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A reproduction oak effect longcase clock with a three train movement the dial signed Mensinger - Height 199cm Condition report: In working order

An early 20th century oak longcase clock with a 30cm diameter brass dial and double weight eight day chiming movement - Height 190cm

A 19th century mahogany eight day longcase clock with a brass arched 12" dial, signed The Bullock Bath Tempas Fugit, striking on a bell with pendulum and two weights - Height 90"Condition report: In need of restoration

A 17th century style walnut floral marquetry longcase clock, 26cm brass dial with cherub spandrels, Thomas Herbert, London, four pillar movement, anchor escapement, 20th Century case, earlier movement - H200cm. CONDITION REPORT: Fully restored - clock is complete with weights

A mid 18th century walnut longcase clock, arched top with columns to sides, silvered and brass dial with rocking 'Tempust fugit' figure to arch, inscribed Martin Hall, Yarmouth - H225cm CONDITION REPORT: going order when removed, good condition, two replaced finials, one finial missing, restored condition

A 19TH CENTURY BRASS FACED LONGCASE CLOCK, the dial with an eight day movement, signed 'John Bronlefs - Staindrop', the later oak case with crossbanded detail, one weight and pendulum, H 207 cm A/F

A 19TH CENTURY OAK CASED 30 HOUR LONGCASE CLOCK, the painted face with 'shell' decoration to each corner, subsidiary seconds dial and maker's name 'Scrivener of Diss', the case of plain form, the hood with later fretwork and finials, weight and pendulum, H 217 cm

A GEORGE III MAHOGANY EIGHT DAY LONGCASE CLOCK BY GEORGE LUPTON, the 11" brass and silvered break arch dial with rolling moon, Roman and Arabic numerals, engraved field, subsidiary seconds dial and centre calendar, eight day movement, signed George Lupton of Altrincham, the hood with swan neck pediment and floral carved detail, fluted columns, the trunk with quarter turned fluted columns, H 219 cm, two weights and pendulum Note - George Lupton of Altricham is recorded working 1772-1795 - GH Baille

An early 19th century longcase clock by Ross of Hull, the eight day striking movement with dial painted shepherds to arch top and floral spandrels, date and second dials

An Early 19th Century Mahogany Longcase Clock, the arched hood above an arched door raised upon low feet, the painted dial with Roman numerals and subsidiary seconds dial and date aperture and with two train movement, the dial inscribed Durham

An Oak Longcase Clock, the square hood with turned pilasters above a shaped door and conforming plinth base, the painted dial with Roman numerals and date aperture, the movement striking on a bell

An 18th Century Longcase Clock Movement by Richard Stedman, Godalming, the brass dial with corner spandrels and Roman and Arabic numerals and with single train movement striking on a bell, 28cms square

A George III Oak and Marquetry Inlaid Longcase Clock, the square painted hood with turned pilasters above a shaped door and conforming plinth base, the brass dial with corner spandrels, the silver chapter ring inscribed D. Collier Gatley, with Arabic and Roman numerals and with moon phase movement above a subsidiary seconds and date dial

A GEORGE III MAHOGANY LONGCASE CLOCK, the arched dial with the tablet inscribed 'Andrew Gray, Aberdeen', the dial with seconds sweep date aperture and slow/fast adjuster in the form of a seconds dial, with an eight day two train movement, striking on a bell, the case with arched hood and conforming trunk door with brass stringing, 86" high. See illustration

A 19TH CENTURY FRENCH MINIATURE LONGCASE CLOCK, with circular enamelled dial, within an elaborate gilt metal mounted kingwood veneered case, with scrolling marquetry and crowing cock ornament, 21.5" high

A GEORGE III OAK LONGCASE CLOCK, the enamelled dial signed 'Daniel and Sons., Neath', the arch painted with a landscape, the dial with subsidiary seconds and date aperture, with a two train, eight day movement striking on a bell, the hood with mahogany cross banding, 86" high

