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An oak eight day longcase clock, the 12 inch arched brass dial with silvered chapter ring under a rolling moon, the hood with swan-neck pediment over a square hood door, above a lozenge inlaid short trunk door, on a box base with skirting plinth (case and movement associated) (at fault), 196cm high

A Regency oak and mahogany eight day longcase clock, the 14 inch painted arched dial with centred date aperture and subsidiary seconds dial within a ring of Roman numerals, the spandrels and arch painted with hunting scenes, the hood with swan-neck pediment over an arched hood door with slender baluster ring turned and block front corner hood pilasters, over a wavy arch crossbanded short trunk door, under a brass line inlaid latise frieze, over turned front corner trunk pilasters, on a box base with proud front corner reeded rectangular pilasters (lacking feet), 224cm high

An early Victorian oak and mahogany eight day longcase clock, the 13½ inch arched painted dial indistinctly signed `R Green, ****`, with centred date aperture and subsidiary seconds dial within a ring of Roman numerals, the spandrels depicting lion, tiger, cheetah and panther under a lion to the arch, with rolling eyes, the hood with swan-neck pediment over an arched hood door with baluster front corner hood pilasters, over a lozenge inlaid short trunk door and box base on splay bracket feet, 228cm high

A George III oak crossbanded mahogany thirty hour longcase clock, the 12 inch square dial signed `Matthew Bushell` to the centre with date aperture below, within a chapter ring of Roman and Arabic numerals, the movement striking on a single bell, the hood with a scroll pediment over a square hood door with turned front corner hood pilasters, above an ogee moulded long trunk door, on a box base with canted front corner and later plinth support, 209cm high Note: Brian Loomes notes a Matthew Bushell active in Bold circa 1761, in `Watchmakers and Clockmakers of the World, Volume 2`.

Francis Mitton, Chichester, an oak longcase clock, the eight-day duration movement striking on a bell and having turned, finned pillars with decorative steel-work, the twelve-inch square brass dial having a matted dial centre with ringed winding holes, engraved ‘C’ scroll decoration to the date aperture, cast ‘female-head’ spandrels to the four corners, a subsidiary seconds dial, a raised silvered chapter ring engraved with black Roman numerals, ‘fleur

A late-Georgian Westcountry mahogany longcase clock, the eight-day duration movement striking the hours on a bell, with the twelve-inch painted arched dial having black Roman numerals, floral corner spandrels, a seconds dial, date aperture and decorated with a depiction of an angel at a window signalling to a bearded gentleman reading, with brass ‘thistle’ hands, the mahogany case having a short door with canted corners to the trunk and stringing to the base, the hood having wavy moulding to the door, barley twist columns with cast brass capitals, wavy cresting and eagle finials, height: 210cms.

Matthew Bushell, an oak & mahogany longcase clock, the thirty-hour movement striking the hours on a bell with an outside countwheel, the eleven-inch square brass dial having cast ‘female-head’ spandrels to the corners, an engraved matted centre with ringed date aperture and ‘false’ winding holes, a blued steel single hand and a raised, silvered chapter ring engraved with black Roman numerals, Arabic five-minute markings, ‘fleur-de-lys’ half-hour markings and signed on a silvered cartouche ‘Matthew Bushell’, the oak case having mahogany cross-banding to the shaped trunk door and base, with mahogany pillars to the hood, a blind-fret to the top freize, with scroll dentil moulding to the cornice and a shallow caddy to the top, height: 214cms. * Matthew Bushell is recorded as working at Aston by Budworth, Cheshire living in a house now called ‘The Clockhouse’ and repaired clocks in Arley Hall, 1760

John Silver, Woodstock, an oak longcase clock, the associated thirty-hour plated movement striking the hours on a bell with an outside countwheel, the eleven-inch square brass dial having cast ‘cherub & crown’ spandrels to the corners, a matted centre with ringed centre hole, blued steel hands and a raised, silvered chapter ring engraved with black Roman numerals, Arabic five-minute markings, ‘meeting-arrowhead’ half-hour markings, diamond half-quarter-hour markings and signed either side of VI o’clock ‘John Silver of Woodstock fecit’, the oak case having a panelled door, cut-down base, angled sides to the hood and a shallow caddy top, height: 198cm.

