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Early 19th century oak and mahogany 8 day longcase clock with gothic arched panels, painted enamel dial by ? of Pickering

19th century mahogany 8 day longcase clock, painted enamel dial

Georgian mahogany 8 day longcase clock by Joseph Vale of Walsall, silvered dial, second and date apertures

A mid 20th century lacquered style longcase clock in the Oriental style, having black gilt heightened swan neck finial case containing a German chiming movement with decorative peacock and foliate panels

An early 20th Century oak longcase clock, 10in. silvered Roman dial, in glazed panel case 6ft. 9in.

A George III Scottish mahogany eight-day chiming longcase clock, with reeded case and 13ins silvered circular dial with Roman numerals and subsidiary seconds 7ft. 5in.

A George III oak longcase clock, the arched brass dial with silvered chapter ring, inscribed Nicholas Bodle, East Grinsted in plain case with arched door height 6ft. 9in.

An Edwardian inlaid mahogany miniature longcase clock, painted enamel dial 2ft. 10in.

An 18th Century oak eight day longcase clock with brass dial, inscribed Thomas Halhed, London (movement earlier than case) 6ft. 1in.

A late George III mahogany thirty hour longcase clock, arched painted dial signed R Thompson, Wigton, with date aperture, movement with anchor escapement in broad crossbanded mahogany case with swan neck pediment to hood, 7ft 6ins

A George III thirty hour oak longcase clock, square brass dial with matted centre, movement with anchor escapement, in oak case with spiral columns to hood, 6ft

An early 18th century eight day musical longcase clock, signed Thomas Harvey, London, 13 inch square brass dial with matted dial centre, ringed winding arbors and engraving about musical winding arbor, subsidiary seconds, herringbone engraving, musical mechanism playing on six bells, now in an oak case with oak crossbanding, the hood with blind fret ornament, 7ft 6ins

A 19th Century Style Dwarf Longcase Clock, 166 cm high See illustration

A 1930's Longcase Clock, the 29 cm diameter silvered dial with Roman numerals, fitted an 8 day movement striking on gongs, in an oak case, 180 cm See illustration

A LONGCASE CLOCK by William Tempest, Sutton, the thirty hour movement with anchor escapement and outside count wheel, 14" arched dial painted with exotic birds and flowers, seconds dial and calendar aperture, in oak and mahogany banded case with stringing, scrolled pediment on turned columns, arched door with inlaid lozenge, flanked by fluted pilasters, panel base and bracket feet, 92" high

A LONGCASE CLOCK by William Porthouse, Penrith & John Nicholson, the thirty hour movement with anchor escapement and outside count wheel, the 10 1/2" square brass dial with matted centre having calendar aperture, the spandrels applied with allegorical figures, representing the seasons, in oak case with moulded dentil cornice on turned columns, arched door, stepped panel base and bracket feet, 79 1/2" high

A LONGCASE CLOCK by John Carmichael, Greenock, the eight day movement with anchor escapement and rack striking on a bell, 13" arched brass dial with silver chapter ring having Roman and Arabic numerals, chased foliate centre with seconds dial and calendar aperture, the arch with signature in a silvered roundel, in mahogany case, the scrolled and dentil moulded pediment carved with florettes on fluted columns, surmounted by a carved eagle and turned finials, the trunk with blind fret banding and arched door flanked by fluted pilasters, panel base with flattened bun feet, 91 1/2" high

A LONGCASE CLOCK by Thomas Larby, Shotter Mill, the thirty hour movement with anchor escapement, the 11" silvered dial chased with flowers, in mahogany and fruitwood case with inlaid walnut banding and brass stars, moulded cornice with scrolled surmount and brass finial on turned columns, arched door, panel base and bracket feet, 85" high

A LONGCASE CLOCK MOVEMENT by F Deacon, Barton-in-the-Beans, the thirty hour four pillar mechanism with anchor escapement and outside count wheel, 12" arched dial painted with flowers and with a landscape in the arch, calendar aperture, together with weight and pendulum

A LONGCASE CLOCK by John Walker, Newcastle, the eight day movement with anchor escapement, and rack striking on a bell, 13" arched brass dial chased with foliate scrolls, secondary dial and calendar aperture, in oak and mahogany case crossbanded with chequer stringing, turned finial on scrolled pediment, fluted columns, arched door flanked by fluted quarter columns, panel base and bracket feet, 88 1/2" high

An early 19th Century mahogany eight day longcase clock, the 12 inch painted arched dial inscribed 'Peter Wood, Littlehampton' with a two-train movement, subsidiary second and day of the month aperture, the arch with phases of the moon, ships, and a grave-yard scene, the arched hood with three brass finials above a pair of fluted columns, an arched door and a plain base with a bowed apron and bracket supports, 223 cm high. Illustrated.

