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A Regency mahogany longcase clock by Bryson of Edinburgh, with two-train movement and subsidiary seconds and date dials, the case with quarter column corners and all raised on short turned feet. Height including finial 218 cm (see illustration). CONDITION REPORT: The clock winds on both trains. It is currently ticking away and striking when advanced. We have both weights and pendulum. The case is basically in very good condition with only one minor issue. There is a small section of veneer missing to the top left hand corner of the base of the case and a section of applied moulding in the bottom right hand corner of the front base panel with the exception of this the case is really in first class condition with only very minor stress fractures and the odd mark. There is no warping to the trunk door.

A George III walnut longcase clock, by Benson Whitehaven with 30 hour movement with long trunk door flanked by quarter column corners, height 215 cm.

A Georgian walnut cased longcase clock, with moulded cornice above the arched glazed door enclosing the two-train striking movement by Jos. Naylor, London, with long trunk door and conforming base raised on bracket feet. Height 244 cm. CONDITION REPORT: The movement winds on both trains and is currently ticking away. When the hands are advanced the tidal aperture and the date appear to advance as they should. We cannot attach the strike weight as the top loop to the weight is broken. We have not had the strike operating. The seatboard is not original and there is some packing beneath the seatboard. Whether this indicates that the clock is a marriage or not we are not sure. The case maybe pine. It looks to have been fairly recently stripped and varnished. This has been a lacquered case originally. The backboards would appear to be original. The bracket feet, plinth moulding and short upstand to the base are later.

An 18th century oak longcase clock by G. Payne of Ludlow, with 30 hour movement and 10" square brass dial with date aperture. Case height 209 cm. CONDITION REPORT: We have the weight and pendulum however we have not had the movement running. The movement is dirty and does appear to operate without the pendulum in situ when weight is applied to the movement. The clock does also strike. The single pointer appears to move also. The movement is dirty with some losses to the paintwork to the numerals. There is no glass in the face door. The case is generally a little primitive but in reasonably good order with no serious condition issues. Neither door is warped and there is no evidence of any active woodworm. We have a weight for the clock, it is in our opinion the wrong one however. The bracket feet and plinth moulding are in our opinion later. We are not sure whether the clock is a marriage or not. The seatboard would appear to be original and the cheeks have not been built up. The upper section of the backboards running from the height of the hood moulding to the top of the case has an old but later overlaid panel of plywood. The mask around the dial fits the face very well.

A George III mahogany longcase clock by Jonas Barber Winster, with 30 hour movement and painted dial, the movement numbered 1438 and probably the last known Barber. Height 199 cm (see illustration). CONDITION REPORT: The clock is currently ticking away and is striking as it should. We have the weight and pendulum. The case is in generally good condition. There are some minor nibbles to the edge of the cornice and small stress fractures to the mahogany on the upper door. The sides of the hood are in good condition. The trunk door is not warped. There is a loss to the bottom left hand side edge moulding and slight discolouration here. There are stress fractures to the left and right of the arch on the door. The canted angles and sides are in good condition as is the base. The base moulding is original.

A George III mahogany longcase clock, by Thomas Twigg, Shelton, with eight day movement, the case with swans neck pediment, long trunk door and fluted quarter column corners. Height 229 cm. CONDITION REPORT: The movement winds on both trains. It strikes when advanced. The face is discoloured and dirty particularly around the bottom edge and the left and right hand lower spandrels. There is some craquelure to the face and the numbers appear at some point to have been re-painted along with the name. There may also have been restoration to the paintwork on the arch. The case is in structurally fairly good order but does have numerous old blemishes and discolouration to the polish. The hood and trunk door are not warped. The lock escutcheon is worn. The backboards are in tired condition. There are some holes in the centre of the backboard. The base moulding is a little knocked and scuffed. There are no bracket feet.

A 19th century oak longcase clock, with painted dial marked "Dobel, Yeovil". Height to top of swans neck 202 cm. CONDITION REPORT: The hood is in generally good order. The door is not warped. The door handle is missing. The hour hand is broken in two but we have the piece. We have both weights and pendulum. The suspension at the top of the pendulum is however missing. When weight is applied to the going train the movement ticks. The movement appears fairly clean. The face is as you see it in the image, namely a little dirty and with craquelure to the paint surface. The movement winds on both trains. The trunk door is not warped. There are stress fractures between the planks on the base. There is one small piece of crossbanding missing on the left hand side of the base. The backboards are original.

