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An 8 day longcase clock by J Ritchi of Hull with a silvered dial - NO RESERVE

AN EARLY TO MID 20TH CENTURY OAK LONGCASE CLOCK, with a 9 inch brass and silvered dial, height 189cm (pendulum, two trunk keys and winding key)

A GEORGIAN CARVED OAK 30 HOUR LONGCASE CLOCK, the hood enclosing a 9 1/2 inch brass and silvered dial, signed Joseph Chaplin of Ashby, Roman and Arabic numerals and subsidiary date aperture, height 201cm (condition:- splits into two sections on the plinth)

A late 18th century oak eight day longcase clock, with brass Tempus Fugit dial, height 214cm

An early 19th century oak eight day longcase clock, the painted dial marked Henry Bunyan, Lincoln, (case in two sections) height 224cm

An Edwardian oak longcase clock, the metal dial with gilt corners and roman numerals within an egg and dart frame above an architecturally inspired body, on plinth base (178cm x 39cm x 22cm)

A 1940s/50s oak longcase clock of small proportions, the enamelled dial with arabic numerals (converted to battery movement) (128cm x 22cm x 17cm)

Late 19th/early 20th century miniature longcase clock in architectural case fitted with a keyless wind movement (a/f), 48cm high

I. Bright, Saxmundham, 18th century longcase clock with square painted dial to a 30-hour movement, set in an oak case with large pierced pediment, shaped trunk door and a box base, 200cm high

Thomas Page, Norwich, 18th century mahogany longcase clock with arched dial with Roman and Arabic numerals, subsidiary seconds dial, strike silent feature and date aperture, surrounded by pierced spandrels to an 8-day movement, striking on a bell, the arched hood with later brass eagle finials, pillared side supports over a body with arched trunk door and a shortened box base, 216cm high max

18th / 19th century 8 Day Oak Longcase Clock, the square hood with blind fret carving housing a Brass Arched Dial with Silvered Makers Plaque for William Lee, Leicester, Silvered Chapter Ring with Roman and Arabic Numerals, Seconds Dial and Date Aperture, 228cms high

A 19th century oak and mahogany longcase clock by William Pybus, Caistor, Lincolnshire, Swan neck pediment with brass paterae and a central brass finial, break arch door flanked by reeded pillars with capitals, trunk with canted corners, full length crossbanded door with a flat top and angled corners, on a rectangular plinth with a shaped base, 12�painted break arch dial inscribed �W Pybus, Caistor� with painted and gilt decoration to the arch and spandrels, upright Arabic numerals, 15 minute Arabic�s and minute markers, matching stamped �thistle� brass hands and semi-circular calendar aperture with calendar disc behind, subsidiary seconds dial and hand, dial pinned directly to an eight-day rack striking movement with recoil escapement, striking the hours on a cast bell. With pendulum and weights. There were two father and son clockmakers both called William Pybus working in Caistor from 1783 to 1861. This clock c1820-30.Dimensions: Height: 210cm  Length/Width: 44cm  Depth/Diameter: 23cm

A mid Victorian longcase clock with a thirty-hour chain driven countwheel movement striking the hours on a cast bell, the12� painted dial with roman numerals and minute track pinned directly to the movement, dial inscribed �John Smith, Scarborough� with a biblical scene from the old testament in the break arch and matching painted spandrels to the corners, semi-circular calendar aperture with date disc behind, with matching stamped brass hands (hour hand broken but present), in an oak and mahogany case with a tall swan neck pediment, glazed brake arch door flanked by reeded pillars with brass capitals, trunk with applied �sun ray� carving above a short flat topped oak door with mahogany crossbanding, with ropework quarter columns and contrasting inlaid panels, on a square plinth with missing feet. John Smith is recorded as working from various addresses in Scarborough between 1834 to 1851, he is thought to have been succeeded by his widow on his death.No pendulum or weight.Dimensions: Height: 220cm  Length/Width: 48cm  Depth/Diameter: 23cm

