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Thirty hour longcase clock birdcage movement, the 11" square brass dial signed H. Deene, Honiton on the silvered chapter ring enclosing a matted centre; also another thirty hour longcase clock movement, the 13" painted square dial signed James Ashton, Junior, Leek with subsidiary calendar aperture (2)

Eight day longcase clock movement, the 10" square brass dial with silvered chapter ring enclosing a foliate engraved centre with two ringed winding holes and calendar aperture; also a thirty hour longcase clock movement with painted 10" square dial (2)

Mahogany inlaid eight day longcase clock, the 13" raised painted arched dial signed D.L. Price, Beaufort to the centre with subsidiary seconds dial over a calendar aperture, the case with short chevron banded inlaid door flanked by quarter cable fluted columns with ormolu capitals and the hood surmounted by a wavy arched cornice with three brass ball finials, 89" high (pendulum and two weights)

Oak thirty hour longcase clock, the 11" square brass dial signed Pearson of: Dore on the silvered chapter ring enclosing a matted centre with three faux ringed winding holes over a calendar aperture, the case with long door inlaid to the centre with a star enclosed by boxwood and ebony banded lines, the hood surmounted by a moulded and foliate carved broken arch pediment, 82" high (pendulum and weight)

Mahogany eight day longcase clock, the 12" painted arched dial with subsidiary seconds dial over a calendar aperture, the case with long rounded arched door and the hood surmounted by a lancet moulded cornice, 84" high (pendulum and two weights)

Elm eight day longcase clock, the 12" painted arched dial with moon phase over a subsidiary seconds dial and calendar aperture, the case fitted with a brass presentation inscribed marriage plaque dated 1912 over a long rounded arched door and the hood surmounted by a moulded stepped pediment, 91" high (pendulum and two weights)

Black lacquer and chinoiserie decorated eight day longcase clock, the 11" square brass dial signed R. Smith, Loughborough on the silvered chapter ring enclosing a matted centre with calendar aperture, the case decorated overall with chinoiserie pagoda landscapes and fitted with a long door with circular glass lenticle and the hood surmounted by a moulded stepped pediment, 83" high (pendulum and two weights) (at fault)

Mahogany eight day longcase clock, the 14" painted arched dial signed A. Sliman, Connock, with subsidiary seconds and calendar dials, the case with long door and the hood surmounted by a wavy stepped pediment, 82" high (pendulum)

Oak eight day longcase clock, the 12" brass arched dial signed Jonathan Tolputt, Portsmouth. com to the rounded arch engraved with an eagle with outstretched wings over a subsidiary seconds dial and calendar aperture, the spandrels engraved with figures depicting the four seasons, the case with long rounded moulded arched door and the hood surmounted by a rounded moulded arched cornice, 78" high (pendulum)

Oak eight day longcase clock, the 11.75" square brass dial signed J. Green, Althorp on the brass chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, the case with long moulded rounded arched door and the hood carved with a Greek key frieze, 72" high (pendulum)

Good oak and mahogany crossbanded eight day longcase clock with five pillar movement, the 12" square brass dial signed Jonathan Lowndes in Pallmall on the silver chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, the case with long mahogany crossbanded wavy door flanked by quarter fluted pilasters and the hood surmounted by a stepped moulded caddy top, 84" high (pendulum and two weights) (later case)

Oak thirty hour longcase clock, the 11" square brass dial signed Henry Payton, Bromsgrove to the engraved centre above a calendar aperture, the case with long moulded wavy arched door, the hood surmounted by a stepped caddy top above a dentil cornice and over a blind carved panel (pendulum)

Walnut and ebonised thirty hour longcase clock, the 11" square brass dial signed Christopher Day, Fecit on an arched plaque to the centre, the case with long moulded door, the pillared hood surmounted by a cushion top, 83" high (pendulum) please note - 30 hour

Mahogany eight day longcase clock, the 13" brass arched dial signed Howden, Edinburgh to the chapter ring enclosing subsidiary seconds and calendar dials and with moon phase to the arch, the case with long moulded wavy arched door and the hood surmounted by a swan neck pediment, 85.5" high (pendulum)

Impressive dark flame mahogany and inlaid three train longcase clock, the 14" brass arched dial with silvered chapter ring enclosing a matted centre with subsidiary seconds dial and chime/silent to the arch, the movement playing on a nest of eight graduated bells and striking on a gong attached to the inside of the back board, the case with short triple lancet arched door, flanked by turned pillars and inlaid with boxwood lines and banding, the hood surmounted by a moulded swan neck pediment and gilded brass urn finial, 97" high (three weights, pendulum and key)

Mahogany inlaid eight day longcase clock, the 13" painted arched dial signed C Scholfield, Barnsley with subsidiary seconds dial, the case with short wavy arched door with central conch shell inlay flanked by canted corners, the pillared hood surmounted by a swan neck pediment with three brass finials, 89" high (pendulum)

Oak and mahogany crossbanded eight day longcase clock, the 12" painted arched dial signed Abraham, Bridgewater, beneath a subsidiary seconds dial and arched calendar aperture and with rocking ship aperture to the arch, the case with short moulded door and the hood surmounted by a swan neck pediment, 84.5" high (pendulum, two weights)

