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James Pepper of Biggleswade, A George III oak longcase clock, the silvered face with secondary dial, date aperture and gilt spandrels supporting a twin train striking movement under an arched hood, the case with conforming moulded door, on a plinth base with bracket feet * The Peppers of Biggleswade traded as watch and clock makers in the town from 1721-1870

SCOTTISH GEORGE IV MAHOGANY LONGCASE CLOCK BY GEORGE BROWN, ARBROATH, CIRCA 1825 the figural painted arched dial with subsidiary second and date dials, with an 8-day bell striking movement, the hood with a broken swan neck pediment above a cross banded case with spiral reeded quarter columns 46cm wide, 213cm high, 23cm deep

SCOTTISH GEORGE IV MAHOGANY LONGCASE CLOCK BY JOHN GILLIES OF BEATH, CIRCA 1825 the silvered dial with subsidiary second dial and date aperture, with an 8-day bell striking movement, the arched hood with pierced sound frets and an acorn finial, the slender canted case with a glazed panel door, raised on a plinth base 43cm wide, 204cm high Note: Robert Gillies is recorded as being a clockmaker in Beith in 1780 and is presumably a relation of John Gillies. See `Britten`s Old Clocks and Watches and their Makers` Antique Collector`s Club, 8th edition, p. 400.

A superb large early C18th German walnut longcase clock, with ivory and fruitwood inlaid decoration, surmounted by a carved giltwood cherub, the brass and enamel dial with signs of the Zodiac, 4 subsidiary dials and moon phase, 119" high, 29" wide, 12" deep

An C18th oak cased 8 day longcase clock with pollard oak cross banding, the brass square dial signed S. Whalley, Manchefter, with a seconds and dated aperture, with weights, pendulum and key, 80" high, 21" wide

AN EARLY 18TH CENTURY OAK THIRTY HOUR LONGCASE CLOCK, having altered hood with moulded cornice over strapwork freize, square aperture flanked by half pilasters, the waist with moulded plain rectangular door having a bull`s eye glazed circular aperture on a panel base with later skirted feet. Square brass face with single finger, pierced foliate spandrels Roman numerals and engraved central field, marked G Creswell, Brewood. Thirty hour movement with baluster pillars, striking on one bell. 10" Square face. 84" High.

A 19TH CENTURY WELSH OAK LONGCASE CLOCK, the hood with broken swan neck pediment above arched aperture flanked by wrythen turned pilasters, the waist with ogee pointed arch door fluted corbel`s and wrythen pillars on an arched panelled base with bracket feet. Arch painted face with rolling moon Roman numerals seconds dial and date aperture marked David Herbert. Herbert Aberystwith eight day two train movement striking on one bell. C1830. Face 19" x 13.5". 93" High overall.

A 19TH CENTURY MAHOGANY LONGCASE CLOCK, the hood with fret carved scrolled pediment above arched aperture flanked by reeded gilt metal mounted pilasters the waist with arch panel door flanked by wrythen gilt metal mounted quarter pilasters on a panel base with bracket feet. Arch painted face with woman in a garden to the arch, foliate spandrels Roman numerals and seconds and date dials. Marked D.C Burlingham, Lynn, eight day two train movement striking on one bell. The face 17" x 11.5", overall 84" High.

A miniature longcase clock and two mantel clocks

OAK AND MAHOGANY LONGCASE CLOCK, 8 DAY WITH SQUARE PAINTED DIAL WITH WEIGHTS AND PENDULUM

A mid 18c. 8 day walnut cased Longcase clock. The brass arched dial style with silvered Roman numeric chapter ring with date aperture strike/silent feature signed "Stumbels, Totnes" fitted in carved wood with eagle finials raised above a cross banded trunk door flanked by quarter columns, the whole on bracket feet. Approx. 238 cms high. It is widely believed that William Stumbels was one of the greatest clock makers outside of London. Various examples of his work exist in Museums in the South West of England.

CLOCKS - THOMAS LISTER, HALIFAX A PART 18TH/19TH CENTURY REGIONAL LONGCASE CLOCK having oak cased hood with swan neck pediment, trunk door and shaped and box plinth, the later 30 hour mechanism with count wheel strike faced by a 12 square brass dial with ca

CLOCKS - HENRY WATSON BLACKBURN A PART 18TH CENTURY 30 HOUR OAK LONGCASE CLOCK, the hood with moulded pediment and plain frieze, twin simple ringed pilasters, trunk with waist door and box plinth, the mechanism four pillar with anchor escapement count wheel

A XIX Century Longcase Clock Face and Movement, the painted dial with Roman numerals and moon phase to arch, 30 cms diameter.