James Glass, Bristol, a mahogany moon-phase longcase clock, the eight-day duration movement striking the hours on a bell, with the thirteen-inch painted arched dial having black Roman numerals, cottage scenes painted to the four corners, a seconds dial and date aperture, with boxwood and decorative brass hands, the arch having a moon-phase date disc, the mahogany case having a short door with barley-twist columns to the trunk and boxwood & ebony stringing and inlay to the base & trunk, the hood with wavy moulding to the frame, barley twist columns with cast brass capitals, wavy-top cresting and eagle finials, height: 220cms (inc. finial) * James Glass, is recorded as working at 31, Old Market Street, Bristol from at least 1825 until 1856 and married Ann Brooks on the 6th of March 1825 at St. Philip & Jacob Church. He was paying insurance premiums on six houses in Bristol & Somerset and was still renewing in 1856 obviously supplementing his clockmaking business by buying, selling and renting property.

A 19TH CENTURY FRENCH MAHOGANY ORMOLU MOUNTED LONGCASE CLOCK the ormolu dial signed Balthazard of Aaria, striking on a gong, the case mounted with ormolu cherubs, figures and a dated plaque (1745), supported on a bombe base. 6ft 11ins high.

A 19th century oak longcase clock, having an arched painted dial, with subsidiary seconds dial and an eight day striking movement, dial 13 inches (33cm), case 210cm high

A George III mahogany longcase clock, signed J. & A. Harlis, Birmingham, broken swan-neck pediment, with spiral twist columns, gilt-metal composite capital, the door with kingwood banding and stringing, flanked by Sphinx caryatids, plinth base, on square bracket feet, painted arched dial, with a moon phase to the lunette, the spandrels emblematic of the seasons, the centre painted with a hunting scene, date and minute dials, 239cms, (94").

A 19th century oak and mahogany longcase clock, with a swan-neck pediment, turned and fluted supports, long door with canted corners and on bracket feet, 11" square painted dial with Roman numerals, subsidiary date aperture, floral spandrels and inscribed, `Hart, Malmsbury`, thirty-hour movement, striking on a bell, 208cms, (82").

Thomas Harden, Lewes, 30-Hour Striking Longcase Clock having square brass 10" dial with engraved bird motif having pierced spandrels, Roman numerals, in oak case, 1m 94cm high

A 30-Hour Longcase Clock having square painted dial with calendar having ship motif and Arabic numerals, in oak case having arched door (base cut), 1m 94cm high overall including finials

Oak longcase clock banded in mahogany, the square brass face with roman chapter ring, engraved field, subsidiary seconds, signed Swindels Macclesfield , 30 hour movement with external count striking on a bell, in a flat top hood with fluted columns and slender trunk, on set out base and bracket feet, height 198cm (pendulum and weight).

Inlaid mahogany longcase clock, early 19th century, the broken arch painted face with floral spandrels and sheep to the arch, roman hours, subsidiary seconds, date aperture, signed Copeland Late Bloor, Newcastle , double weight movement with anchor escapement and rack strike on a false plate, in a swan neck hood, with reeded columns on a short trunk and set out base, height 217cm (pendulum, 2 weights and key).

AN IRISH STRIKING EIGHT DAY LONGCASE CLOCK THE MOVEMENT AND DIAL BY NEWMAN, DUBLIN, CIRCA 1720, THE MAHOGANY AND INLAID CASE EARLY 19TH CENTURY AND LATER The hood with broken arch pediment, the case with inset trunk columns, later marquetry inlays, the 12 in. square brass dial extended to 14 in., signed on the chapter ring 'Newman Dublin', with subsidiary seconds ring and date aperture, ringed winding holes, the movement with four latched and ringed pillars, anchor escapement and countwheel strike on bell; pendulum 87 in. (201 cm.) high; 19¼ in. (49 cm.) wide; 9 in. (23 cm.) deep View on Christie's.com

A GEORGE III STRIKING EIGHT DAY LONGCASE CLOCK FRANCIS ECK, NORTHAMPTON, CIRCA 1790, THE OAK CASE ASSOCIATED The hood with broken arch pediment, 12 in. wide silvered and engraved dial signed in the arch 'Francis Eck/Northampton', with subsidiary seconds and date rings, the four pillar movement with anchor escapement and rack strike on bell; replaced seatboard and cheeks; two weights, pendulum 90½ in. (230 cm.) high; 18 in. (46 cm.) wide; 9½ in. (24 cm.) deep View on Christie's.com

