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A late George III oak and mahogany eight day longcase clock, the 14 inch square painted dial indistinctly signed `Sam* Tho**, H*der***` with centred subsidiary seconds dial and date aperture within a ring of Roman numerals, painted with figures to the spandrels depicting the Continents, the hood with swan neck pediment over a square hood door flanked by tapering reeded front corner hood pilasters over a short crossbanded trunk door on a crossbanded box base, lacking bracket feet, 214cm high

An oak cased eight day longcase clock the 12 inch arched brass dial signed `R Midgley, Halifax` with centred date aperture and moon phases within a silvered chapter ring and pierced corner spandrels under a portrait disc to the arch, the four pillar eight day movement striking on a single bell the oak case later carved in the 17th century style the hood with pagoda top over an arched hood door between turned front corner hood pilasters over a leaf carved arched trunk door on a carved box base with later skirting plinth, 215cm high

An oak eight day longcase clock the 12 inch square brass dial signed `Wrigley Blackburn` with centred date aperture within a chapter ring and pierced corner spandrels the five pillar eight day movement striking on a single bell the case later carved in the 17th century style the hood frieze serpent carved over a square hood door between spiral turned front corner hood pilasters over an ogee arched long trunk door carved with scrolling leaves on carved box base and cut-out plinth, 215cm high

A Victorian flame mahogany eight day longcase clock the 14 inch arched painted dial signed `Lashmore, Oswestry`, with centred subsidiary seconds dial and date aperture within a ring of Roman numerals with architectural ruins painted to the spandrels under a rolling moon to the arch, the hood with swan-neck pediment over an arched hood door flanked by baluster turned front corner hood pilasters over a short ogee arched trunk door between front corner baluster turned trunk pilasters on a crossbanded box base with canted front corners raised on short bracket feet, 234cm high

An oak and mahogany eight day longcase clock early 19th century the 12 inch arch painted dial indistinctly signed with centred date aperture and subsidiary seconds dial the spandrels painted with castle ruins under an Egyptian figure painted arch the hood with swan neck pediment over and arched hood door flanked by turned front corner hood pilasters over a short lozenge inlaid cross banded trunk door on a lozenge inlaid crossbanded box base (lacking bracket feet) 215cm high (at fault)

A oak thirty hour longcase clock 18th century the 11 inch square dial with inner ring of Roman numerals, outer ring of Arabic numerals and pierced corner spandrels, the thirty hour movement striking on a single bell, the case with square glazed hood door over a long trunk door on a cut down box base, 180cm high

A George III and later oak eight day longcase clock the 11 inch arched brass dial with silvered chapter ring the arched hood with fluted front corner hood pilasters over an arched long trunk door on a box base raised on short shaped bracket feet (movement face and case associated) 201cm high

19TH CENTURY MAHOGANY FRAMED LONGCASE CLOCK, THE BRASS DOMED DIAL WITH ARABIC AND ROMAN NUMERALS, SECONDARY DIAL AND DATE APERTURE, WITH CARVED SPANDRELS TO THE OUTER WITH INSCRIPTION TO THE DOME WILLIAM LANCASTER PLYMOUTH DOCK WITH 8 DAY MOVEMENT

18TH CENTURY OAK FRAMED LONGCASE CLOCK BY WILLIAM BERRY OF GATESHEAD, THE MOON SHAPED DIAL WITH ROMAN AND ARABIC NUMERALS, SECONDARY DIAL AND DATE APERTURE WITH BRASS SPANDRELS TO THE CORNER, THE CASE WITH SWAN NECK PEDIMENT, THE FRONT DOOR WITH CROSS BANDED DECORATION 84" HIGH

A MAHOGANY LONGCASE CLOCK by William Winstanley, Wigan, the eight day movement with anchor escapement striking on a bell, the 12 1/2" arched brass dial chased with foliate scrolls, silvered chapter ring with Arabic and Roman numerals, secondary dial, painted moonphase, the arch with name over, the case with scrolled pediment carved with rosettes, embossed green leather frieze gilded with birds and flowers on fluted Corinthian columns, arched door flanked by fluted quarter columns on rustic plinths, canted base with blind fret angles and arched panel, on ogee bracket feet, 90 1/2" high (Illustrated)

AN OAK LONGCASE CLOCK by John Stancliffe, Barkisland, the eight day movement with anchor escapement striking on a bell, the 13" square dial painted with flowers and birds, Roman and Arabic numerals, secondary dial and painted moonphase, the case with scrolled pediment on turned columns, arched banded door flanked by quarter columns, on panel base and plinth, 87" high