A George III oak and mahogany banded longcase clock, by Adam Costen Kirkham, with 30 hour movement, the case with long trunk door flanked by quarter column corners, height 200 cm. CONDITION REPORT: The movement appears to be ticking away as it should. It strikes when advanced. We have the weight and pendulum. The hood is in generally good condition. The door is not warped. The trunk door is also not warped but does have a small loss to the top left hand corner. The sides of the trunk are in generally in good order. The base moulding is however detached but we do have the pieces. There is a stress fracture to the timber join on the front of the base panel.

William Dixon, Whitehaven, an 18th century longcase clock, the arched brass dial with Roman and Arabic numerals with subsidiary seconds dial and date aperture, inscribed W.M. Dixon Whithaven (sic), with cherub mask spandrels all beneath the arched painted dial with a seated female looking towards the sea, with eight day movement chiming on a bell, in oak case crossbanded with mahogany. Height 206 cm. CONDITION REPORT: The movement winds on both trains. The clock is currently ticking away. We have both weights and pendulum. The movement appears to strike when advanced. The upper half of the case backboards are later. There are some scratches and losses to the paintwork in the arched dial. The case is in reasonable condition. There are some timber fractures to the hood and slightly open corner joints. There are some stress fractures to the crossbanding around the door. The trunk door is not warped. The sides of the case and base are in generally good condition. The clock may at some point have had bracket feet but only the base moulding is currently present. There are three small pieces of dentil moulding missing beneath the clock hood.

A George III longcase clock movement, eight day, the chapter ring marked "Matthew Broad, Bodmin & John Belling 1766", with later walnut case raised on bun feet. Height 183 cm, width at cornice 46.5 cm. CONDITION REPORT: The movement winds on both trains and appears to be ticking away and striking as it should. The silvered brass dial is in good condition. The movement appears very clean. The seatboard appears to be original. The case is generally in very good order with only minor scuffs, marks and deterioration of the polish. There are some stress fractures to the veneers and some areas of crossbanding that have clearly been replaced. The trunk door is not warped. We have the key and it does lock. We have a winding key.

An oak longcase clock, with eight day movement by Edward Harriman, Workington, circa 1750.

A George III oak longcase clock, Foster of Carlisle, with 30 hour movement and brass dial, the case with long trunk door. Height 200 cm.

An early 19th century mahogany longcase clock by J. Spittall of Whitehaven, the case with swans neck pediment, with Verre Eglomise above the glazed door enclosing the eight day striking movement, the case with three quarter trunk door and conforming base raised on bracket feet. Height 232 cm (see illustration). CONDITION REPORT: The clock winds on both trains. We have both weights and the pendulum. The clock is currently ticking away and appears to be striking as it should. The seconds hand is detached but we have it. There is a very small crack to the door glass in the top left hand corner below the arch. The case is in extremely good condition. It is of good colour and the door is not warped. The bracket feet are original. We have the key for the case door.

A George III mahogany longcase clock, with circular dial and two-train striking movement, the long trunk door with applied moulded edge flanked by canted angles and all raised on a plinth base. Height including finial 220 cm (see illustration). CONDITION REPORT: The movement winds on both trains. The movement is very dirty. When weight is applied to the going train the clock appears to tick. We do not have the pendulum or key. The movement appears to strike when manually advanced. The silver dial is a little tarnished in places. We have both weights. The hood has a small loss to the unfinished timber at the top of the arch. All of the polished mahogany is in good order all round and the door is not warped. The trunk is in generally in good condition. The door is not warped and well figured. All mouldings appear to be present. The bracket feet are original. There are some minor surface scuffs, marks and veneer stress fractures, particularly to the bottom panel, but no significant case issues.

A George III oak longcase clock, with caddy top hood, orb and spike finials, and brass 30cm square arched dial having Royal crest to the arch, and applied spandrels, the silvered chapter ring signed Geoff Devis London, with Roman and Arabic numerals, subsidiary second ring and date aperture, revealing an eight day movement striking on a bell, with full length trunk door and moulded base, 240cm H overall.

A 19TH CENTURY EIGHT DAY LONGCASE CLOCK **PLEASE NOTE IN OFFICE**

AN EARLY 20TH CENTURY OAK GLAZED LONGCASE CLOCK, the silvered dial with Roman numerals, the case with bevelled glass panels and carved detail, twin weights and pendulum, H 212 cm **PLEASE NOTE IN OFFICE**Condition Report:Cuttlestones does not offer any guarantee to working capacity of any timepiece.

