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A VICTORIAN MAHOGANY WELSH LONGCASE CLOCK having a painted dial with rolling ship movement, by John Evans, Aberayron, and having barley twist supports to the trunk, eight day movement, 236cms high

A 19TH CENTURY MAHOGANY LONGCASE CLOCK with brass face with Roman and Arabic numerals, engraved with a double headed girl by Thos. Brown, Chester No. 828, the hood having turned supports and gilt finials, 219cm high x 52cm wide x 26cm high and associated base, 15cm high Condition Report: Glass broken, several losses of veneer and splits .

AN EARLY 19TH CENTURY SCOTTISH DRUMHEAD LONGCASE CLOCK by Turnbull and Young, Glasgow, the white painted dial in a drumhead case with Roman numbers above a fluted column trunk and moulded panel, hexagonal base raised on bun feet, 214cm high x 55cm wide x 30cm deep Condition Report: No Glass, crazing and some scratches of face, some losses to veneer, has two weights and pendulum

A WILLIAM BLAIKIE, EDINBURGH EARLY 19TH CENTURY OAK LONGCASE CLOCK the brass face with Roman and Arabic numerals, the swan neck pediment with three brass finials, 234cm high x 50cm wide x 27cm deep Condition Report: I hand missing, others badly corroded, face poor condition, repair on case opposite lock, gaps in hood joints, damage inside hood, split on brass finial all visible on images.

A pine thirty hour longcase clock, signed Rich Marshall, circa 1760

~ A Japanned eight day longcase clock, Joseph Atkinson, Gateshead

An oak thirty hour longcase clock, dial inscribed R Weston, Wolsingham, possibly later dial

An oak thirty hour longcase clock, Jno Weston, Wolsingham

A mahogany eight day longcase clock, WM Greaves, Newcastle

An oak thirty hour longcase clock, dial inscribed Walton, Alston, circa 1760, possibly a later dial

An oak thirty hour longcase clock, Chris Dixon, Hexham

An oak thirty hour longcase clock, Hepton, North S, Allerton

An oak thirty hour longcase clock, signed John Dobie, Taneield, No.311, circa 1770

A 19th century mahogany eight day longcase clock, D. Crombie, Auchtermuchty

A mahogany eight day longcase clock, Alex Thomson, Berwick

An oak thirty hour longcase clock, R. Weston, Wolsingham

An oak cased thirty hour longcase clock, square brass dial signed William Porthouse, Penrith, circa 1770

A modern striking wall clock, dial inscribed Highlands, a Elliott striking mantel clock retailed by John Dyson & Sons Ltd, Leeds, and a small longcase clock pocket watch holder (3)

An oak longcase clock having a square brass dial with Roman numerals, 8-day striking movement, the case having a square hood, lenticle to trunk door and carved with stylised flowers

A late 18th century oak and mahogany longcase clock with 8 day movement, the dial painted with roses to the spandrels. 85' high

An early 19th century oak and mahogany 30hr longcase clock with painted dial. 76' high

A George III mahogany eight day longcase clock, height 218cm.

COLLIER OF ECCLES; a late 18th/early 19th century mahogany longcase clock with broken swan neck pediment above eagle finial above fretwork, the circular dial set with Roman and Arabic numerals, subsidiary seconds dial, date aperture and rolling moon phase featuring a hunting scene, the trunk with arched door flanked by quarter turned reeded columns, on plinth base to associated ogee feet, height 235cm.Additional InformationDial has been repainted and there is lots of craquelure to the rolling moon phase, the case has replaced finials, some cracks to the moulding, very slight warping to the case, general surface wear throughout, we are unable to tell if the clock is in working order but has come from a local private home. The base is very slightly faded to the right hand side.

An early George III pollard oak eight day longcase clock, the caddy top above 12 inch brass dial inscribed 'Foden, Congleton' with date arched aperture above long shaped door, rounded quarter pillars to a plinth base, height approx 210cm.Thomas Foden of Congleton is registered as working in the town between 1753 and 1785.Additional InformationThis is a good honest clock which has not had any repair over the years, apart from a couple of minor pieces of spliced wood to the carcass. It does however require attention, the wood on the right hand side of the plinth base has lifted, there is a split to both the base and the door. Some old signs of woodworm to the back panels which are heavily worn in parts. There are some knocks and small sections missing and done a long time ago to the upright pillars. The Dial movement and case look as if they have been together since day one. The clock is sold with winding key, case key, pendulum and two weights.