AN OAK AND MAHOGANY LONGCASE CLOCK by William McDowall, Pontefract, the eight day movement with anchor escapement and rack striking on a bell, 13" arched dial painted with a maiden in landscape and floral spandrels, Roman numerals and two secondary dials, the case with banding and stringing, scrolled cornice with brass finial on reeded columns, arched door with marquetry patera depicting Britannia, canted trunk and panel base, 90 1/4" high

A George III oak cased thirty hour longcase clock, the arched top 13" dial with painted floral corner spandrels, subsidiary day of month and second aperture, the dial signed ` T.Humphereys`, `Bar...Castle`, the false plate stamped FINNEMORT, the hood with broken swan neck cornice and flanking turned pillars, the cross banded trunk with rectangular door, flanked by canted corners, resting on a plinth base, 206 cm high.

An antique oak Longcase Clock having square brass dial with silvered chapter ring inscribed Samuel Bradley, Worcester, eight day movement, the case cross-banded in mahogany, 7ft

An oak Longcase Clock with eight day movement, sun and moon dial, `Thos, Bister,` corner columns,7ft H

A 19th Century mahogany Longcase Clock with brass arched dial inscribed James Smyth, Saxmundham, eight day movement, the case having arched door, 7ft H

A 19th Century oak Longcase Clock having square brass dial inscribed Tho. Gildes, Shipton, 30 hour movement and having cross-banded door, 6ft 9in H

A Longcase Clock with square brass dial, subsidiary seconds dial and date aperture, inscribed Benjamin Tipton, Ludlow, 8-day movement in oak case having satinwood medallion inlay

A 20th Century doll`s house antique shop, the pitched roof with balustrade and removable panel showing an attic room, the hinged front revealing two rooms, on a tiled plinth base, width approx 40.5cm, together with a collection of 20th Century doll`s house furniture, including a longcase clock, a dresser and occasional tables.

A Lacquered Chinese Chippendale Style Miniature Longcase Clock. The 9½ inch (24 cm) square silvered dial inscribed Maple London and engraved with peacocks perched on sprays of scrolling acanthus with a subsidiary seconds dial encompassed by the brass chapter ring and winged angel head spandrels to the corners. The black case decorated in raised gilding with chinoiserie scenes, panels of fine trellis work and floral sprays. The hood with a swept pagoda pediment surmounted by turned finials, 72 ins (183 cms) tall.

19th century figured mahogany regulator longcase clock, circular silvered dial signed S A Sharpe Retford, mercury filled pendulum, 203cm

Early 19th century oak and mahogany banded eight day longcase clock

Modern light wood longcase clock

An Early 19th Century Scottish 8-Day Striking Longcase Clock having circular brass dial with seconds dial and calendar, having Arabic and Roman numerals, in figured mahogany case, on bracket feet, 2m 25cm high

John Burputt, London 18th Century Black Lacquered 8-Day Striking Longcase Clock having square brass dial with chased spandrels depicting figurehead, leaf and scroll decoration, gilt chapter ring with Roman and Arabic numerals, having seconds dial and calendar, in black case with all over gilt and red oriental figure, bird, landscape, floral and scroll decoration (case completely overhauled), 2m 7cm high

Early 19th century style longcase clock, signed, Dillon, Waterford in stained pine case

W** A** WHALE JANTOBIE(**), AN EARLY 19TH CENTURY OAK LONGCASE CLOCK CASE AND DIAL, the arched brass dial with cast spandrels, Roman Arabic chapter, the plain case with flank pilasters, trunk door and plinth base, raised on bracket feet, 2.08m high

A 19th Century longcase clock, with eight day movement striking to bell, the arched painted dial painted with a "Lady of the Lake" scene and head and shoulder portraits of Ramsay, Ferguson, Burns and Scott to the corners, with date and seconds dials, in mahogany case with scroll pediment, the case door cross banded, on platform base and bun feet, 88" high

A 19th Century longcase clock, the eight day movement with painted arched dial depicting a river scene, hunting hounds and game to the spandrels with seconds dial and date aperture, in mahogany and oak case with broken pediment on turned column supports, pointed arched trunk door, flanked by ring turned pilasters and bracket feet, 85 1/2" high

George II oak longcase clock, the case having a long door, hood with swan neck pediment and cylindrical pillars, square brass dial with silvered chapter ring and calendar aperture, engraved decoration to the centre depicting a sun amongst scrolling foliage, signed John Reynolds, Hagbourn, 205cm high.