A XIX Century Longcase Clock Face, signed Cohen, Sheffield, the painted dial with Roman numerals, seconds dial and calendar aperture, the spandrels and arch painted with rural landscapes, 31 cms wide, (lacking hands and paint loss).

A XIX Century Longcase Clock Face and 8 Day Movement, signed R. Taylor, Swinefleet, the painted dial with Arabic numerals, with shell spandrels, the arch with similar detail, 29 cms wide, (lacking hands and some paint loss).

A XIX Century Oak and Mahogany Longcase Clock, with swan neck pediment, cross banded door and reeded columns, on square base, the 8 day movement having painted white dial, by Thomas De Gruchy, Jersey.

An Early XIX Century Painted Pine Longcase Clock, with stepped pediment to hood, (glass damaged), the trunk having arched door, on plinth base, with 30 hour movement and white painted dial by J. C. Petherick of Stratton.

An Edwardian Mahogany Chiming Longcase Clock, retailed by Pearce & Sons, Leicester, the arched top pediment with canted corners, pierced side frets, nicely inlaid with stringing throughout the case, moulded trunk door with a oval bevelled glass, rectangular plinth raised upon a moulded skirting, 12-inch arched brass dial with silvered Arabic chapter ring, dial centre signed on a silvered plaque Pearce & Sons, Leicester, subsidiary seconds, the arch with chime/silent selection, elaborately decorated throughout with pierced scoll work, triple weight driven movement with deadbeat escapement, quarter striking with four hammers onto four tubular bells and a further larger hammer striking a larger tubular bell for the hours, 217cm high

A Scottish Mahogany Eight Day Longcase Clock, signed Jas Paterson, Edinburgh, circa 1820, the nicely figured case of good colour, arched moulded top, side pierced sound holes, flamed veneer arched trunk door flanked by fluted pilasters, rectangular base with a moulded panel and raised upon bracket feet, 13-inch circular painted dial with Roman numerals, centre with seconds and date dials and signed Paterson, Edinburgh, four pillar movement with anchor escapement, movement with unusual arched plates, rack striking on a bell, 201cm high James Paterson is recorded in Edinburgh 1789-1825. See Baillie (GH) Watchmakers & Clockmakers of the World, page 244.

A Mahogany Eight Day Longcase Clock, the nicely figured case of good colour with a broken arched pediment and turned central finial, stop wood fluted columns, circular moulded hood door with blind fretwork corners, flame veneer trunk door flanked with stop wood fluted pilasters, crossbanded rectangular plinth raised upon bracket shaped feet, 13-inch circular painted dial with Roman numerals and signed J & W Howden, Edinburgh, subsidiary dials for seconds and date, four pillar movement with anchor escapement and rack striking on a bell, later seatboard, 234cm high (dial and movement circa 1810, associated to the case circa 1780)

An Unusual Scottish Mahogany Column Eight Day Longcase Clock, R.Stewart, Glasgow, circa 1850, the case with circular drum shaped top and glazed side viewing windows, column fluted trunk with side removable panel for the pendulum, raised upon a rectangular box shaped plinth, moulded front panel raised upon block feet, 13-inch circular painted dial with Roman numerals, subsidiary dials for seconds and date, four pillar movement with anchor escapement and rack striking on a bell, later seatboard, 204cm high

A Mahogany Eight Day Longcase Clock, signed Denton & Fox, Hull, circa 1810, case with pagoda inlaid pediment, Corinthian fluted columns, nicely figured moulded trunk door flanked by canted corners, rectangular inlaid plinth raised upon bracket feet, 12-inch painted arched dial with Roman and Arabic numerals, centre with seconds and date aperture and signed, the arch depicting a painted scene of a lady with her dog, floral painted corner spandrels, four pillar movement with attached falseplate stamped Wilson, anchor escapement and rack striking on a bell (bell missing), 243cm