A provincial Victorian 30hr longcase clock in a contrasting light oak and mahogany case with a movement by Thomas Snow of Knaresborough, swan neck pediment with turned wooden paterae and acanthus carving to the centre, with shaped back splats and turned mahogany columns flanking the break-arch door, trunk inlaid with contrasting veneers and reeded corner pillars, short flat-topped door with a recessed panel and crossbanding, on a square plinth with a conforming recessed panel and shaped feet, 13� fully painted dial inscribed with the makers name and a depiction of a rural scene with a bridge and river to the break arch, matching fully painted spandrels to the corners, broad Roman numerals and minute track with a semi-circular date aperture and date disc, matching stamped brass hands, dial pinned directly to the chain driven countwheel movement striking the hours on a bell. With pendulum and weight. The Snow family were a prolific family of predominantly rural clockmakers working in numerous North Yorkshire market towns during the 18th and 19th century. Thomas Snow is thought to have worked in Otley and Birstwith as well as working in High Street, Knaresborough from 1834-44. Dimensions: Height: 230cm  Length/Width: 52cm  Depth/Diameter: 25cm

An 18th century Georgian oak longcase clock by William Coulton of York c.1750, with a flat-topped hood, glazed break arch door and integral side pillars, trunk with a full length flat-topped door on a square flat-bottomed plinth, with a 12� brass dial and chapter ring engraved with Roman numerals, five minute Arabic�s, half hour markers, minute track and quarter hour track, with �cherub face� spandrels and dolphin spandrels to the arch, convex boss to the arch engraved with the face of a radiant sun, engraved and matted dial centre with a square date aperture and calendar disc behind, subsidiary seconds dial and hand, dial pinned directly to an eight-day rack striking movement with a recoil anchor escapement, striking the hours on a bell, minute and hour hand missing. With pendulum bob and weights.The Coulton family were a prestigious family of York clockmakers working from various locations in the city from 1701-1792.Dimensions: Height: 230cm  Length/Width: 52cm  Depth/Diameter: 25cm

A GEORGE III MAHOGANY LONGCASE CLOCK BY PETER HIGGS OF LONDON, the brass dial with silvered chapter ring with Roman numerals signed Peter Higgs of London, with plain matted centre with twin winding holes, the flat topped arch with scrolling engraving. With a two train eight day movement striking on a bell, the mahogany case with flat topped hood and reeded canted corners, long trunk door and wavy base. With pendulum and two weights, height 185cm

A SCOTTISH BURR ELM LONGCASE CLOCK BY SMITH OF DUNDEE, the brass dial with chapter ring and subsidiary seconds dial and vacant date aperture, the arch with a roundel engraved 'Alex Smith Dundee'. With an eight day two train movement striking on a bell. The burr elm veneered case with arch topped hood with twin columns, the trunk door similarly arched, on bracket feet, with pendulum, two weights and key, height 230cm

A GEORGE III SCOTTISH MAHOGANY LONGCASE CLOCK BY CARR, with an enamelled dial subsidiary date and seconds dials, signed Alex. Carr, the arch painted with a Scottish lady seated by a brazier, with an eight day two train movement striking on a bell. The hood with swan necked pediment and central ball and eagle final, the trunk with quarter recessed columns, on splayed bracket feet. With pendulum, two weights and key, height 214cm

A 19TH CENTURY MAHOGANY LONGCASE CLOCK, the 12" enamelled circular dial with inner date dial, on an eight day movement striking hourly to a bell, the case with brass acorn finials and fluted columns, height 220cm

An Oak Longcase Clock, with swan neck pediment above glazed door to moon faced dial, on bracket feet.

A 1920's oak cased longcase clock, with a glazed case, having an eight day movement215cm high

A 19th century mahogany cased longcase clock, having a thirty hour movement and a painted dial198cm high

A good early 20th century longcase clock, having an inlaid case, the chased gilt twelve inch dial with chime silent and subsidiary seconds dial, signed Armstrong Manchester, the three train thirty day movement striking on nine tubular bells, with Westminster, Whittington and St Michael's chimes, with three brass weights, 215cm high. The firm of Armstrong was established by Joseph Armstrong, a silversmith's in Deansgate in 1825 and went on to become manufacturers of scientific instruments, opticians and clock makers throughout the 19th century

An industrial style electric longcase clock, the dial marked Gent, Leicester. 51' high

A George III crossbanded oak eight-day longcase clock by Thomas Brown of Baschurch, square hood with column supports, 210cm high

Modern mahogany longcase clock, Sewills of Liverpool, moon phase

19th century mahogany longcase clock case, with glazed hood and trunk door

An early 20th century oak longcase clock of small proportions, arched case, the silvered dial with Arabic numerals, twin winding holes

An early 20th century mahogany cased longcase clock of small proportions, musical chime movement, triple winding holes, brass face with arabic numerals, 131cm tall.

An early 20th century oak cased longcase clock of small proportions, circular face, roman numerals, twin winding holes, 139cm tall.

