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A George IV mahogany and ebony-lined longcase clock, the eight-day movement striking on a bell, painted arch top dial, the glazed hood flanked by brass-capped pillars, 212.5cm high overall

TOM ROBINSON: THE LONGCASE CLOCK, 1981, 1st edn, 4to, orig cl gt, d/w

A 19th century mahogany eight day longcase clock, the arched painted enamel dial with rolling moon, subsidiary seconds and date aperture, signed by Wilding of Burslem, the crossbanded door flanked by turned columns.

A large early 19th century oak, mahogany and rosewood eight day longcase clock, the arched dial painted with a shipping scene, with subsidiary seconds and date aperture, signed by John Briggs, Skipton, height approx 246.5cm.

A 19th century oak longcase clock, with a square brass dial and an 8-day movement, inscribed "W Wenlock"

An 18th Century oak Longcase Clock, the 10 in brass dial inscribed `Rich. Stone, Thame`, (in need of restoration)

A 19th Century mahogany longcase clock having a square hood with turned pillars and a possibly later eight day movement with brass dial by France, Warrington

A 19th Century oak longcase clock having an arched and scrolled hood with Corinthian pillars and having painted dial with eight day movement, maker unknown (for restoration)

An 18th Century oak longcase clock, the square hood having turned Corinthian pillars over a long door with shaped top and half Corinthian pillars either side, brass dial, eight day movement by Watkin Owen, Llanrwst (catalogue illustrated)

An 18th Century oak, possibly later carved longcase clock, the square hood having turned pillars and the front of the body having carved geometrical motifs with `Time Waits For No Man` to the long narrow door, brass and silvered dial with two subsidiary dials, eight day movement by Joyce, Ruthin (catalogue illustrated)

A 19th century oak longcase clock, with a cavetto moulded cornice, the hood with turned supports, the door flanked by three-quarter columns and on bracket feet, square painted dial with Arabic numerals, subsidiary seconds dial and date aperture, floral spandrels, signed J.N. Evans, Pwllheli, eight-day movement, striking on a bell.

A 19th century oak and mahogany longcase clock, the hood with a plain moulded cornice and turned tapering supports, long arched door with three-quarter columns, on ogee bracket feet, square painted dial, with Roman numerals and subsidiary date aperture, thirty-hour movement, striking on a bell.

A George III oak longcase clock, signed Whitehurst, Derby, square brass dial with cast rococo spandrels, silvered chapter ring, date aperture, eight-day movement, striking on a bell, the case with a broken architectural pediment, arched long door with a marquetry star motif, panelled plinth, bracket feet.

An early 19th century mahogany longcase clock having swan neck and pillar hood containing 8 day movement and painted dial by Corson, Maryport on shaped trunk, pillar and sqaure reeded base

A late George III 8-day longcase clock, 12in. square painted dial with subsidiary seconds and date aperture, four-pillar movement with anchor escapement, in oak case, cross-banded in rosewood with boxwood inlay, hood with swan-neck pediment, 6ft. 7in.

A late George III 8-day longcase clock, signed Edward Thompson, Ellesmere, enamelled dial with moon-phases to the arch, subsidiary seconds and date aperture, contained within oak case with mahogany cross-banding, hood with swan-neck pediment, 6ft. 11in.

A late George III 8-day Lancashire longcase clock, signed Twist, Ormskirk, 14in. painted dial with moon phases to the arch, subsidiary seconds and date dials, four-pillar movement with anchor escapement, broad mahogany case with swan-neck pediment and flame-veneers, 7ft. 7in. high

A miniature walnut longcase clock, Georgian-style with traditional arch dial, 17in. high

An early 19th century mahogany longcase clock with eight day movement and painted arch dial, short trunk door

A Georgian mahogany longcase clock with eight day grand sonnerie repeating movement striking on bells, the brass dial with landscape painted moon-phase, arch inscribed above `I`m Moving while you`re Sleeping`, silvered chapter ring in arched hood with parcel gilt decoration, long trunk door and box base beneath, on ogee bracket feet, 230 cm high

A 19th Century longcase clock, painted arch dial with shepherdess and sheep in landscape, seconds and date aperture, eight day movement striking on a bell, indistinctly inscribed Phillip Tredegar, enclosed by a glazed hood surmounted with a finial and broken swan neck pediment, over a short inlaid trunk door, canted bracket plinth, 208cm high

A 1930`s cased three train longcase clock with a brass dial and a plaque for OTTO WORCE Cambridge 74" tall

An oak eight day striking longcase clock with a painted 12" dial 80" tall

A reproduction Oak finished Longcase Clock having alloy and brass face with moon phase and the name Emperor. The hood having swan necked pediment top with columns, long glazed door and panelled base. 17`` wide x 75`` high x 10`` deep.

