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MAHOGANY LONGCASE CLOCK, the 12" brass dial with subsidiary seconds dial and date aperture, inscribed Henry Watts, Poole beneath an eagle crest and the motto Tempus Fugit, on a brass eight day, four pillar movement hourly striking to a bell, the domed hood with three quarter columns, the case with arched door, with weights and pendulum, height 197cmFurther images available here

WEST COUNTRY OAK LONGCASE CLOCK, 19th century, the 11 1/2" painted dial inscribed Josh. Testi, Somerton, with subsidiary seconds and date dials, on a brass, eight day movement striking to a bell, the case with swan neck pediment, with weights and pendulum, height 206cmFurther images available here

An XVIII Century Oak and Mahogany Thirty Hour Longcase Clock, the hood with swan neck pediment with column supports, arched brass dial with Roman numerals, date aperture, and brass spandrels, mahogany inlay to trunk with chamfered sides, on plinth base, 200cm high.

A 1930's Oak Cased Novelty Mantel Clock, in the form of a longcase clock, 24cm high, and a walnut cased eight day mantel clock (lacking glass) (2)

A eight day oak longcase clock, yew wood crossbanded door, arch brass dial, bearing a later description John Gilbertson, Ripon, later movement

Victorian oak and mahogany eight day longcase clock with painted arch dial

Circa 1770 oak and mahogany longcase clock, Matthew Bushell, brass dial and pendulum, with two weights

Two small chiming Art Deco longcase clocks and a wheel barometer and an oak cased chiming wall clock, (4)

An Art Deco chiming longcase clock, signed Enfield

An oak thirty hour longcase clock, G Miller, Gateshead

19th Century mahogany-cased eight-day painted dial longcase clock, Samuel H. Borce, East Dereham, 12-inch break-arched Roman dial with subsidiary seconds and calendar crescent, inscribed beneath, the arch with figural scene of a milkmaid and children, in figured mahogany-veneered case with turned columns, 232cm high

19th Century oak-cased eight day brass dial longcase clock, Anonymous, the break-arched dial with silvered chapter ring having Roman hours and Arabic minutes framing subsidiary seconds dial and calendar window beneath Tempus Fugit boss, in break-arched case, 223cm high

19th century mahogany 8-day longcase clock with painted dial depicting shooting scene by Dale, Llanelli. Condition reports are not available for Interiors sales.

VICTORIAN PAINTED DIAL WELSH LONGCASE CLOCK eight day movement, subsidiary dial within Roman numeral chapter ring, inscribed R. Davies Festiniog, the neat case in mainly mahogany, marquetry and mixed wood, carved twist columns, 241cms highpendulum, weights, face key and body key all present.

A longcase clock face and movement and a quantity of clock movements together with an anniversary clock.

Swedish Painted ClockA 19th C Swedish green painted pine longcase clock with rectangular cavetto moulded top above a circular white enamel face with arabic numerals inscribed "Mora" and initialled A.A.S, waisted case applied date of 1730.  The trunk door with glass lenticle, the base applied carved leafage, eight day twin train movement striking on a bell.  190cm high.

A George III mahogany cased eight day longcase clock, the circular dial inscribed 'Elkington, Brentwood', complete with pendulum, height 230cm

A George II oak longcase clock by John Buffett, Colchester, the 12 inch brass dial with scrolling mask spandrels, secondary dial and date aperture, the eight day movement striking on a bell, the hood with three eagle surmounts, 216cm high

A George III flame mahogany longcase clock, the domed 12 inch dial with secondary dial and date aperture, with eight day movement striking on a bell, 213cm, (a/f - missing weight and pendulum)

A George III mahogany longcase clock, the 12 inch domed painted dial with secondary and date dial, faded maker's name, London, the eight-day movement striking on a bell, the hood with eagle surmounts, 228cm (a/f missing weights)

A TEMPUS FUGIT LONGCASE CLOCK

Latimer & Miller, Gateshead : an oak longcase clock, the brass dial with roman hours, arabic minutes and engraved leaf scrolls below, date aperture, fitted striking eight day movement (missing bell), the oak case with broken pediment, rectangular waist door and raised on bracket feet, 214cms high.

