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Georgian 30 hour oak longcase clock by H.G.Hanks, painted face

An early 19th century inlaid mahogany longcase clock having an 8 day movement and painted arch dial with subsidiary second and date dials, the face indistinctly marked with a maker's name of Sunderland, height 217cm.

An 18th century lacquered longcase clock having a brass arch dial with silvered chapter ring and subsidiary date and second dials inscribed 'Samuel Wainwright, Northampton, No. 2639', height 231cm.

A 19th century mahogany longcase clock having a square brass dial with subsidiary, second and date dials, A/F.

A 19th century oak and mahogany crossbanded longcase clock having a painted arch dial with subsidiary, date and second dials, inscribed 'Spalding', height 230cm.

Oak two train mantel clock, the 4.5" white dial signed Fattorini & Son, Bradford, patent no. 16226, within a carved case with bosses, 12.5" high; also a two train mantel clock, the Japy Freres movement with outside countwheel and striking on a bell (missing) the 4" white circular dial within an ebonised and yew wood drumhead angular case, 9" high, two clock movements and two longcase clock weights etc

Three boxed hand lathes, spare collets, sundry clock keys, longcase brass ball finial etc

Robinson Tom - The Longcase Clock, Antique Collectors Club 1999, dust wrap and custom sleeve

Robinson Tom - The Longcase Clock, Antique Collectors Club 1982, signed by the author, dust wrap; Edwardes - The Grandfather Clock, 1980, dust wrap; Barder - English Country Grandfather Clocks, 1983, dust wrap (3)

R.W. Symonds - Thomas Tompion, His Life and Work; John Roby - The Longcase Clock Reference Book, volumes I and II and five other books (8)

Tom Robinson - The Longcase Clock; Cedric Jagger - The Worlds Great Clocks & Watches; Ernest L. Edwardes - The Grandfather Clock and eight other books (11)

Edwardian mahogany balloon cased mantel clock with a drum platform movement and decorated with boxwood lines and an oval paterae, 9" high; oak miniature longcase mantel clock and a small Napoleon hat mantel clock (3)

Mahogany portico mantel timepiece, with 2.5" circular silvered dial, 10.5" high and an oak cased miniature longcase clock, 13" high (2)

Box of assorted longcase clock keys and other various parts

Old eight day longcase clock movement and false plate

Oak eight day longcase clock, the 11" square painted dial part converted to Halifax moon roller, 80" high (case in poor condition and incomplete)

Oak thirty hour longcase clock, the 10" square brass dial with single hand and engraved matted centre signed Bright, Helmstone, the case with a single rectangular door surmounted by a square hood, 79" high (lacks weight, pendulum and seat board)

Oak thirty hour longcase clock, the 11" painted arched dial signed John Evans, Newcastle Emlyn, with calendar aperture, within a painted elm case with a short door, 80" high

Mahogany eight day longcase clock, the 14" arched dial with subsidiary seconds and calendar dials, painted with figures of ladies emblematic of the four seasons and with rolling moon phase to the arch, within a chequered inlaid case surmounted by a swan neck pediment over a triple pointed arch short door, case 93" high

Mahogany eight day longcase clock, the 12" dial signed John Hyde, Sleaford, with subsidiary seconds dial, calendar aperture and painted with pastoral scenes, within an inlaid case with canted corners surmounted by a swan neck pediment, 77" high (lacks weights and pendulum)

Mahogany eight day longcase clock, the 14" painted arched dial signed Dalton, Bristol St, Birmingham, with painted moon phase mechanism to the arch, within a flamed mahogany case with short wavy top door flanked by fluted quarter pilasters and surmounted by a swan neck pediment over baluster turned columns, 90" high

Oak eight day longcase clock, the 12" arched brass dial signed Edmond Smith St Edmunds Bury to the arch with subsidiary seconds dial and calendar aperture, with long arched door and fretwork swan neck pediment, 86" high

Oak eight day longcase clock, the 12" brass square dial signed Thomas Bullock, Bath, with subsidiary seconds dial and calendar aperture, the long door crossbanded with mahogany and inlaid with an ebony and boxwood star, surmounted by a stepped pediment with foliate blind fret carved panels, 78" high

1930's oak longcase clock, the 10" arched brass dial with silvered chapter ring and matted centre within an arched and panelled case with barley twist columns, 76" high