An early 19c thirty hour longcase clock with 12" square painted dial, having geometric corner paintings and a church painted in the dial centre. The plated movement is rope driven and rack striking on a bell. It is contained in a plain oak case with swan neck pediments to the hood and plain columns flanking the dial. The long trunk door has a round top and the plain base has a plain plinth (front section missing), 78" tall overall.

An early 19c thirty hour longcase clock, the 12" square painted dial signed `A. Heale, Chulmleigh` and having florally painted corners. The plated movement is chain driven and is countwheel striking on a bell. The pine case has swan neck pediments to the hood and turned columns flanking the dial. The long trunk door is plain and the base is plain with a wavy plinth. The case is heavily varnished and stands 83" tall.

A mid 18c thirty hour longcase clock, the 10" square dial signed `Jas. Wright Knoll` and has urn spandrels and a matted centre. The plated movement is chain driven and countwheel striking on a bell. The oak case has a tall flat top hood with sound fret and no hood columns. The long trunk door has a shaped top and edge moulding and the small base is plain with a shaped plinth, the case back has been replaced, 77" tall overall.

AN OAK AND MAHOGANY LONGCASE CLOCK, 19th Century, swan neck pediment, painted dial with rolling moon mechanism in the arch, subsidiary seconds dial and date aperture, indistinctly signed, the trunk door flanked by fluted pilasters, height 220cm, (two weights and pendulum)

A POLLARD OF CREDITON OAK THIRTY HOUR LONGCASE CLOCK, early 19th Century, swan neck pediment, arched painted dial with subsidiary seconds dial and date aperture, mahogany crossbanded case, height 208cm, (weight and pendulum)

A mahogany longcase clock, the 30cm arched brass dial signed William Gill, Maidstone, with silvered chapter ring, subsidiary seconds, and date aperture, the case on bracket feet, height 220cm (86 1/2in.).

A mahogany eight day longcase clock, the 36cm arched painted dial signed Clayton, Blackburn, with moonphase, subsidiary seconds and date, the hood flanked by Corinthian columns, the case with reeded pilasters, on plinth base, height 234cm (92in.).

An oak and mahogany banded eight-day longcase clock, the replacement movement with painted dial, subsidiary seconds and calendar aperture, signed Jno Blaylock, Longtown, phases of the moon to the arch, four pillar movement, the case enclosed by a shaped panel door, plinth base, the break arch hood with broken swan neck pediment and flanked by fluted columns, height 221cm (83in.).

A Mahogany Eight Day Longcase Clock, the case with swan neck pediment, turned pillars, wavy shaped trunk door with inset plain pilasters, plain rectangular plinth upon bracket shaped feet, 14-inch arched painted dial with Roman and Arabic numerals bearing inscription Willm Barlow, Ashton, date aperture, arch with moonphase (not functioning), four pillar movement with anchor escapement and rack striking on a bell, 236cm high (dial and movement later associated to the case)

A Mahogany Eight Day Longcase Clock, signed Blair Flight, Kenross, circa 1800, the swan neck pediment with blind fret work, fluted columns, nicely figured and inlaid trunk door flanked by inset pilasters, rectangular plinth raised upon later bracket feet, 14-inch painted arched dial with Roman and Arabic chapter, date aperture and subsidiary seconds, floral spandrels, rolling moon in the arch and signed above (minute hand broken), four pillar movement with attached falseplate stamped Osborne, anchor escapement and rack striking (bell missing), 226cm high see illustration

