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An Impressive Dutch Burr Walnut Inlaid Musical Longcase Clock with Automaton, signed DVD Meer, Amsterdam, circa 1780, the fine burr walnut case with shaped hood and carved floral and scrolled decoration (finials missing), finely pierced front and side frets, canted sides with floral inlay and with Corinthian capitals, the long shaped trunk door with inlay and moulded borders, flanked by canted corners with applied carved mounted capitals, painted landscape background with windmill, the massive three barrel movement with anchor escapement, half hour striking on two bells and four tune selection and playing on fourteen bells with twenty-seven hammers, 274cm high

A Rare Walnut Eight Day Longcase Clock with Unusual Seconds Dial in the Arch, signed Bradley, London, circa 1715, the case with caddy top and fine pierced fretwork, arched trunk door with stringing and moulded edge upon rectangular plinth, 12-inch brass arched dial, dial centre with ringed winding holes and date aperture, cherub and crown spandrels, the arch with two silvered plaques signed "Bradley, London", 5-inch silvered seconds dial with a counter balanced seconds hand and interesting engraving of military equipment, with on the left side the flag of Louis XIV and on the right the flag of the Duc De Aujou, who became King Phillip 5th of Spain in 1700, seven pillar movement with anchor escapement set in the on extended plates and internal countwheel striking on bell, 245cm high *Langley Bradley born 1663 was apprenticed to Joseph Wise in 1687 and was freeman of the "Clockmakers" Company in 1695. He was elected master in 1726 and was a member until 1738. His address was Minute Dyall in Fenchurch Street. As well as making St Paul's Cathedral's clock, he also made ones for St.Giles in Edinburgh and Cripplegate, London. In the Sloan Museum there is a fine calendar watch by Bradley, this was commissioned by William III and presented to Sir Christopher Wren.

A longcase clock 31 cms square dial and movement of square form decorated with flowers and birds, with a seconds subsidiary dial and calendar aperture, the 30 hour movement striking on a bell.

A 19th century mahogany longcase clock, the arched hood with fluted Ionic columns above a short trunk door, on a box base, the arched dial with moonphase and floral spandrels, seconds subsidiary dial and calendar aperture, inscribed 'W. Vaughan, Newport', the eight day movement striking on a bell.

A 19th century mahogany longcase clock, the hood with floral painted panels, Admiral Lord Nelson roundels and fluted columns, above a long trunk door with shaped top, box base and fun feet, the 35 cms dial with moonphase, ship and church rotating plate, painted with globes and floral spandrels with Roman numerals and a seconds subsidiary dial, inscribed Liverpool, the eight day movement striking on a bell, 236 cms high.

Thomas Martin, London, An early 18th Century longcase clock, the brass arched dial with a silvered chapter ring and Roman numerals, supporting an eight day movement with subsidiary strike/silent, second and date dials, the walnut case with a moulded cornice and turned pilasters over a waisted body with an arched door on a box base and bracket feet, 236cm high

A George III mahogany eight day longcase clock, the arched brass dial engraved J C Lowrie, Stoke Newington, with strike silent, calendar and seconds dials supporting an eight day striking movement, the arched hood with brass ball and spire finials, dial 11in, case 2.2m

A George III mahogany longcase clock, the arched and gadrooned top surmounted with finials enclosing an eight day striking movement and a circular painted dial, housed in a plain case and plinth, 207cm

Watkins, London, A George III strung mahogany regulator longcase clock, the circular silvered dial engraved 'Watkins, London', with a seconds dial supporting a five pillar movement and deadbeat escapement, dial 28cm (11Ó) diameter, case 188cm high

A mahogany longcase clock, the circular brass dial supporting an eight day movement, subsidiary seconds dial and date aperture, inscribed George Howletts, Birmingham, 201cm

A small early 20th century brass mounted mahogany and beech timepiece, modelled as a longcase clock, 9ins and another small timepiece, 6ins

An Edwardian inlaid mahogany eight day chiming longcase clock, the arched brass dial with strike / silent, Whittington / Westminster selector and subsidiary seconds, movement striking on eight gongs, case with oval glazed door, 8ft 3ins

An early 19th century mahogany eight day longcase clock, the arched painted dial with subsidiary date and seconds dials, signed Geo. Archbold, Berwick on Tweed, 6ft 11ins

An early 19th century mahogany 8-day longcase clock, unsigned, enamelled square dial with subsidiary seconds and date aperture, in mahogany case with fluted columns, 6ft. 9in.