AN ENGLISH LARGE OAK EIGHT DAY STRIKING LONGCASE CLOCK THE MOVEMENT DATED 1837 AND WITH REPLACED DIAL, BY WHITMORE, NORTHAMPTON, THE ASSOCIATED CASE LATE 19TH CENTURY With panelled case, the 13½ in. diameter silvered and engraved dial signed 'WHITMORE/NORTHAMPTON', the four pillar movement with anchor escapement and rack strike on bell, stamped '735/WHITMORE/NORTHAMPTON/1837'; two weights, pendulum, winding key 95½ in. (243 cm.) high; 22½ in. (57 cm.) wide; 11½ in. (29 cm.) deep View on Christie's.com

An oak cased longcase clock by Thomas Greaves of Newcastle upon Tyne, with brass dial and pierced spandrels, 8 day movement with subsidiary dial.

An oak longcase clock, circa 1920, the dial encircled with scrolling foliate and putti spandrels, the 30 hour movement with one pendulum and three weights, the panelled trunk upon squat bun feet, 187 x 42 x 27 cm.

A late Georgian oak cased striking eight day longcase clock by G.Smith of Chester, the 13inch arched brass dial with moonphase to the arch above the silvered chapter ring, the centre with engraved decoration, subsidiary seconds dial and twin winding holes, flanked by applied spandrels, the trunk flanked on either side by fluted quartered pilasters, with pendulum and twin weights, height 7ft 2ins (illustrated)

A late Georgian striking thirty hour longcase clock by Thomas Gadsby of Leicester, the mahogany banded oak case inlaid with multi-wood marquetry panels, parquetry panels and boxwood stringing, the 12inch painted square dial featuring a date aperture, with pendulum and single weight, height 7ft 1ins (illustrated)

A late Georgian mahogany banded oak cased eight day striking longcase clock by Turner of Leek, the 13inch circular brass dial with engraved decoration, subsidiary seconds and date dials, with winder, pendulum and twin weights, height 7ft (illustrated)

A George III mahogany banded oak cased eight day striking longcase clock by John Johnston of Ayr, the 13inch arched brass dial with engraved decoration and applied spandrels, the centre featuring an engraved subsidiary seconds dial and date aperture flanked by twin winding holes, the trunk flanked by fluted quartered pilasters and canted base section, raised on ogee bracket feet, with twin weights and pendulum, height 7ft 4ins (illustrated)

A George III walnut and oak cased striking eight day longcase clock by Samuel Hill of Totley, the 11inch square brass dial with engraved decoration and applied spandrels, featuring a central applied name plaque and date aperture, with pendulum and twin weights, height 6ft 10ins (illustrated)

A late Georgian oak cased striking eight day longcase clock by Henry Haynes of Daventry, the 12" arched brass dial featuring a strike/silent dial to the arch above the silvered chapter ring with central subsidiary seconds dial, date aperture and applied name plate, flanked by ornate spandrels with pendulum and twin weights 6` 11" (illustrated)

A 19th century eight day oak cased longcase clock by John Simpson, Lincoln, with painted ceramic and arch dial, decorated with strawberry and cherry spandrels and bucolic scenes, and swan neck pediment.

An oak cased Longcase clock by J Grundy, with brass dial and Roman numerals and Arabic for minutes, and federal style brass eagle finial to the top.

A George III green Japanned 8-day longcase clock, make Joseph Jackman of London Bridge, the arched brass dial with Roman / Arabic numeral silvered chapter, centre seconds dial and date aperture on a floral engraved matt centre, the hood with moulded cornice and columns above a door decorated with chinoiserie scene and glass inspection panel, on a plinth base, 210cm high x 46cm wide

A Victorian mahogany 8-day longcase clock, maker Winstanley of Preston, with rose painted square enamel dial, with Roman numerals and centre date and seconds dials, in a mahogany case with swan neck pediment, 218cm high x 81cm wide

A mid 19th century crossbanded mahogany 8-day longcase clock, maker Anderson of Arbroath, with arched enamel dial painted with an oval of a milkmaid above Roman numeral dial, centre seconds and date dials, the mahogany case with swan neck pediment and quarter fluted columns on a pedestal base, 200cm high x 50cm wide

