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JOSEPH DAVIS, LONDON AN EARLY 18TH CENTURY BURR WALNUT LONGCASE CLOCK with caddy top pediment above a glazed arched door and slender trunk with a moulded edged door on box base. The 12" brass arched dial with gilt spandrels and silvered chapter ring surrounding a matted centre with subsidiary seconds dial and calendar aperture fronting an eight-day five-pillar weight driven movement striking the hours on a bell 232cm high to top of caddy

VULLIAMY, PALL MALL, LONDON A FIGURED MAHOGANY DOMESTIC REGULATOR LONGCASE CLOCK the hood with architectural pediment above a glazed door with canted corners on matching trunk with ebonised mouldings and box base with applied ebonised bead. The unusual 12" silvered brass dial with leaf engraved spandrels enclosing a silvered one-piece centre with engraved Roman numerals and subsidiary seconds dial, Strike/Silent lever above the twelve fronting a fine quality eight-day weight driven movement with jewelled pallets and adjustable end stops striking the hours on a bell, adjustable crutch and gridiron pendulum 198cm high

Early 19th century oak and mahogany banded longcase clock, stepped arch convex Roman dial signed 'A. Shepperley, Nottingham' and painted with flowers, 30-hour movement striking on bell, the figured trunk door with triple pointed arch, canted corners with boxwood stringing, H223cm (with weight and pendulum) - Condition Report

18th century oak cottage longcase clock, projecting cornice of square hood with column piasters, enamel Roman dial signed '(Robert) Apps, Battle', subsidiary calendar aperture, 30-hour movement striking the hours on bell, dial aperture - 27.3cm x 27.3cm, dial- 28cm x 28cm, H193cm (with weight and pendulum) - Condition Report

19th century heavily carved oak longcase clock, projecting dentil cornice over scrolled acanthus carved frieze, the trunk door carved with flower heads, brass dial with Roman and Arabic chapter ring, engraved with trailing leafage, subsidiary calendar aperture, the chapter ring signed 'Will, Snow', 30-hour movement striking the hours on bell, dial - 30.7cm x 30.7cm, H206cm (with weight and pendulum) - Condition Report

19th century oak longcase clock by Bothamley of Boston, arched top with key pattern cornice, painted dial with Arabic and Roman numerals, subsidiary seconds dial and calendar aperture, eight day movement striking on a bell, H197cm - Condition Report

A Mahogany Eight Day Longcase Clock, signed Josh Atkins, Chippingnorton, late 18th century and later, pagoda pediment, side glass panels, stop brass fluted columns, moulded arched trunk door and matching plinth, 13-inch arch painted dial, seconds dial, date aperture, moonphase in the arch, four pillar movement with an attached falseplate stamped Osbourne, rack striking on a bell, later case, 234cm high 07.12.20 Later case, hood with dents in parts, front of the pediment with a later applied panel, trunk and trunk door with cracks, trunk door is bowed, dial is bent, hands are damaged, later seatboard, dial needs cleaning, with pendulum and two weights.

An Oak Thirty Hour Longcase Clock, signed Tho Lawson, Kighley, circa 1770, flat top pediment, eglomise painted glass panel, arched trunk door, bracket feet, 12-1/4-inch square brass dial with a silvered chapter ring signed, ''Halifax moon'' and date apertures, four pillar movement with an anchor escapement and outside countwheel striking on a bell, 207cm high 07.12.20 Case with scratches and small chips in parts, mouldings and sides with small holes and chips, hood with a small chip to the glass panel, chips to column capitals, plinth with scuff marks, dial is discoloured and with scratches, backboard with woodworm holes which are non active, movement is dirty, with pendulum and weight.

A Burr Satinwood Eight Day Longcase Clock, signed J.Ellis, Thornhill, early 19th century and later, arched pediment, arched trunk door flanked by inset pilasters, 13-inch circular painted dial with Roman numerals, seconds and date dials, four pillar movement with an anchor escapement and rack striking on a bell, later case, 206cm high 07.12.20 Later case with cracks and chips, dial with scratches and small chips, later seatboard, movement is dirty and needs cleaning, with pendulum and two weights.