A 19th century longcase clock dial and movement, arched painted dial with figural panel top, floral corners, Roman numerals, 47cm x 33cm, single weight driven 30 hour movement (faults)

A MODERN TEMPUS FUGIT LONGCASE CLOCK WITH THREE WEIGHTS

George Stamp, Grimsby. An early 19thC longcase clock, the arched dial painted with a shepherdess and sheep, cottages, dial bearing Roman numerals, subsidiary seconds dial, date aperture, eight day four pillar two train movement with bell strike, in oak mahogany and satinwood inlaid broad case, 223cm high. 

A mid 19thC longcase clock, the arched dial painted with a thatched cottage, flowers and Asiatic pheasants, bearing Roman numerals, subsidiary seconds dial and date aperture, with an eight day four pillar movement, with bell strike, in a broad oak and mahogany case, 219cm high.

A longcase clock, the brass dial with silvered chapter ring bearing Roman numerals, stamped Tempus Fugit in a mahogany case, with quarter veneered base, 193cm high.

George Atkinson, Louth. A 19thC oak and mahogany longcase clock, the arched dial painted with a pheasant in woodland landscape with floral spandrels, the circular dial bearing Arabic numerals, subsidiary seconds dial and date aperture, with an eight day four pillar movement, the break arch hood with central brass finial, raised on brass capped fluted columns, the trunk of plain form raised on bracket feet, with weights, pendulum and keys, 223cm high overall.

Pair of longcase clock weights, 5.30kg and 5.35kg. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

19th Century oak cased longcase clock, the hood with broken arch pediment and pilasters, the brass dial with oriental landscape engraving and Roman numerals surrounded by pierced brass spandrels, 220cm high, 48cm wide, with pendulum and one weight

Early 19th Century Welsh oak cased 8 day longcase clock, the face marked M Godfrey, Cowbridge, the hood with broken swan neck pediment above arched aperture flanked by turned columns, banded plain waist door with reeded canted angles on a panelled base with bracket feet. Arch painted face with Roman numerals and country house decoration, 16 x 12" approx. Two train movement striking on one bell with seconds dial and date aperture. Complete with pendulum and two weights. 216cm high including finial approx.(B.P. 21% + VAT) Face appears to have been well repainted. The case in basically good condition. Likely all restored at some stage.

An 18th century longcase clock movement, by William Liptrott, London, with arched brass dial, a smaller movement with arched brass dial and five odd pendulums, brass weight, brass dial pieces, wooden wall clock, etcCondition report: Liptrott movement - no bell, pendulum or weightsSmaller movement - no pendulum or weightsRemainder - as in photographs, all need full restoration. Wooden pendulum in two. 18cm wide, 24.5cm high

Two 19th century eight day longcase clock movements, with 12 inch arched silvered dials, the first with strike/silent and engraved urns in arch, date dial and inscribed 'Morris Carter Bishop's Stortford', the second with moonphase disc in arch, subsidiary minute and date dials and inscribed 'John Mercer Hythe'Condition report: Neither guranteed working and would need attention of a competant clockmaker.

An oak eight day longcase clock, the arched silvered automaton dial engraved 'Matthews Leighton', striking the hour, with reeded columns to the hood and a plain case, 238cm highCondition report: Pendulum and weights, Case with splits and wear. Good overall colour.  Height excluding finials – 225cm.The section where the seat board sits has been reinforced/altered, suggesting they movement is possibly associated with the clock. The trunk door is not warped. The base appears to have been cut down with a plinth added at a later stage. Please see additional images.

A Camerer Kuss & Co walnut cased longcase clock, with an Arabic silvered dial, inscribed, the movement striking on a gong, with carved panels, 192cm highCondition report: Dial rubbed and worn, some colour loss to the case. With pendulum.Believed to be original, please see additional photos for more details.

Ornate gilt metal and tortoiseshell shell longcase design mantel clock.

Wilson, York, an oak and mahogany longcase clock: the eight-day duration movement striking the hours on a bell and having a thirteen-inch brass break-arch dial with a raised silvered chapter ring engraved with black Roman numerals, the centre having a subsidiary seconds dial, engraved scroll decoration and signed Wilson, York, with cast-brass c-scroll corner spandrels and decorative brass hands, the arch having a silvered boss engraved with a bird in flight and wording Tempus Fugit, the oak and mahogany veneered case with fluted quarter columns to the trunk, boxwood stringing and shell inlay to the door, the hood with fluted columns and a swan-neck pediment, the base with canted corners and raised panel, standing on bracket feet, height 224cm.