A Mahogany Eight Day Longcase Clock, the mahogany reproduction case with pagoda pediment, stop brass fluted columns, arched moulded trunk door with flame veneered and flanked by inset stop fluted pilasters, plinth with a raised quatre form panel and upon bracket shaped feet, 12-inch arched brass dial with silvered chapter ring, engraved around the dial borders, the arch with a silvered disc inscribed John Burges Gosport, five pillar movement with anchor escapement and rack striking on a bell, (modern reproduction case, dial and movement circa 1760), 239cm high

An Irish Mahogany Eight Day Longcase Clock, signed Gordon, Dublin, circa 1810, the architectural case with fluted columns, nicely figured trunk door flanked by inset fluted pilasters, case with later inlay, rectangular plinth raised upon bracket shaped feet, 14-inch square painted dial with Arabic numerals and signed, spandrels depicting birds, four pillar movement with attached falseplate unsigned, anchor escapement and rack striking on a bell, 250cm high

A Mahogany Chiming Longcase Clock, case with swan neck pediment and fluted columns, flame veneered trunk door flanked with fluted pilasters, plinth with a moulded centre panel and canted corners, raised upon later feet, 13-inch arched brass dial with silvered chapter ring with inner date track and a corresponding centre date hand, dial centre bearing inscription Henry Rigby, Liverpool, the arch with moonphase aperture and above a silvered plaque inscribed Time Shews the Way of Lifes Decay, subsidiary seconds, triple weight driven movement with anchor escapement, quarter striking with eight hammers onto a nest of eight bells, later seatboard, 232cm high (dial associated to the movement and both are associated to the case)

A Mahogany Eight Day Longcase Clock, case with swan neck pediment, fluted columns, wavy shaped trunk door flanked by inset pilasters, plinth with raised quatre form panel and raised upon bracket feet, 13-inch brass arched dial with chapter ring signed `John Tuncliffe`, dial centre with date aperture and seconds, arch with rolling moon disc, four pillar movement with anchor escapement and rack striking on a bell, later seatboard, 224cm high (dial and movement circa 1770, associated to the case circa 1770, case with restorations)

A Dutch Mahogany Quarter Striking Longcase Clock with Calendars and Alarm, signed Klaas Johs, Andriese.Groun, circa 1780, the case with a swan neck pediment and a central carved floral mount and later figural finials, pierced sound frets, Corinthian columns, trunk door with central gilt metal mount depicting father of time applied over a glazed lenticle, plinth raised upon carved claw ball feet, 12-inch silvered chapter ring with Arabic and Roman numerals and signed, dial centre with central alarm disc, month/date and day of the week apertures, subsidiary seconds combined with date, penny moonphase combined with two apertures above at 6 for the lunar scale, below chapter ring with a painted biblical scene, twin weight driven movement with anchor escapement, quarter striking with two hammers onto two bells and a further hammer striking a bell for the alarm (alarm weight missing), 247cm high

A Walnut Eight Day Longcase Clock, the nicely figured burr walnut case with flat top pediment, later pierced side frets, (later added wooden blocks beneath seatboard on both sides of the cheeks), trunk door with herringbone crossbanding and moulded borders, herringbone crossbanded side panels, re-duced plinth with later skirting, 12-inch arched brass dial with silvered Roman and Arabic chapter ring, matted dial centre signed on a silvered plaque Tho Finch, London, date aperture, subsidiary seconds, the arch with an aperture for days of the week, five pillar movement with anchor escapement and rack striking on a bell, 223cm high (dial and movement circa 1740, associated to the case circa 1740)

A Marquetry Month Going Longcase Clock, signed Nathaniel Pyne, London, circa 1690, case with flat top and rising hood, backboard with coiled spring for the rising hood, glazed side panels, barley twisted columns and convex throat mouldings beneath hood, inlaid side panels, trunk door with floral work and a central glazed lenticle, re-built plinth with marquetry front panel and later skirting, 11-inch square brass dial signed to the bottom edge Nathaniel Pyne, London, silvered Roman and Arabic chapter ring, matted dial centre with subsidiary seconds, date aperture and ringed winding holes, month going twin weight driven movement with latched pillars, five wheel going train, anchor escapement and outside countwheel striking on a bell, 204cm high, (case with restorations) Nathaniel Pyne is recorded in London 1667-1706. He was apprenticed in 1667 and became a Member of the Clockmakers Company from 1677. See Baillie (GH) Watchmakers & Clockmakers of the World, page 260.