A Mahogany Eight Day Longcase Clock, signed W.Young, Dundee, circa 1820, arched pediment, nicely figured case with a moulded trunk door and flanked by inset reeded pilasters, quatre form moulded plinth, bracket feet, 13-inch circular painted dial with Roman numerals, seconds and date dials, strike/not strike selection lever at 3, four pillar movement with an anchor escapement and rack striking on a bell, 205cm high 07.12.20 Case with small cracks to the hood, small cracks to the plinth front panel and small dents to the sides, dial with scratches and crazing marks, dial with minor chips in parts, movement needs cleaning, with pendulum and two weights. Clock in working order

An Oak Eight Day Longcase Clock, signed Nathaniel Brown, Manchester, circa 1770, flat top pediment, crossbanded trunk door with a matching plinth, 13-inch square brass dial, ''penny moon'' and date apertures, dial centre signed and engraved with birds, flowers and scroll decoration, four pillar movement with an anchor escapement and rack striking on a bell, 208cm high 07.12.20 Hood with a later caddy, case slightly faded in parts, later skirting and feet, dial is discoloured, movement needs cleaning, with pendulum and two weights. In working order

A Mahogany Eight Day Longcase Clock, signed Jno Cooke, Runcorn, circa 1820, swan neck pediment, wavy shaped inlaid trunk door, inlaid plinth with canted corners, 14-inch arch painted dial with Roman numerals, seconds dial and date aperture, four pillar movement with an anchor escapement and rack striking on a bell, 236cm high 07.12.20 Pediment with small chips and cracks, case slightly faded in parts, trunk door very slightly bowed, dial with scratches and crazing marks, movement looks complete, with pendulum and two weights.

An Oak Thirty Hour Longcase Clock, signed Robt Thornton, late 18th century and later, swan neck pediment, wavy shaped trunk door flanked by inset fluted pilasters, matching plinth, 12-inch arch brass dial, dial centre signed and with engraved scroll decoration, date aperture, four pillar movement with an anchor escapement and striking on a bell, later case, 222cm high 07.12.20 Later case with slight fading in parts, hood with cracks and small dents in parts, plinth with small crack to the corner of the panel, dial is discoloured, later minute hand, later seatboard and later side cheeks, movement needs cleaning, with pendulum and weight.

An oak dwarf longcase clock

An oak longcase clock

William Wilton; an eight-day longcase clock, the arched painted dial set with Roman numerals, secondary dial and chapter ring, signed W Wilton St Day, enclosing a twin fusee mechanism, the dial painted with a huntsman and hounds, within a case painted decorated with trailing flowers to the door, height 214cm. CONDITION REPORT Dial repainted and case later painted. Dial with crazing and some minor marks.

Ratcliff, Wrexham; an oak and mahogany cased eight-day longcase clock, the brass dial set with painted Roman and Arabic numerals with calendar aperture, the dial signed 'Ratcliff 184 Wrexham', the matched top with broken swan neck pediment, on a trunk base with ogee bracket feet, height 203cm. CONDITION REPORT Missing three finials, split in hood on side, some veneer missing from right hand side. The trunk with stains, marks, splits to veneer. The base with usual knocks, marks, splits to veneer and the feet with signs of wear and tear, knocks, etc. The back with a big split, it looks as if the hood is matched to the rest of the clock. The dial sits low and is missing its subsidiary hand.

A Georgian oak cased longcase clock by Gamwel of Alford, the brass break arch dial with rococo scroll spandrels, chapter ring bearing Roman and Arabic numerals, subsidiary seconds and date dials, beneath a Tempus fugit circular aperture, painted with a winter scene and a ticking figure of the Grim Reaper, two train eight day movement, with bell strike, the hood with domed and break arch pediment, fluted pilasters, the trunk and base of plain form, raised on bracket feet, with pendulum and weights, no key, 214cm high.