A mid 18thC walnut and marquetry longcase clock, the hood having an arched top, a blind fret carved frieze and turned pillars, over a bullseye glazed door, on a box base with flower and foliage ornament, on bracket feet; the 8 day nine bell strike movement with a brass and a silvered Roman dial, subsidiary seconds & a date aperture inscribed William Gib, London 90''h

A William IV mahogany longcase clock, the hood having a swan neck pediment over a recessed panelled door with carved quadrant flanks and a box base, on bracket feet; the 8 day bell strike movement faced by a silvered Roman dial with subsidiary seconds inscribed Alex Millar, Alex Wyllie, Mont Rose 82''h

A late 18thC country made, light oak longcase clock, having a straight cornice, over a square, glazed panelled window, between outset pillars, over a straight trunk and a pendulum door, on a box base and plinth; the 8 day bell strike movement faced by an engraved brass dial with applied spandrels, a date aperture, an engraved, silvered Roman chapter ring and subsidiary seconds dial inscribed Thomas Smith, London 75''h

An early 18thC walnut longcase clock, the hood having a moulded pediment, over an arched door with turned pillars and rectangular door box base, raised on a bracket plinth; the 8 day bell strike movement faced by a brass dial with subsidiary seconds and a date aperture with a silvered Roman chapter ring inscribed James Blackborow, London 89''h

1930s dolls’ house furniture: including a grained sideboard, longcase clock and circular table, two pairs of arm chairs, a single armchair and a circular table with Lazy Susan

Henry Fielders of Tamworth An eight day longcase clock having a brass and silvered dial with date aperture in a mahogany crossbanded case

A French Comptoise longcase clock with white enamel convex Roman dial with figural pressed brass surround, the scumbled pine case with break arch hood, lenticle to the trunk door and floral decorated base, 218cm high

A mahogany and brass mounted striking longcase clock , the movement and dial associated, the dial signed Edward Barlow 

A late 18th/early 19th century mahogany longcase clock, height 195cm, with a 30 hour movement. The dial is 28cm square and signed Barrett. The movement was fully serviced in January 2015.

18th century eight day longcase clock with painted moon face dial, subsidiary second dial with twin train movement, in later French walnut case, 230cm high

18th century eight day oak longcase clock by J.Minshul of Denbigh, brass dial with roman and arabic numerals, subsidiary second dial and date aperture, twin train movement

AN OAK LONGCASE CLOCK, signed Caygill, Askrigg, the eight day movement with anchor escapement and outside count wheel striking on a bell, 11" arched brass dial with Roman and Arabic numerals, calendar aperture, chased scroll centre and painted arch depicting game shooting, the case with dentil moulded broken pediment on turned columns, blind fret frieze, mahogany banded arched door flanked by fluted quarter columns, panel base and ogee bracket feet, 88 1/4" high

AN OAK LONGCASE CLOCK signed John Hartley, (Halifax?), the thirty hour movement with anchor escapement and outside count wheel striking on a bell, 12" square brass dial with Roman and Arabic numerals, the centre chased with a sunburst over a colonnade (possibly Masonic), calendar dial, the case with moulded cornice on baluster turned columns, arched door flanked by quarter columns, panel base and bracket feet, 82 1/2" high (Illustrated)

A MAHOGANY LONGCASE CLOCK, signed Thomas Warburton, Bollington, the eight day movement with anchor escapement striking on a bell, the 14" arched painted dial with Roman numerals and painted moonphase, secondary dials and spandrels depicting buildings, the fine quality case with scrolled pediment and blind fret spandrel surmounted by turned brass finials, fluted columns, blind fret frieze, arched panelled door flanked by fluted quarter columns, canted base and bracket feet, 98 1/2" high (Illustrated)

