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Twelve various longcase clock weights

Longcase clock thirty hour posted movement with original bell

Eight day longcase clock movement, the 13" arched raised dial with subsidiary seconds and calendar dials painted with floral spandrels and a mallard shooting scene to the arch

Good three train musical longcase clock movement on eight bells, the 12" brass arched dial signed Thomas Robins, Chatham, with subsidiary seconds dial and four bells/eight bells dial to the arch

Thirty hour longcase clock movement, the 11.75" square brass dial with silvered chapter ring signed Thomas Dicker, Silchester with floral engraved centre

Eight day longcase clock movement, the 12" brass arched dial signed Samuell Ogborne, London on a boss to the arch, with subsidiary seconds dial and calendar aperture to the matted centre

Thirty hour longcase clock movement with 11" square dial; also five other painted square dials (6)

Eight day longcase clock movement, the 14" painted arched dial signed Webley Bromsgrove with subsidiary seconds dial and calendar aperture, painted with dogs and rabbits to the spandrels and gamekeeper shooting ducks to the arch

Eight day longcase clock movement, the 12" arched dial signed Samuel Guy, London on a boss to the arch, the matted centre engraved with birds and foliage, with subsidiary seconds dial over ringed winding holes and calendar aperture

Interesting and unusual eight day longcase clock movement with automata moon sphere, the 14" brass arched dial signed James Bush, London on a plate to the matted centre, with subsidiary seconds, calendar and moon phase dials, the five pillar plated movement with outside wheel train mechanism operating the sphere

Eight day five pillar longcase clock movement, the 12" arched brass dial signed John Ellicott on an oval plaque to the matted centre also with a subsidiary seconds dial and calendar aperture, with strike/silent dial to the arch

Eight day five pillar longcase clock movement, the 12" square brass dial signed William Speakman Junior, Old Street, London on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial, calendar aperture and ringed winding holes

Good six pillar eight day longcase clock latched movement, the 11" square brass dial signed Walter Harris of Maidstone to the chapter ring enclosing a subsidiary seconds dial and calendar aperture

Good five pillar eight day longcase clock movement, the 11" square brass dial signed John Wells, London on the silvered chapter ring enclosing a subsidiary seconds dial, calendar aperture and ringed winding holes

Oak thirty hour longcase clock, the 11" square brass dial signed John Revett with floral engraved centre also inscribed Eye, the plain case surmounted by a fretted swan neck pediment, 84" high (parts of fretwork cornice missing)

Mahogany thirty hour longcase clock, the 12" painted square dial signed Richard Grant with subsidiary seconds and calendar dials, within a plain case with moulded cornice, 74" high

Mahogany musical longcase clock circa 1920, the 10" arched brass dial with strike/silent and Whittington/Westminster levers, subsidiary seconds dial to the matted centre and chime/silent subsidiary dial to the arch, the movement chiming the quarters on eight tubular bells, the case with oval bevelled glazed long door and surmounted by a moulded arched cornice, 78" high

Mahogany eight day longcase clock, the 14" arched dial with subsidiary seconds dial and calendar aperture painted with cornucopia spandrels and a Duke of Wellington astride Copenhagen automata with moving arm (arm missing), the chevron and boxwood line inlaid case with short pointed arched door and surmounted by a swan neck pediment, 79" high (cut down)

Scottish mahogany eight day longcase clock, the 13" circular white dial with subsidiary seconds and calendar dials within an inlaid case with short door and quarter fluted pillars, 85" high

Oak thirty hour longcase clock, the 12" square dial with floral painted spandrels, the case with short door crossbanded with mahogany and surmounted by a swan neck pediment with rosettes and an eagle ball finial, 83" high

Oak and mahogany eight day longcase clock, the 14" arched dial signed J. Spittall, Whitehaven, with subsidiary seconds dial and calendar aperture, painted with rural Churches to the spandrels and a pastoral scene to the arch, within a Yorkshire style case with short door flanked by turned baluster columns and surmounted by a swan neck pediment, 88" high

Oak eight day longcase clock, the 12.25" painted arched dial with subsidiary seconds dial, calendar aperture and strike/silent to the arch, the case with long arched door and surmounted by a pagoda top, 88" high

Oak thirty hour longcase clock, the 11" square brass dial signed Isaac Barbor, Meerbroock on a plate to the matted centre, the cut down case with wavy arched door and surmounted by a stepped pediment, 71" high

Oak three train longcase clock with Westminster/Whittington chimes on tubular bells, the 12" engraved brass arched dial within a carved glazed case flanked by barley twist columns, 91" high