A Reproduction Mahogany Longcase Clock, the brass dial inscribed Richard Broad, Bodmin, Cornwall, with moon phase movement

AN OAK LONGCASE CLOCK the 18th c brass 26.5cm dial signed on the chapter ring Brown Leverpool, with matted centre, single hand and cherub and crown spandrels, having thirty hour movement in George III `primitive` oak case with flared pediment, turned pilasters, slender trunk with side mouldings to accommodate the pendulum-swing and full length door, on conforming base, 203cm h++The dial associated to the movement, the movement complete, the dial cleaned and lacquered. The seatboard replaced, associated iron rod pendulum. The case in good condition save for the old replaced cornice

A VICTORIAN OAK LONGCASE CLOCK signed on the painted circular dial HALLAM & SON NOTTINGHAM, the eight-day movement in break-arched case with reeded mouldings and chamferred trunk with arched door above a panel, on tall base, 209cm h++The dial with some staining and wear to the painted chapters, the movement original but in need of cleaning, on old seatboard, the case cut to accommodate a skirting board and with old french polishing. Base reconstructed.

A DATED GEORGE III LONGCASE CLOCK signed on the break-arched and silvered regulator type dial G SWINDEN BRENTFORD, with minutes ring and subsidiary dials for the seconds and hours, the ivory moon sphere to the arch in lacquered brass bowl beneath an engraved horizontal ring [numbered 0-5-29.5] with indicator, the reverse of the dial plate engraved Geo Swinden Brentford Fecit Aged 18 Years 1797, the eight day, four-pillar movement chiming on eight bells and striking on a later wire gong, the iron rod pendulum with brass disc bob and having two substantial lead weights on pierced brass pulleys, in associated, later-carved, embellished and dark stained oak case with swan neck pediment, mask, inscription BEAUTIFUL BELLS, date `1693`, a scene and allegorical figures, 244cm h, 1797, case 18th c and later Ballie records clocks made by Francis Swinden (`& Son` from 1802) 1782-1805 and Henry son of Francis Swinden, apprenticed to John Brooks 1797 and w. probably with his father until 1808. A plausible explanation of the engraved inscription on the reverse of the dial, since there is apparently no record of a son named George, is that he may have died prematurely and that this fine clock was intended to commemorate him.++The dial and movement in original condition but in need of cleaning, the silvering on the dial virtually all present but discoloured, the case in satisfactory condition

A GEORGE III JAPANNED LONGCASE CLOCK the break-arched brass dial signed on a silvered tablet Thos Amyot Norwich, with subsidiary seconds dial, date aperture and matted centre, STRIKE/SILENT ring to the arch and with emblematical Season and dolphin spandrels, having eight-day, five-pillar movement, the case with stepped cornice, turned pilasters and break-arched door decorated with scenes, diaper and trailing foliage, 217cm h++The movement/dial original and although in need of cleaning complete on old seatboard but associated to the case, the japanning restored

A GEORGE II JAPANNED LONGCASE CLOCK-CASE the hood with break-arched cornice, `caddy` moulded pediment and turned pilasters, the moulded door with lentical, on (slightly reduced) base, decorated with birds, a vase of flowers and trailing foliage, 222cm h++Small losses, some old overpainted restoration and the pigments generally darkened with the passage of time

A VICTORIAN OAK LONGCASE CLOCK signed on the break-arched and painted dial Stevenson Nottingham, having pierced date sector and gilt brass hands, painted to the arch with Christ and the Woman of Samaria, the spandrels with young women emblematical of the Seasons, having thirty hour movement in crossbanded and line inlaid case with swan neck pediment and turned pillars, 217cm h ++Overhauled and restored for the present private vendor in recent years

AN OAK LONGCASE CLOCK signed on the break-arched and painted dial Deacon Barton, with pierced date sector and gilt brass hands, painted to the arch with a bird and flowers, the spandrels with tulips, having thirty hour movement in crossbanded and inlaid case with swan neck pediment and turned pillars, a lozenge to the `niche` door, 221cm h, c1830++Overhauled and restored for the present private vendor in recent years

A LONGCASE CLOCK MOVEMENT AND DIAL the 28cm brass dial plate signed on the (associated) silvered chapter ring Thom Bridg Londini fecit, with matted centre, square date aperture and pierced hand, having mask spandrels and 30 hour movement, 18th c++The chapter ring early 18th c and long associated to the George III movement and dial, in basically complete and satisfactory condition. In need of cleaning