An 18th century oak longcase clock, with painted square dial set with Roman numerals, rolling moon phase, and date aperture, height 213cm.

An 18th century oak and mahogany cross-banded thirty-hour longcase clock, the twelve inch brass dial set with silvered chapter ring and date aperture inscribed 'Wainwright, Bunny' with star inlaid panel to the arched door and raised on a plinth base, height 200cm.

JEREMIAH STANDRING OF BOLTON; a late 18th century ebonised oak longcase clock, the square brass dial set with Roman and Arabic numerals with rolling moon phase, and date aperture, height 210cm.

A 19th century oak cased longcase clock, the painted dial set with Roman numerals and subsidiary seconds and date dials, raised on bracket supports, height 229cm.

A fine early 19th century 8 day, mahogany cased Scottish longcase clock, signed Robert Bryson, Edinburgh. The circular painted dial with off-set dials for seconds and dates, Breguet hands and Roman numerals. The four pillar movement striking on a bell housed in a fine mahogany case, the door flanked by fluted columns, 85"h

An oak corner longcase hall clock

A George III oak and flame mahogany longcase clock, 31cm arched painted dial, Arabic chapter, the arch painted with a lady dressed for winter, florally painted spandrels and centre, pierced steel hands, date aperture, 30 hour movement striking on a bell, the hood with swan neck pediment and brass ball and spire finial, brass capped reeded columns, shaped rectangular door to trunk flanked by reeded quarter columns, bracket feet, 225cm high, c.1810James Akers was born in Nottingham in 1782, son of James Akers of Derby and probably apprenticed to a Nottingham maker, like his rather more ephemeral elder brother William. He set up in Derby as a clock and watchmaker in 1802, having married Hannah Houlgate at St. Werburgh's church that June. There were two sons. Two watches are known along with an 8-day clock and two other 30 hour examples, all with painted dials. Akers died in 1833.

A George III oak and mahogany longcase clock, 33cm arched painted dial, inscribed with Roman numerals, date aperture, 30 hour movement striking on a bell, the hood with swan neck pediment, shaped rectangular door to waist, flanked by reeded quarter columns, outlined throughout with boxwood stringing, 220cm high, c.1810

A retro mid-20th century two tier buffet/serving trolley; another; an oak cased longcase clock, of small proportions (3)

A George III oak longcase clock, 33cm circular brass dial with Roman chapter, Arabic minutes chapter, star engraved winding arbours pierced steel hands, signed Whitehurst, Derby, eight day movement striking on a bell, arched hood supported on turned Doric columns, shaped rectangular top to trunk door, flanked by reeded quarter-columns, skirted base with canted angles, bracket feet, 209cm high, 1760/1770John Whitehurst FRS was born 1713 son of a Congleton maker, who set up in Derby in 1736, and became a founding member of the Lunar Society, the father of modern geological science and an scientist of note. He moved to London in 1780 and died at Bolt Court, Fleet St in 1788. His nephew, John Whitehurst II (1761-1834) took over the business which survived until 1861. He introduced round brass dials on his clocks, much imitated subsequently, in 1760.

A late George III mahogany crossbanded, marquetry and oak longcase clock, 35.5cm enamel dial inscribed W. Johnson, Birmingham, Arabic numerals, second subsidiary dial, the spandrels painted with allegories of the seasons, the whole crested by an arched moon phase dial, twin winding holes, eight day movement striking on a bell, the hood with swan neck pediment centred by an urnular finial and flanked by a pair conforming, baluster turned pilasters, the Gothik ogee door centred by a shell patera, the whole outlined throughout with marquetry geometric stringing, 248cm high overall, c.1820

A BLUE JAPANNED EIGHT DAY LONGCASE CLOCK, SAMUEL BRYAN, LONDON, C1760 the 30cm breakarched brass dial with matted centre, date aperture, subsidiary seconds dial and lunar work to the arch, 220cm h++Case redecorated, base reduced, seat board a modern replacement, cheeks not packed, movement clean, dial dirty with degraded lacquer, painted lunar dial lightly scrfatched

A WALNUT AND MARQUETRY MONTH DURATION LONGCASE CLOCK, HENRY HARPER, LONDON, C1700 the 11inch brass dial with matted centre, date aperture, subsidiary seconds dial and ringed winding squares, mask spandrels, the movement with five finned pillars, the case decorated with floral marquetry and birds, the trunk enclosed by an ebony moulded door with brass lentical, 203cm h++In good condition with some cosmetic restoration to the case, movement clean, dial in good condition, seat board replaced and cheeks slightly packed with cardboard, with pair of brass sleeved lead weights and pendulum with brass bob

