aperture inscribed William Jones, Brynmawr, the eight day movement striking on a bell, 227 cms high.

An Oak Longcase Clock with Brass Dial Inscribed Geo. Rice, Rudgley with Single Finger. Thirty Hour Movement.

A 1920's Oak 8-Day Striking Westminster Chime Longcase Clock having arched top, with round white painted dial with Roman numerals, 3 stainless steel weights and pendulum, on bun feet, 1m 90cm high

A mahogany eight day striking longcase clock with a painted arched 13" dial having a calendar and second dial signed KIRTON Newcastle above an oblong trunk door and crossbanded stepped base on bracket feet 90" tall

An oak and mahogany eight day striking longcase clock with a painted 13" arched dial signed Wm Darling York (1825) having a calendar and second dial above a shaped trunk door and stepped base 90" tall

A Dold three train mahogany effect longcase clock with moon roller dial

A late 19th century miniature ceramic longcase clock decorated in low relief with polychrome bird, foliage and flowers heightened with gilt, underglaze green mark to base, 41.5 cm

A George III mahogany longcase clock, the painted dial with ship/moon phase, now with 30 hour movement (originally eight day), signed Newton, Burnley, 224 cm high

A 19th century mahogany and oak longcase clock, the broken swan neck hood enclosing a painted arched dial with 30 hr movement, signed Sam Underhill, Wolverhampton, 208 cm

A George III mahogany longcase clock, the break arch hood with brass stop fluted columns, the brass break arch dial with subsidary seconds and calendar aperture, strike/silent dial in the arch, dial previous with makers name plate now lacking, eight day rack striking movement with anchor escapement, flame veneer trunk door with break arch top and above panel plinth, pendulum and two weights, 199cm high.

An 18th century oak longcase clock, the 30hr movement with silvered 25 cm dial signed Willm. Price, Worcester, 196 cm high

George III Longcase Clock, circular enamel dial, inscribed Mawkes, Derby, date aperture, thirty-hour movement, in an oak case with swan neck pediment, tapered columns to the hood, arched door, plain base, 221cms, (7'3").

Late 18th Century Longcase Clock, enamelled arched dial, with sweep second hand, eight-day movement, contained within an mahogany case, swan neck pediment with three brass eagle mounts, the arched hood with fluted tapered columns, with brass capitals, the crossbanded arched door with ebony and satinwood inlay, quarter column pilasters and on a plain base, 230cms, (7;6").

18th Century Longcase Clock, with brass arched dial, 30cms, (12"), inscribed, "Jno. Hallifax- Barnsley", secondary seconds dial and date aperture, cast and embossed spandrels, rolling moon phase in the arch, inscribed, "Cresam Decresco", eight-day movement and contained within a mahogany case, later swan-neck pediment, the hood with tubular supports, the base with a panelled door, brass hinges and plain base, 203cms, (6'8").

Early 20th Century Longcase Clock, with brass arched dial, 30cms, (12"), silvered chapter ring and secondary seconds dial, pierced and cast spandrels and chime/silent dial in the arch, with eight-day movement, striking on five tubular bells, in ebonised mahogany case, with swan-neck pediment, blind fretwork frieze, door with glazed oval panel, on bracket feet, 233cms, (8'8").

18th Century Longcase Clock, with square brass dial, 30cms, (12") and silvered chapter ring, inscribed, "William Barnard - Newark", with secondary seconds dial and date aperture, cast and pierced spandrels, eight-day movement, contained within an oak case with plain top, column pilasters, arched panelled door with lenticle and plain base, 206cms, (7'7").

George III Longcase Clock, with brass arched dial, 30cms, (12"), silvered chapter ring, inscribed "Tho. James - London", secondary seconds dial, cast and pierced spandrels, the arch inscribed, "Tempus Fugit", eight-day movement, striking on nine bells, contained within a mahogany case with arched hood, fluted columns, arched door case, with arched hood, fluted columns, arched door, shaped apron and bracket feet, 230cms, (7'6").