A Mahogany Eight Day Longcase Clock, circa 1820, the nicely figured case with swan neck pediment, gilt painted glazed images of lions and central Prince of Wales feathers, fluted square shaped columns, arched trunk door with acorn finial, flanked by fluted pilasters and inlaid ebony stringing, rectangular plinth with boxwood inlaid stringing and canted corners, 14-inch painted arched dial with Arabic chapter, Prince of Wales feather spandrels, two subsidiary dials for seconds and date, arch with rolling moon, four pillar movement with attached falseplate stamped Owen, anchor escapement and rack striking on a bell, 234cm high see illustration

An Oak Chiming Longcase Clock, the pagoda top pediment with fluted columns, case later carved throughout, arched trunk door flanked by canted corners, plinth raised upon later bracket feet, 12-inch painted arched dial with Roman and Arabic numerals and inscribed LVR, floral spandrels and the arch depicting birds, triple weight driven movement with attached falseplate stamped Wilson, quarter striking with two hammers onto two bells and a further hammer striking a bell for the hours, 240cm high See illustration

An Oak Eight Day Longcase Clock, signed A Crawford, Scarbro, circa 1810, the case with a swan neck pediment, turned columns, arched trunk door, rectangular plinth raised upon bracket feet, 12-inch painted arched dial with Arabic numerals, dial centre with subsidiary seconds and date aperture, spandrels and the arch with painted floral decoration, four pillar movement with anchor escapement and rack striking on a bell, 225cm high see illustration

A Scottish Mahogany Eight Day Longcase Clock, signed K.Murdoch, Ayr, circa 1820, the nicely coloured case with swan neck pediment and fluted columns, pierced side sound frets, rectangular trunk door, crossbanded plinth raised upon later bracket feet, 14-inch arched painted dial with Roman numerals, dial centre with subsidiary seconds, date and signed, spandrels depicting figural poets, the arch depicting a figural lake scene, four pillar movement with anchor escapement and rack striking on a bell, 218cm high see illustration

A Mahogany Eight Day Longcase Clock, signed Tho Green, Liverpool, circa 1790, the nicely figured case with swan neck pediment, four fluted columns to the hood, wavy shaped trunk door with plain inset pilasters, raised quatre form panel to the plinth and brick work design to the corners, upon bracket feet, 14-inch white painted dial with Arabic and Roman numerals, inner date ring (central corresponding date hand missing), rolling moon phase in the arch, later minute hand, four pillar movement with attached falseplate unsigned, anchor escapement with rack striking on a bell, 231cm high see illustration

An Oak Chiming Longcase Clock, signed W Potts & Sons Ltd, Leeds, circa 1910, the case with flat top pediment, twisted columns, pierced side sound frets, rectangular trunk door with carved moulding, plinth with quatre form carved moulding, 11-inch square brass dial with silvered chapter ring, matted dial centre with subsidiary seconds, ringed winding holes and a silvered plaque signed, silent/chime lever positioned above 12, twin weight driven movement with deadbeat escapement and quarter chiming with five hammers striking on to five gong rods, 213cm high see illustration

A Small Mahogany Chiming Longcase Clock, retailed by Armstrong, Manchester, circa 1910, plain mahogany veneered arched case, pierced side sound frets and canted corners, recessed rectangular trunk door, plinth raised upon bracket feet, 10-1/2-inch arched brass dial with silvered chapter ring signed, chime/silent lever positioned at 3, strike/silent lever positioned at 9, the arch with silvered Tempus Fugit disc, triple weight driven movement with anchor escapement, chiming four hammers onto four gong rods and striking the hours with three hammers onto three gong rods, 194cm high (pendulum missing) see illustration

A Mahogany Chiming Longcase Clock, the case with swan neck pediment, wavy shaped trunk door flanked by inset fluted pilasters, plinth with raised quatre form panel and canted corners, upon stepped skirting, 13-inch arched brass dial with Roman and Arabic chapter ring and inner date ring with corresponding central date hand, textured dial centre with plaque bearing inscription Simcock, Liverpool, subsidiary seconds, arch with rolling moonphase, four pillar movement with anchor escapement and extra attached chiming movement to the side, quarter striking with eight hammers striking onto a nest of eight bells and a further bell for the hours, later seatboard, 244cm high (dial later associated to the movement and both are associated to the case, one weight missing) see illustration