TIM BOBBIN'S' CLOCK. AN OAK AND QUARTER SAWN OAK THIRTY HOUR LONGCASE CLOCK, GEO BOOTH, MANCHESTER, EARLY 18TH C the 28cm brass dial with matted centre, cherub and crown spandrels and single pierced hand, the trunk door with bull's eye lentical, 228cm hProvenance: (according to an old handwritten label) "This clock was the property of John Collier of Milnrow who died 1786 and buried in the Rochdale Parish Churchyard, he was a Lancashire poet and schoolmaster 75 years from Bolton. This is his poetry Here Lies John and with him Mary/Cheek by jowl and never very/No wonder that they so well agree/John wants no punch nor Mol no tea" The unknown early 19th c author of the note pasted to the back of this handsome provincial 19th c clock rightly considered it worthy as a relic of John Collier (1708-1786) better known as 'Tim Bobbin', the Lancashire painter of caricatures and dialect verifier. He became nationally known and as his book of engravings 'Human Passions Delineated' (1773) went through many editions. He gave his peculiar talent free rein with all the Seven Deadly Sins. The twisted expressions of his well-to-do or lowly men and women were often so distorted that they appear grotesque freaks, not of nature but of their particular fit of passion. The evident want of even rudimentary technique only serves to heighten the effect. Collier/Bobbin was born at Urmston and lived at Milnrow, near Rochdale. Judging by his art, verse and many sardonic epitaphs neither his pen nor his pencil lacked subjects of themes in the locality. He apparently penned his own epitaph a few minutes before his death.++Very dirty with some old minor repairs and replacements to case. Trunk door lacking lock, lentical probably an early replacement. Cheeks not packed and the dial/movement apparently original to the case

AN ENGLISH INLAID MAHOGANY AND PENWORK DECORATED MONTH DURATION LONGCASE CLOCK THE CASE GEORGE III, THE INLAID DECORATION AND MOVEMENT LATE VICTORIAN the 30cm gilt brass dial with matted centre and date ring, rococo spandrels and engraved eagle and TEMPUS FUGIT disc to the arch, having three train movement chiming on eight bells, 234cm h excluding finials++Veneer lifting on pediment, top left corner of trunk door with small chip, good old colour, rich patina, movement and dial complete but somewhat dirty and requiring overhauling/cleaning

A miniature reproduction George III style oak longcase clock, with ebonised bandings, containing an 8 day timepiece in gilt metal case, 35cm high.

Jn. Spendlove Thetford; a George III oak longcase clock, the square hood with a broken swan neck pediment and giltwood orb finial, brass mounted rounded free-standing pilasters, long moulded trunk door, the 11" painted square dial with Arabic numerals, single train movement striking on a bell, 210cm high.

R. Camm Stroud. A mid 19thC longcase clock, the square dial painted with a pheasant, flowers etc., thirty hour movement, in oak and mahogany crossbanded case, 204cm H.

Marsh, Diss. An early 19thC longcase clock, the arched dial painted with a naval battle and with figures to the spandrels emblematic of the continents, eight day four pillar movement in a mahogany case, 228cm H.

Michie, Brechin. An early 19thC longcase clock, the arched dial painted with a lady and two young girls, with church in the foreground, above four floral spandrels, eight day four pillar movement in oak and mahogany case, 212cm H.

A 19thC and later longcase clock, the brass dial with Roman numerals, thirty hour, four pillar movement, in ebonised case, 203cm H.

Richard Holt, Newark. A longcase clock, the arched dial painted with birds, flowers etc., eight day four pillar movement, in oak and mahogany crossbanded case, 216cm H.

A Scottish Arts and Crafts period carved oak longcase clock, with brass dial and original brass covered weights, height 2m 20cm

A GEORGE III OAK LONGCASE CLOCK, moulded cornice on brass capped doric columns flanking the hood door, brass dial with silvered pierced spandrels, chapter ring with Arabic and Roman numerals, subsidiary seconds dial, eight day movement, 11 1/4''/28.5cm dial with brass name plaque 'N. Baker, Hull', plain trunk door and plinth base, overall height 194.5cm, with pendulum, weights and winding key (condition: some pieces of wood missing to pediment and trunk door, hand missing to seconds dial, name plaque over engraving, not seen working)