A late 18th century oak eight day longcase clock by Thomas Lister of Halifax later all over carved case, square brass dial with moon phase and date apertures 230cm

An 18th century oak 30 hour longcase clock by Thomas Nicholls of Oundle, plain case square brass dial 198cm

An eighteenth century oak 30 hour longcase clock by Will Snow no 957, plain case, square brass dial 194cm

An early 19th century oak and mahogany banded 30 hour longcase clock, square painted enamel dial with date aperture by Horn of Farnham 193cm

An early 19th century oak thirty hour longcase clock by Michael Owston of Scarborough, crossbanded in mahogany, painted dial with subsidiary seconds dial 218cm

An Oak Thirty Hour Longcase Clock, signed Joseph Butterworth Fecit, circa 1740, the ebonised oak case with caddied top, shaped trunk door, plain rectangular plinth with feet and skirting "missing", 11-inch square brass dial with chapter ring signed, matted dial centre with arched date aperture, "later" hands, four pillar movement with anchor escapement and outside countwheel striking on a bell, 211cm high See illustration

An Oak Eight Day Longcase Clock, signed Jos Read, Knutsford, circa 1770, case with flat top pediment, (finials missing), fluted columns, case with mahogany crossbanded borders, wavy shaped trunk door flanked by inset fluted pilasters, rectangular plinth with canted corners and upon "later" bracket feet, 13-inch square brass dial with Roman and Arabic chapter ring, engraved scrolled dial centre with date aperture, seconds and signed, four pillar movement with anchor escapement and rack striking on a bell, 200cm high See illustration

An Oak Eight Day Longcase Clock, signed Lawson, Newton, circa 1780, the "later" carved case with swan neck pediment, front of hood with inset gilded glazed panel, wavy shaped trunk door with inset pilasters, canted plinth with raised panel, 13-inch square brass dial with chapter ring signed, engraved dial centre with date and lunar moon disc aperture, "later" hands, four pillar movement with anchor escapement and rack striking on a bell, "later" seatboard, 220cm high See illustration

A Mahogany Eight Day Longcase Clock, the case with arched pediment and surmounted by three eagle finials, twisted columns, arched trunk door with inlaid stringing and flanked by inset twisted pilasters, rectangular plinth with inlaid stringing, 12-inch arched brass dial with Roman and Arabic chapter, dial centre signed "Blackford, Plymo Dock", date aperture, subsidiary seconds, the arch with rolling moon disc for lunar scale, and above "High Water At Plymo Dock", "later" hands, four pillar movement with anchor escapement and rack striking on a bell, "later" seatboard, (dial and movement circa 1790) associated to case "later", 224cm high See illustration

An Impressive Dutch Burr Walnut Inlaid Ship's Automaton Longcase Clock with Calendars and Alarm, signed Jan Hermelink, circa 1760, the nicely figured burr walnut case with moulded shaped hood with central carved bird, (finials missing), "later" pierced front and side frets, trunk with canted corners, long shaped door with inlaid borders and a father time lenticle, curbed base with inlay and raised upon claw feet, 13-inch arched brass dial with silvered chapter ring signed, arcaded minute track, dial centre with rolling moon lunar disc, central alarm disc, month and day of the week apertures, seconds combined with date aperture, the corners with the worlds four continents, automata depicting Neptune’s chariot and ships before a painted landscape background, four pillar movement with anchor escapement, striking on two bells, separate small weight to drive alarm with hammer striking within the bell, levers connected from arbors to operate automata in the arch, (some imperfections to case), 245cm high See illustration Jan Hermelink is recorded as working in Amsterdam in the 2nd half 18th century. See Baillie (GH) Watchmakers & Clockmakers of the World, page 151.

David Collier, Gatley. A George III oak, crossbanded and inlaid longcase clock, the hood with swan-neck pediment and brass ball finials above a scrolling foliate painted frieze and turned columns, the trunk enclosed by a shaped waist panel door inlaid with a snake and flanked by quarter pilasters, on a box base and shaped plinth, the 33cm. arched brass Roman and Arabic dial with moonphase mechanism, signed David Collier, Gatley to the arch, having a subsidiary silvered seconds dial and date aperture, the twin train movement with anchor escapement and bell strike, 226cm. high.

