A Scottish Mahogany Eight Day Longcase Clock, signed James Cowan, Edinburgh, circa 1760, the case with flat top and fluted columns, trunk door and plinth with moulded quatreform frames, 12-inch brass arched dial with silvered chapter ring, matted centre field with seconds and date aperture, the arch with silvered plaque signed "James Cowan, Edinburgh", surrounded by foliate engraved decoration, strike/silent, later hands, four pillar movement with rack striking on a bell, 217cm high
We found 41749 price guide item(s) matching your search
There are 41749 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
41749 item(s)/page
An Oak and Mahogany Eight Day Longcase Clock, signed William Davies, Chester, circa 1770, the case with swan neck pediment, wavy shaped trunk door with mahogany crossbanding flanked by inset fluted pilasters, brickwork decoration upon a plinth with canted corners, 13-inch arched brass dial with silvered chapter ring with inner date ring with corresponding central date hand, dial centre with engraved floral decoration and signed "William Davies, Chester", subsidiary seconds, the arch with painted landscape scene and rolling moon disc, four pillar movement with anchor escapement and rack striking on bell, 235cm high
A Walnut Eight Day Longcase Clock, signed Jams Smith, Aspeden, circa 1705, the case with flat top and hood pilasters, the trunk door with a moulded border and inset with a lenticle, 12-inch square brass dial with silvered chapter ring signed "Jams Smith, Aspeden", matted centre field with subsidiary seconds and date aperture surmounted by scroll engraving, dial border with engraving, blued steel hands, five pillar movement with anchor escapement and inside countwheel striking on a bell, later seatboard, 206cm high
A 19th century oak longcase clock, the hood with broken swan neck pediment and fluted Ionic columns above an ogee arched long trunk door, box base and bracket feet, the brass dial with moonphase to the arch and gilt spandrels, the silvered dial with Roman numerals, calendar dial inscribed 'Blaylock, Longton', the 30 hour movement striking on a bell, 220 cms high.
A 19th century oak longcase clock, the hood with moulded pediment and turned columns above an arched long trunk door and box base, on a plinth, the 30.5 cms square dial painted with roundel and leaf spandrels, Arabic numerals and calendar aperture, inscribed 'Owen Richards, Bala', the 30 hour movement striking on a bell, 191 cms high.
A 19th century mahogany longcase clock, the hood with broken swan neck pediment, central globe finial and rope twist columns above a short trunk door box base and bracket feet, the 30.5 cms dial painted with a ruin to the arch and similar spandrels, with Roman numerals, seconds subsidiary dial and calendar aperture, inscribed, the eight day movement striking on a bell, 225 cms high..
A 19th century oak and mahogany longcase clock, the hood with broken swan neck pediment, urn finial and Ionic columns above a shell inlaid long trunk door and box base, the 30.5 cms dial painted with a swan and flowers to the arch and flowers to the spandrels, the dial with Roman numerals, seconds subsidiary dial and calendar aperture inscribed 'Owen Bon.... Merthyr Tydfil', the eight day movement striking on a bell, 212 cms high.
A George III oak and mahogany crossbanded eight day longcase clock, the twin train movement with anchor escapement striking on a bell, unmarked false plate, the arched dial painted with rustic village scene and flowers to the spandrels, subsidiary seconds dial and date aperture, the hood with swan neck pediment and fluted columns, above boxwood strung trunk with chamfered angles, the base centred by shell paterae 228cm high
GEORGE GRAHAM A Victorian eight day quarter chiming longcase clock, the triple train movement with anchor escapement striking on four and eight bells, the brass dial with silvered Roman chapter ring, cast spandrels and moon phase to the arch, subsidiary seconds dial and strike/chime and four bells/eight bells, inscribed 'George Graham, Clock Maker', within elaborate mahogany case with satinwood panels, rosewood cross banding, boxwood and chequer stringing, gilt brass mounts, the straight corniced hood, trunk and base with fluted Corinthian columns to the angles, ball and eagle and cockerel finials, the trunk with glazed door 253cm high
A GOOD GEORGIAN MAHOGANY EIGHT DAY LONGCASE CLOCK the brass faced dome top movement by ADAM JOHNSTON, DOWN PATRICK with applied pierced mounts, subsidiary seconds dial and date aperture. Set within a swan neck and urn finial pediment hood over column sides, blind fretwork, plain case with fluted column sides, the base with canted corners. 7ft 8ins high.