A LATE 18TH CENTURY OAK CASED LONGCASE EIGHT DAY CLOCK WITH BRASS FACE BY ALEX DUNCAN OF ELGIN, HAVING SWAN NECK PEDIMENT

A 19TH CENTURY MAHOGANY EIGHT DAY LONGCASE CLOCK WITH SWAN NECK PEDIMENT AND SQUARE BRASS FACE

A PAIR OF FAR EASTERN BRASS VASES with a pair of brass table lamps, a painted 13'' longcase clock dial, painted oval wall mirror, a large framed sea scape oil on canvas and a box containing light shades (8)

A GEORGE IV MAHOGANY EIGHT DAY LONGCASE CLOCK, signed Burn, Walsall, the hood with a swan neck pediment and triple finials, Corinthian columns flanking a glazed arched door enclosing a painted 11 1/2'' dial, the arch with a moonphase aperture, seconds dial above signature, Roman and Arabic numerals and movement striking bell, height 234cm (two weights, pendulum, trunk key and winding key)

AN EARLY VICTORIAN MAHOGANY, OAK AND MAHOGANY EIGHT DAY LONGCASE CLOCK, the hood with a swan neck pediment, the arched glazed door enclosing a painted 12'' dial, painted shooting scene to arch, seconds and date aperture dials, Roman numerals, signed Willman & Co, Wolverhampton, the trunk with diamond marquetry inlay to the door, height 221cm (two weights, pendulum, no winding/door keys)  Condition Report  Missing beading to finial, various age splits/cracks, missing feet, dial fits to trunk well

A 19TH CENTURY FLAME MAHOGANY EIGHT DAY LONGCASE CLOCK, the hood with a circular glass door enclosing a 11'' enamel dial, signed Thomas Brunker, Dublin, seconds dial and Roman numerals, above a trunk with a panelled door, height 201cm (two weights, pendulum, winding key and door key)  Condition Report  It fits well together, doesn't appear a marriage  (Condition Report  Deep scratch to right side of trunk, enamel missing to dial with a poor repiar, no losses)

A 19th century carved oak 30-hour longcase clock, Thomas Templer, London, having silvered Roman dial, height 206cm

A Fenlocks longcase clock, reproduction, height 148cmCONDITION: It does have a pendulum, no weights but does have two winder keys

A Victorian oak eight-day longcase clock with painted Roman dial, height 222cm

A 19th century oak eight-day longcase clock with painted dial, height 220cm

A George III mahogany eight day chiming longcase clock, the arched 12 inch brass dial with silvered eagle and tempus fugit plaque over Roman chapter ring and subsidiary seconds, H.7ft 9in.CONDITION: Case of very good rich dark reddish mahogany tone and looks honest and untouched for many years, minor cracks and small faults throughout, more notable faults include scratching and scuffing of the trunk door where it rubs at the bottom, right side with a rather matted finish and would benefit from repolishing, trunk door lock is a later replacement and no key present, the plinth is a later replacement, dial and movement look to be in very good clean condition with no faults noted, although quite probably the movement is somewhat later being associated to the case, comes with three cast iron weights and a brass pendulum, not tested for timekeeping.

An early Victorian oak and mahogany thirty hour longcase clock, marked H. Carter, Ripon, height 226cm

A 19th century oak and mahogany 30 hour longcase clock by L. Dedlow of Penrith. 223 cm. CONDITION REPORT: Wear, fading, veneer cracks, some joint separation and repairs.

An early 19th century mahogany longcase clock by Jonathan Telford, the painted dial with moon phase, calendar function to the eight day movement striking on a bell contained in case with scroll cresting and shaped trunk door inlaid with boxwood stringing. 213 cm high with winding handle and trunk key. CONDITION REPORT: Slight veneer loss to hood and lacking feet. The dial is also slightly rubbed.

A modern longcase clock fitted with a Westminster chime three-train movement, in a mahogany case, 194cms (76.5ins) high.

A 19th century style oak miniature longcase clock, the hood and trunk with applied brass decoration, 39cms (15.25ins) high.

A 19th century longcase clock with a 34cms (13.5ins) square arched painted dial, Roman numerals, subsidiary seconds dial, date aperture and the arched painted with a coastal scene, fitted with an 8-day movement striking on a bell, in a mahogany case, 229cms (90ins) high.