A 19th century mahogany longcase clock, the arched hood with eagle and ball finial and moulded thistle decoration, having a moulded rectangular waist panel door enclosed by foliate decorated quarter columns to a moulded box base on bracket feet, the 33.5cm. circular painted dial signed U.Whutock, Dundee, with subsidiary seconds dial, the twin train movement with anchor escapement striking to a bell, 222cm. high.

An early Victorian mahogany longcase clock, the 8 day movement striking on a bell to a 12in circular enamelled dial with subsidiary seconds and date dials, inscribed 'BROWN, LONDON', the circular hood with a shell and scroll surmount hinged at the top, above a tapering trunk with a bowfront door the panelled base previously with a plinth, 81.75in (207.5cm) h. Pendulum and two weights.

An early 19th century Scottish mahogany longcase clock, the 8 day movement striking on a bell to a 13in circular enamelled dial, with subsidiary seconds and calendar dials inscribed 'JNO WALLACE, LENEN,' the arched hood with a brass bezel door and moulded angles above an arched waist door, flanked by fluted quarter pilasters, the panel base on bracket feet, 78in (198cm). Pendulum, two weights and winding key.

A mahogany longcase clock, the 8 day movement striking on a bell to a 12in arched brass dial, the chapter ring previously silvered with subsidiary seconds dial, alarm and date aperture, the circular boss inscribed 'Samuell Ogbourne', London, the hood with blind fret panels above cluster columns to an arched door and panelled base, 88.25in (224cm) h.

A mahogany longcase clock, the 8 day movement striking on a bell, sheared off, to a 13in arched brass dial with silvered chapter ring inscribed 'THO OGDEN HALIFAX,' to a subsidiary seconds dial and pierced date aperture, the arch with a boss engraved Father Time and inscribed 'RAPIT HORA DEIM,' the back plate stamped 'Repaired by S H Hamer, Halifax 1920,' 88.75in (225.5cm) h. Pendulum, two weights and winding key.

An early 19th Century Longcase Clock or Regulator Pendulum, the heavy brass covered bob and steel stem with further brass fittings, length 44”

An early 19th Century 11” 30 hour Longcase Clock Dial, Wm Last, Walshaw le Willows, 11” square with painted rural scene spandrels to a Roman chapter ring with outside minute track and date sector

Mahogany longcase clock, with 'broken' swan neck pediment, arched brass dial inscribed 'AND REID SANQUHAR' over a plain trunk and base on bun feet, 215cm high

Victorian mahogany longcase clock, the face named 'D.Duff, Paisley', with weights and pendulum, 218cm high, minus central top finial

Glengoyne Millennium 2000 AD Clock A vatting of casks of Glengoyne, the youngest of which is 30 years old. Limited edition bottle number 194 of 2000. Housed in a reproduction miniature longcase clock. Accompanied by the original packaging. Single malt 51.3% volume 1 bottle

A thirty-hour longcase clock movement with eleven inch dial Thomas Perkin, Evesham, mid 18th century The countwheel bell-striking movement with 11 inch square brass dial signed Thos. Perkin, Evesham to an arched plaque applied to the matted centre with a foliate engraved calendar aperture, within an applied Roman numeral chapter ring with foliate half hour markers and Arabic five minutes within foliate cast spandrel applied angles, now in a later mahogany hooded wall case.

An oak thirty-hour longcase clock John Walford, Banbury, early 19th century The countwheel bell-striking movement with 12 inch square white painted Arabic numeral dial with arched calendar aperture and signed J. Walford, Banbury to the floral spray painted centre, the angles with conforming decoration, the swan neck pedimented case with reeded hood pilasters above short rectangular trunk door flanked by reeded uprights, on plinth base with bracket feet, 206cm high. John George Walford is recorded in Loomes, Brian Watchmakers & Clockmakers of the World Vol 2 as working in Banbury 1814-53.