Mahogany eight day longcase clock, the 14" arched dial signed Frederic Denton, Rotherham, painted with women representing the four seasons to the spandrels and a hunting scene to the arch, within a pillared panelled case with short door, surmounted by a swan neck pediment, 92" high (in need of restoration)

Oak eight day longcase clock, the 12" arched brass dial signed James Scholfield, Barnsley, over subsidiary seconds and calendar dials, the case with arched long door and surmounted by a pagoda top, 90" high

Oak longcase clock case with aperture for an 11" square dial, the long door inlaid with a star and the moulded cornice over a blind fret carved panel, 91" high

18th century oak thirty hour longcase clock, the brass posted movement with outside countwheel striking on a bell, 10" square brass dial signed Richard Stedman, Godalming, with silver chapter ring and matted centre engraved with lovebirds, the case with swan neck pediment over a single long door, 81" high

Oak eight day longcase clock, the 12" painted arched dial with subsidiary seconds dial and calendar aperture, within a plain case surmounted by a swan neck pediment, 82" high

Oak and mahogany thirty hour longcase clock, the 11" square brass dial signed James Woodruff, Shrewsbury, with calendar aperture, the case with mahogany crossbanded long door inlaid with a star and surmounted by a dentil cornice, 78" high

Green lacquer eight day longcase clock, the 12" arched brass dial signed Robt Ward, London, with silvered chapter ring and matted centre with subsidiary seconds dial over the date aperture with strike/silent dial to the arch, five pillar movement striking on a bell, the pagoda top case with gilt chinoiserie decoration and long arched door with lenticle glass, 104" high approx including finials

Elm thirty hour longcase clock, the 10" square brass dial with silvered chapter ring signed Samuel Jemmett, Midhurst, with matted centre and calendar aperture, birdcage movement with outside countwheel, the case with long door fitted with a lenticle and surmounted by a stepped cornice, 79" high

French oak Comptoise eight day longcase clock, the 8.5" convex enamelled dial signed Gode Hger a Lamerey, within a panelled case surmounted by a moulded stepped cornice, 88" high

Oak eight day longcase clock, the 12" painted arched dial with subsidiary seconds, calendar dials and automata sailing ship to the arch, the case with long arched door surmounted by a wavy arched hood with three brass ball finials, 93" high

Ebonised oak eight day longcase clock, the 12" brass dial signed Thomas Hall, Rumsey, with subsidiary seconds dial and calendar aperture, the case carved overall with stylised foliage, 80" high

Mahogany eight day longcase clock, the 13" brass arched dial signed N. Fearnley, Wigan, with subsidiary seconds dial and calendar aperture to the matted centre, the engraved arch with rolling moon, the case with long door and canted corners surmounted by a broken arched moulded dentil cornice over ormolu mounted Corinthian columns, 87" high

Mahogany three train longcase clock chiming on eight bells, the 13" engraved arched brass dial within a figured case with arched long door and surmounted by an arched top hood, 92" high

Fine mahogany longcase regulator, the 12" silvered dial signed Brockbanks, London, with four subsidiary dials, the substantial six pillar movement with deadbeat escapement and maintaining power, with wooden and brass cased disc pendulum, within a figured mahogany case with gabled door and hood, 79" high *This clock is illustrated in Precision Pendulum Clocks, The Quest for Accurate Timekeeping by Derek Roberts*

A George III oak longcase clock, the brass dial signed on a silvered disc to the matted centre Jon. Lawrence Lancaster and having date sector and silvered chapter ring with thirty hour movement, in crossbanded case with flared pediment and turned pillars, 204cm h ++The movement and case early 19th c, the dial associated and originally with an eight day movement. The mechanism very dusty, the case also dusty but otherwise good condition

A SMALL ANTIQUE LANTERN CLOCK, the arched brass dial signed Jn Startudge, Lymington, having single hand and verge escapement, the dial 7" x 5", housed in a stained pine longcase, 73 1/2" high (see illustration).

Early Victorian Longcase Clock, the painted arched dial inscribed "Geo Grant - Southampton", with secondary seconds dial and date aperture, the spandrels decorated with convolvulus, the arch with leafy scrolls, eight-day movement, chiming on a bell, contained within a mahogany case, with arched hood, fluted column pilasters, above an arched door with boxwood and ebony beading, shaped apron and bracket feet, 221cms, (7'3").

George III and later Longcase Clock, the silvered arched dial inscribed, "John Skinner - Exeter", with secondary seconds dial, date aperture, strike silent dial, the spandrels engraved with putto, eight-day movement, contained within a mahogany case, with arched hood with turned column pilasters, arched door with beaded outline and on plain base, 234cms, (7'8").