Rutherford Jedburgh, Georgian Oak Cased Longcase Clock, Having a Painted Dial with two Subsidiary Dials, With two Lead weights, 215cm high

A 19th Century 8-day longcase clock movement and dial, painted with fox hunting scene, signed H. Yeoman, Nottingham

A 19th century 8 day longcase clock movement with 14" square painted dial

A north country mahogany longcase clock, moon phase arch dial, Bolton maker, 8 day movement

A reproduction oak longcase clock, striking on eight straight gongs, 192cm high, with three weights and pendulum.

A 19th century mahogany eight day longcase clock, the 13in arched painted dial inscribed 'Thos Gibson, Berwick', 217cm high, with weights, pendulum and winding key. 

An 18th century mahogany eight day longcase clock, the 11.5in square brass and silvered dial inscribed 'William Camden, London', 194.5cm high, with two mis-matched weights and pendulum. 

A 19th century Welsh pine 30 hour longcase clock, the 12in arched painted dial inscribed 'T Evans, Newcastle Emlyn', 213cm high, with pendulum, (no weight).

An 18th century 30 hour longcase clock dial and movement, the 11in square brass and silvered dial inscribed 'Robt Evens, Halsted'.

(THH) A George III mahogany eight day longcase clock, the 12in arched brass and silvered dial inscribed 'Richd King, Ratcliff Highway', height including finial 228cm, with brass faced pendulum and weights.

A George III oak and mahogany 30 hour longcase clock, the 12in square painted dial inscribed 'Henson, Stanion', 205cm high, with weight and pendulum. 

A 19TH CENTURY OAK EIGHT-DAY LONGCASE CLOCK, with circular cream painted dial, signed BROWNSWORD, Nottingham.

George III oak longcase clock, Joseph Atkinson, the stepped pediment above a square door to the hood flanked by columns above a long trunk door and panel base, the brass chapter ring having Roman hours and date aperture, single train movement with anchor escapement striking on a bell, 208cm high

A 19th Century Victorian antique mahogany longcase grandfather clock by Jas. Moore of Warminster. The case housing a painted dial with Roman numeral chapter ring and subsidiary seconds dial, with hand painted bird and floral decoration to the corners and top. Having an arched pediment with brass ball finials. Complete with pendulum and weights and winder. 210cm X 47cm X 26cm