A 20th Century mahogany longcase clock, the 12 inch dial with gilt corner spandrels, inscribed 'Richard Broad, Bodmin, Cornwall',the swan-neck pediment and arched hood with gilt metal mounted reeded column, the trunk with a glazed door and splayed bracket feet, 210 cm high.

An antique oak Longcase Clock with painted square dial inscribed G Barnes, Northampton

A Victorian mahogany Longcase Clock with swan neck pediment, the painted arched dial inscribed Navey, Brighouse, 30 hour movement, the case having shaped door, 7ft 9in H

An early 19th Century Longcase Clock with painted arched dial inscribed George Banks, Darlaston, 8 day movement, in oak case with chevron stringing, shell inlay, fluted quarter round pilasters, the hood with swan neck surmount and brass finials

An 18th Century Longcase Clock with square brass dial inscribed J Rogers, Leominster, 30 hour movement, in oak case

A 19th Century Longcase Clock, 30 hour movement with painted face, date aperture, by Davies Weobley, in an oak case with inlay and cross-banding, on plinth base

A 19th Century Longcase Clock with painted arched dial, eight day movement in oak case cross-banded with mahogany, the hood with swan neck surmount

SHERWOOD LYON, DONCASTER, AN EARLY VICTORIAN OAK AND MAHOGANY LONGCASE CLOCK, with short trunk door and swan neck pediment, the 33cm white dial with subsidiary seconds and date pointer (not connected, four-pillar rack striking eight-day movement with anchor escapement. 2.31m note: The area of the trunk around seatboard has been recently renewed.

SAMUEL LAWSON, KEIGHLEY (1721-1770), A YORKSHIRE HONEY OAK LONGCASE CLOCK, with long arched trunk door and flat moulded hood, 28cm square brass dial with date crescent, thirty-hour pull-up movement with four scribed pillars and outside countwheel striking on a bell. 1.99m note: New wood inserted beneath seatboard mount and alteration to dial surround.

JOHN BRICE, SANDWICH (1723-1755), A WALNUT VENEERED LONGCASE CLOCK, with long cross-banded arched trunk door and arched hood, now with a rare and unusual eight-day movement with five scribed and knopped pillars, the 35.5cm arched brass dial with rocking ship in the arch, pendulum adjustment pointer and unusual date dial to the right, subsidiary seconds and rolling moon above "6", signed to the arch of the dial. 2.37m note: The seatboard supports have been extended to accommodate the movement.

Art Deco walnut longcase clock

A green painted longcase clock by J Hedridge, St. Andrews the twin train movement with anchor escapement , the swan neck pediment above enameled dial decorated with flowers, the trunk door with arched crest, plain apron bracket feet 211cm high

A oak longcase clock by Ben Harvey, Weymouth the the stepped moulded pediment over closed fret work frieze panel, brass dial with rococo spandrels, the plain trunk, on plinth base 200cm high

A George III period oak longcase clock the projected dentil cornice, over a arched dial, foliate carved trunk, similar apron, bracket feet 213cm high

A William IV period mahogany drumhead longcase clock the twin train movement with anchor escapement, the floral carved hood enclosing a white painted roman dial with subsidiary seconds and calendar dials above a tapered case with ogee crested trunk door, the panelled apron on bun feet 212cm high

An early 19th century figured mahogany eight day longcase clock inlaid with boxwood stringing, the hood with swan neck pediment, full turned column enclosing enamel dial painted with steeplechase scene 235cm

19th century mahogany longcase clock, moon phase enamel dial by Harrison of Southwell (two weights, one pendulum)

A George III thirty hour longcase clock, oak, the 12 brass dial signed ‘Ezek Hughes, Machynlleth’, with outer ring of Arabic numerals, inner ring of Roman numerals and date aperture, within pierced scrolling leaf spandrels, the hood with turned tapering front corner pilasters over a long shaped trunk door, flanked by quarter fluted pilasters on a box base, lacking feet, 204cm high

A Victorian eight day longcase clock, oak, the 14 square painted dial signed ‘Owen Thomas, Festinog’, with ring of Roman numerals, subsidiary seconds dial and date aperture, the spandrels and centre painted with summer blooms, the hood with swan neck pediment and moulded front corner rectangular pilasters over a short trunk door on a box base and cut out plinth, 211cm high

An eight day longcase clock, mid 19th century, oak crossbanded mahogany, the 14 arched painted dial signed ‘Benj Evans, Chester’, with outer ring of Arabic numerals, inner ring of Roman numerals, subsidiary seconds dial and date aperture, the spandrels painted with summer blooms and strawberries under a rolling moon (face indistinct), the hood with swan neck pediment over fluted front corner pilasters, above a crossbanded long trunk door and box base, with later skirting, lacking feet mouldings, 225cm high

An eight day longcase clock, 19th century, mahogany, the 12 arched painted dial indistinctly signed with ring of Roman numerals, subsidiary seconds dial and date aperture, the spandrels painted in the Chinese taste, the arch painted with a conch shell, the hood with swan neck pediment over slender baluster turned front corner hood pilasters, above a long arched trunk door, on a box base and cut out plinth, 212cm high

A Victorian eight day longcase clock, mahogany, the 14 arched painted dial with ring of Roman numerals, subsidiary seconds dial and date aperture with painted architectural ruins to the spandrels under an arch painted with central figure between a lion and lioness, the hood with swan neck pediment and turned front corner hood pilasters, over a short trunk door on a box base and ogee moulded bracket feet, 230cm high

A 20th Century mahogany cased diminutive longcase clock with eight day chiming movement, the brass dial and silvered chapter ring with Roman numerals, the case with swan neck pediment above glazed trunk door, on a plain base and bracket feet.