AN EDWARD VII OAK LONGCASE CLOCK the foliate engraved gilt and silvered dial signed on a tablet to the arch J SMITH & SONS CLERKENWELL LONDON flanked by subsidiary WHITTINGTON CHIMES/WESTMINSTER CHIMES and CHIME/SILENT rings, the chapter ring with applied arabic numerals signed at six FRED LEE COVENTRY and with subsidiary seconds dial and blued steel pierced hands, the finely engineered and substantial movement chiming on tubular bells with short rod pendulum with lead cylindrical bob and three brass weights, the hood crested by swags and foliage and having dentil cornice, leafy corbels and side frets, the trunk enclosed by a bevelled glass inset door, festoons to the panelled base, 245cm h++In fine unrestored complete and original condition, the fretwork undamaged

A GEORGE III OAK LONGCASE CLOCK the 25cm brass dial signed on the chapter ring Hen Baker Appleby, with matted centre, cherub-and-crown spandrels and pierced steel hand, the thirty hour movement with turned pillars and striking on a large bell, the case with stepped pediment and fruitwood veneered frieze with turned pillars, the trunk enclosed by a long crossbanded door, on plain base, 207cm h++The seatboard an old replacement, the brass keyplate to the trunk door added in the 19th c; a small hole in the dial door where a knob or other handle was once fitted. Minor vertical shrinkage crack in the base, the plinth an old replacement. The case of fine colour/patina

A GEORGE II JAPANNED LONGCASE CLOCK the break-arched brass dial signed on a silvered disc to the arch DEVEREUX BOWLY LONDON in a cartouche, having silvered chapter ring, subsidiary seconds dial, date aperture, ringed winding holes, matted centre and mask spandrels in engraved wheatear border, five-pillar eight-day movement, the case with stepped pediment, turned pilasters and panelled door decorated with oriental scenes and trailing foliage, 220cm h Provenance: The Wynne-Finch family of Cefnamwlch and Voelas, North Wales++Dial and movement probably original to the case, the seatboard old and possibly 18th century with loss, the case with some evident old attempts at cleaning and restoration. Note: on the reverse of the dial plate one or two of the rivets by which the spandrels (all original) replaced with other fixings, the hands replaced. Lacking a piece of glass from the side of the hood

A GEORGE I OAK LONGCASE CLOCK the engraved brass dial signed on the chapter ring Tho Gorsuch Salop, having matted centre with subsidiary seconds dial and date aperture, pierced steel hands, cherub-and- crown spandrels and eight day five-pillar movement, the crossbanded case with cavetto cornice, ogee pediment and turned pillars, the trunk enclosed by an ogee door flanked by pilasters, on plain base, 217cm h Provenance: The Wynne-Finch family of Cefnamwlch and Voelas, North Wales. Thomas Gorsuch, Clock and Watchmaker of Shrewsbury, w. 1683-1727. According to the Chirk Castle accounts of the Middleton family, on 6 February 1721, he was paid 5 shillings for mending a repeating watch for Lady Middleton. (see D J Elliott, Shropshire Clock and Watchmakers, 1979, pp 68-69). ++The dial/movement original to the case but extremely dirty with much accretion of dirt and grime and also showing the effects of damp with some rust affecting the iron parts. The seat board old, the case - the top of the hood later fitted with finials now missing or damaged and with much build up of dirt and grime, the hinges original, shrinkage cracks in the base, lacking two sides of the skirted plinth but entirely free from restoration

A PEARLWARE WATCH-STAND, YORKSHIRE OR THE NORTH EAST in the form of a longcase clock flanked by the crowned figures of Apollo and Ceres bearing their attributes and painted in a vivid `Pratt` palette, on flat green base, 25cm h, c1820 ++Repaired watch pocket at the back and Apollo`s arm, an attractive example

A PRATTWARE WATCH-HOLDER, NORTH EAST, PERHAPS SUNDERLAND in the form of a longcase clock, moulded in shallow relief with classical figures and flanked by children beside pedestals, on flat rectangular base brightly painted in yellow, ochre, green and sepia, 27.5cm h, c1820 A similar example marked Dixon, Austin & Co is illustrated Halfpenny (P) English Earthenware Figures 1780-1840, Woodbridge 1991, plt 27.++A good example with restoration to the two small finials and small damage to the flower held in the boy`s right hand

A PEARLWARE WATCH-STAND, YORKSHIRE OR THE NORTH EAST in the form of a longcase clock, painted with stylised flowers and outlined in blue enamel, flanked by crowned figures of, probably, Apollo and Ceres, sponged in bright enamels on flat turquoise base with indented edge, 23cm h, c1820++Small damage/localised old restoration

An 18th century eight day longcase clock, movement possibly carrying three fingers and calendar work, also another similar and a quantity of sundry clock parts.