An early 18th century walnut longcase clock with published provenanceJeremiah Martin, LondonThe overhanging cornice over a pierced fret on turned Doric columns, the trunk with long door veneered in bookmatched veneers framed by a quarter moulding, over a restored base, the 11 inch square brass dial with winged cherubs head spandrels, the silvered Roman and Arabic chapter ring with cross half-quarter marks, the finely matted centre with subsidiary seconds dial, ringed winding squares and decorated chamfered date aperture, the movement with five knopped and finned pillars, anchor escapement and inside countwheel strike on a bell. The case possibly associated. 2.14m (7ft) high.Footnotes:Literature: Illustrated in colour on the back cover of 'The longcase clock', by Eric Bruton (second edition, 1976). A copy of the book is included with this lot. Provenance: Single family ownership for the last 47 years, purchased from Stende Antiques in 1973. Jeremiah Martin worked at Tottenham High Cross, London from circa 1687 to 1716.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A late 17th century walnut marquetry inlaid longcase clockJeremiah Johnson in Exchange AlleyThe (probably associated) case with moulded cornice over turned Doric columns and a long door inlaid with three panels of bird and flower marquetry, centred by a lenticle with giltwood bezel, the base similarly inlaid, the 11 inch square brass dial with winged cherubs head spandrels framing the silvered Roman and Arabic dial, matted centre with ringed winding squares, decorated chamfered date aperture and subsidiary seconds dial, the movement united by five knopped and finned pillars, with anchor escapement and outside countwheel strike on a bell. 2.12m (6ft 11ins) high.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A late 17th century oyster veneered and marquetry inlaid longcase clock with ten inch dialJohn Clowes, LondonThe associated case with long trunk door centred by a glazed lenticle and inlaid with three shaped panels of birds within flowers and foliage, on a laburnum oyster veneered ground, the sides of the case displaying similar oyster veneered panels, (hood and base panel altered and restored), the 10 inch square brass dial with wide winged cherubs head spandrels framing the silvered Roman and Arabic chapter ring (the minute track unusually marked every 2.5 minutes with alternating dots and crosses), finely matted centre with subsidiary seconds ring and chamfered date aperture, signed along the lower edge 'John Clowes, Londini, Fecit', the weight driven movement with six knopped and finned pillars, anchor escapement and outside countwheel strike on a bell. 2.02m (6ft 8ins) high. Footnotes:John Clowes was born around 1651. He was made a freeman of the Clockmakers Company in January 1672 and described as a 'Great Clockmaker' (the term used to denote a maker of turret/tower clocks). In 1684 he made a clock for King Charles II for the sum of £25. He was made Assistant to the Clockmakers Company in 1708 and Warden in 1713, but he never took up the post. He died in 1717.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A marquetry longcase clock, late 17th century and laterBrounker Watts, London The case with low caddy top and three gilt wood finials over a sound fret and spiral columns, the long door with four panels of marquetry over an inlaid base (the case restored and partially rebuilt, including some re-veneering), the associated 11 inch square brass dial with winged cherubs head spandrels interspersed with engraved foliage, the silvered Roman and Arabic dial surrounding the finely matted centre with subsidiary seconds dial and decorated chamfered date aperture, the movement with four knopped and finned pillars, anchor escapement and inside countwheel strike on a bell, the backplate with evidence of a former securing bracket. 2.19m (7ft 2ins) high.Footnotes:Brounker Watts served his seven year apprenticeship under Joseph Knibb from January 1684 to February 1691. He was made Free of the Clockmakers Company in 1693 and worked in Fleet Street. In 1711 he avoided Stewardship of the Company because he was 'out of town' and died in 1719.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A mid 18th century mahogany longcase clockHugh Anderson, London The pagoda top with ball and spire finials over freestanding stop-fluted Doric columns, the trunk with well figured door framed by a pair of matching quarter columns on a panelled base with applied moulding and double stepped plinth, the 12 inch arched brass dial with rocking figure of Chronos in the arch over a Roman and Arabic chapter ring with matted centre, recessed subsidiary seconds dial and applied nameplate, the weight driven movement with anchor escapement rack striking on a bell. 2.37m (7ft 9ins) high.Footnotes:Hugh Anderson was an apprentice in 1737 and was active as a clockmaker circa 1745-55.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A fine and very rare mid 18th century gilt brass-mounted walnut musical and astronomical longcase clock with mirrored panelsGeorge Clarke in Leadenhall Street, LondonThe arched hood set with mirrored panels flanked by freestanding facetted glass brass-mounted Doric columns over a full width door set with five shaped mirrored glass panels, all with bevelled edges throughout and framed by beaded brass borders, on a matching base (restored), the 14 inch arched dial with silvered arc detailing 12 tunes, namelyA March No.1Poor Robins ComplaintPretty Salley (sic)This great world isTransported wth. pleasureThe grand MusquelineThe Mock to BellsizeMasquerade MinuetA MarchSpanish JiggA Rigadoon No. 4A Young Virgin of 15 over the engraved polished/blued spherical 'Halifax' moon, the main body of the dial set with a subsidiary dial to each corner offering Strike/Silent, Chime/Not Chime, Moon's age 1-29.5 and the phase i.e. 