A fine Cheshire figured mahogany eight-day longcase clock with moonphase, circa 1780, the four-pillar rack and bell striking movement with 13.5 inch brass Roman numeral break-arch dial, with subsidiary seconds dial and calendar aperture to the foliate scroll engraved silvered centre, within silvered chapter ring and foliate scroll spandrels beneath moonphase and signature 'Samuel Clare, Hatton' to arch, in swan neck pedimented case with verre eglomise infill and fluted pilasters to hood over blind fret decorated throat and shaped-top bookmatch veneer trunk door flanked by quarter columns, on raised panel applied plinth base with canted angles and ogee bracket feet, 252cm high..
An inlaid mahogany eight-day longcase clock, circa 1800, the four-pillar rack and bell striking movement with 14 inch Roman numeral brass break-arch dial, with subsidiary seconds to the urn and scroll engraved silvered centre signed 'Jno' Fletcher, Barnsley', with female head pattern spandrels and silvered 'Tempus Fugit' boss to arch, in a swan neck pedimented case with turned hood pilasters and fleur de lys centre shaped-top trunk door flanked by inlaid pilasters, on plinth base with bracket feet, 233cm high.
A Midlands oak and mahogany eight-day longcase clock, circa 1790, the rack and bell striking four-pillar movement with 12 inch single sheet Roman numeral engraved brass break-arch dial, with arched calendar aperture and subsidiary seconds dial to the scroll decorated centre, with conforming spandrels and signed 'Henry Payton, Bromsgrove' to the arch, in a swan neck pedimented line inlaid case with reeded hood pilasters over conch shell patera centred rectangular trunk door and plinth base with squat bracket feet, 228cm high. Henry Payton is recorded in G H Baillie 'Watchmakers and Clockmakers of the World' as working in Bromsgrove circa 1765.
A West Country rosewood crossbanded and chevron banded figured mahogany eight-day longcase clock with moonphase, circa 1830, the four-pillar rack and bell striking movement with 12.5 inch white painted Roman numeral dial with subsidiary seconds dial and arch calendar aperture to centre, Gothic Ruin polychrome painted spandrels and age of the moon to arch, in shaped crest break-arch pedimented case, with wavy edge hood door flanked by spiral turned pilasters, over panel inlaid throat and trunk door, flanked by further conforming three-quarter columns, on flame figured crossbanded plinth base with deep skirt, 228cm high.
A rare George III Bristol mahogany regulator, circa 1785, the four-pillar eight-day single train movement with deadbeat escapement, bolt and shutter maintaining power and long crutch, the 12 inch square silvered dial with Arabic minute numerals and later hour sector over signature 'William Hewlett, Bristol' to centre, in swan neck pedimented case with plain hood pilasters, rectangular trunk door and on plinth base with bracket feet, alteration to movement, 208cm high. See lot 382 for a High Water at Bristol Key longcase clock by his father.
A good Somerset oak thirty-hour longcase clock, circa 1765, the four-pillar outside countwheel bell-striking two-handed movement with 11 inch square brass dial applied with Roman numeral chapter ring, with Arabic minutes and signed 'John Rouckliffe, Bridgwater' to lower edge, with string of pearl pattern spandrels and leafy scroll arch bird in flight engraved centre, the square-top case with ogee moulded cornice, blind fret frieze and integral pilasters to hood, over rectangular trunk door and plinth base with shallow skirt, 194cm high.
A Somerset mahogany crossbanded oak thirty-hour longcase clock, circa 1820, the four-pillar outside countwheel bell-striking movement with 11 inch square white painted Roman numeral dial with arch calendar aperture and signed 'Jno. Thristle, Stogursey' to centre, with polychrome and gilt floral spandrels, in swan neck pedimented case with faceted hood pilasters, star inlaid trunk door and plinth base with shallow skirt, 204cm high.