A GEORGE III OAK LONGCASE CLOCK, moulded pediment above the hood door flanked by half doric columns, brass dial with pierced brass spandrels, chapter ring with Arabic and Roman numerals, subsidiary seconds dial and date aperture, eight day movement, 11 inch/28cm dial named S. Moore, Tewkesbury, plain rectangular trunk door and plinth base, overall height 207cm, with pendulum and weights (condition: overall good condition, some minor chips to case, case needs to sit on a block to keep it standing straight, not seen working)

A GEORGE III OAK LONGCASE CLOCK, the broken swan neck pediment with brass rosette mounted scrolls centred by a brass eagle on an orb, with brass capped doric columns flanking the hood door, brass dial with pierced gilt spandrels, chapter ring with Arabic and Roman numerals, subsidiary seconds dial, painted lunar phase mechanism, 12''/31cm dial named J. Batty, Halifax, the trunk door flanked by quarter columns, on a plinth base, overall height 223cm, with pendulum and weights (condition: split right hand side of plinth and missing kick board, dial has patches of tarnish, other areas of general wear, not seen working)

Oak eight day longcase clock by James Holt, Rochdale, circa 1820-40, swan neck pediment over brass capped turned columns flanking a painted 13.5'' dial with maritime rolling moon aperture, date aperture, painted with exotic pheasants, eight day movement striking on a bell, the trunk with mahogany crossbanded door within quarter pilasters, raised on a canted box base, height 220cmPlease note our special conditions of sale regarding clocks and watches

Oak eight day longcase clock by Paul Lacey, Bristol, circa 1820-40, having swan neck pediment over turned columns flanking a painted arched 12'' dial with subsidiary seconds and date aperture, eight day movement striking on a bell, the trunk with an arched mahogany crossbanded door and box base, height 223cmPlease note our special conditions of sale regarding clocks and watches

Oak eight day longcase clock by Ray, Bury St Edmunds, circa 1810-30, arched hood with brass urn finials, brass capped fluted columns flanking an arched painted 12'' dial with subsidiary seconds and date aperture, eight day movement striking on a bell, plain trunk with an arched door and moulded box base, height 198cmPlease note our special conditions of sale regarding clocks and watches

Mahogany eight day longcase clock, circa 1830-50, the hood with swan neck pediment centred with an eagle ball finial, over brass capped columns flanking a painted 14.5'' arched dial with a vignette to the arch titled 'The love letter', the spandrels representing the four countries of the Union, subsidiary seconds and date dial, eight day movement striking on a bell, flame mahogany crossbanded door, over a crossbanded flame mahogany base, raised on bracket feet, height 228.5cmPlease note our special conditions of sale regarding clocks and watches

Oak, mahogany and inlaid eight day longcase clock by R Pitts, Epworth, circa 1815-25, the hood surmounted with turned wooden finials over brass capped inlaid columns flanking a painted 11.5'' arched dial with Trafalgar commemorative vignette to the arch, subsidiary seconds and date aperture, the eight day movement striking on a bell, the trunk with an inlaid door over a crossbanded and inlaid box base, height 218cmPlease note our special conditions of sale regarding clocks and watches

A 20th century stained pine longcase clock with moonphase dial, height 215cm

An early 19th Century oak longcase clock, fitted an associated square brass dial, Jno Weller London, with seconds and date aperture, 206cm high CONDITION REPORT: Pendulum lead weights. Date recorder works. Movement in need of a good cleaning. Four pillar supports.

An oak cased eight-day longcase clock, R Fletcher, Chester, with swan neck and fluted columns to the hood and sides, fitted an arch-top painted dial with seconds and date recorder, 216cm high CONDITION REPORT: Painted dial very primitive. Name probably added later. Not in working order but complete. Case in acceptable condition. Glass to hood cracked.

A fine 18th Century walnut eight-day longcase clock, Aynsworth Thwaites, London with strike/silent to the arch decorated spandrels, seconds dial and date aperture, the dial signed Aynsth Thwaites, the case with three ball finials and enclosed by an arch-top door, 237cm high/Provenance: Squadron Leader GT Stoneham, John Chivers Sale Perrott House, Pershore, Lot 315, Tuesday 14th March 1950 (original catalogue available)/see illustration CONDITION REPORT: The clock was in working order at the house and is in current working order in the sale room. The hood is split at the arch top and missing a return at the back of the left hand side. Case in good order.

An oak cased eight-day longcase clock, the arched dial signed Arch Laurie, Carlisle, to a roundel above a silvered dial with subsidiary seconds and date aperture, 227cm high