'New Moon' 'First Quarter', 'Full Moon', and 'Last Quarter', and a twice XII-XII framed by a six times 0-48 outer ring, with Roman and Arabic chapter ring, subsidiary seconds, date aperture and signature arc, the massive movement with shaped plates united by ten knopped and ringed pillars, the anchor escapement with crutch beat adjustment to the heavy pendulum, rack striking the hour on the hour on a vertical bell, and playing one of twelve tunes every three hours on 27 hammers and 15 bells via a 13 inch pinned barrel mounted transversally to the rear, with trip repeat. 2.61m (8ft 7ins) high. Footnotes:Provenance: Christie's 13 November 2014, lot 138.George Clarke worked from Leadenhall Street, London throughout the second quarter of the 18th century. As well as supplying the UK domestic market with well-made longcase, bracket and lantern clocks, he also had a strong trade with the Eastern and Ottoman markets. These export markets preferred a more ostentatious style and Clarke made strong use of lacquer, tortoiseshell, mirror and glass to appeal to the continental aesthetic. A good example of this is the red-lacquered hooded wall clock made for the Turkish market which was sold in these rooms on 14th June 2005, lot 125. Perhaps his most famous extant clock is the large musical bracket clock with glass (or 'crystal') spherical finials and cupola over facetted glass columns in the collection of The Goldsmith's Company, previously in the Wetherfield Collection. It shares the same facetted glass columns as the current lot. Another comparable clock to this lot was recorded by Lord Macartney during his visit to China 1792-1794 in the Emperor's Great Hall of the Summer Palace:'At one end I observed a musical clock that played twelve old English tunes, the 'Black Joke', 'Lillibullero', and other airs of the 'Beggars' Opera'. It was decorated in a wretched old taste, with ornaments of crystal and coloured stones but had been, I dare say, very much admired in its time. On the dial appeared in large characters, 'George Clarke, Clock and Watch Maker, in Leadenhall Street, London.' This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A FINE AND RARE EARLY 18TH CENTURY FAUX TORTOISESHELL JAPANNED LONGCASE CLOCKBenjamin Broadhead, LondonThe caddy top with turned finials over a pierced fretwork cornice raised on brass-mounted Doric columns (the hood door opening to reveal a gilt-decorated mask) and a long trunk door with central lenticle, decorated in raised gesso and flat gilt work with chinoiserie figures, birds in flight and floral groups, to a conforming base, the 12 inch brass dial with early form of shallow arch centred by a strike/silent subsidiary dial and an engraved 'Green Man' mask flanked by foliate scrolls and Indian mask spandrels, the Roman and Arabic chapter ring with half-quarter marks and good blued steel hands, the matted centre with subsidiary seconds and chamfered date aperture, signed 'B. Broadhead, Londini Fecit' to the centre within a shaped foliate cartouche, the weight driven movement with five knopped pillars (the central one latched), with anchor escapement and internal rack strike on the bell. 250cms (8ft 2.5ins) high.Footnotes:Benjamin Broadhead was apprenticed to William Speakman in 1702, Speakman having just completed his 12 month duty as Master of the Worshipful Company of Clockmakers. Benjamin gained his Freedom after the standard 7 year apprenticeship, in 1709. There is much merit in this clock, the case is particularly high quality, with the sides measuring 1 and 3/16ths of an inch thick and the faux-tortoiseshell and gilt japanned decoration would have looked alive in the flickering light of a fireplace or Queen Anne candlestick. The dial of the clock is also rare for London work of the period - the Green Man mask in the arch is notable, as is the waisted signature cartouche to the centre - a closely related signature can be seen on a quarter chiming longcase clock of circa 1700/05 by Jonathan Puller in the Wetherfield Collection, item number 123, another by Puller is included in this sale, lot 72.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A fine late 17th century arabesque walnut marquetry inlaid longcase clock with interesting provenanceLangley Bradley, London The hood with original caddy and pair of carved urn finials over two blind frets and inlaid Doric columns framing the inlaid door, the long door with three shaped panels of Berain-esque marquetry featuring birds amid symmetrical strapwork and scrolls, set to the inside with a typed biography of Bradley on Ireton Wood Hall headed paper, on the matching base with double plinth, the 11 inch square brass dial with winged cherubs head spandrels framing the silvered Roman and Arabic chapter ring with meeting-arrowhead half-quarter marks and fancy half-hour markers, the finely matted centre with ringed winding squares, decorated chamfered date aperture and a subsidiary seconds dial, with original blued steel hands, the movement with five knopped and finned pillars, anchor escapement and outside countwheel strike on a bell. With pendulum and the pair of brass weights. 