George III oak longcase clock, the hood with moulded cornice and tapered pillars, trunk with long door and standing on bracket feet, the square brass dial having cast spandrels and Roman numerals, signed James Webster, Salop, eight day striking movement, 193cm high.

George III mahogany longcase clock by William Bilbie of Chew Stoke, the hood with moulded swan neck pediment having carved giltwood foliate embellishments, reeded pillars with brass Corinthian capitals, trunk with long door flanked by reeded canted corners and standing on bracket feet, arch shaped brass dial with painted moon phase, silvered `High Water At Bristol Key`, silvered chapter ring, subsidiary seconds dial and calendar aperture. Signed William Bilbie, Chew Stoke - eight day striking movement, 232cm high - see full length image on page one.

Early 18th Century longcase clock, the later oak case having a moulded cornice with cylindrical columns, trunk with short door with Gothic mouldings, standing on a plinth base, the period square brass dial having spandrels depicting cherubs flanking a crown, Roman numerals, subsidiary seconds dial and calendar aperture, signed Joseph Thomson, Cirencester, the unusual probably adapted 30 hour brass movement having a double frame and striking on two bells, 214cm high.

George III oak longcase clock, the hood with a stepped moulded pediment and a band of scroll penwork, reeded pillars, the trunk with mahogany crossbanded long door and standing on bracket feet, the square silvered and brass dial with cast spandrels, moon phase and calendar aperture, signed John Collier, Cheadle, 213cm high.

An early 19th century mahogany longcase clock the arched hood enclosing a 12 inch silvered dial with ship at sea movement, marked J.Y. Hatton, London, with arched trunk door flanked by reeded half columns, 88in (204cm) high.

A mahogany cased longcase clock mid. 19th century, the hood with twin swan-neck pediment, the arched door enclosing a 12inch brass dial inscribed Geo. Jackson, Plymouth, with rolling moon movement, the trunk with arched door, in as found condition, 85in (216cm high).

An oak cased longcase clock 1930s, the hood with an arched and moulded pediment over an arched glazed door flanked by barleytwist columns, enclosing an eight day movement and silvered Roman Numeral dial with `Tempus Fugit` cartouche, gilt metal crown and putti spandrels and pierced blued hands, the trunk with an arched glazed door and panelled base, on shaped bracket feet, 77in (195.5cm) high.

A 19TH CENTURY MAHOGANY LONGCASE CLOCK, of eight day movement, striking on a later gong, the painted arch dial with Roman numerals, fruit basket to the centre signed Hudson Nottingham,. with fruit painted spandrels and moon phase to arch, the hood with swan neck pediment and fluted pilasters, the trunk door with ogee arch and later shell inlay, the plinth with similar inlay, 220cms high. See illustration

Early 19th century mahogany bodied former longcase clock converted to a wall clock with 2 weight driven eight day movement, white dial behind circular door

A George I walnut eight-day longcase clock, William Graham, London, early 18th century, the five finned-pillar rack and bell striking movement with 12 inch brass break-arch dial with star-engraved subsidiary seconds dial, calendar aperture and ringed winding holes to the matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes and lozenge half-hour markers, the angles with Indian mask and scroll pattern spandrels beneath arch centred with a silvered signature boss W"m Graham, London within engraved lappett borders and flanked by unusual cornucopia cast spandrels, the case with later cast brass foliate urn finials to the domed caddy raised on blind fret fronted upstand above moulded cornice, further fret infill and integral columns to hood, the trunk with rectangular door and sides divided into panels, on book-matched veneer fronted plinth base with double skirt, 241cm (7ft 11in) high excluding finials, 253cm (8ft 3.5in) high overall. William Graham is recorded in Baillie G.H. Watchmakers & Clockmakers of the World as working in London circa 1728. The use of a rectangular trunk door (rather than break-arch) would suggest a date of just prior to 1720 for the current lot. Visit www.dnfa.com for condition reports

A 1920s mahogany longcase clock, the arched brass dial inscribed `Tempus Fugit` with a German `Embee` movement, striking the quarters on eight gongs, 195cm high

Geo Suggate Halsworth, an oak cased eight day longcase clock, with brass dial and subsidiary second hand, striking on eight bells

George Bayford, London, a 17th century 30 hour longcase clock movement, with the square brass dial in a pine case

Hampson, Wrexham, a 30 hour oak longcase clock, circa 1800, the arched pedimented hood to open columns above a long door and panelled base with crossbanded decoration, the 11 inch brass square dial with calendar and a silvered chapter ring signed Hampson, Wrexham, 225 x 45cm.