A Leicester mahogany eight-day longcase clock with moonphase circa 1770, the substantial four-pillar rack and bell striking movement with star wheel set-up and 12 inch brass break-arch dial applied with Roman numeral chapter ring with Arabic minutes and rococo scroll spandrels, the centre with arched calendar aperture, ringed winding holes and signed 'Edw. Shepherd, Leicester' to a rococo scroll bordered cartouche, with moonphase within scroll engraved border to arch, in a pagoda top case with fluted hood pilasters, break-arch trunk door flanked by reeded canted angles, on panel decorated base with bracket feet, 224cm high.
A George II dark green lacquered eight-day longcase clock circa 1730, the five-pillar rack and bell striking movement with 12 inch brass break-arch dial applied with silvered Roman numeral chapter ring with Arabic minutes, fleur de lys half hour markers and female head pattern spandrels, the matted centre with subsidiary seconds dial and foliate engraved calendar aperture, the arch signed 'Joseph Dudds, London' to central silvered boss flanked by gilt dolphin mounts, in a break-arch pedimented case with square-top trunk door decorated in gilt with figures within Oriental landscape with pagodas, with brass lenticle, on plinth base with conforming decoration, case with some re-touching, 219cm high.
A Plymouth oak eight-day longcase clock, with rocking figure to arch circa 1785, the four-pillar rack and bell striking movement with 12 inch brass dial applied with Roman numeral silvered chapter ring with Arabic minutes and leafy scroll cast spandrels, the centre with subsidiary seconds dial and arch calendar aperture within engraved scene of a square rigged sailing vessel passing the Barbican, the arch with a rocking figure of Fortuna and signed 'William Pearce, Plymouth' along upper edge, in a caddy-top case with break-arch cornice and Corinthian pilasters to hood, over shaped-top trunk door and on plinth base, 212cm high.
A fine George III London figured mahogany eight-day longcase clock, circa 1770, the substantial five-pillar rack and bell striking movement with anchor escapement and 12 inch brass break-arch dial applied with silvered Roman numeral chapter ring with Arabic minutes and gilt castle gateway pattern spandrels, the matted centre with subsidiary seconds dial, calendar aperture and signed 'Dan'l De St. Leu, London' to a silvered arched plate, the arch with Strike/Silent dial between Hoho bird and scroll cast gilt mounts, the case with pagoda shaped pediment and brass flambeau finials over break-arch cornice and frieze and stop-fluted brass pilasters to hood, with flame figured break-arch trunk door over conforming raised panel plinth base, 253cm high.
A Dorset crossbanded oak eight-day longcase clock circa 1770, the four-pillar rack and bell striking movement with 12 inch brass break-arch dial applied with silvered Roman numeral chapter ring signed 'Roger Startudge, Christchurch' to lower edge and cockleshell pattern spandrels around a foliate scroll and Hoho bird engraved centre with subsidiary seconds dial and arched calendar aperture, the arch with silvered eagle engraved boss flanked by dolphin mounts, in break-arch pedimented case with integral hood columns, break-arch trunk door and reduced plinth base with double skirt, 208cm high.
A good Queen Anne figured walnut eight-day longcase clock by 'Windmills, London' circa 1710, the rack and bell striking movement with five finned pillars and anchor escapement, with 12 inch square brass dial applied with silvered Roman numeral chapter ring with fleur de lys half hour markers, Arabic minutes and signed to lower edge, with female mask and scroll spandrels, the matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, in flat-top case with moulded cornice over integral pilasters to hood and square-top trunk door with book-matched veneers and lenticle, on plinth base, case with some restorations, 222cm high.