Thomas Budgen of Croydon, An 18th century oak longcase clock, the brass face with silvered chapter ring supporting a thirty hour movement under a square hood, the trunk with star burst inlay, on a plain base with plinth foot

George Hardy, a late 18th century oak longcase clock, the face painted with masonic devices and supporting a twin train striking movement under an arched hood with swans neck pediment, the trunk with inlaid door on a conforming panelled base

A late 18th Century longcase clock by W Fothergill, Knaresborough, the arched floral painted dial having thirty hour movement striking to bell with date aperture and gilt scrolling spandrels, in oak and mahogany cross banded case with gilded finials, arched pediment with blind fretwork frieze on columns, arched trunk door flanked to either side by quarter columns on panelled base and bracket feet, 92’ high

A late 18th Century longcase clock by John Smith, Macclesfield, the brass dial having thirty hour movement with seconds dial and date aperture, silvered chapter rings and mask and scroll spandrels, in oak and mahogany cross banded case with satinwood and ebony stringing having flared cornice on fluted columns, star inlaid door and similar base, with bracket feet, 79 1/2’ high

A GEORGE III OAK LONGCASE CLOCK the brass break-arched dial signed on the silvered chapter ring John Bates ATHER/STONE, with subsidiary seconds dial, date sector and dolphin spandrels, a silvered disc to the arch, having eight day movement in crossbanded and line inlaid case with brass-mounted swan neck pediment, turned fruitwood pillars and fluted pilasters, on bracket feet, 226cm h 1919 Inventory: (Hall) (probably) "8 day Oak inlaid long case Clock with brass dial". The lacquer on the dial degraded the movement original to the dial and probably to the case but in need of overhauling, the case repolished, minor shrinkage crack and small veneer loss around the base

A GEORGE III OAK LONGCASE CLOCK the engraved brass dial signed on the chapter ring John Wood GRANTHAM, the engraved centre inscribed Ann Palmer and having subsidiary seconds dial and date sector with rococo spandrels and eight day movement, in inlaid case with cavetto pediment and turned pillars and fluted pilasters, a large oval patera to the door, 195cm h Provenance: according to a contemporary receipt, on 19 January 1915 A L Beardsley purchased his half share in this clock, valued by Mr Charles Lowe [of Loughborough] at no. 9. In good condition, the inlaid decoration of later date, repolished

A VICTORIAN MAHOGANY DWARF LONGCASE CLOCK signed on the engraved and silvered dial HARDWICK RIDGMOUNT, with thirty hour movement in figured case with swan neck pediment and fluted pillars, the trunk having moulded rectangular door, on plain base and bracket feet, 177cm h Movement with much corrosion and in need of complete overhaul. Silvering on the dial in poor condition, the case in fine condition and of good quality

A WELSH GEORGE III OAK LONGCASE CLOCK DATED 1767 the brass dial signed on the chapter ring C Vaughan Pont[y]pool, the matted centre engraved with the initials WM/R 1767, with subsidiary seconds dial, date sector and thirty hour movement, the case with swan neck pediment and turned pillars, on bracket feet, 200cm h excluding finial Charles Vaughan of Pontypool flourished c1730-80. The dials of several clocks are recorded engraved with the owner`s initials, see Peate (I C), Clock and Watch Makers in Wales, Cardiff 1945, p68. The dial and movement original to each other and probably to the case, in need of overhauling/cleaning, the spandrels poorly cast and perhaps replaced, the pediment remodelled, shrinkage crack in the base

AN ENGLISH WALNUT AND MARQUETRY DWARF LONGCASE CLOCK the engraved and silvered dial with gilt cherub spandrels, the three train movement chiming on five bells, the hood with stepped and moulded pediment and spiral pilasters, the door and base inlaid with flower filled urns and trailing foliage, 145cm h, early 20th century In fine original condition

A GEORGE III MAHOGANY LONGCASE CLOCK signed on the square brass dial James Tregent London, with subsidiary seconds dial, date aperture and finely pierced hands, having eight-day movement, the case with flared cornice, moulded rectangular door and panelled base, 188cm h Glass in the door cracked, the dial and movement original, the seatboard old but packed, possibly associated to the case, the case certainly appropriate. The case repolished

A GEORGE III MAHOGANY LONGCASE CLOCK the break arched and painted dial signed WILLM GIBBS LONDON, with subsidiary seconds dial and eight-day movement, the figured case with fluted pillars, conforming door and base, 221cm h The painted dial slightly worn. Several parts of the movement detached but present, the case of good quality and pleasing `dry` colour, minor old veneer chips on the corners of the base

A 19th century mahogany eight day longcase clock, by Collier of Gatley, the square enamel dial with rocking moon and date aperture.