A late George III oak thirty-hour longcase clock, signed Sayer, Bromyard, enamelled square dial with date aperture, in oak case with swan-neck pediment and mahogany cross-banding, 6ft 11in.

An oak longcase clock, the arched enamelled 33cm dial with bird, fruit and flowers to arch above floral spandrels, Arabic chapter ring, cut brass hands, calendar aperture, inscribed 'Pallinson, Chesterfield', thirty hour movement, striking on a bell, the hood with swan neck pediment with brass finials, freestanding plain pillars, arched door to trunk, with mahogany veneers and crossbands, boxwood and ebony stringing, skirted base, 222cm high

An oak cottage longcase clock, the square brass 30cm dial with foliate spandrels, Roman and Arabic chapter ring, the leaf chased centre with calendar dial, inscribed Ramsbottom, Hall Green, eight day movement, striking on a bell, the square hood with moulded cornice and plain freestanding brass mounted pillars, shaped trunk door, outlined with mahogany crossbands, on bracket feet, 196cm high (composed)

An oak longcase clock, the square brass 32cm dial with floral and urn spandrels, Roman and Arabic chapter ring, matted centre with subsidiary seconds and calendar aperture, inscribed 'Joseph Atkinson', eight day movement, striking on a bell, the plain case with stepped domed hood, freestanding pillars, ovolo moulded trunk door, on bracket feet, 210cm high

An oak longcase clock, the square brass 27cm dial with mask and leaf scroll spandrels, Roman and Arabic chapter ring, matted centre, inscribed 'Isaac Hewlett, Bristol', adapted eight day movement, striking and chiming on gongs, the hood with swan neck pediment and inlaid with oval shell patera, brass mounted freestanding pillars, arched door to trunk flanked by brass mounted fluted quadrant pilasters, outlined throughout with mahogany crossbands inlaid with lozenges, skirted base, 215cm high

A mahogany longcase clock, the arched enamelled 36cm dial with rocking man o'war in an estuary flanked by castles, the spandrels with lighthouses and ruins, Roman chapter ring, subsidiary seconds dial and calendar aperture, the centre painted with colourful humming birds, inscribed 'David Griffighn Hirwaen House Pwllheli', eight day movement, striking on a bell, the hood with swan neck pediment centred by a leafy cartouche flanked by freestanding and planted spirally turned pillars, the broad waist conforming, shallow arch to door and planted panel to base, bun feet, 234cm high

A floral marquetry longcase clock, the square brass 26cm dial with infant mask spandrels, Roman chapter ring and matted centre with subsidiary seconds dial and leaf chased calendar aperture, inscribed George Booth, Manchester, eight day movement, striking on a bell, the square hood with cavetto cornice and blind fretwork frieze above three-quarter column pilasters, the rectangular trunk door with lenticle, the front inlaid with Dutch floral marquetry panels of birds, flowers and urn within borders of formal leafy scrollwork, the sides walnut veneered in boxwood strung rectangular panels, 194cm high (case composite, case and works not originally together)

A fine large inlaid mahogany longcase clock, in George III style, the arched brass 41cm dial with floral, mask and dolphin spandrels, silvered Roman and Arabic chapter ring, the matted centre with subsidiary seconds dial, the arch with Westminster Chimes - Chime On Eight Bells dial above Strike - Silent and Chime - Silent dials, three-train eight day movement striking and chiming on gongs, the arched hood with swan neck pediment and harewood paterae terminals, brass grenade finial above freestanding fluted pillars with brass Corinthian capitals, the chamfered trunk with an arched curl veneered door, the base with a circular curl veneered panel, satinwood panelled throughout and outlined with boxwood and ebony stringing and crossbanded borders, on a shaped plinth, 260cm high, early 20th century, Provenance: This clock made by John Brownsword, watch and clockmaker of Nottingham for his home, 15 Cavendish Crescent South, The Park, Nottingham from where it has been removed for this sale.