2.39m (7ft 10ins) high.Footnotes:Langley Bradley was apprenticed to Joseph Wise in 1687 and was admitted to The Worshipful Company of Clockmakers in 1695, rising to become Master in 1726. Sir Christopher Wren was a key supporter of his and may have been involved in Bradley being awarded the contract for the new clocks at St Pauls, Hampton Court and another in the Admiralty Building. King William III presented a Bradley watch to Wren on completion of St Pauls Cathedral. This lot may well have been supplied to Ireton Wood Hall from new. It was purchased more recently when the house, parts of which date back to the 17th century, was sold along with its 540 acres, in 2019.Literature: Cescinsky and Webster 'English Domestic Clocks', 1913, plate 147.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A fine early 19th century floorstanding regulator of one month duration, with ten inch dial and five-bar gridiron pendulumJames Hatton, LondonThe arched hood with canted stop-fluted front angles and inlaid quadrants over a long arched glass panel framed by an intricately moulded door and matching canted angles, on a base with moulded panel and (later) double plinth, the ten inch one-piece silvered circular dial with outer Arabic minute track enclosing the large subsidiary dials for running seconds (marked in Arabic fives) and hours (marked in Roman numerals), with original blued steel hands, latched to the massive weight driven movement by four heavy dial feet, the shouldered and footed plates united by six distinctive tapering vase-shaped pillars, further strengthened by a heavy brass bracket bridging the top of the plates, the movement with Harrisons maintaining power to the five wheel train, each arbor running in endstops, each wheel of six crossings driving high-count pinions, terminating in a delicate 'scape wheel, the five-bar gridiron pendulum suspended from the brass bridge and terminating in a very heavy lenticular brass bob with engraved rating nut and reading against a silvered beat scale mounted to the backboard. Ticking. Together with the original (?) brass weight, door key and custom made steel crank winder. 193cms (6ft 4ins)Footnotes:James Hatton is best known as a maker of fine chronometers, but also made and sold longcase clocks under his own name; he was Chronometer maker to the Honourable East India Company, based at 4, St. Michael's Alley, Cornhill, London, from circa 1799-1812. He was apprenticed to George Margetts and Tony Mercer lists a partnership with his former Master 'Margetts & Hatton' operating 1805-1811. The current clock displays the best of early 19th century London work, from the proportions of the case, to the quality of the engraving, the design and execution of the pendulum, and of course, the exceptional workmanship throughout the movement itself.Provenance: Single family ownership for 58 years. A label applied to the inside of the hood states 'Bought from T.D Tacey, North Quay, Douglas, 27th April 1962. Price £45.00.'This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A fine and rare late 18th century mahogany striking regulator longcaseJohn Monkhouse, LondonThe case with a raised architectural cresting surmounted by three ball finials over canted front angles and a long solid mahogany door with good figuring and moulded edge, on a raised panel base and double apron, the 10 inch one-piece silvered dial boldly signed in the low arch 'John Monkhouse' with strike/silent selection lever over a minute track and upward curving aperture revealing the hours, the seconds indicated on a large Arabic subsidiary spanning from the centre to the XII position, with bolt-and-shutter maintaining power lever to the side, the weight driven movement with shouldered plates united by five knopped pillars, both trains with delicate wheel work and high count pinions, the strike with rack system on a bell, the going with large deadbeat 'scapewheel and pallets to a long steel crutch and unusual steel-rod pendulum with heavy bar running into the large lenticular bob secured by an engraved rating nut. Running and striking. Together with a later winding key, two brass (not matching) weights, and door key. 2.02m (6ft 8ins) high. Footnotes:Provenance: Single family ownership for the last 71 years. This clock was bought by the vendor's father from William Lee, BADA-registered Antique Dealer, 39, Stonegate, York, on 11th June 1949 for the sum of £65.00. The receipt from 1949 is included with this lot. John Monkhouse is listed as working from London 1756-1771. A similar regulator by him is illustrated in Roberts: 'English Precision Pendulum Clocks', Schiffer 2003, Figs. 21-2A,B,C. It is featured as an example of the short-lived fashion in the late 18th century for more elaborate regulator cases, interestingly, the dial displays the same large overlapping subsidiary seconds ring as the current lot.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A late 18thC/ early 19thC longcase clock, the arched dial painted with flowers and birds indistinctly named for a Sleaford maker, with an eight day four pillar movement, in an oak and mahogany crossbanded case, 210cm high overall, (AF).