Seven books of horological interest, to include: John Robey `The Longcase Clock`, Brian Loomes `Antique British Clocks`, `Clockmakers of Northern England` and `Brass Dial Clocks`, Anthony Ells `Longcase Clocks` and Tom Robinson `The Longcase Clock` (7).

J Alker Wigan, a mahogany 8 day longcase clock, circa 1820, the case with a swan neck pediment to the hood, the lower half with cluster reeded column sides and flame figured door to a panelled base and bracket feet, the striking movement to a well painted dial with birds of paradise and shell spandrels, subsidiary seconds and signed J Alker Wigan, 225 x 63 x 27cm, (87.75 x 24.57 x 10.53in).

HALLIDAY, BRIDGEWATER, AN EARLY 19TH CENTURY MAHOGANY 8 DAY LONGCASE CLOCK, the arched painted dial with rocking ship to the arch, subsidiary seconds and date window, the arched hood with free standing fluted pillars, boxwood and ebony strung frieze above a short trunk door, stepped base, raised on front bracket feet, 87 1/2 ins high, including pendulum and weights. SEE ILLUSTRATION.

An 18th century oak longcase clock having an eight day five pillar movement, the silvered dial signed Jno. Fielder, Alton, 191 cm high

George III eight day longcase clock with brass arched dial signed Thomas Broderick Kirton, painted lunar arch, subsidiary seconds and date aperture, floral scroll engraving in oak case with arched door on bracket feet, 220cm high

Early eighteenth century eight day longcase clock with brass and silvered square dial signed John Dunlop, Glasgow with cherub spandrels, subsidiary seconds and date aperture in walnut veneered case with feather banding, lenticle glass to door on platform base, 206cm high

George II eight day longcase clock by Nat Upjohn, Plymouth with gilt and silvered arched dial with rococo scroll spandrels, engraved windmill and ship scene, subsidiary seconds and date aperture on original black and gilt chinoiserie lacquered case with brass ball and spike and eagle finials, 239cm high

Early nineteenth century eight day longcase clock with arched painted dial with floral spandrels, subsidiary seconds and date aperture in oak case (cut down), 168cm high

George III Scottish eight day longcase clock with arched silvered dial signed Alex Mitchel, Gorbals, Glasgow engraved floral scroll spandrels, subsidiary seconds and date dials in inlaid mahogany case with blind fretwork and spiral twist pilaster decoration on bracket feet, 210cm high

AN EARLY 19TH CENTURY INLAID OAK LONGCASE CLOCK, THE PAINTED BREAK ARCH DIAL SIGNED THOS ALMEY SHEEPSHEAD

SOLD ON BEHALF OF A NATIONAL CHARITY. A GEORGE III OAK LONGCASE CLOCK THE ASSOCIATED BREAK ARCHED AND SILVERED DIAL SIGNED CORNS MUZZELL HORSHAM WITH THIRTY HOUR MOVEMENT

An ebony and white metal mounted dressing table set together with other similar items to include miniature longcase clock, barometer, jewellery box etc.

A longcase clock having moonphase silvered dial supporting an eight day movement in a Victorian carved oak case. The arched dial named Samuel Fletcher, Dewsbury.

An Oak Thirty Hour Longcase Clock, signed Wm Lawson, Keighley, circa 1800, case with swan neck pediment, turned columns, trunk door flanked by plain inset pilasters, rectangular plinth with raised quatre form panel and upon later bracket feet, 12-inch square white painted dial with Arabic and Roman chapter ring, dial centre with date aperture and signed, floral decorated spandrels, four pillar movement with anchor escapement and outside countwheel striking on a bell, 220cm high see illustration

An Oak and Mahogany Eight Day Longcase Clock, signed Prince, Leeds, circa 1810, case with swan neck pediment, fluted columns, trunk door flanked by inset fluted pilasters, rectangular plinth raised upon bracket shaped feet, 13-inch arched painted dial with a Arabic and Roman chapter, dial centre with two subsidiary dials for seconds and date, painted figural spandrels and the arch depicting a lady and gentleman within a landscape scene, four pillar movement with attached false plate stamped Walker & Finnemore, anchor escapement and rack striking on a bell, 227cm high see illustration

An Oak Eight Day Longcase Clock, signed Jno Stokes & Son, Bewdley, circa 1770, the nicely coloured case with flat top pediment, turned columns, plain rectangular trunk door, rectangular base upon bracket shaped feet, 12-inch square brass dial with Arabic and Roman chapter ring signed, matted dial centre with subsidiary dials for seconds and date aperture, later hands, four pillar movement with anchor escapement and rack striking on a bell, 210cm high see illustration