Scottish mahogany eight day longcase clock, the 14" painted circular dial signed Muirhead & Sons, Glasgow with subsidiary seconds and calendar dials, the case with crossbanded long door and the hood surmounted by an arched moulded stepped cornice surmounted by a wavy pediment and carved pineapple finial, 91" high (pendulum, two weights)

Oak thirty hour longcase clock, the 12" square brass dial signed John Bell on the brass chapter ring enclosing a matted centre with calendar dial, the case with long moulded panelled door and the hood surmounted by a moulded flat stepped cornice, 84" high (pendulum and weight)

Mahogany three train longcase clock, the 12" brass arched dial signed Smithfield, Romford to the centre of a silvered strike/silent disc to the arch, over a silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, the movement with deadbeat escapement and maintaining power playing on a nest of eight bells and striking on another, the case with long beaded moulded arched door and the hood surmounted by a flat stepped moulded pediment, 89" high (pendulum, three weights and winding key)

Black chinoiserie decorated eight day longcase clock, the 12" brass arched dial signed John Williamson, Leverpoole on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, also signed Fenton William & Elizabeth, Leeds on a silvered boss to the arch, the case with long beaded moulded framed door decorated with figures and birds in a pagoda landscape and the hood with a stepped cornice, 87" high (pendulum, two weights and winding key) (at fault)

Good English mahogany regulator longcase clock, the movement with deadbeat escapement and maintaining power, the 13" silvered circular dial signed William Payne, New Bond Street, with subsidiary seconds and hour dials, the case with long glazed door surmounted by an architectural pediment, 80.5" high (pendulum, weight)

Early walnut eight day longcase clock with five pillar movement, the 10" square brass dial signed Jeremiah Martin, Londini, Fecit below a silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, the case with long door above a base door with lenticle window, the hood with barley twist pilasters surmounted by a stepped moulded cornice, 77.25" high (with 1 1/4 second pendulum, two weights) (at fault)

An oak longcase clock body and hood case (af).

A reproduction German Westminster chime longcase clock, gilt decoration to the face with Roman numerals and broken swan neck pediment.

A reproduction oak longcase clock, silvered and gilt dial set with Roman numerals, with gilt cherubic to the corners, height 185cm.

A late 19th century mahogany and marquetry inlaid longcase clock with brass dial movement and steel chapter ring inscribed "R. H. Halford and Sons, London" 81.5" high x 18" wide

An 18th century Dutch burr walnut cased longcase clock, Jan Henkels, Amsterdam The figurally mounted turned top above the silvered dial with Roman and Arabic numerals with subsidiary seconds and date apertures beneath the painted moonphase disk, the banded inlaid trunk with a cast brass lentice. 279 cm high. CONDITION REPORTS: Restorations to figures, hole to front fretwork, some veneer splits and bubbling, some veneers losses, hole to side fretwork, general wear, not guaranteed in working order.

An Edwardian mahogany longcase clock The case in the Chippendale style, the engraved brass dial with Roman and Arabic numerals, the fusee movement chiming the quarters on four and eight bells; together with a typed letter of provenance inscribed Made especially for the Late Sir Claude Graham-White for his yacht Alacrity. Sir Claude Graham-White born 1879 was one of the greatest pioneers of aircraft, winning premier prizes all over the world for his feats of daring. In 1910 he received £4,000 for a 15 minute flight over Boston, Mass. and in September 1911 the Graham-White Company undertook the first letters by airmail. 212 cm high. CONDITION REPORTS: Some scuffing, scratching, fading to case, some small losses, one hand detached, not guaranteed in working order.

Ross of Glasgow (1790-1800) 8 day longcase clock with mah case & blind fretwork to hood

Early Victorian longcase clock maker Bothamley, Boston in an oak & mahogany case with box wood stringing & inlaid central shell motif

Three clock movements (one with fusee), Ingersoll defiance bakelite alarm clock, mid 20th century stained wood mantel clock in arched case and reproduction miniature longcase clock (6)

Quantity clock movements including small longcase clock type movement with fusee faces and other parts

A modern mahogany longcase clock with weights and pendulum.

George III thirty hour longcase clock, the brass dial signed Donisthorp, oak cased, approx 196cm high, with pendulum and weight

AN 18TH CENTURY SCOTTISH LACQUER AND PARCEL GILDED EIGHT DAY LONGCASE CLOCK, with arched brass dial, subsidiary seconds dial, date aperture, the circular silvered name plate engraved ALLAN FOULDS, KILMARNOCK. 7ft 2ins high.

19th century Mahogany Inlaid Longcase Clock, the painted face decorated with exotic birds and B Peers, Chefter and incorporating a Moon phase

AN ENGLISH REGULATOR LONGCASE CLOCK by John Fladgate of Conduit Street, London having flame mahogany case, classical broken pediment hood, 10" square silvered dial with Roman numerals and Arabic minutes, subsidiary dial, blued steel hands, 8 day six pillar movement with dead beat escapement c1800. (Fladgate was known to be a member of The Worshipful Company of Clockmakers in 1743), 198cm high

An 18th century oak longcase clock, by Richard Boyfield of Great Dalby, Leicestershire.