A Mahogany Eight Day Longcase Clock, swan neck pediment with glazed front apertures, fluted columns, trunk with blind fretwork, nicely figured trunk door flanked by inset fluted pilasters, plinth with raised quatre form panel, later bracket feet, 13-inch arched brass dial with Arabic and Roman chapter ring with inner date ring and corresponding central date hand, textured dial centre with subsidiary seconds (hand missing), plaque bearing inscription Monks, Prescot, later added arch with printed scene, four pillar movement with anchor escapement and rack striking on a bell, (dial later associated to movement and both are associated to the case), 241cm high see illustration

An Edwardian Inlaid Mahogany Chiming Longcase Clock, swan neck pediment with inlaid canted corners, pierced side sound frets, case inlaid throughout with satinwood, boxwood and ebony stringing, arched trunk door with bevelled glass, recessed moulded plinth raised upon bracket shaped feet, 13-1/4-inch arched brass dial with silvered Roman chapter ring, matted dial centre with subsidiary seconds, three subsidiary dials in the arch for strike/silent, chime/silent and Westminster/Whittington, massive triple weight driven movement with deadbeat escapement, quarter chiming with eight hammers striking a nest of eight bells and striking a large gong for the hours, 240cm high see illustration

A Mahogany Eight Day Longcase Clock, signed Obadiah Brandreth, Middlewich, circa 1790, the case with swan neck pediment, turned pillars, wavy shaped trunk door flanked by fluted pilasters, rectangular plinth with later feet, 13-inch arched brass dial with Roman and Arabic chapter ring with inner date ring (central date hand missing), dial centre with engraved scroll work and subsidiary seconds, rolling moon arch signed above, four pillar movement with anchor escapement and rack striking on a bell, 218cm high (one weight missing) see illustration

A Mahogany Eight Day Longcase Clock, case with swan neck pediment, later inlay throughout with boxwood stringing and shell inlay, wavy shaped trunk door with acorn finial, inlaid rectangular plinth upon bracket feet, 14-inch arched brass dial with Arabic chapter ring, dial centre bearing inscription Jaques, Wakefield, arch with Tempus Fugit disc, four pillar movement with anchor escapement and rack striking on a bell, 237cm high (dial associated to movement and both are associated to the case) See illustration

A Mahogany Eight Day Longcase Clock, swan neck pediment with carved wooden petals, turned columns, mahogany crossbanded trunk door flanked by fluted inset pilasters, rectangular plinth with canted corners and upon bracket shaped feet, 12-inch arched brass dial with silvered chapter ring bearing inscription Barwise, Cockermouth, painted scene in the arch, movement with anchor escapement and outside countwheel striking on a bell, 225cm high (dial is later associated to the movement and both are associated to the case) See illustration

A Mahogany Eight Day Longcase Clock, flat top pediment with fluted columns, arched trunk door flanked by canted inlaid corners, 13-inch arched brass dial with two subsidiary dial for seconds and date, the arch with rolling moon and bearing inscription above Thomas Arlot, Sunderland, four pillar movement with anchor escapement and rack striking on a bell, 214cm high (dial later associated to the movement and both are associated to the case) see illustration

An Oak and Mahogany Eight Day Longcase Clock, swan neck pediment with later columns, mahogany crossbanded trunk door flanked by fluted corners, plinth with raised panel and upon later bracket feet, 12-inch arched brass dial with silvered chapter ring, dial centre with engraved scrollwork, date aperture and subsidiary seconds, arch with engraved circular disc and (above with an arched plaque now missing), four pillar movement with anchor escapement and rack striking on a bell, later seatboard, 231cm high (dial and movement circa 1770, possibly associated to the case circa 1770) see illustration

An Oak Thirty Hour Longcase Clock, the case later carved throughout, pediment with mask and scroll work, carved masks to the sides, rectangular trunk door with moulded borders, plinth with skirting missing, 11-1/4-inch square brass dial with Roman and Arabic chapter ring signed Barber, Winster, matted dial centre with date aperture, later minute hand, four pillar movement with anchor escapement and outside countwheel striking on a bell, movement frontplate numbered 532 (dial and movement circa 1761are later associated to the oak carved case), 250cm high see illustration