Farrer, Pontefract, a mahogany and oak longcase clock: the eight-day duration movement striking the hours on a bell and having a thirteen-inch painted arched dial with Arabic hour numerals, subsidiary seconds dial, decorative gilt-brass hands and with a scene within the arch depicting a lady walking in a garden, indistinctly signed to the dial centre Farrer, Pontefract, the oak case having mahogany crossbanding, the trunk with quartered fluted columns, the hood with a swan-neck pediment and fluted pillars, the base with a raised panel, height 220cm.* Biography Farrer were a well-known and prolific family of clockmakers working in Pontefract and near environs in the late 18th and early 19th centuries.Reference Brian Loomes, Yorkshire Clockmakers, Pub. Dalesman Books 1972.

Porter, Wokingham, an oak longcase clock: the eight-day duration movement striking the hours on a bell with the twelve-inch painted arched dial having black Roman numerals, a subsidiary seconds dial, date aperture, decorative floral corner spandrels, and a rural scene depicting the ruins of a windmill painted within the arch, the dial centre indistinctly signed Porter, Wokingham, the dial falseplate to the rear embossed with the dialmakers name Wilkinson, the oak case having an arched door with the hood having a curved pediment with three brass ball-and-spire finials on blocks and fluted columns with cast-brass capitals, all sitting on a plain base, height 204cm.* Biography The Porter family are known makers of the late-Georgian/ early-Victorian period working in Wokingham, Berkshire, a town also called Oakingham at this time. The family included Mark Porter working from before 1775 until circa 1830, and the partnership of Samuel & John Porter from the same era.Reference Brian Loomes, Watchmakers & Clockmakers of the World, N.A.G. Press 2006.

M. Thomas, Carnarvon, an oak longcase clock: the twelve-inch arched brass dial having a raised chapter ring engraved with black Roman numerals and outer five-minute Arabic numerals, the centre engraved with subsidiary seconds and date dials and floral decoration, with cast-brass c-scroll spandrels to the four corners, the arch having a round brass boss engraved with the maker's name M. Thomas, Carnarvon, the oak case with quartered columns to the trunk, the hood with a swan-neck pediment and pillars, height 205cm.* Biography Morris (sometimes Maurice) Thomas is recorded as working in Boot Street, Carnarvon from at least March 1770 when he was employed to wind and regulate the town hall clock and is mentioned in the census of 1794 as a widower with three children, one of whom, Robert, worked alongside him. Known as a prolific maker of high quality loncase clocks.Reference William Linnard Wales Clocks & Clockmakers, Pub. Mayfield Books 2003. A similar dial signed for Thomas illustrated page 233.

Robert Bullock, Halesworth, a mahogany longcase clock: the eight-day duration movement striking the hours on a bell with the fourteen-inch arched brass dial, possibly a later addition, having a raised silvered chapter ring engraved with black Roman numerals, Arabic five-minute markings and fleur-de-lys half-hour markings, the dial centre engraved with floral scroll decoration, a subsidiary seconds dial, date aperture and maker's name Rob. Bullock, Halesworth, with cast-brass cherub-head spandrels to the four corners and decorative brass hands, the arch having a round silvered boss engraved with an eagle, with cast-brass dolphin spandrels to either side, the rear of the dial having a falseplate embossed with the name of the dialmaker Wilson of Birmingham, the mahogany case with satinwood stringing and inlay to the trunk, base and hood, with a gothic-shaped moulding to the door and inlaid floral and vase decoration to the lower trunk, the hood with a high swan-neck pediment with further satinwood stringing and surmounted by three brass eagle-and-ball finials, the base with canted corners and further inlaid decoration, all standing on bracket feet, height 250cm inc. finial.* Biography Robert Bullock is recorded as working in Halesworth, Suffolk in 1823 and may well be the same maker then recorded as working in Lower Olland Street, Bungay from circa 1830 until circa 1855.

John Farr, Bristol, a mahogany longcase clock: the eight-day duration movement striking the hours on a bell with the twelve-inch break-arch painted dial having black Roman hour numerals, a subsidiary seconds dial, date aperture, applied gilt decorative corner spandrels, with further gilt decoration to the arch depicting a bird on a nest surrounded by flora, and signed to the dial centre Jno. Farr, Claire Street, Bristol, with decorative brass hands, the curved-top mahogany case having boxwood stringing, the trunk with a short door and canted corners, the hood with typical Bristol wavy-edge frame, carved decoration inset to the top frieze with the fluted columns having cast-brass capitals, the base with raised moulding and standing on bracket feet, height 210cm.* Biography John Farr Snr. is recorded as working in Claire Street, Bristol from December 1771 when apprenticed to William Sladen and his wife Rachel. He is recorded as a watchmaker in the 1801 directory. His son Stephen was also apprenticed to the same couple in 1778 and he had a son, John Farr Jnr., apprenticed 1812, with whom he went into partnership and who is recorded at 27 Claire Street from 1823 until 1837 being the probable maker of this clock.Reference A.J. Moore The Clockmakers of Bristol 1650-1900, Pub.The Author 1999.