Oak eight day longcase clock, the 13" arched painted dial signed James Cockburn, Richmond, with subsidiary seconds dial and calendar aperture, the case with long wavy door surmounted by a swan neck pediment over fretwork panels, 86" high

Oak eight day longcase clock, the 12" square brass dial with silvered chapter ring, subsidiary seconds and date aperture, signed Jn. Glover, Castle Donnington, the case with a square hood over a long door, 78" high

MARQUETRY EIGHT DAY LONGCASE CLOCK the substantial five pillar movement with inside countwheel and pull repeat, the 12" square brass dial signed Windmills, London, the matted centre with subsidiary seconds dial, calendar aperture and ringed winding holes, the walnut case inlaid with flowers, birds and baskets, the long door inset with a lenticle the hood surmounted by a caddy top, replaced fretwork and plinth,(repairs), 98" high

Oak eight day longcase clock, the 12" brass dial with silvered chapter ring and subsidiary seconds signed John Day, Wakefield, the long door flanked by fluted pilasters surmounted by a stepped dentil pediment over a floral fretwork panel, 80.5" high

Mahogany eight day longcase clock, the 12" circular dial signed William Manning, London, with subsidiary seconds dial, the plain case surmounted by an arched floral carved pediment, 78" high

Oak eight day longcase clock, the square 12" painted dial signed I. Hobbins, Feckenham, with subsidiary seconds dial over calendar aperture, the mahogany crossbanded case with a long door surmounted by a square hood with blind fret decoration, 78" high (lacks weights, case a.f)

MAHOGANY EIGHT DAY LONGCASE CLOCK, the 12" arched and engraved silvered dial signed Cornforth, Stokesley, with subsidiary seconds dial and calendar aperture, within a figured mahogany case inlaid with paterae and fan spandrels and surmounted by a broken swan neck pediment with three brass ball finials, 92" high

Stained pine comtoise longcase clock, the 8" circular enamel convex dial signed A. Buard, a Laval within a gilt surround repousse with flowerheads, fruiting vines and scrolling foliage within a shaped case, 85" high

MAHOGANY EIGHT DAY LONGCASE CLOCK, five pillar movement (lacks bell), the 12" arched brass dial singed Francis Batty, London, with strike/silent to the arch over subsidiary seconds (missing) and calendar aperture, the case with an arched long door flanked with quarter fluted pilasters and surmounted by a pagoda top, 90" high (lacks weights and pendulum, a.f)

MARQUETRY EIGHT DAY LONGCASE CLOCK the latched five pillar movement with 10" square dial signed Thomas Pare, London and with subsidiary seconds dial, calendar aperture and ringed winding holes to the matted centre, the walnut case inlaid with boxwood arabesques, the long door inset with a lenticle, the rising hood with barley twist columns, (repairs), 83" high

LABURNUM THIRTY HOUR LONGCASE CLOCK the five pillar latched movement numbered 79, the 10" square brass dial signed Daniel Quare, London with single hand and matted centre, the later oyster veneered case with long door and rising hood flanked by barley twist columns and surmounted by a pediment, 82.5" high

WALNUT EIGHT DAY LONGCASE CLOCK BY JOHN BILBIE, AXBRIDGE, the 12" brass dial with moon phase and High Water at Bristol Key to the arch over subsidiary seconds dial and calendar aperture to the engraved centre, the case with quarter veneered door inlaid with a boxwood and ebony chequered line, the hood with caddy top (repairs and alterations to hood and base), paper label to interior "John Kidson, Cabinet Marker, living in Lamb Street, at the Sign of the Clock-Cafe and Star near the White Hart, without Oawford's-Gate, Bristol... printed 1759", 97" high. This clock was made between 1760 and 1767 and only a small number of John Bilbie's clocks have survived, this particular clock is fully illustrated in the Clockmakers of Somerset by A.J. Moore, pages 475 and 476

A 20th century oak longcase clock with square brass dial and silverised chapter ring with Roman numerals, the eight day movement striking and chiming on gongs, 185cm high

A 19th century oak and mahogany inlaid longcase clock, R Hilson Lincoln, the hood with swan neck pediment and glazed door, the trunk with short door and rectangular base, the 12 inch arch painted dial with Roman numerals and seconds and date indicators and painted cottage in arch, the eight day movement striking on a bell, 206cm high

