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A late 18th century oak cased thirty hour longcase clock, with dentil pediment and blind fretwork above a square painted white dial with date aperture, flanked by fluted columns, above a long domed door, on bracket feet. The 30 hour movement is unusual in that it is skeletonised on both plates and is of the early rope drivetype, hands possibly original, case in need of some restoration (Illustrated).
A 19th century mahogany eight day longcase clock, the broken arch pediment with central brass finial, arched dial with rolling ship, subsidiary seconds signed by S Whalley, Manchester, flanked by fluted columns, the mahogany case with ogee hood door flanked by reeded columns, on bracket feet, height 244cm (Illustrated).
A George III oak longcase clock with eight day movement striking on a bell, the brass break arch dial with silvered chapter ring signed `Thos Moore, Hindon`, the matt centre with subsidiary seconds and date aperture, beneath a silvered boss engraved with an eagle, cornered with pierced gilt metal spandrels, the arched hood with turned columns flanking a glazed door, the trunk with arched door on a plain base and plinth, height approx 212cm.
A George III figured mahogany longcase clock with eight day movement striking on a bell, the painted break arch dial with rolling moon to arch above Roman and Arabic numerals, framing subsidiary seconds and date aperture, inscribed `Thos. Whitaker, Thorne`, cornered with painted flowers, the pagoda top hood with glazed door flanked by Corinthian columns, the arched trunk door flanked by Corinthian quarter column pilasters on a plain base and ogee bracket feet, height approx 233cm (some faults).
A George III oak longcase clock with eight day movement striking on a bell, the painted dial with subsidiary seconds and date aperture, inscribed `Slater Lichfield`, beneath a scene of a courting couple to the arch, the case crossbanded in mahogany and inlaid with foliate paterae, the hood with swan neck pediment above a glazed door flanked by columns above an arched trunk door, on bracket feet, height approx 223cm (faults).
A William and Mary and later walnut veneered and marquetry longcase clock with eight day five pillar movement striking on a bell, the square brass dial with matt centre, subsidiary seconds dial and date aperture, framed by a silvered chapter ring with Roman numerals and inscribed `W. Sellers, London`, cornered by pierced amorini spandrels, the hood with moulded pediment above a pair of barley twist pilasters, the trunk door with a lenticle and inlaid with three panels of well drawn bird, floral and foliate scroll marquetry, the plinth similarly decorated, the sides divided into panels by stringing, on a pedestal base, height approx 205cm (alterations and restoration).
A George III oak longcase clock with eight day movement, the silvered break arch dial with Roman numerals, subsidiary seconds and date aperture, inscribed `Francis Turner, Rochford`, cornered with engraved foliate scrolls beneath a rocking ship automaton to arch, the moulded arch hood above a glazed door, the trunk with arch moulded door, on a plinth base, height approx 213cm.
A George III oak and mahogany banded longcase clock with eight day striking movement, the painted square dial with subsidiary seconds and date aperture, inscribed `Tomkinson, Nantwich`, the hood with swan neck pediment above a glazed door flanked by moulded columns, the trunk with an arched door flanked by pilasters, raised on bracket feet, height approx 212cm.
A George III mahogany longcase clock with eight day movement striking on a bell, the brass break arch dial with strike/silent indicator to arch above a silvered chapter ring with Roman numerals and Arabic minutes, the matt gilt centre with subsidiary seconds, date aperture and silvered plaque inscribed `Peter Jaquet London`, all cornered with pierced spandrels, the hood with swan neck pediment above a glazed door and fluted columns, the trunk door with chequer banding, flanked by fluted quarter columns, above a star inlaid base with chamfered corners on bracket feet, height approx 231cm (alterations and restoration).
Good mahogany eight day longcase clock, the 12" arched brass dial signed Edgecumbe & Nichols, Bristol, with Adam and Eve automata to the arch over an engraved dial with subsidiary seconds dial and arched calendar aperture, the flamed case with short inlaid ebonised bordered door, surmounted by a wavy rounded arched cornice over a fluted panel bordered with boxwood lines, 87" high
Oak and mahogany eight day longcase clock, the 14" painted arched dial signed James Powell, Worcester, moon phase to the arch, subsidiary seconds and calendar dials, the case with short door crossbanded with mahogany and inlaid with boxwood and ebony lines, flanked by quarter fluted ormolu mounted Corinthian columns, the hood also inlaid with boxwood lines and chequered banding, surmounted by a broken swan neck pediment with pressed rosettes and two ball and eagle finials, 100" high
Oak eight day longcase clock, the 12" square brass dial signed Samuel Holbin, Bitton, the centre engraved with a ship and village scene, with subsidiary seconds dial and calendar aperture, the case with long door inlaid with a star motif and boxwood lines, surmounted by a moulded cornice over a carved frieze, 75" high
Oak eight day longcase clock, the 12" square brass dial signed Baker Appleby on the silvered chapter ring enclosing a gilt matted centre with subsidiary seconds dial and calendar aperture, the case with long arched door flanked by quarter fluted pilasters over a panelled base, surmounted by a wavy shaped pediment, 79" high
Mahogany three train musical longcase clock, the 12" brass arched dial signed A. Ross. Boston, on a silvered plate to the floral engraved centre, the movement playing on eight bells and striking on another, the case with short door inlaid with boxwood banding, surmounted by a swan neck pediment, 81" high
Oak eight day longcase clock with five pillar movement, the 12" square brass dial signed Anthony Harrison, London, the matted centre with subsidiary seconds dial, calendar aperture and ring turned winding holes, the case with plain long door surmounted by a moulded stepped cornice, 79" high, (with brass cased weights)
Early 18th century walnut eight day longcase clock, the 12" square brass dial signed Edward Patrick, London, with a silvered chapter ring and engraved matted centre depicting lovebirds and a basket of fruit, with a subsidiary constant seconds dial over a date aperture and applied with pierced cast cherub spandrels, the figured veneered case with a flat hood and blind fret moulding over a long cockbeaded moulded door inset with a glass lenticle, 85.5" high
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41749 item(s)/page