An antique painted longcase clock with brass and silvered dial - Joseph Bierigerai with one weight

An antique oak longcase clock with brass moonphase dial, pendulum and weights

Antique oak eight day longcase clock having gilt, brass and silvered arched dial inscribed Rob't Holborn, South-Cave.

An Art Deco Macassar veneered cocktail cabinet longcase clock, retailed by Aspreys, the octagonal shagreen dial with a silvered chapter ring with Arabic numerals, enclosing a Westminster chiming movement, chiming on gongs, by Elliott, London, the trunk concealing three sliding shelves with fret-cut details for twelve glasses and three decanters, dial 12in, labelled 'Asprey, London', 36cm wide 21cm deep 189cm high

A GEORGE III WALNUT LONGCASE CLOCK by John May of London, with stepped hood surmounted by gilt finials above pierced fretwork decoration, the trunk with lenticle and on a later stepped plinth base, the arching dial with date indicator above, signed chapter ring with Roman numerals, subsidiary second hand and date aperture, and with ring turned winding holes, 268cm high x 51cm wideWith pendulum but no weights  

An 18th century oak longcase clock: Tobias Fletcher, Barnsley

 An early 19th century oak longcase clock having swan neck and pillar hood, containing painted dial and 8 day movement, by John Smith, Wrexham, on shaped trunk and square baseH 84"we do not test for functionbility but does not seem to be working in the saleroom. Has 2 weights.

A mahogany eight-day longcase clock, John Urquhart, London (cut down) H.220cm

A George III oak longcase clock, Bannerman Banff H.196cm

An early 19th century longcase clock, the oak case enclosing a round white painted dial and 30 hour movement, 209cm high

A Danish teak Vallo dwarf longcase clock, with German Westminster chime movement

LOT OF COSTUME JEWELLERY, including brooches, chains and pendants, along with a group of wrist watches, a jewellery box with travel clock and a three piece dressing table set, some contained within a jewellery box modelled as a longcase clock, with clock function

19th century  longcase clock with dial marked for Allison of Montrose, subsidiary seconds and calendar dials in mahogany and string inlaid case

Husband of Kirkcaldie (Kirkcaldy) longcase Grandfather clock with arch top painted with John Lawson horse and cart scene, two subsidiary dials in mahogany case with swan neck pediment, 212cm tall

A GROUP OF FIVE 9CT GOLD CHARMS INCLUDING A CHURCH comprising; an apple opening to reveal Adam & Eve; an engagement ring and wedding ring; a church opening to reveal an enamelled bride and groom; a mouse running up a longcase clock; and a small 'treasure chest'; various marks and hallmarks, 14.7g gross

A George III oak and mahogany crossbanded longcase clock, William Peacock of Banbury, 30 hour movement, the 12 inch dial within a brass mounted culm and swan neck pediment hood, 210cm high

A George III oak longcase clock, William Gardner of Penrith, 8 day movement, the 12 inch dial within a classical case of brass mounted fluted columns and swan neck pediment with blind fret decoration, 216cm high

A Dixon, Austin and Co., Sunderland Prattware watch holder, circa 1810, modelled as a longcase clock flanked by children resting on columns, impressed marks, 28cm high

A good 20th Century Chinoiserie Japaned decorated eight day longcase clock, with triple train movement and Westminster and Ave Maria chimes.

AN OAK DWARF LONGCASE CLOCK, THE DIAL INSCRIBED TEMPUS FUGIT, 151CM H X 33CM W

A MAHOGANY LONGCASE CLOCK WITH SILVERED DIAL AND CHIMING MOVEMENT, 170CM H X 43CM W

AN OAK DWARF LONGCASE CLOCK WITH SILVERED DIAL, CHIMING MOVEMENT, C1930, 142CM H X 25CM W

A stock of burr veneers For use in the restoration of late 17th century clock cases and cabinet furniture Comprising of around thirty hand sawn burr pollard-oak panels measuring approximately 17 by 8 inches, eight walnut panels measuring around 15 by 6 inches (perhaps appropriate for a longcase clock trunk door), and a few bundles of other assorted timbers including burr maple, (qty).

A group of fourteen longcase clock weights Unsigned, 18th century and later Including two with remnants of brass casing, (14).

