19th century inlaid mahogany eight day longcase clock by John Chalker, Maiden Newton, painted square dial with Roman numerals, subsidiary seconds dial at 12, date aperture to centre, signed to dial, on plinth base, with two weights and pendulum, H.193cm Loss of paint to dial, especially at top of dial. Some scratches and marking to dial and loss of paint to signature.Damage and loss of veneer around dial case door. Repair to pediment.Wear and damage to case, including to plinth base. Knocks to feet. Knocks to bell. Cannot guarantee the working order of any clock.
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AMENDED DESCRIPTION - Late 18th century oak eight day longcase clock, brass dial with Roman and Arabic numerals, seconds subsidiary dial at 12, plaque signed 'Jn: Vise, Wisbech' to dial centre, aperture marked '1798', H.190cm Scratches to dial. Columns slightly loose. Dial door with slight split to wood and slight chip to edge. Crack to side of plinth base.Minor scratches and wear to case. Bend to bell.Break to bob on pendulum - rod and bob detached but present. Cannot guarantee the working order.
AMENDED DESCRIPTION 18th century Scottish mahogany eight-day longcase clock, the 30cm circular brass dial with twin train movement, subsidiary seconds dial and date aperture, by William Lunan of Aberdeen, 209cm high, with wood rod and heavy bob pendulum, two weights and winding key, original shaped plinth under replaced wrap around on base, Scratches to glass and dial. Some wear to brass and rubbing to numerals, possibly re-painted numerals. Break to central finial but still present. One other finial with repaired break and other slightly loose.Warping and wear to trunk and trunk door. Cracks to plinth base. Minor wear to rest of case.Cannot guarantee the working order.
Still life with an oil lamp, decanter and a glass signed 'Ruffell' (lower left) oil on canvas 93 x 61cm; An interior scene with a dresser and a longcase clock Signed with initials (lower right) oil on canvas 93 x 61cm (2)Condition report: Oil on canvas. Both works have a thick gesso preparation layer below the paint layers. There are localised areas of flaking paint. Around the edges of the paintings are some abrasions and losses. Both paintings have a varnish layer, on the picture with the lamp this has been thickly applied and there are discoloured drips near the centre of the work. Both paintings have a layer of surface dust and dirt.
An early 18th century longcase clock by John Smorthwaite of Colchester, brass dial with silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial, date aperture, twin winding holes, the case with moulded outswept cornice, Doric columns, plinth base, heightened in gilt with Chinoiserie scenes
A George III oak longcase clock by Thomas Read of Tarporley, the silvered dial 30.5cm diameter, with Roman hours and Arabic minutes, subsidiary seconds dial, with gilt spandrels, flanked by fluted columns, the slender trunk with a crossbanded door embraced by fluted columns raised upon a panelled plinth base and bracket feet, 196cm high
A MAHOGANY EIGHT DAY LONGCASE CLOCK JOHN WYLD NOTTINGHAM the brass dial with date aperture and painted with a wooded landscape, lunar work to the arch, having cherub spandrels, three pierced hands and four pillar movement, in figured case with paterae, swan neck pediment and stop fluted pillars and pilasters, on ogee feet, 236cm h, pendulum and two lead weights Restored condition, cheeks packed, the seatboard old, the case clean but not noticeably polished. One or more of the hands replaced. In apparently working order
A FIGURED MAHOGANY EIGHT DAY LONGCASE CLOCK J COOK CAMBRIDGE, EARLY 19TH C with slightly convex painted dial, pierced hands and four shaped pillars, the breakarched hood with fretwork, three spheres and scale pattern frets, trunk with conforming moulded door and canted corners, on panelled base and bracket feet, 219cm h including finial, pendulum and two brass sleeved lead weights Cheeks slightly packed, seatboard early and possibly the original, in our opinion dial and movement also original to case
A MAHOGANY EIGHT DAY LONGCASE CLOCK, STERLAND NOTTINGHAM, 18TH C THE CASE LATER the engraved, breakarched brass dial with date aperture, centre seconds, rococo and dolphin spandrels and convex TEMPUS FUGIT disc to the arch, the crossbanded inlaid case, on ogee feet, 236cm h, pendulum and two weights Movement and dial dirty/dusty but apparently complete, on old seatboard. Case in good condition