AN EARLY 20TH CENTURY OAK LONGCASE CLOCK WITH BARLEYTWIST DETAIL

A 'J. BROWNE - LIVERPOOL' LONGCASE CLOCK MOVEMENT

AN ART DECO OAK CASED LONGCASE CLOCK - TRIPLE CHROME WEIGHTS - PENDULUM, H 191 cm

AN ANTIQUE LONGCASE CLOCK A/F TOGETHER WITH AN OAK GRANDMOTHER CLOCK CASE (2)

An 18th century 30-hour oak longcase clock, 28cm painted dial, 1 subsidiary dial, height 185cm

A GEORGE III OAK, MAHOGANY AND SATINWOOD INLAID LONGCASE CLOCK, 30 hour movement, the painted dial indistinctly marked Lichfield, Roman numerals, subsidiary date aperture, dial width 31cm x height 43.5cm, clock case height 216cm (case key, one weight and pendulum)

A carved oak cased eight day longcase clock with brass and silvered dial and pendulum, height 214 cm.

An Edwardian inlaid mahogany mantel clock, an oak mantel clock and a miniature longcase clock

AN ATTRACTIVE OAK ARCHED TOP BRASS DIAL LONGCASE CLOCK by Richard Honeybone, Wanborough, 11.75 ins brass dial set with Roman numerals and pierced brass spandrels before a twin weights pendulum driven bell strike movement, the case backplate stamped 'Walker & Hughes', with pendulum weights and key, 213 cms high plus ball finials, 49 cms wide

A 19th CENTURY INLAID OAK & MAHOGANY PAINTED DIAL LONGCASE CLOCK by James Smith, Wrexham, 13 ins square dial set with Arabic numerals, subsidiary seconds and date aperture before a twin weight pendulum driven bell strike movement (pendulum, weights and winding key included), 230 cms high, 59 cms wide

AN EARLY 19th CENTURY BRASS DIAL OAK LONGCASE CLOCK, the 13 ins dial marked Henry Jones, twin weight pendulum driven movement striking on a bell, pendulum and weights included, 218 cms high, 50 cms wide, (attention required)

Mid-19th century mahogany and cross-banded 8-day longcase clock, David Hill - Kippen, the hood with swan neck pediment and inlaid boxwood rosettes over carved foliate frieze over free-standing and brass capped Corinthian columns to an arched trunk and concave throat to a shaped long trunk door flanked with inlaid shell detail and flanked by quarter fluted columns to a panelled plinth base, also with inlaid shell detail, to a 33cms (13ins) arched brass dial with signed cartouche among scrolling foliate detail and enclosing a Roman and Arabic chapter ring with subsidiaries for seconds and date with pierced black finished hands to a movement with plates united by four knopped pillars and an anchor escapement and strike on a bell, height 218cms

Mid-19th century oak and mahogany cross-banded 8-day longcase clock, Thos Haynes - Stanford, the hood with swan neck pediment, the brass capped and reeded free-standing columns to a moulded throat and long arched trunk door with reeded and canted corners on a plinth base with later raised plinth section to a 30cms (12 ins) second period painted dial with gilt spandrels and floral detail to the arch over a Roman chapter ring with Arabic quarters, outside minute track and subsidiary seconds with pierced and stamped brass hands, to a signed false plate and movement with plates united by four plain pillars and with anchor escapement and strike on a bell, height 210cms

First half of 19th century mahogany cased 8-day longcase clock, signed John Simpson, Plea(f)eants - Edinburgh, the hood with swan neck pediment and central globe and eagle finial with dentil work detail and pierced frieze over free-standing fluted and brass capped columns to a concave throat and shaped long trunk door on a plinth base to a 30cms (12ins) dial with signed boss and engraved foliate and bird detail enclosing a Roman and Arabic chapter ring with outside minute track, further engraved centre with subsidiary seconds and date aperture with blued steel pierced hands to a movement with plates united by four knopped pillars and with anchor escapement and strike on a bell (associated), height 213cms

Mid-19th century oak mahogany and boxwood cross banded 8-day longcase clock, Adams - Middlewich, the hood with swan neck pediment to a plain frieze over free standing columns to a moulded throat and further frieze panel over fluted quarter columns and shaped long trunk door on a plinth base with bracket feet to a 34cms (13 1/2 ins) third period painted dial with floral basket spandrels enclosing a Roman chapter ring with outside minute track and enclosing subsidiary seconds and date and with black finished pierced hands, to a signed false plate and movement with plates united by four knopped pillars with anchor escapement, strike on a bell, height 216cms