A fine and unusual mahogany, burr walnut and parquetry longcase clock, the arched brass 30cm dial with mask, leaf and dolphin spandrels, silvered Roman and Arabic chapter ring, the matted centre chased with leaf scrolls, silvered subsidiary seconds dial, inscribed Isaac Godard, London, the arch with silvered Westminster and Cambridge dial, three-train eight day movement, striking and chiming on tubular bells, the hood with a bold cavetto moulded triangular pediment, the inlaid vertically staved balloon finials above parquetry pilasters with scroll capitals inlaid with cube parquetry, the curl veneered trunk door and base inlaid with sunburst spandrels, outlined throughout with crossbanded strung borders, on ogee feet, 238cm high

An oak longcase clock, the 8-day movement striking on a bell to a 12in square brass dial, with a silvered chapter ring inscribed 'John Richardson Warwick' to matted centre with subsidiary seconds dial and date aperture, to vase and eagle spandrels, the hood with a caddy top and blind fret frieze above a glazed door, the waist door with a lenticle, the base on bracket feet, 91in (231cm) h.

An early 19th Century longcase clock with brass arch dial and subsidiary dials, fitted an eight-day movement by Samuel Vale, Coventry, the case carved at a later date

A late 18th/early 19th Century oak longcase clock, the hood with swan neck cornice, having a square painted dial

A Contemporary wooden skeleton longcase clock

An early 19th century mahogany and crossbanded longcase clock, the arched painted dial with a subsidiary seconds dial and signed 'L.Koos, Merthyr' the eight day movement striking on a bell, the hood with a swan-neck pediment above an arched trunk door, on bracket feet, 223cm high L. Koos is listed as working in Merthyr Tydfil in the early part of the 19th century

An early 19th century pine longcase clock, the arched painted dial signed 'Beringer Schwern, Redruth', with a seconds subsidiary, the eight-day movement striking on a bell, 188cm high

An oak longcase clock, circa 1930, the engraved brass dial striking on gongs, 193cm high

An 18th century oak longcase clock, the later square brass dial signed 'James Farrer' with twin winding holes, calendar and vacant dial within a hood with a 'caddy' top, 194cm high

An early 19th century mahogany longcase clock, the square painted dial later signed, 'David Baker ....', the thirty-hour movement striking on a bell, 204cm high

A George III mahogany longcase clock, the arched brass dial with silvered chapter ring, calendar and seconds subsidiary, with circular silvered disk signeed 'Steil, Edinburgh', the eight-day movement striking on a bell, the hood with a pierced fretwork swan-neck pediment above an arched door flanked by fluted columns, 213cm high

18th Century oak longcase clock, hood with turned columns flanking the 36cm square painted enamelled dial with subsiduary seconds dial and date arch, the short trunk door inlaid with a heart, 215cm high.

19th Century pine longcase clock, hood with moulded cornice and reeded columns flanking the glazed door, enclosing 28cm square painted enamelled dial with date arch, marked Callcott, Cotton, thirty hour movement, the trunk with crossbanded door flanked by reeded quartered columns, 178cm high.

18th Century oak longcase clock, hood with reeded columns flanking the arched 32cm floral painted enamelled dial with subsiduary seconds dial and date arch, marked E M Mafsey, Newcastle, the trunk with crossbanded door flanked by quartered reeded columns, 214cm high.

WM. BARR, HAMILTON, A 19TH CENTURY MAHOGANY LONGCASE CLOCK, the gilded circular dial, with subsidiary date and seconds dial, twin train movement, the swan neck hood above a short arched panel trunk door, flanked by quarter columns, raised on a circular panel stepped base with shaped apron and bracket style feet, 92 ins high.

THOS. LISTER, HALIFAX, A LATE 18TH CENTURY OAK LONGCASE CLOCK, the break arch moon phase dial with silvered chapter ring, bird and foliate engraved centre and date window, supporting a 30 hour movement, the swan neck hood above a conforming long trunk door, flanked by quarter columns, stepped base with shaped plinth, 86 1/2 ins high.