A Somerset mahogany cased thirty-hour longcase clock circa 1725, the two handed four-pillar outside countwheel bell-striking movement with 10.75 inch square brass dial applied with Roman numeral chapter ring with Arabic minutes and cruciform half hour markers, London Cherub head pattern spandrels, the matted centre with square calendar aperture beneath bridge signature plaque 'William Cuff, Wells', in a later swan neck pedimented case with wavy edge hood door, square trunk door and plain base with bracket feet, distressed, 208cm high.
A fine Bristol mahogany eight-day longcase clock with 'High Water at Bristol Key', circa 1750, the four-pillar rack and bell striking movement with 12 inch brass break-arch dial applied with silvered Roman numeral chapter ring with Arabic minutes and signed 'Isaac Hewlett, Bristol' along lower edge, with rococo scroll and cockleshell spandrels, the matted centre with subsidiary seconds ring and calendar aperture, with moonphase to arch calibrated for tidal times to upper edge, the fine case with ogee moulded caddy and cornice over integral hood pilasters and shaped-top parquetry line inlaid trunk door, on conforming plinth base with bracket feet, 245cm high. A regulator by his son, William, is also offered in this sale as 291.
A Wiltshire inlaid figured mahogany eight-day longcase clock, circa 1830, the four-pillar rack and bell striking movement with 13 inch white painted Roman numeral break-arch dial, the centre with subsidiary seconds dial, arch calendar aperture and signed 'Morse, Malmesbury', with polychrome painted Four Seasons spandrels and young girl asleep with bale of wheat to arch, in shaped pediment break-arch case with three turned wood finials and shaped Corinthian pilasters to hood, the trunk with panel inlaid door flanked by conforming quarter pilasters on similarly inlaid plinth base, 225cm high.
A Welsh oak and mahogany eight-day longcase clock with moonphase, circa 1830, the four-pillar rack and bell striking movement with 13 inch white painted break-arch Roman numeral dial, the convex centre with subsidiary seconds dial, arched calendar aperture and signed 'J. Moseley, Swansea', with polychrome floral painted spandrels and moonphase to arch, in shaped outline arch pedimented case, with wavy edge door and reeded pilasters to hood, over rectangular trunk door flanked by conforming quarter columns, on plinth base, 218cm high.
Early 18th century walnut and mahogany longcase clock with basket top hood, plain turned pilasters, arched door; the eight day movement with 11 1/2 ins square dial, cherub spandrels, silvered chapter ring inscribed "Rich. Penny, London" minus pendulum rod, plinth base loose, movement(af), 84 1/2 ins high
An oak, mahogany and rosewood crossbanded longcase clock, early 19th century, the broken scroll swan neck pediment above a square hood door flanked by turned half columns enclosing a 14" circular white painted enamel dial with roman numerals and subsidiary seconds dial, marked indistinctly 'Hay, Shrewsbury', eight-day movement striking on a bell above rosewood crossbanded and mahogany tablet and pointed arched top crossbanded lozenge centre three-quarter length trunk door flanked by turned half columns over a further tablet and ogive moulding and conforming base board with canted corners, distressed, 81" high.
A Victorian mahogany crossbanded longcase clock, circa 1870 the broken scroll pediment centred by a pyramid finial above an arched glazed door flanked by wrythen reeded columns and enclosing 14" white painted arched enamel dial with roman numerals, subsidiary seconds dial and moon phase in the arch, and marked 'E Lashmore, Oswestry', painted with rustic housing and castle ruins to the corners and arch, eight-day movement striking on a bell above a three-quarter length shaped arched top crossbanded trunk door, flanked by wrythen reeded columns over a crossbanded panel, canted border and crossbanded base board and raised on ogee bracket feet, 90" high.
An early 19th century mahogany longcase clock, the 8 day movement striking on a bell to a painted arch dial, decorated an oval depicting Hebe, subsidiary seconds dial and date aperture, inscribed 'Thos Noon, Burton', the veneered case with crossbanding and inlaid stringing, the base reduced, 6ft 10.5in (209cm) h.
An 18th century walnut veneered longcase clock, the 8 day five pillar movement striking on a bell to a brass arched dial with moon phase and subsidiary seconds dial and date aperture, inscribed 'John Gordon, London', the stepped hood with blind fret decoration, the trunk door with a moulded edge to a base with later mouldings and block feet, 8ft 3in (251.5cm) h.