An 18th Century thirty hour longcase clock movement, the square brass dial, with pierced spandrels and silvered chapter ring with Roman numerals and inscribed 'W. Burton, Kendall'.

A 20th Century Continental longcase clock with eight day chiming movement playing 'Whittington' and Westminster' Chimes, the gilt brass square dial with pierced scroll and mask spandrels and silvered chapter ring with black Arabic and Roman numerals, the case with stylized scallop shell surmount above a glazed door with reeded sides, on a rectangular base and bun feet, height approx 198cm.

A George III oak longcase clock with eight day movement striking on a bell, the square brass dial with pierced spandrels, and silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture and inscribed 'Geo Green, Cirencester', the hood with moulded top above turned pilasters, plain trunk and base, height approx 206.5cm. (See illustration)

A George III oak longcase clock with thirty hour movement, the painted square dial with black Roman numerals, date aperture and inscribed 'W. Lancey, Wivelscombe', the hood with arched pediment above a glazed door, the trunk door with mahogany crossbanding on a plain base and stepped plinth, height approx 197cm (faults).

A 20th Century walnut cased diminutive longcase clock with eight day chiming movement, the dial with silvered chapter ring and Roman numerals, inscribed 'Smiths, Enfield', the arched top above a plain trunk and base, on bracket feet.

A George V mahogany diminutive longcase clock with eight day chiming movement, the silvered dial with Arabic numerals, the case with dome top above a beaded trunk and plain base.

A George III oak longcase clock with eight day movement striking on a bell, the painted break arch dial with Roman numerals and inscribed 'Thos Vurley Wisbeach', beneath a flower festoon to arch, the pagoda top hood with glazed door and fluted pilasters above an arched trunk on a plain base and bracket feet, height approx 215cm. (See illustration)

A George III oak longcase clock with eight day movement striking on a bell, the square brass dial with silvered chapter ring inscribed 'Thomas Ramsbottam', framing subsidiary lunar calendar and date dial, cornered by pierced gilt scroll and urn spandrels, the case with carved decoration and rectangular trunk door on bracket feet, height approx 219cm (faults and alterations). (See illustration)

A 20th Century reproduction mahogany longcase clock with Westminster chiming movement, the dial with Roman and Arabic numerals, the case with domed top above a plain trunk, on a plain base and bracket feet.

A 19th century Scottish mahogany longcase clock, the circular glazed hood with fluted tapered trunk on square base, the gilt circular dial with Roman numerals and seconds and date indicators, signed A McMillan, Glasgow, the eight day movement striking on a gong, 219cm

A George III mahogany longcase clock, the hood with Pagoda top and fretted panel at front with side brass decorated pillars, the trunk with arch top long door and quarter column sides on square base with applied panel, the 12 inch arch brass dial signed Jno Taylor, Bath with silverised chapter ring and Roman and Arabic numerals and lunar calendar and phase of moon in arch with seconds and date indicators, the eight day movement striking on a bell with pendulum and two brass cased weights, 256cm high

A Victorian carved oak longcase clock, the hood with glazed door, the trunk deeply carved with ribbons, flowers and fruit, the 12 inch arch brass dial with strike/silent in arch and Roman numerals, signed Thomas Sone, Fareham and date and seconds indicators, the eight day movement striking on a bell, 250cm high

A George III oak and mahogany longcase clock, the hood with square glazed door, the trunk with shaped top door on square base, the 11 inch square brass dial with Roman and Arabic numerals and signed John Clement, Tring, 204cm high

A good figured mahogany longcase regulator clock, the hood with architectural pediment, the trunk with glazed door on square panelled base, the 12 inch silverised circular dial signed Parkinson and Frodsham, 4 Change Alley, London (1800-1850) with large sweep hand and Arabic numerals and subsidiary hours and seconds dials, the five post movement with deadbeat escapement, jewelled palettes and maintaining power with mercury pendulum and one brass weight, 200cm high

A modern teak longcase clock, with a square dial over three glazed compartments, 182 cm high.

A George III oak longcase clock, the brass dial with silvered chapter ring, inscribed 'Ga Smith Barthomley', with a seconds dial and two-train fusee movement striking a bell .