A WALNUT MARQUETRY LONGCASE CLOCK by Jacobus Goubert, late 17th century, the eight day movement with anchor escapement rack striking on a bell, 11" square brass dial, silvered chapter ring with Roman and Arabic numerals, seconds dial and calendar aperture, the case with moulded cornice, panelled door with half rounded edge moulding, lenticle and featuring birds in flowering branches, panel base and bun feet, 19" x 81 1/2" (Illustrated)

AN OAK LONGCASE CLOCK, signed Thomas Wilson, Spalding, the eight day movement with anchor escapement striking on a bell, 12" arched dial with Roman numerals and painted with flowers and Oriental figures, landscape in the arch, seconds dial and calendar aperture, the mahogany banded case with turned brass finials and scrolled pediment on fluted columns, arched door with marquetry patera flanked by fluted pilasters, panel base on plinth, 85 1/2" high (Illustrated)

Three longcase clock dials, two painted, one brass

An early 19th century oak cased longcase clock, the eight day movement to a square painted dial, inscribed 'Will Kirk, Stockport', 224cm high

A longcase clock, by Collett, Uxbridge

An early 19th century mahogany longcase clock, the eight day movement to a painted arched dial, inscribed 'Brand, Hull', 227cm high

EARLY NINETEENTH CENTURY FIGURED MAHOGANY AND INLAID LONGCASE CLOCK, signed William Buxton, Bishop Auckland, the 13" painted Roman dial with subsidiary seconds and date dials, spandrels depicting ruins and a duck shooting scene to the arch, powered by an eight day movement striking on a bell and housed in a crossbanded case with swan pediment and free standing forecolumns over a foliate scroll inlaid panel and short trunk door with shaped top, flanked by a split turned half column and raised on a conforming base with shaped plinth, 91" (231.1cm) high

19TH CENTURY FIGURED MAHOGANY LONGCASE CLOCK SIGNED J HOWE, LONDON, the 13" (33cm) enamelled Roman dial with subsidiary seconds dial and pair of birds painted to the centre, powered by a substantial 8 day movement striking on a bell and housed in an arch top case with moulded cornice, chamferred fore corners and circular, glazed aperture to the hood door, above a flame cut, long trunk door, and raised on a conforming crossbanded base with chamferred plinth, 79 1/2" (202cm) high

NINETEENTH CENTURY STAINED PINE LONGCASE CLOCK, the 13" painted Roman dial, with subsidiary dial and aperture, enclosed by floral spandrels and set beneath a rural scene to the arch, powered by an eight day movement striking on a bell and housed in a case with swan neck pediment and free standing, turned fore columns over a plain trunk door and chamferred corners raised on a plain base with shaped plinth, 86" (118cm) high 7'2" (2.13m) high

EDWARDIAN MAHOGANY AND MARQUETRY INLAID LONGCASE CLOCK, the 11 1/2" Arabic dial with silvered chapter ring, matted centre, mask pierced spandrels and silent/chime dial to the arch, powered by an eight day movement striking on six rods and housed in an arch top case with bell flower and scroll work inlay, pierced side frets and chamferred forecorners, above a conforming long trunk door with shaped top and raised on a panelled base with shaped plinth

LATE EIGHTEENTH/EARLY NINETEENTH CENTURY FIGURED MAHOGANY AND INLAID ROLLING MOONPHASE LONGCASE CLOCK, signed Edward Shepley, Manchester, the 14 1/4" painted dial with romantic scene and four line verse to the centre, enclosed by figural spandrels and set beneath the moonphase to the arch, powered by an eight day movement striking on a bell and housed in a case with swan neck pediment, free standing stop fluted forecolumns, above a flame cut long trunk door with shaped top and fluted forecorners, raised on a chamferred base with bracket feet, the whole decorated with fan and boxwood line inlays, 94" (232.8cm) the dial with three hands and brass pointer, only the hour and minute hands appear to be engaged