19th Century and later Longcase Clock, with painted arched dial, inscribed, "John Cartwright - Oldbury", secondary seconds dial and date aperture, the spandrels decorated with wild animals and with rolling moon phase in the arch, eight-day movement, contained within an oak and mahogany crossbanded case with swan-neck pediment, turned column pilasters, arched door with lozenge inlay and with quarter column pilasters, on bracket feet, 234cms, (7'8").

18th Century Longcase Clock with brass arched dial, secondary seconds dial, the arch inscribed "Archd Strachan - Newcastle" and with rolling moon phase, eight-day movement, in a mahogany case with boxwood and ebony stringing, arched door and plain base, 200cms, (6'6").

George III oak and mahogany crossbanded 8-day striking longcase clock, the square painted 12-inch repousse dial with seconds dial and calendar arch, inscribed 'E. ABRAHAMS / YEOVIL', 78ins. High (see illustration).

Early C18th pine 30-hour longcase clock, the 10-inch square brass dial with single hand and 'birdcage' movement with outside count-wheel striking on a bell, inscribed 'JOSEPH FORDHAM / BOCKING', 73.7ins. high (see illustration).

Unusual early C19th oak 8-day striking longcase wall clock with convex circular dial, indistinctly inscribed '...awson', 58.25ins. high (see illustration).

Early C19th eight-day striking longcase clock movement, the floral painted arched dial with subsidiary seconds and calendar dials, inscribed 'W. SMITH / HUDDERSFIELD', with pendulum and weights (4).

Early C20th mahogany cased 8-day chiming 3-train longcase clock, the dial inscribed 'ARMSTRONG, MANCHESTER', 74.6ins. high (see illustration).

An eight day longcase clock, oak, the 11" square brass dial with chapter ring of Roman numerals, the 19th century movement striking on a single bell, the oak case made in the 18th century style, circa 1990s, the hood with architectural pediment carved with a 'W' to the frieze, over a short trunk door, box base on shaped bracket feet, 210cm high. Provenance: Case made by Robert Wearing.

A late 18th/early 19th Century longcase clock, by Benjamin Leach, Winchester, the thirty hour movement having white enamelled dial with floral spandrels, in oak case with flared cornice on turned columns, plain trunk and base with bracket feet, 73 1/4" high

An early 19th Century longcase clock, by J Wright of Patrington, the eight day movement with arched dial painted with conch shells, pink roses to the spandrels and with date and seconds, in oak, mahogany and inlaid case with later finials on arched hood, the trunk with canted corners, on panelled base, 87" high

A 19TH CENTURY MAHOGANY LONGCASE CLOCK with arch dial, having seconds dial and phases of the moon, in a mahogany case with double pillar supports, 12" dial (see illustration)

Good nineteenth century eight day longcase clock, by Nansh of Crieff, the brass face with subsidiary dials, set in decorative mahogany case with bow fronted door and column supports, the hood with swan neck pediment, 226cm high

A George III Mahogany Longcase Clock, the arched hood with swan neck pediment above a shaped door with finial, raised upon ogee bracket feet, the painted dial inscribed 'Thomas Wignall, Pendleton', with automaton moonphase movement with Arabic and Roman numerals and with two train eight-day movement striking on a bell See illustration

A George III Oak Longcase Clock, the arched hood above a panel door and conforming plinth base, the brass with Roman and Arabic numerals and subsidiary seconds dial with strike silent dial and with eight day movement striking on a bell

A LONGCASE CLOCK by Thomas Hargreaves, Settle, the eight day movement with anchor escapement, 13 1/4" dial painted with fruit and flowers, Roman and Arabic numerals and calendar aperture, in oak and mahogany case with scrolled pediment on turned columns, arched door flanked by quarter columns, panel base and bracket feet, 91 1/2" high

A LONGCASE CLOCK by David Dickinson, Skipton, the eight day movement with anchor escapement striking on a bell, 14" arched dial painted with flowers and birds on a gilded ground, two secondary dials, in mahogany and crossbanded case, scrolled pediment on baluster turned columns, arched door flanked by wrythen pilasters, panel base with waved apron, on turned feet, 94 1/2" high

A LONGCASE CLOCK by John Richardson Howden, the eight day movement with anchor escapement and rack striking on a bell, arched dial painted with a shepherdess and birds, Roman numerals, secondary dial and calendar aperture, in oak and mahogany case with rosewood banding, inset satin birch panels and stringing, scrolled pediment on ring turned baluster columns, canted trunk with Gothic arched door, similar panelled base, on bracket feet, 87" high

A GEORGE III MAHOGANY LONGCASE CLOCK BY PHILIP LLOYD, LIVERPOOL, with eight day movement and engraved brass dial, HIGH WATER AT BRISTOL QUAY, 7ft 6ins high.