An Oak Thirty Hour Longcase Clock, signed Kidd, Malton, circa 1770, the case with a caddied top, turned columns, wavy shaped trunk door, rectangular plinth raised upon later bracket feet, 11-inch square brass dial with silvered chapter ring, dial centre with scroll and bird engraving and signed, subsidiary seconds, four pillar movement and anchor escapement, outside countwheel striking on a bell, 213cm high see illustration

A Japanned Eight Day Longcase Clock, signed John Simpson, London, circa 1750, the case with caddied pediment, side viewing windows, case with Oriental decoration throughout, arched moulded trunk door, 12-inch arched brass dial with Roman and Arabic chapter ring, matted dial centre with subsidiary seconds, date aperture, engraved borders, arch with engraved circular silvered plaque and signed, four pillar movement with anchor escapement and rack striking on a bell, 247cm high see illustration

A Scottish Mahogany Eight Day Longcase Clock, signed A Cockburn, Haddington, circa 1820, the case with drum shaped pediment with a single eagle finial, rectangular trunk door, recessed moulded plinth raised upon bracket feet, 13-inch circular silvered dial with Roman numerals, two subsidiary dials for seconds and date (no date drive at present), dial centre signed, four pillar movement with anchor escapement and rack striking on a bell, 228cm high see illustration

A Walnut Eight Day Longcase Clock, signed John Willats, London, circa 1760, the arched top pediment with fluted Corinthian capped columns, arched moulded trunk door, re-built plinth raised upon a wavy shaped skirting, 12-inch arched brass dial with silvered chapter ring signed, strike/silent in the arch, matted dial centre with date aperture and subsidiary seconds, six pillar movement with anchor escapement and rack striking now on a later gong positioned to the backboard and converted from a bell, (case with restorations), 243 cm high see illustration

A LATE GEORGIAN MAHOGANY EIGHT DAY LONGCASE CLOCK having an arched brass dial with Roman numerals, second hand and date aperture inscribed `Beware of the Hawk` and signed J. Cumming Falmouth (Cornwall), the case with break arch pediment and eagle and ball finial, with pilaster support, line inlay and on bracket feet, 84" high (see illustration).

AN 18TH CENTURY WELSH OAK LONGCASE CLOCK, having broken swan neck pediment with brass urn shaped vase shaped finial surmounted by bird, arched aperture flanked by plain turned columns, moulded waist door flanked by reeded quarter pilasters on a panel base with bracket feet. Arch brass face with mask and dolphin spandrels, tempus fugit panel to the arch and seconds with date dials to the field. Eight day movement striking on one bell. Unnamed. C1790. Face 17.5" x 12", overall 92" High.

A 19TH CENTURY OAK CASED EIGHT DAY WELSH LONGCASE CLOCK, by W Hopkin Llandilo, having hood with broken swan neck pediment above arched aperture flanked by baluster turned pilasters, the waist with arch inlaid door flanked by half pilasters on a similarly inlaid panelled base. Painted face with Roman numerals seconds dial and date aperture. Eight day two train movement striking on one bell. Face 19" x 14". Clock 90" High overall.

AN 18TH CENTURY WELSH LONGCASE CLOCK, by John Evans Llanarth, the later Victorian oak case with broken swan neck pediment above square aperture flanked by baluster turned pilasters, the waist with shaped door flanked by turned pilasters on a panelled base with bracket feet. Brass face with engraved ships anchor decoration Roman numerals and arched date aperture. 30 Hour movement striking on one bell. Face 11" Square, 90" High.

A 19TH CENTURY WELSH OAK EIGHTDAY LONGCASE CLOCK, by X Ganz of Swansea, having broken swan neck pediment above arched aperture flanked by turned pilasters, the waist with rectangular door flanked by canted angles on a panelled base. Painted face with Roman numerals, seconds dial and date aperture, painted with sporting scenes. Eight day two train movement striking on one bell. 84" High. Face 12.5" x 18".

AN 18TH CENTURY OAK THIRTY HOUR LONGCASE CLOCK FACE AND CASE ONLY, by Manister Baxter, St Neots, the pagoda topped case with strapwork decoration to the hood above square aperture, the waist with rectangular door on panelled base with added skirt. Brass dial with Roman numerals and pierced gilt brass spandrels. 84" High. Face 10" Square.