A mahogany eight-day longcase clock with rocking figure automaton Mid 19th century The four-pillar rack and bell striking movement with 14 inch white painted Roman numeral dial with subsidiary seconds dial and bearing signature John Sinkinson, Doncaster to the convex centre, with gilt foliate painted spandrels to angles and scene with rocking horse and jockey to arch, the break-arch pedimented case with twist turned columns to hood above shaped-top short trunk door and conforming columns to trunk, on crossbanded plinth base with ogee bracket feet, dial refinished, 232cm high.

A rosewood crossbanded mahogany eight-day longcase clock with moonphase Moorhouse, Huddersfield, mid 19th century The four-pillar rack and bell striking movement with 14 inch white painted Roman numeral break-arch dial with subsidiary seconds dial, arched calendar aperture and signed MOORHOUSE HUDDERSFIELD to the centre within abbey and castle ruin painted spandrels to angles below rolling moonphase to arch, the swan neck pedimented case with twist turned pilasters to hood above shaped-top short trunk door flanked by canted angles, on line inlaid plinth base with cushion moulded skirt, 237cm high.

An oak eight-day longcase clock Part 18th century The 19th century four-pillar rack and bell striking movement now with a 12 inch square brass dial with subsidiary seconds dial, calendar aperture and ringed winding holes to centre within an applied silvered Roman numeral chapter ring with Arabic five minutes, cruciform half hour markers and bearing signature Dan.l Robinson Northampton to lower edge, the angles with Indian mask and scroll cast spandrels, in a case with ogee moulded caddy above blind fret frieze and integral pilasters to hood and long break-arch door to trunk, on plinth base with moulded skirt, composite, 210cm high.

An inlaid mahogany eight-day longcase clock William Lunan, Aberdeen, early 19th century The four-pillar rack and bell striking movement with 12 inch single-sheet silvered brass Roman numeral break-arch dial with subsidiary seconds dial, calendar aperture and signed W'm Lunan, Aberdeen to the centre, the spandrels engraved with the initials W.J. C.G. beneath strike/silent dial and foliate scroll engraved decoration to arch, the swan neck pedimented case with reeded Corinthian pilasters to hood above conch shell centred break-arch long door flanked by quarter columns to trunk, on line bordered plinth base with bracket feet, 217cm high. The initials within the spandrels suggest that this clock was presented as a marriage gift.

An oak thirty-hour longcase clock John Chance, Chepstow, circa 1790 The countwheel bell-striking movement with 11 inch square single-sheet Roman numeral silvered brass dial with arched calendar aperture and signed Jno. Chance Chepstow within the Old Father Time, peacock and foliate scroll engraved centre, the chapter ring with Arabic five minutes within scroll engraved decoration to spandrels, the case with swan neck pediment and blind fret infill above integral pilasters to hood, the trunk with long rectangular door, on plain plinth base, 204cm high. John Chance is recorded in Loomes, Brian Watchmakers & Clockmakers of the World Vol 2 as working in Chepstow 1760-91.

An oak thirty-hour longcase clock William Barnard, Newark, mid 18th century The countwheel bell-striking movement with 11 inch square brass dial signed W. Barnard, Newark within a rectangular cartouche to the matted centre, within an applied Roman numeral chapter ring with Arabic five minutes and fleur de lys half hour markers, the angles with applied foliate cast spandrels, the case with cavetto cornice above integral pilasters to hood, break-arch long trunk door and a reduced plinth with double skirt, 189cm high. William Barnard is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Newark 1707-84.

A mahogany crossbanded oak eight-day longcase clock with penny moon 18th century and later The 19th century four-pillar rack and bell striking movement with 12 inch square brass dial with arched calendar aperture, ringed winding holes and penny moon, with age of the moon aperture to the matted centre within an applied Roman numeral chapter ring with Arabic five minutes, fleur de lys half hour markers and signed Woolley, Codnor to lower edge, the angles with winged cherub's head and foliate cast spandrels, in a case with swan neck pediment above turned pilasters to hood and shaped-top crossbanded short rectangular trunk door, on tall plinth base with double skirt, composite, 216cm high.