Old Longcase Clock Movement, turned pillars, arch painted dial with Roman numerals, (a.f.).

George Hewett, Malborough. A late 18th century mahogany longcase clock, the arched hood with fluted columns, having an arched moulded waist panel door enclosed by fluted quarter columns, on a moulded box base, the 30cm. arched brass dial with silvered chapter ring, subsidiary seconds and date aperture, and lunar phase, signed to the arch 'George Hewett, Malborough', the twin train movement with anchor escapement striking to a bell, 212cm. high.

Twist, Ormskirk.A mid 19th century mahogany longcase clock, the square hood with swan-neck pediment and a pair of turned columns, the trunk enclosed by a shaped waist panel door between reeded pilasters, the 35.5cm. square painted Arabic dial signed 'Twist, Ormskirk', having a moonphase mechanism and date aperture, the twin train movement with anchor escapement and bell strike, 213cm. high.

An Edwardian mahogany quarter-chiming longcase clock, the dome topped hood with turned brass capped columns, the trunk enclosed by a glazed door between canted corners, on a panelled base, the 30.5cm. arched brass Roman dial with silvered St Michael/Westminster/Whittington ring to the arch, having a subsidiary seconds dial, the three train movement with anchor escapement, hour strike on one tubular bell with quarter chimes to a further eight, 219cm. high.

Thomas Waller Preston.A George III walnut longcase clock, the dome topped hood with turned columns, the trunk enclosed by a shaped waist panel door, on a box base and bracket feet, the 33cm. arched brass Roman dial with moonphase dial to the arch, the silver chapter ring signed 'Tho Waller, Preston', having a subsidiary seconds dial and date aperture, the twin train movement with bell strike, 225cm. high.

An early 19th century mahogany and oak longcase clock, the hood with swan-neck pediment and fluted brass capped columns, the trunk enclosed by a shaped waist panel door between canted corners, on a panelled base and ogee bracket feet, the 33.5cm. arched painted Roman dial with moonphase mechanism to the arch, having subsidiary seconds and date dials, the twin train movement with anchor escapement and bell strike, 242cm. high.

Lightstone, St. Neots. An early 19th century oak and mahogany crossbanded longcase clock, the hood with swan-neck pediment and fluted columns, the trunk enclosed by a shaped waist panel door, on a box base, the 30.5cm. arched painted Roman dial signed 'Lightstone, St Neots', with subsidiary seconds dial and date aperture, the twin train movement with anchor escapement and bell strike, 208cm. high.

Donegan, Dublin. A 19th century Irish mahogany longcase clock, the domed hood with curved angles, the waist panel door fitted with a 20cm. circular silvered barometer above a silvered alcohol thermometer, on a box base and bracket feet, the 34cm. circular painted Roman dial with subsidiary seconds dial, the twin train movement with gong strike, 199cm. high.

Wm Clement, Totnes. An 18th century oak longcase clock, the square hood with moulded cornice, the trunk enclosed by a waist panel door, on a box and plinth base, the 30.5cm. square brass dial with silvered Roman chapter ring, cast maskhead and foliate spandrels within an engraved foliate border, having a subsidiary seconds dial and date aperture, the silvered nameplate engraved 'Wm Clement, Totnes Fecit', the twin train movement with anchor escapement and bell strike, 194.5cm. high.

A 19th century French scarlet Boulle longcase clock, the waisted case with Chronos finial and lenticle glass to the trunk below a female mask mount, decorated with brass-cut panels to the front and sides, on paw feet, the foliate cast dial with enamel Roman numerals, the square twin-drum movement with radiant mask bob and outside countwheel striking to a bell, 233cm. high.

An 18th century black lacquered and gilt chinoiserie decorated longcase clock, the arched hood with brass ball and spire finials, and turned columns, the trunk enclosed by a waist panel door decorated with figures seated at a table in a garden setting, on a box base, the 30.5cm. arched brass engraved dial with moonphase mechanism to the arch, having a silvered Roman chapter ring with subsidiary seconds and date dials, the twin train movement with anchor escapement and bell strike, 241cm. high.