Mid-19th century mahogany cased Irish 8-day longcase clock, F Martin - Dublin, the arched hood to a round dial and moulded throat with long and panelled trunk door on a plain base and with later added plinth to a 32cms third period painted Roman dial with outside minute track, blued steel spade hands and subsidiary seconds, to a movement with plates united by four knopped pillars and with anchor escapement and strike on a bell

Late 18th century oak cased 8-day longcase clock, George Payne - Ludlow, the later oak case with overhanging cornice and shaped pediment with free-standing columns and concave throat to a long trunk door on a plinth base to a 30cms (12ins) square brass dial with cast and applied urn and bird spandrels enclosing a Roman and Arabic chapter ring with outside minute and inside quarters tracks to a matted centre with subsidiary seconds and date aperture with pierced steel hands to a movement with plates united by four knopped pillars and with anchor escapement and strike on a bell (associated), height 206cms

Mid-19th century oak and mahogany cross-banded 8-day longcase clock, Tho Poundall - Hedon, the hood with swan neck pediment over brass capped and fluted free-standing columns to a moulded throat and shaped trunk door with reeded columns on a broad and cross-banded plinth base to a 32cms (12 1/2 ins) arched third period painted dial, decorated with a shepherd's scene over shell and floral spandrels enclosing a Roman chapter ring with outside minute track, subsidiary seconds and date sector and with pierced and stamped brass hands to a movement with plates united by four knopped pillars and with anchor escapement and strike on a bell, height 227cms

Mid-19th century French painted pine cased 8-day longcase clock, H David - a St Pierre - Eglise, the shaped hood with overhanging cornice to a moulded throat and long baluster trunk with hinged door on a plinth base and decorated throughout with gilt stringing and scroll work and further painted detail to a heavily embossed brass surround enclosing a 20cms (8ins) Roman enamel dial with outside minute track and pierced brass hands to a twin weight driven movement with anchor escapement and strike on a bell, height 231cms

Early 18th century walnut marquetry inlaid 8-day longcase clock, Thomas Bridge - Londini Fecit, the pull off hood with overhanging cornice to a frieze panel and fixed glazed aperture to a cross-banded and convex moulded throat to a long trunk door with D moulded section and oval glazed lenticle with similar cross-banded and moulded section to a plinth base (reduced) and further base moulding, inlaid throughout to the frieze and mask with tulips, pinks and acanthus leaves, the door with three cartouches, each containing narcissi, pinks, tulips and birds from acanthus leaf mounted urns to a gilt gesso oval lenticle and to a further floral and foliate base decorated to the trunk sides with plain strung rectangular panels to a 28cms (11ins) square brass dial with floral engraved quarters to mask and foliate cast and applied spandrels to a Roman and Arabic chapter ring with outside minute track and inside quarters with half hour markers to a matted centre with subsidiary seconds and date sector, central engraved boss and ringed winding squares to carved and pierced steel hands to a twin weight driven movement with plates united by five knopped and finned pillars and with anchor escapement and strike on a bell, together with a pair of flat topped brass cased weights and further brass faced pendulum bob (losses to barley twists, hood, cross-banding and throat moulding), height 198cms, Note: Believed to be ex-Boynton Hall - Strickland family - dispersed circa 1950

A FINE GEORGE III MAHOGANY EIGHT-DAY LONGCASE CLOCK, the 11¾-inch brass dial, signed Wm Gardener, London, with silvered chapter with Roman numerals and Arabic outer minutes, strike/silent in the arch, the pagoda hood with three sphere finials and brass-mounted stop-fluted columns, the well figured trunk with reeded canted corners and long break-arch trunk door, the base with fielded panel front and plinth. Approximately 250cm

A George III mahogany eight day longcase clock, the painted moon phase arch dial with subsidiary date and seconds dials by Fisher, West Bromwich, dial diameter 30cm, 220cm high

A 19th Century carved oak longcase clock, with 12in brass arched top dial, with seconds subsidiary dial, and inscribed Robert Berry, 222cm high

A 19th Century longcase clock by Joseph Blackhurst of Weaverham, the 14ins square brass dial with Roman and Arabic numerals, subsidiary seconds dial, date aperture and cast spandrels, to the eight day two train movement striking on a bell, contained in case with angled pediment, panelled frieze and square turned and reeded pillars to hood, the trunk door with triple arched and moulded top, reeded sides, on plinth base with bracket feet, 92ins highNote: J. Blackhurst of Weaverham recorded working 1857-1865