Bentley & Beck, a Regency mahogany longcase clock: the eight-day duration, five-pillar movement striking the hours on a bell and 'ting-tang' quarters on two bells, striking once at quarter-past, twice at half-past and three times at quarter-to, with the backplate engraved with the maker's name Bentley & Beck, Royal Exchange, London, the twelve-inch Gothic arched painted dial having black Roman numerals, a subsidiary seconds dial, a 'strike/silent' dial within the arch and blued steel hands, the Gothic shaped mahogany case having raised ebonised mouldings to the hood, trunk and base with canted corners to the trunk, the hood with decorative ebonised inlay and fluted columns, all standing on a tapered plinth, height 218cm.* Biography Bentley & Beck are recorded as working in London as a partnership between 1815 and 1824. Known pieces signed by them include a Congreve rolling ball clock, a musical bracket clock and a fine watch. John Bentley was apprenticed on the 6th September 1796 to Boys Err Burrell becoming free and a member of the Clockmakers Company from 1813 until at least 1823. James Beck of 5, Sweetings Alley, was a chronometer maker being recorded as a member of the Clockmakers Company from 1811 until at least 1823.

E.W. Payne, Bromley, a Victorian chiming longcase clock: the eight-day duration movement having three brass-bound weights, a flat-rod pendulum with brass bob and striking the hours on a large silvered cylindrical gong and the quarters on eight further silvered gongs, the twelve-inch break-arch dial having a raised silvered chapter ring engraved with black Roman numerals and fleur-de-lys half-hour markings with a chime/silent lever set at III o'clock, the matted centre having a subsidiary seconds dial and a silvered plaque engraved with the retailer's name E.W. Payne, Bromley, with cast-brass cherub-and-crown spandrels to the four corners, the arch with a silvered dial for setting the chimes to Westminster, St Michael or Whittington, with cast-brass dolphin spandrels to the sides, the break-arch oak case having a glazed door, canted corners, fluted columns to the hood, a panelled base and standing on bracket feet, height 230cm.* Biography E.W. Payne were established as jewellers in Bromley, Kent in 1899 and finally closed their doors in 2013 having occupied showrooms on a prominent corner plot in the town centre.

Richard Martin, Northampton, oak longcase clock, square brass dial with second dial and date aperture, eight-day movement, the case with pagoda hood, plinth base, width 43cm, height 212cm.

A 20th century mahogany veneer cased Tempus Fugit Longcase granddaughter clock. The upright case with decorative hood housing inset movement and dial marked for Tempus Fugit. 158cm h x 30cm w x 18cm d 

An 18th century fruitwood longcase clock the brass dial with arabic and roman numerals signed Thompson Whitehaven, overall 45cm wide x 24cm deep x 212cm highCondition report: Includes pendulum, two weights and key

A George III oak longcase clock, the hood with caddy top and turned pillars, the brass dial with moon phase and date apertures and engraved 'Richard Midgley', thirty hour movement striking on a bell, 220cm highCondition report: At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a full condition report

A George III mahogany eight day longcase clock with a breakarch pediment above a brass and silvered dial having a painted sun and moon phase, Arabic and roman numerals, signed Taylor Kings Street West Haven, the case 52cm wide x 31cm deep x 230cm highCondition report: Includes two weights and a pendulum, back left foot loose, door hangs slightly low and bowed, movement complete but untested

A 20th century mahogany longcase clock the unsigned enamelled dial marked with roman numerals and two subsidiary dials under break scroll pediment and gilt spiked globe finial, 47.5cm wide x 22.5cm deep x 215cm highCondition report: Enamel to clock face with crazing and some small chips, one subsidiary hand missing, surface marks and scratches to the mahogany case, repaired crack to break scroll pediment, not tested

A George III mahogany banded oak 8 day longcase clock marked Caleb Boney, Padstow, height 210cm

An 18th century oak 8 day longcase clock, marked Wm. Tipling at Leeds, later cased, height 208cm