John Collings, Sodbury. An early 19th century oak longcase clock, the square hood with blind fret carved decoration and turned three-quarter pilasters, on a box and shaped plinth base, the 31cm. square silvered Roman dial with engraved foliate decoration and date aperture, the twin train movement with anchor escapement and bell strike, 208cm. high. Provenance: The Walronds, Cullompton

Jon Blurton, Stourbridge. A 19th century oak, mahogany and inlaid longcase clock, the hood with swan-neck pediment and stop fluted and brass capped columns, the truck enclosed by a shaped waist panel door with inlaid shell paterae, between fluted quarter pilasters, the base with similar decoration, the 35.5cm. arched painted dial with a portrait of a minister, possibly Wesley, reading the Bible to the arch, having subsidiary seconds dial and date aperture, the twin train movement with anchor escapement and gong strike, 229cm. high.

A 19th century oak longcase clock, with dentil cornice, 11in square painted dial inscribed Coates Cirencester with thirty hour movement

An oak longcase clock, with basket hood, the thirty hour movement with date aperture and roman numerals, the 11in square brass dial engraved Edward Smith, 19th century

A brass dial longcase clock, the eight day movement with 9.5in dial in a heavily carved dark oak case, erroneously dated to the hood 1654, engraved Jeremiah Brown, Fecit, 209cm high

Inlaid mahogany longcase clock, the swan neck pediment with brass ball finial over an arched brass face with Roman numerals in black and subsidiary seconds, flanked by brass capped reeded columns over a trunk, with inlaid details and raised on bracket feet, 88in (223.5cm) high

AN EDWARDIAN LONGCASE CLOCK, the eight day quarter chiming German movement with arched chased brass dial, in mahogany case crossbanded with stringing, scrolled brass mounted pediment on Corinthian columns, arched glazed door, panel base and bracket feet, 78 1/2" high

A mahogany crossbanded oak eight-day longcase clock, circa 1800, the four-pillar rack and bell striking movement with 12 inch square cream painted Roman numeral dial with arched calendar aperture, subsidiary seconds dial and signed 'W'm Barber, Sherborne' between bird inhabited foliate sprays to centre, with conforming rose sprays to spandrels, the case with shaped upstand over cavetto cornice and reeded pilasters to hood, long trunk door and on plinth base with moulded skirt, case with damage, 209cm high.

An Irish inlaid figured mahogany eight-day longcase clock, the four-pillar rack-striking movement with anchor escapement, the 13.75 inch square brass dial with ringed winding holes, calendar aperture and subsidiary seconds dial to the foliate border engraved matted centre within an applied Roman numeral silvered chapter ring with fleur de lys half hour markers, Arabic five minutes and signed 'William Marshall, Dublin' along lower edge, in a broken pedimented case with dentil cornice and oval inlaid panel frieze above reeded pilasters to hood above shaped-top trunk door short panel flanked by reeded quarter columns to trunk, on panel inlaid plinth base with bracket feet, movement and dial mid 18th century, the case later, 235cm high.

An oak cased eight-day longcase clock, the four-pillar rack and bell striking movement now with 11 inch square brass dial with matted centre within an applied silvered Roman numeral chapter ring with fleur de lys half hour markers and inscribed 'Edw. May, Witney' along lower edge, the case with moulded dentil cornice over plain hood pilasters and long door flanked by reeded canted angles to trunk, on plinth base with moulded skirt, part 18th century, composite, 182cm high.

A carved oak eight-day longcase clock, the four-pillar rack and bell striking movement now with 12 inch brass break-arch dial with redundant arched calendar aperture and subsidiary seconds dial to the foliate engraved matted centre within applied Roman numeral chapter ring with arcaded minute ring, foliate half hour markers and Arabic five minutes, with bird and urn pattern spandrel applied angles and arch with a boss inscribed 'Arthur Glover, Newcastle' between dolphin cast foliate mounts, the case with foliate mask centred pagoda shaped pediment over fluted hood pilasters and shaped-top long trunk door, on panelled plinth with shaped skirt, overall carved with foliate designs, composite, dial and parts of case 18th century, 226cm high.