A stock of longcase clock hood columns For use in the restoration of 17th and 18th century longcase clocks Comprising two sets of ebonised Solomonic twist columns measuring 14.125 inches and 12.25 inches high; a set of 13.75 inch walnut twist columns; a pair of 14.25 inch walnut twist three quarter columns; a pair of 14.25 walnut Roman Doric turned columns; two pairs of beech turned twist columns measuring 13 and 14 inches high; a selection of five individual columns of varying heights and a selection of walnut and beech turned column shafts etc., (qty).

A selection of longcase clock and furniture marquetry elements For use in the restoration 17th and 18th century longcase clocks Including a tripartite group of three contra-marquetry clock case plinth panel veneers finely executed with Barianesque dragon and grotesque inhabited scrolling strapwork, another seaweed panel applied to pine board, a 12 inch hood door decorated with foliate trails, a group of three early pattern longcase clock trunk door parquetry, concave and convex throat mouldings and various smaller sections for hood door surrounds etc. (qty).

A group of fifteen brass-faced longcase clock pendulum bobs Unsigned, early 18th century and later With diameters measuring 6 inches down to 2.75 inches, with three complete brass bob faced seconds pendulums, another lacking suspension spring, a wooden rod pendulum and a selection of pendulum rods, (qty).

A George III mahogany eight-day longcase clock William Creak, London, circa 1760 The eight-day five pillar rack and bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch brass break-arch dial with subsidiary seconds dial and calendar aperture to the matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes to outer track, with scroll-pierced blued steel hands and applied with twin bird and urn cast spandrels to angles, the arch centred with a circular silvered boss signed W’m Creak, London flanked by dolphin cast mounts, in a case with break-arch dentil cavetto cornice over brass stop-fluted columns flanking the glazed hinged dial aperture, the sides with rectangular windows and conforming quarter columns set against bargeboards at the rear, the trunk with break-arch flame-figured door flanked by brass stop-fluted rounded angles, on raised shaped panel fronted plinth base with moulded double skirt incorporating shaped apron to lower edge, 222cm (87.5ins) high. William Creak is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as a ‘fine maker’ who worked in London from 1754-63. Other sources indicate that he was working from 1740-75 and his workshop was located in the Royal exchange from 1754. Creak supplied musical and automaton clocks for export to the Middle East and China and often incorporated similar complications into examples made for the domestic market.

A Scottish Victorian mahogany longcase clock with two-in-one quarter striking Peter Penman, Dunfermline, circa 1840 The eight day two train four pillar movement with anchor escapement regulated by seconds pendulum to the going train and the strike train both ting-tang striking the quarters on a graduated pair of bells and sounding the hour on the larger of the two, the 13 inch white painted Roman numeral dial with subsidiary seconds over calendar dials and signed PETER PENMAN, Dunfermline to centre, with engraved brass hands and spandrels polychrome painted with figural representations of the four members of the United Kingdom beneath scene of a courting couple to arch, the swan neck pediment with free-standing columns flanking hinged glazed dial aperture to hood over ogee throat and swollen frieze above bowed ogee cupola capped trunk door flanked by split pilasters with further swollen apron panel beneath, 2178cm (85.5ins) high. Peter Penman is recorded in Loomes, Brian Watchmakers & Clockmakers of the World, Volume 2 as working in Dunfermline circa 1820-40.

A pierced brass table clock winding key Probably 20th century in the late 17th century style The loop pierced and engraved with asymmetric tulip stems; with four cast silver coloured metal winged cherub head spandrels in the late 17th century style for a 9.5 to 10 inch longcase clock dial, and a sculpted steel hour hand in the manner of John Knibb, late 17th century, measuring 3 inches from centre to tip, (6).