An 18th century brass 11" longcase clock dial, with square date aperture and signed John Clayton to the chapter ring.

An 18th century brass 12" longcase clock dial, with penny moon, square date aperture and signed Barber Winster to the chapter ring.

A George III oak longcase clock, with moulded cornice above the glazed door enclosing the 11.5 inch square brass dial with silvered chapter ring and engraved to the centre "A. Donaldson, Wigton", with Roman numerals and date aperture, with cast brass spandrels and 30 hour movement, flanked by simple columns, with shaped trunk door and conforming base raised on bracket feet. Height 78 ins.

An early 19th century mahogany longcase clock by J. Wilson of Carlisle, the swans neck pediment above the arched glazed door enclosing the painted dial with Roman numerals, subsidiary date and seconds dials and two-train striking movement by J. Wilson, Carlisle, flanked by turned columns, with trunk door beneath and with conforming base. Height 87 ins.

A 19th century 30 hour longcase clock

A late 19th/early 20th century Dutch silver miniature longcase clock, maker`s mark HH, with 2nd standard mark, raised on a pierced bombe shaped foot with straight trunk and domed hood with three figural surmounts containing a watch movement, 20.5cm high, 4.25oz

An oak longcase clock circa 1800, the hood with swanneck pediment, the trunk with quarter reeded pilasters, raised on a plain plinth, the 14" (36cm) square painted dial signed `W Rowlands Pwffheli`, with seconds dial and calendar aperture, the spandrels painted with corn stooks, floral centre sprays, the 8 day movement with Walker & Hughes falseplate, case possibly associated, 225cm high

Walder, Arundell, a George III mahogany longcase clock, the break arch hood with stop-fluted brass columns, the trunk with break arch door and flanked by quarter reeded pilasters, upon a panelled plinth and moulded base, the one-piece silvered engraved 12" dial with strike/silent dial and regulation dial (not currently linked to the movement) to the arch, calendar and seconds dials below, 219cm high

Samuel Heywood, Northwich, a George III mahogany longcase clock, the hood with swanneck pediment and verre eglomise panels below, Corinthian capped columns, the trunk with shaped top door flanked by quarter reeded pilasters, upon a panelled plinth on bracket feet, the 13.5" (35cm) brass dial signed above the moonphase disc, the silvered chapter with both centre seconds and calendar, and gilt mask spandrels, 239cm high

A George III mahogany longcase clock, the hood with swanneck pediment, the trunk with shaped top door and flanked by reeded full length columns, raised on a panelled canted plinth with replacement skirting, the unusual oval dial (53cm high, 41cm wide) painted with a shooting scene and Kauffmanesque female statue above flanked by two portrait plaques, some flaking and retouching, the 8 day 4 pillar movement signed `H No.30` to the backplate, 262cm high

A GEORGE III MAHOGANY LONGCASE CLOCK having an arched brass dial with embossed spandrels, second hand date aperture and strike/silent dial by Thomas Grignion, Covent Garden, London, the hood with canted corners and brass ball finial with moulded panel door, base and bracket feet, approximately 7 ft 4" high overall (see illustration). Note: Thomas Grignion is a member of a family of clock makers and is recorded at working at No. 7 Great Russell Street, Covent Garden, circa 1780-1825.

A GEORGE III MAHOGANY LONGCASE CLOCK having an arched brass dial, silver chapter ring and embossed spandrels, signed Josh. Denton, Hull with eight day striking movement, the case with blind fretwork decoration, brass finials, fluted columns and arched panel door on a plain base with bracket feet, 97" high overall (see illustration).

An 18th century painted pine thirty hour longcase clock, with 7.25 inch arched brass dial with automaton aperture, Roman chapter ring and aperture for date?, signed T.Foster, Carlisle, in a crude simulated oak case, 6ft 8ins