A late 18th century oak thirty hour longcase clock, with broken arch pediment above circular dial with date aperture, signed Jas Bown, Matlock, with inlaid and crossbanded decoration on ogee feet.

An early 19th century oak and mahogany eight day longcase clock, the broken arch pediment above and arched painted enamel dial with subsidiary seconds and date aperture, signed by W Wain, Alfreton, above a crossbanded door, on bracket feet.

A 19th century carved oak longcase clock, the associated face with arched silvered dial having painted rolling moon, signed William Fletcher, Leeds, above subsidiary seconds and calendar dials.

A good early/mid 19th century mahogany eight day longcase clock, the Gothic arch pediment above a circular dial with subsidiary seconds and calendar dials, by Thomas & John Ollivant, Manchester, above a gothic arch door flanked by cluster columns.

FINE LATE VICTORIAN MAHOGANY LONGCASE CLOCK CIRCA 1900 retailed by The Association of Diamond Merchants Ltd, 6 Grand Hotel Buildings, Trafalgar Square, London, the arched moonphase dial with subsidiary dials for second, chime/strike and Westminster and Whittington chimes, the three train 8-day movement striking on quarter hour on eight gongs, within an ornate Chippendale style carved mahogany case surmounted by a trellis pierced cartouche cresting 54cm wide, 277cm high

REGENCY MAHOGANY AND BRASS INLAID LONGCASE CLOCK CIRCA 1820 the white painted dial with subsidiary second and date dials, the 8-day movement striking on a bell, the arched hood with spire finials, above a conforming arched door and canted corners, raised on a plinth base 42cm wide, 220cm high Provenance: The Estate of the Late Dr W P Dallas Ross

WILLIAM AND MARY WALNUT LONGCASE CLOCK JOSEPH WINDMILLS, LONDON, LATE 17TH CENTURY the brass dial inscribed `Joseph Windmills, Londini Fecit` with a subsidiary second dial and date aperture, with an 8-day bell striking movement, the hood with a moulded cornice and blind fret carved frieze, the feather banded case with pendulum window and raised on a moulded plinth base 47cm wide, 208cm high, 26cm deep Note: This clock is listed in a Maple & Co. inventory of the family`s London home on Grosvenor Square, carried out in February 1916.

Early twentieth century mahogany longcase clock, by W. Sykes of Holbeck, with a single train movement, silvered dial and Roman numerals, the case with decorative scrolling brass inlay, 74in. (187.96cm)

18th Century oak longcase clock by Robotham of Leicester, painted dial with date aperture, 30 hour movement striking on a bell 83in. (210.82cm)

A 19th Century Longcase Clock with circular painted dial, 8-day movement, in oak case

A Longcase Clock Movement with square brass dial inscribed Thomas Gammon, Hereford, date aperture, in need of restoration and parts of the oak case

A Longcase Clock with painted arched dial, subsidiary seconds and date dials, 8-day movement inscribed W. Nicholas, Birmingham, in oak case with mahogany cross-banding, the hood with swan neck surmount, fluted columns and brass finials, the trunk with 1/4 round fluted columns, gilt leafage capitals, raised on bracket feet

A George III mahogany Longcase Clock with arched brass dial, the hood surmounted gilt eagle, eight day movement with secondary date and second apertures, the face inscribed `John Barber, Droitwich, no. 201` and the case carved simulated stonework quoins with fluted pilasters on bun feet, c.1790

An 18th Century Longcase Clock with 10 inch square brass dial having silvered chapter ring engraved Oba Body, Battell, date aperture, 8-day movement in oak case, the hood with turned columns

An 18th Century Longcase Clock with 9 inch square brass dial, silvered chapter ring, inscribed Thomas Vernon, Ludlow, single hand, 30 hour movement in carved oak case