A SCOTTISH MAHOGANY EIGHT DAY LONGCASE CLOCK JOHN HAMILTON GLASGOW the breakarched brass dial with engraved centre and twin subsidiary dials, Dutch style silvered chapter ring and rococo spandrels, lunar work to the arch, in flat topped case with blind fretwork and spiral pillars, fan patera, 214cm h, pendulum and iron weights Dial and movement original, cleaned some years ago but now dusty. The associated case early 19th c and in good condition
A WELSH VICTORIAN MAHOGANY EIGHT DAY LONGCASE CLOCK WITH AUTOMATON WORK RICHARD THOMAS PORTH MADOC the painted dial with date sector, subsidiary seconds dial and ringed winding holes with rhinoceros, elephant, tiger and lion spandrels, the lion to the arch with eyes moving side to side, in crossbanded case with swan neck pediment, six baluster pillars and pairs of 'chapel' arched panels, 231cm h, pendulum and two iron weightsRichard Bonner Thomas, clockmaker of Bank Place Porthmadog. working 1868-95 Good original, unrestored condition, has been running and striking correctly for a week at the auction house
A MAHOGANY AND BLACK WALNUT EIGHT DAY LONGCASE CLOCK THOMAS CROSS [OF NATWICH] the breakarch and dial with matted centre, date aperture, ringed winding squares and subsidiary seconds dial, mask and dolphin spandrels, in wheatear engraved border, the movement with finned pillars, in crossbanded and line inlaid case with swan neck pediment and reeded pillars, on splayed feet, 215cm h, pendulum and iron weights Movement and dial original and apparently complete but dirty, case with structural repairs and later additions, faded
AN OAK EIGHT DAY LONGCASE CLOCK, BARLOW [UNDER LYME], 18TH C ASHTON brass dial with silvered centre and engraved with emblematical figures, mock dial beneath signature, date and lunar apertures with painted disc, rococo spandels, the oak case in the manner of Gillows of Lancaster with triangular pediment and blind fretwork, panelled base, bracket feet, 225cm h, pendulum and lead weights In good restored condition when purchased from the trade by the vendors many years ago. Movement now dusty and requiring a clean/overhaul. Structural repairs to case but in our opinion, dial and movement original to one another and to the case
AN OAK THIRTY HOUR LONGCASE CLOCK, JOHN BOOT, SUTTON [IN] ASHFIELD EARLY 18TH C the square brass 'cartwheel' dial with stylised foliage on a matted ground, silvered date dial with flowers and arches to the matted centre, silvered date sector with indicator and ringed winding squares, within signed silvered chapter ring and finely fettled steel hands, mask spandrels, the movement with typical arched cut out at the base of both plates, in a oak and quarter saw oak case crossbanded in pollard oak and inlaid to the trunk door with a star, the hood having ogee pediment and moulded cornice, 199cm h excluding finial John Boot (1705-1767), clockmaker Sutton in Ashfield, Nottinghamshire. An almost identical dial by John Boot was in the Michael Grange gift to the British Museum (BN Registration No 2010, 8029, 103). Mr Grange is on record (Antiquarian Horology December 2015, p 497 that in his view the dial was "the most startling decorative dial in the collection". Good condition
AN OAK THIRTY HOUR LONGCASE CLOCK THOMAS BINCH MANSFIELD, EARLY 18TH C the brass dial with matted and engraved centre, silvered date dial centred by a rose and silvered signature tablet, pierced steel hand, cherub spandrels, the movement with arched cut outs at the base of the places, the associated case with flat topped hood and cavetto pediment, the trunk with arch moulded door, bracket feet, 199cm In good condition
An early 18th Century oak longcase clock, brass arched 12" dial with period corner spandrels, ringed winding circles, calendar wheel and subsidiary seconds dial, signed Jeremiah Hartley, Norwich, rack and snail striking 8-day movement with finned pillars, door key, weights and pendulum, 225cm high
A George III oak and mahogany longcase clock with scrolled pediment to hood, shell motif to trunk door, the painted arched 12" dial with Roman numerals, subsidiary seconds and calendar wheel, signed Varley, Mkt. Harboro (Leicestershire), 8-day movement with recoil anchor escapement and rack/snail strike on a bell, with keys, weights and pendulum, 219cm high
A mahogany longcase clock, the dial inscribed Joseph Finney, Liverpool, the 12" dial with Arabic and Roman numerals, enclosed by pieced gilt spandrels, to an eight-day movement, the cased with double pillar supports beneath a blind fretwork and swan neck pediment, the case late 18th century, the hood probably late 19th century, the movement and chapter ring associated, 235cm high.

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