A George III oak longcase clock, R Francis Attleburgh, the enamelled dial bearing Roman and Arabic numerals, date aperture, two train movement.

An 18th century oak longcase clock, the brass dial having a subsidiary seconds, and bordered by gilt brass spandrels.

A George III Oak Longcase Clock, the arched hood with turned pilasters above a rectangular door and conforming plinth base, the brass dial inscribed William Tickle, Newcastle, and with brass chapter ring, seconds dial and date aperture and with two train eight day movement striking on a bell

A George III Oak and Inlaid Longcase Clock, the broken arch pediment above an arched door with reeded pilasters, the shaped door below flanked by reeded canted corners, raised upon bracket feet, the painted dial with moon phase movement and with Arabic numerals, seconds dial and date aperture and with two train movement, the dial inscribed 'Richard Sims, Walford'

Reproduction oak three weight longcase clock. Condition report: see terms and conditions

Oak Cased Miniature Longcase Clock, Early 20thC. Cream Enamelled Dial With Arabic Numerals And Brass Fretwork, With Four Brass Corinthian Column Supports, Bracket Feet And Applied Panels. Height 18 Inches, Movement Overwound, Balance OK.

Tempus Fugit Longcase Clock, brass dial with Roman Numerals. Glazed door with 3 weights.

A George III mahogany longcase clock, the broken swan neck pediment above gilt heightened glass panels and arched dial set with rolling moon phase and brass chapter ring inscribed "Winstanley, Wigan", housing an eight day movement above a long arched door flanked by quarter cut fluted pilasters to a plinth base, height 236cm. CONDITION REPORT: Curved section of moulding missing - front, top left - but present. Central 'crest' missing, not present.

A late George III oak eight day longcase clock, the brass dial with silver chapter ring inscribed "James Leigh" above long arch door flanked by quarter moulded pilasters to a plinth base, height 203cm. CONDITION REPORT: Dial size is 30.5cm.

A George III oak longcase clock with square brass dial inscribed "JN.Whithurst, Congleton", above rectangular door with glazed aperture to a plinth base, height 233cm.

A 19th century oak and inlaid longcase clock with broken swan neck pediment above arch painted dial, short door and plinth base, height 217cm.

An early 19th century mahogany longcase clock, the broken swan neck pediment above arch painted dial and eight day movement, above short door flanked by turned pilasters to a plinth base, height approx 220cm.

**AMENDED DESCRIPTION** A George III style, Edwardian mahogany eight day longcase clock of small size, the arched brass dial with subsidiary seconds and date aperture below a rolling moon phase, inscribed "Look & be gone, while thou stayest, lely", height 146cm.

A 1930s oak small eight day longcase clock, with arched pediment above circular dial set with Arabic numerals with single glazed door to a plinth base, height 183cm.

A 19th century mahogany and cross banded longcase clock case, now housing a 1920s mantel clock movement with painted dial decorated with a shipping scene,

LATE EIGHTEENTH CENTURY OAK AND MAHOGANY LONGCASE CLOCK, signed John Cotterill, Wirksworth, the 13" painted roman dial with date aperture, landscape spandrels and a scene with shepherdess and lamb to the arch, powered by a 30hr movement, striking on a bell housed in a line inlaid and crossbanded case with swan neck pediment, free standing turned columns oval a trunk door flanked by fluted quarter columns and raised on a base with moulded panel and bracket feet, 86" (218.5cm) high

GEORGE III OAK LONGCASE CLOCK, faintly signed Halder, Arundell,, the 11" painted dial with floral spandrel and scrollwork cartouche with signature and dated aperture to the centre, powered by a 30 hour movement striking on a bell, and housed in a flat top case with brass capped, freestanding fore columns, over a long trunk door and plain base, raised on bracket feet, 77" (195.6cm) high

GEORGE III OAK, MAHOGANY CROSSBANDED AND LINE INLAID LONGCASE CLOCK, signed John Thorley, Macclesfield, the 13" painted Arabic dial with fruit spandrels and subsidiary seconds dial and date aperture to the centre, powered by an eight day movement striking on a bell, stamped 'Finnemore', housed in a case with swan neck pediment, flame cut frieze and free standing square tapering fore-columns, over along trunk door and raised on chamferred base with ogee bracket feet, 85" (216cm) high

AN EARLY 19TH CENTURY OAK AND INLAID THIRTY HOUR LONGCASE CLOCK, THE PAINTED DIAL INSCRIBED TYLER MELTON, THE SPANDRELS PAINTED WITH A CORNUCOPIA

A SCOTTISH GEORGE III OAK EIGHT DAY LONGCASE CLOCK THE ENGRAVED, BRAKE ARCHED BRASS DIAL SIGNED TO THE ARCH JOHN PEAT CRIEFF

An early Victorian mahogany longcase clock, the case with broken swan neck pediment above spiral carved pilasters and columns, above a lancet topped trunk door with box base below, the sixteen inch painted broken arch dial set with moon phase above an Arabic and Roman dial, having second subsidiary and date dials. H.237cm W.62cm