An inlaid mahogany eight-day longcase clock Late 18th century and later The four-pillar triple train rack and bell striking movement with incomplete quarter chiming work, now with a 12 inch brass break-arch dial with subsidiary seconds dial and shaped silvered plaque bearing signature Tho: Gardner, London to the matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes and bird and urn cast spandrel applied angles, the arch with silvered boss engraved with a sunburst and inscribed TEMPUS FUGIT between dolphin cast mounts, in a pagoda pedimented case with line inlaid pilasters to hood above conch shell centred break-arch trunk door and conforming panel fronted plinth base with reduced ogee bracket feet, composite, movement altered and incomplete, 225cm high.

An oak and mahogany eight-day longcase clock Kerr & Co, Swansea The four-pillar rack and bell striking movement with 12.5 inch white painted Roman numeral break-arch dial with subsidiary seconds dial, arched calendar aperture and signed Kerr & Co, Swansea to the convex centre, with cottage painted spandrels to angles and scene of young girl with a lamb to arch, the swan neck pedimented case with baluster turned pilasters to hood above short trunk door flanked by canted angles, on crossbanded plinth base, 203cm high.

A mahogany eight-day longcase clock with moonphase Jn.o Hughes, Carnarvon, early 19th century The four-pillar rack and bell striking movement with 13.5 inch white painted Roman numeral break-arch dial with subsidiary seconds dial and arched calendar aperture to the castle landscape painted centre, the chapter ring signed Jn.o Hughes Carnarvon to lower edge within cottage painted spandrels to angles and with rolling moonphase to arch, the swan neck pedimented case with double baluster turned and carved pilasters to hood above short crossbanded rectangular trunk door flanked by conforming pilasters, on raised panel fronted plinth base with ogee bracket feet, 231cm high. John Hughes is recorded in Loomes, Brian Watchmakers & Clockmakers of the World Vol 2 as working in Carnarvon 1844-63.

An oak thirty-hour longcase clock John Pearce, Stratford, early 19th century The four-pillar outside countwheel bell-striking movement with 11 inch square white painted Roman numeral dial with calendar aperture and signed Jn. Pearce Stratford to the bird and flower painted centre within floral spray decorated spandrels, now in an earlier case with moulded cornice above turned pilasters to hood, crossbanded shaped-top trunk door and plinth base with moulded skirt, 203cm high.

A mahogany and oak eight-day longcase clock Haseldin, Shales Moor, Sheffield, early 19th century The four-pillar rack and bell striking movement with 13 inch white painted Roman numeral break-arch dial with subsidiary seconds dial and signed Haseldin Shales Moor Sheffield to centre, with floral painted spandrels and scene of resting fisherman to arch, the swan neck pedimented case with turned hood pilasters above short trunk door flanked by lobed pilasters, on crossbanded plinth base, 214cm high.

A mahogany crossbanded oak thirty-hour longcase clock Unsigned, early 19th century The countwheel bell-striking movement with 12 inch white painted Roman numeral break-arch dial with arched calendar to centre and polychrome foliate painted spandrels, the arch decorated with a hunting scene, the swan neck pedimented case with reeded pilasters to hood above short trunk door and conforming plinth base, 219cm high

A silver mounted mantlepiece clock, by Nathan & Hayes, Birmingham 1910, the polished walnut longcase frame containing a watch type movement with white enamel dial printed with roman numerals, subsidiary second dial with brass bezel (dial 4cm diameter), the silver mount embossed in the Adam revival style, 36cm high

Henry Harper, London, a George III mahogany chiming longcase clock, the pagoda hood with later applied sunburst motif and brass stop-fluted pillars, the trunk with breakarch door and raised on a panelled plinth with stepped base, the 12 inch dial with chime silent disc to the arch (later lettering and hand) 2 position tune selection lever to the right side, gilt mask spandrels, repaired hands, with 3 train 8 day bell striking movement, 235cm high

A late Victorian walnut and crossbanded grandmother longcase clock, in the 17th century style, the 7 inch (17.5cm) square brass dial marked Pat. Cock Nottm. to the silvered chapter ring, with 4 pillar bell striking movement, 160cm high

A late Regency period mahogany and crossbanded longcase clock 23cm high

A William IV period mahogany drumhead longcase clock 207cm high

A Regency period provincial oak and mahogany veneered longcase clock 238cm high