An early 19th century oak and mahogany banded longcase clock, the broken swan neck pediment above an arched glazed door, flanked by turned columns, the short trunk door flanked by quarter fluted columns, on a box base and later moulded plinth, the arched 13 inch painted dial depicting scenes of buildings, signed Johnathan Talbot, Stourbridge, the single train brass movement with anchor escapement, passing strike on a bell, 230cm high
A George III oak and mahogany banded longcase clock, the hood with dentil moulded cornice above an arched glazed door, flanked by columns, the arched trunk door flanked by quarter columns, above a projecting box base, feet lacking, faults, the twelve inch arched painted dial with subsidiary seconds dial and date aperture, painted with Roman hour numerals and fruit to the spandrels, the twin train brass movement with anchor escapement striking on a bell, 215cm high
An early 19th century Scottish mahogany, rosewood banded and line inlaid longcase clock, the arched hood surmounted by a brass eagle and ball finial with swan neck fretted crest, above a circular glazed door, flanked by a pair of reel-moulded half columns, the arched trunk door flanked by quarter rope twist moulded columns, above a projecting box base, feet lacking, the 13inch circular silvered dial signed 'John Mearns, Aberdeen', with subsidiary seconds and date dials and Roman hour numerals, the twin train brass movement with anchor escapement striking on a bell, 219cm high
An early 19th century mahogany longcase clock, the hood with projecting cornice above a square glazed door flanked by columns, the long trunk door above projecting box base, on tapered bracket feet, the eleven inch square painted dial inscribed 'W. Bleale(?), Brighton', decorated in gilt with flowers to the spandrels, the single train brass movement with anchor escapement striking on a bell, 197.5cm high, 47cm wide
A George III oak longcase clock, the broken swan-neck pediment above a square glazed door flanked to each side by a column, the short trunk door above a projecting panelled box base, the square twelve inch painted dial with date aperture painted with a bird to the centre and flowers to the spandrels, signed 'John Warne (?) Moreton in Marsh', the single train movement with anchor escapement and outside countwheel striking on a bell, 209cm high
An early 19th century oak East Midlands longcase clock, the stepped cornice above a circular glazed door flanked to each side by a column, the shaped trunk door above a projecting panelled box base and a moulded plinth, the thirteen inch circular painted dial with date aperture and signed 'Rea Walton', the single train movement with false winding holes and anchor escapement, 200cm high
A George III mahogany longcase clock, the hood with flower carved swan neck pediment and leaf scroll decorated eglomise panels, above an arched glazed door flanked by fluted columns, the ogee arched long trunk door flanked by reeded pilasters, above a panelled box base with chamfered corners, on ogee bracket feet, the fourteen inch painted dial signed 'Collier, Cheadle', with subsidiary seconds and date dials, within Roman hour and Arabic minute numerals, with flower painted spandrels, the arch with moonphase, the twin train brass movement with anchor escapement, striking on a bell, slight faults and restorations, approximately 230cm high
A GEORGE III OAK LONGCASE CLOCK, the silvered and brass dial signed John Stoakes, Fareham with subsidiary seconds dial and date aperture with rococo type engraving, the silvered chapter ring with Roman numerals and Arabic minutes with pierced cast spandrels all beneath a strike/silent dial, the five pillar movement striking on a bell, the arched hood surmounted by gilt acorn finials, the dial flanked by twin turned columns, the trunk door with an inlaid panel of a dragon, 86" high.
A mahogany dwarf longcase clock, the arched hood with swan-neck pediment, urn finials and fluted turned columns, the double ogee arched waist-panel door enclosed by fluted quarter columns on a box base with moulded brick work decoration, the 18cm. arched brass dial with silvered chapter ring and automaton sailing boat to the arch, the twin-train movement striking to a bell, 153cm. high.
![Loading...](/content/bs/images/ajax-loader.gif)
-
41749 item(s)/page