A rare George III scarlet japanned eight-day longcase clock with alarm Robert Higgs and Diego Evans, London, circa 1775 The five pillar rack and bell striking movement with anchor escapement regulated by seconds pendulum and transverse alarm mechanism positioned to the right hand side of the movement with verge hammer sounding in the hour bell, the 12 inch brass break-arch dial with alarm setting disc, recessed subsidiary seconds dial, calendar aperture and shaped silvered signature plate engraved Higgs y, DIEGO EVANS, LONDRES to the finely matted centre within slender silvered Roman numeral chapter ring with Arabic five minutes to outer track, with pierced steel hands and rococo scroll cast spandrels to angles beneath TOCAR/SILENCIO subsidiary strike selection ring flanked by conforming mounts to arch, in a scarlet red japanned case with gilt painted shaped upstand over break-arch cavetto cornice and conforming scroll pierced fretwork frieze, the hood door with alternating gilt floral trail and trellis band decoration and applied with three-quarter columns to front angles, the sides with rectangular windows and conforming quarter columns set against bargeboards at the rear, the trunk with grotesque mask centred floral trail painted throat over ‘block-top’ break-arch door decorated in raised polychrome and gilt with oriental figures within a stylised garden trellis landscape, the surround with abstract foliate scroll painted upper quadrants and geometric banded borders flanked by reeded quarter columns to the front angles, the sides with large leafy sprays, the plinth base with raised shaped panel decorated with equestrian scene of hunters trapping a tiger, on shallow skirt with block feet, 236cm (93ins) high. Robert Higgs is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as apprenticed in 1743 and gaining his Freedom of the Clockmaker's Company in 1750. He worked from Sweetings Alley and took his brother Peter into partnership in 1770. James Evans is recorded by Baillie as also working from Sweetings Alley from 1773. In 1775 he went into partnership with Robert and Peter Higgs; the firm subsequently moved to Exchange Alley and continued in business until around 1825. The partnership of Higgs and James Evans specialised in producing clocks for the export market - particularly to Spain hence a significant proportion of surviving examples (including the current lot) being annotated and signed in Spanish.

Horological reference - approximately thirty titles: Mercer, Vaudrey THE FRODSHAMS, THE STORY OF A FAMILY OF Chronometer Makers The Antiquarian Horological Society, Ramsgate 1981, dj; Tardy DICTIONNAIRE DES HORLOGERS FRANCAIS Paris 1971, softbound; Dawson, P.G., Drover, C.B. and Parkes, D.W. Early English Clocks Antique Collectors’ Club, Woodbridge 1982, dj; Barder, Richard C.R. The GEORGIAN BRACKET CLOCK, 1714-1830 Antique Collectors’ Club, Woodbridge 1993, dj; Rose, Ronald E. English DIAL CLOCKS Antique Collectors’ Club, Woodbridge 1978, dj; Roberts, Derek SKELETON CLOCKS, BRITAIN 1800-1914 Antique Collectors’ Club, Woodbridge 1987, dj; Robinson, Tom THE LONGCASE CLOCK Antique Collectors’ Club, Woodbridge 1989, dj; Shenton, Alan and Rita COLLECTABLE CLOCKS, 1840-1940, Reference and Price Guide Antique Collectors’ Club, Woodbridge 1994, dj; Allix, Charles and Bonnert, Peter CARRIAGE CLOCKS, Their History and development Antique Collectors’ Club, Woodbridge 1974, dj; Britten, F.J. The Antique Collectors’ Club edition of Old Clocks and watches & Their Makers Antique Collectors’ Club, Woodbridge 1994, dj; Hana, w.F.J. English Lantern Clocks Blandford Press, Poole 1979, dj; Banfield, Edwin BAROMETERS Aneroid and Barographs Baros Books, Trowbridge 1985, dj; Banfield, Edwin BAROMETERS Stick or Cistern Tube Baros Books, Trowbridge 1985, dj, and a further selection of general standard reference works, (qty).

A figured mahogany small eight-day longcase clock Geoffrey Bell, Arlesford, dated 1974 The four knopped pillar rack and bell striking movement with anchor escapement regulated by cylindrical bob seconds pendulum, the 9 inch brass break-arch dial with subsidiary seconds dial to the matted centre within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers and Arabic five minutes to the narrow outer track, with pierced steel hands and festoon cast foliate spandrels to angles, beneath arch with silvered Signature boss Geoffrey Bell, Arlesford Fecit, 1974 flanked by conforming mounts, the break-arch case with small concave sided upstand over generous cavetto cornice and hinged caddy-moulded glazed dial aperture flanked by canted angles to hood, the sides with rectangular windows, over concave throat mouldings and slender break-arch line edged caddy-moulded flame figured trunk door on conforming raised panel fronted plinth base with double skirt, 196cm (6ft 5ins) high. Provenance: The family of Alf Godsell, former Managing Director of Geoffrey Bell Ltd. An identical clock to the current lot was sold in these rooms on 17th February 2010 (lot 49) for £1,500 hammer.