EARLY NINETEENTH CENTURY FIGURED MAHOGANY AND INLAID LONGCASE CLOCK, signed J.V. Merron, Greenock, the 132 enamelled dial with subsidiary seconds dial, powered by an eight day movement, striking on a bell, housed in a case with broken swan neck pediment and circular glazed door enclosed by quarter fan inlays to the corners, over a flame cut long trunk door, and raised on a conforming base, 82" (208.3cm) high (lacks bracket feet)

GEORGE III INLAID OAK AND MAHOGANY LONGCASE CLOCK, signed Thomas Powell, Ravenscroft, the 10 3/4" brass Roman dial with cherub mask pierced spandrels and two birds engraved to the matted centre, powered by a 30hr movement striking on a bell (absent), housed in a case with swan neck pediment, dentil moulded frieze and free standing fore columns, above a short trunk door with architectural top and two inlaid panels, raised on a conforming base with bracket type feet, 80" (202.2cm) high

EARLY NINETEENTH CENTURY OAK AND MAHOGANY LONGCASE CLOCK, signed Thomas William Hay, Shrewsbury, the 13" painted Roman dial with subsidiary seconds dial and date aperture, enclosed within floral spandrels and powered by an eight day movement, striking on a bell, stamped Finnemore, housed in a case with swan neck pediment, later ball finial and free standing square, fluted fore-columns, over a crossbanded trunk door, flanked by reeded fore-corners and raised on a tall conforming base with bracket feet, 86" (218.4cm) high, dial from date aperture missing

EARLY NINETEENTH CENTURY FIGURED MAHOGANY LONGCASE CLOCK, indistinctly signed, the 12" painted roman dial with subsidiary seconds and date dials, stag spandrels and landscape with maid to the arch, powered by an eight day movement striking on a bell, housed in a case with swan neck pediment and eagle and ball brass finial, above free standing ebonised fore columns, over a flame cut long trunk door with arch top, flanked by quarter cut rope twist columns and raised on a plain base with peg feet, 81 1/2" (207cm) high

PROBABLY EIGHTEENTH CENTURY WHITE PAINTED CONTINENTAL LONGCASE CLOCK, signed Gil Minde, the 11 1/2" copper dial with silvered chapter ring, pierced gilt metal spandrels and inscribed circular plaque to the arch, powered by an eight day movement striking on a bell, housed in an arch top case with ball finials and long panelled trunk door with arch top raised on a panelled base with plinth, 89" (226cm) high

LATE EIGHTEENTH CENTURY MAHOGANY LONGCASE CLOCK, signed Lassel Park, the 13" brass dial with silvered chapter ring, subsidiary seconds dial and date aperture to the diaper matted centre, enclosed by emblematic figural spandrels and powered by an eight day movement striking on a bell, housed in a case with swan neck pediment, free standing fluted fore columns, long flame cut trunk door with shaped top and fluted quarter columns and raised on a panelled base with ogee bracket feet, 89" (226cm) high

LATE EIGHTEENTH CENTURY OAK LONGCASE CLOCK with moon phase brass dial, signed Thomas Lister, Halifax, the 12" dial with Halifax moon phase and date aperture to the scroll engraved centre, powered by a 30hr movement striking on a bell and housed in a case with swan neck pediment and gilt wood ball and spike type finials above freestanding forecolumns and long trunk door with shaped top, flanked by quarter columns and raised on a panelled base with moulded plinth, front section missing, 86" (218.5cm) high overall

A LATE GEORGIAN LANCASHIRE MAHOGANY LONGCASE CLOCK, the broad trunk with reeded forecorners flanking a shaped top oval moulded door, the hood with detached columns and swan neck pediment, the base with canted corners, feet absent, housing an eight day striking movement with painted arched dial inscribed Thomas Barton, Parbold, with rolling moon and lunar calendar, subsidiary calendar and seconds dials and floral painted spandrels, 88 1/2" (223.5cm) high