A late 18th Century oak longcase clock by Josh. Kember of Shaw, the 12ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals, the matted and engraved dial centre with recessed silvered subsidiary seconds dial and date aperture, to the eight day two train movement striking on a bell, contained in plain oak case, with stepped and moulded cornice, plain turned pillars, plain trunk door with raised centre moulding, and on plinth base, 98ins high Note: Josiah Kember recorded working in Shaw before 1771 until 1777

A late 17th Century walnut and marquetry longcase clock by Isaac Goddard of London, the 12ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals, the matted dial centre with three turned winding holes and date aperture, the spandrels in the form of cherubs supporting a crown and with engraved leaf pattern borders, to the adapted eight day three train movement striking and chiming on eight bells and one gong, contained in walnut and marquetry case, inlaid with bold leaf scroll ornament, the hood with domed top above moulded cornice, later fretted frieze and side panels and plain turned pillars to hood, the trunk door inlaid with figures of "Father Time" and other figures of exotic birds and butterflies, the sides veneered in burr walnut and inlaid with wide bandings and with conforming plinth base, 93ins high (movement probably altered at a later date with the addition of chiming movement with bells and gongs, the case with some damage to marquetry on the door and the plinth, and generally in need of restoration and re-polishing, the fretted panels to sides of hood are of later date) Note: Isaac Goddard recorded as apprenticed 1675, clockmaker 1684-1699

A French walnut associated longcase clock, with comtoise movement by Leurin Pere a Crecy, H.250cm

An oak longcase clock with weights and pendulum by J W Lucchesi, Cambridge

A reproduction longcase clock

A Victorian Scottish mahogany eight-day longcase clock, Farquherson, Dundee W.47cm

A mid 19th century mahogany 30-hour longcase clock W.49cm

Oak flat top longcase clock, with painted dial, Roman numerals and date aperture, flanked by columns 203 x 48cm

Edwardian mahogany tubular chiming longcase clock, with an arched hood over a 12 inch brass dial inscribed James Ramsay, Dundee having Arabic numerals to the silvered chapter ring beneath subsidiary dials to include Strike/Silent and Westminster, Whittington and St Michael tune selections. Chiming on nine tubular chimes and with three train weights. 225 x 55cm

19th century Mahogany Longcase Clock, the painted face with Huntsman and Hounds hunting scenes and marked ' Lucas Heitzman, Gloucester ', Roman Numerals, Seconds Dial and Date Aperture, 8 Day

A Tempus Fugit longcase clock

A 19th Century longcase clock movement, signed Wilson, Nuneaton and another clock movement

A George III inlaid mahogany 8-day longcase clock, the 14 inch arched dial with moonphase rolling dial and painted with Highland figures, signed H. Richardson, Tarporley

A 19th century cast iron bell, 41cm diameter; together with an eight day longcase clock movement and clock face; and a projector (3)

An oak and mahogany eight day longcase clock, painted arch dial inscribed Adamby, Yarm

An oak and mahogany eight day longcase clock, the square painted dial signed R Horace Stone

An early 18th century ebonised longcase clock by Isaac Goddard, London, the moulded and glazed hood with caddy top above a blind fretwork frieze and straight columns, 12" square brass dial with engraved wheatear border, applied silvered chapter ring, cast brass cherub & crown spandrels, Roman numerals with Arabic minute band, the finely matted centre with ringed winding squares and ringed, decorated date aperture and subsidiary seconds dial, the 8-day twin-train five-pillar movement with internal countwheel striking on bell, anchor escapement, the movement united by knopped and ring-turned pillars; above an ebonised trunk with lenticle glass, on a rectangular plinth base, case with restorations, complete with two brass cased weights and pendulum, 87"/ 221cm tall. (Loomes lists Isaac Goddard in London 1684 - 1699) Est £800 - £1000

CHRIS GODDARD, LONDON AN OAK LONGCASE CLOCK, the flat top hood with blind carved frieze, brass mounted columns flank the square brass dial with cast spandrels, chapter ring with Roman hours and Arabic minutes, 8-day movement, striking on bell, circa 1800, 197cm high

A Cavendish Enterprise doll's house modelled on the Chester Rows made of teak, mahogany and birch plywood featuring four clothed figures, variety of furniture including dresser, tables, longcase clock and smaller items including tableware, flower baskets and foodstuffs, height 82.5cm, with booklet. CONDITION REPORT: Wired but no guarantee of working order, probably needs rewiring, general surface wear and tear, interior with figures and all interior contents knocked over, some on floor, etc.