A quantity of longcase clock case elements For use in the restoration of late 17th century and later clock cases Including a walnut and floral panel marquetry door with panel measuring 41.5 by 8.25 inches, a conforming marquetry plinth panel, throat moulding, a pine and oak trunk carcass, a hood carcass with fixed 10.5inch dial aperture, a part-restored grotesque figure inhabited floral marquetry veneered trunk door panel measuring 42.5 by 9 inches, a hood carcass with similar marquetry to the 11 inch dial aperture and a selection of hood side and front panels etc., (qty).

Two carved walnut longcase clock pediment crest ornaments For use in the restoration of longcase clock cases dating from 1680 to 1695 The first of winged cherub mask and floral festoon swag centred swan neck design measuring 21 inches across, the second similar but lighter in its feel and centred with a woven basket of flowers, 18.25ins wide; with another carved crest of winged cherub head centred swan neck pattern most likely cut in poplar to take an ebonised finished and measuring 16 inches across, (3).

An impressive George III mahogany eight-day quarter chiming Longcase clock with automata and moonphase Edward Mann, London, circa 1775 The substantial seven pillar triple train rack and bell striking movement with T-shaped plates measuring 9.25 by 11.875 inches, the going train with anchor escapement regulated by seconds pendulum and the quarter train sounding a melodious peel on a graduated nest of eight bells with eight hammers before unlocking the hour strike on a larger separate bell at the hour, the 12 inch silvered brass Roman numeral break-arch dial with subsidiary seconds dial, curved pierced sector aperture for the calendar and signed Edward Mann London to centre, with pierced blued steel hands and spandrels polychrome painted with individual automata scenes of 18th century musicians incorporating actions motioned whilst the quarter chiming train is running, the arch with rolling moonphase incorporating engraved terrestrial globe lunettes to lower margin and age of the moon to the outer track of the disc beneath margin now applied with arched plate engraved with HIGH WATER AT LONDON BRIDGE, in a brass mounted mahogany case with pagoda shaped superstructure fronted by shaped grille fret over cavetto break-arch cornice incorporating foliate scroll pierced frieze fret and glazed arched dial aperture flanked by brass stop-fluted columns, the sides with rectangular grilles and quarter columns applied against bargeboards at the rear, the trunk with concave throat moulding over break-arch door flanked by brass stop-fluted quarter columns to angles, on shaped raised panel fronted plinth base with moulded skirt, the whole now with polychrome painted decoration in the Sheraton taste with musical trophy to trunk door, grisaille oval panel of a Classical female to plinth and floral trail borders throughout, (movement originally with tune selection), 245cm (86.5ins) high excluding top finial. An Edward Mann is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working before 1722. However, as the current lot can be dated to around 1775 on stylistic grounds it must have been made by maker of the same name but of the next generation. The most likely candidate is a maker who Baillie records as working in Coventry circa 1787 who could have previously worked in London.

The remnants of a rare spring verge timepiece movement and a fine pierced and engraved verge backcock apron Both unsigned, probably London, circa 1675-80 and 1690-95 respectively The movement with tall narrow bottle-shaped plates measuring 8.25 by 3.125 inches united by four finned and knopped pillars enclosing narrow fusee and stopwork only; the backcock apron pierced and engraved with symmetrical scrolling foliage, 9cm (3ins) wide, (2). The proportions and original specification of the movement in the current lot can be compared to a timepiece by Edward East illustrated in Percy G.; Drover, C.B. and Parkes, D.W. Early English Clocks on page 309 (Plate 441); whilst the bottle-shaped plates are reminiscent of an eight-day longcase clock movement, also by East, illustrated on page 124 (Plate 155). The pierced and engraved backcock apron can be directly compared to an example signed John Clowes, London illustrated in Early English Clocks on page 402 (Plate 571).

A selection of brass longcase clock case mounts, hinges, locks, spandrels, bells and related items For use in the restoration of 17th century and later longcase clocks Including four cast brass Corinthian column capitals and group of other hood column castings, numerous 17th century pattern winged cherub and scroll cast spandrels, trunk door locks, wrought iron and brass trunk door strap door hinges, four cast brass lenticle surrounds nine longcase and other clock bells and other items, (qty).