A Victorian mahogany longcase clock, the hood with broken swan neck pediment and central carved swag above an arched door with half cut and full twist wooden pillars, 14 ins arched top dial with painted Roman numerals, subsidiary seconds dial and date aperture, maker Hugh Roberts, Llangefni, floral painted spandrels with a young boy on a horse decoration to the arch, eight day bell striking movement (requiring attention), the wide trunk with short arched door and flanking carved twist pillars on a stepped trunk base with raised panel, 230 x 66 cms

A 19th Century oak longcase clock, the hood with broken swan neck pediment and carved square pillars flanking a single glazed door with 14 ins square dial behind, decorated spandrels and Roman numerals with subsidiary seconds dial and date aperture, maker E Griffiths, Abergele, with eight day movement, striking on a bell, twin weight pendulum driven (included), the trunk with concave pillar fronts and single shaped top door on a stepped trunk base with applied square panel and bracket foot with shaped frieze, 215 x 54 cms

Thomas Stewart, Auchterarder: a Georgian oak longcase clock, the arched painted roman dial decorated with rose designs, subsidiary seconds and date dials, two train movement with anchor escapement, the case with swan neck pediment, shaped waist door, panel base on plinth (with single weight and pendulum), 84in. high to top of brass finial.

John Sanderson, Wigton: a pine thirty hour longcase clock, the brass roman dial centred by inscription "Remember Man That Die thou Must And after that too Judgement Just", with date aperture to centre, single train movement with anchor escapement, plain pine case with rectangular waist door, panel base on plinth, 74in. (188cms) high. NB John Sanderson was orphaned as a child and was brought up by his father's brother. He then went on to father a child by the wife of this uncle who had brought him up. When the child was baptised, he had to face the shame of this being announced in church before every member of his family and the rest of the parish. His early mistake caused him to turn to religion and for a while he turned to Quakerism. The inscription on this clock appears to have been his favourite verse. Almost all of his output was in thirty hour square dial clocks with anchor escapements and some with lantern movements.

William Gray, Mid Calder: a mahogany drum head longcase clock, with painted roman dial, subsidiary seconds and date dial, two train movement with anchor escapement, the case with arched waist door, panel base, on bracket feet (with single weight and pendulum), 81in. high.

Charles Ross, Broughty Ferry: a mid 19th Century mahogany longcase clock, with gilt enriched roman dial with subsidiary seconds and date dials, two train movement with anchor escapement, the case with leaf design pediment, the glazed door flanked by turned quadrants and foliate design, panelled waist door flanked by carved quadrants, panel base on bracket feet, 80in. high.

Read, Knutsford: a mid 18th Century oak and mahogany banded longcase clock, the 12in. brass dial with silvered roman chapter ring, subsidiary seconds dial, date aperture, mask and foliate spandrels, two train movement with anchor escapement, the case with caddy top, cavetto cornice, shaped waist door, panel base on bracket feet, 78 1/2in. (199.5cms). See illustration

A Victorian mahogany longcase clock, with painted roman dial and unidentified Carlisle maker, subsidiary seconds and date dials, interior scene to arch, two train movement with anchor escapement, the case with swan neck pediment, banded waist door flanked by fluted columns, panel base on bun feet, 90in. high.

Willm. Thomson, Newcastle: an oak longcase clock, the brass roman dial with calendar dial to outside of centre, rocking ship mechanism to arch, ornate spandrels, two train movement with anchor escapement, pull repeat lever, the case with dentil cornice, arched waist door, fluted canted sides, panel base with small bracket feet, 79in. high.

F. Finnemore, Wigton: a Georgian oak longcase clock, with painted roman dial, harvest scene to arch subsidiary dial, two train movement with anchor escapement, case with convex cornice, shaped waist door, panel base, 80 1/2in. high.

M. Young, Newcastle: a Victorian mahogany longcase clock, with painted roman dial, subsidiary seconds and dater dials, with scene to the arch of a King playing a harp, two train movement, anchor escapement, shaped weights, the case with pierced frieze, shaped waist door with arcaded surround, fluted detail, bun feet, 91in. high.