A 19th century oak and mahogany banded longcase clock case, with glazed door hood and rectangular base, 216cm high (restored)

A mahogany crossbanded oak thirty-hour longcase clock, unsigned, early 19th century, the countwheel bell-striking movement with 12 inch white painted Roman numeral break-arch dial with arched calendar to centre and polychrome foliate painted spandrels, the arch decorated with a hunting scene, the swan neck pedimented case with reeded pilasters to hood above short trunk door and conforming plinth base, 219cm high

An oak thirty hour longcase clock, John Rogers, Leominster, circa 1770, the four-pillar outside countwheel bell-striking movement with 10 inch square brass dial signed on a circular plaque John Rogers, LEOMINSTER to the matted centre within a brass Roman numeral chapter ring with lozenge half hour markers and female mask and scroll pattern applied angles, in a case with moulded cornice above turned hood pilasters and long trunk door, on plinth base, 194cm high. John Rogers is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Leominster 1767-1778.

A Scottish mahogany eight-day longcase clock, Shaw, Aberdeen, circa 1800, the four-pillar rack and bell striking movement with 13 inch circular white painted Roman numeral dial with subsidiary seconds and calendar dials and signed Shaw Aberdeen to centre, in break-arch pedimented case with canted angles to hood above break-arch trunk door flanked by reeded quarter pilasters, on plinth base with splayed bracket feet, 219cm high.

A mahogany crossbanded oak eight-day longcase clock, J. Wain, Alfreton, early 19th century, the four-pillar rack and bell striking movement with 12 inch white painted Roman numeral break-arch dial with subsidiary seconds dial, arched calendar aperture and signed J. Wain Alfreton to centre, with polychrome and gilt conch shell painted spandrels and scene of Britannia seated before a Man of War to arch, the swan neck pedimented case with short trunk door and canted angles above banded plinth base, on bracket feet, 210cm high.

A Scottish oak eight-day longcase clock, George Dunbar, Turriss, late 18th century. The four-pillar rack and bell striking movement with 12.5 inch single sheet brass break-arch Roman numeral dial with subsidiary calendar and seconds dials and signed Geo. Dunbar TURRISS to centre, with foliate engraved infill to spandrels and dial for age of the moon to arch, the swan neck pedimented case with reeded pilasters to hood above shaped-top trunk door and reduced plinth base, 191cm high.

A George III mahogany crossbanded oak eight-day longcase clock, of small proportions, Edwd Bell, Uttoxeter, circa 1790, the four-pillar rack and bell striking movement with 13 inch brass break-arch dial with arched calendar aperture and subsidiary seconds dial to the foliate scroll engraved centre, within an applied Roman numeral chapter ring with Arabic five minutes and mask and scroll cast spandrel applied angles, with boss signed Edwd Bell, Uttoxeter between dolphin mounts to arch above, the case with swan neck pediment and fluted pilasters to hood above shaped-top trunk door flanked by fluted quarter pilasters to angles, on raised panel fronted plinth base, 197cm high. Edward Bell is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Uttoxeter circa 1795.

An oak eight-day longcase clock, Ashton, Tideswell, circa 1795. The four-pillar rack and bell striking movement with 14 inch single-sheet brass circular Roman numeral dial with subsidiary calendar and seconds dials to the foliate engraved centre and Arabic five minutes, signed ASHTON, TIDESWELL to lower edge, the swan neck pedimented case with turned hood pilasters and shaped-top trunk door flanked by quarter column applied angles, on plain plinth base with ogee bracket feet, 207cm high. Thomas Ashton is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Tideswell circa 1795

An inlaid mahogany eight-day longcase clock, with moonphase, unsigned, early 19th century, The four-pillar rack and bell striking movement with 14 inch white painted Roman numeral break-arch dial with arched calendar aperture and subsidiary seconds dial to centre and with floral painted spandrels beneath rolling moon to arch, the swan neck pedimented case with dual ring-turned hood pilasters to each side of dial above shaped-top oval panel inlaid short trunk door flanked by reeded pilasters, on conforming panel inlaid plinth base with splayed bracket feet, 235cm high

An oak thirty-hour longcase clock, Will. Russell, Wootton, circa 1740. The four-pillar outside countwheel bell-striking movement with 12 inch square brass dial with calendar aperture to the Hoho bird and foliate scroll engraved matted centre within an applied Roman numeral silvered chapter ring with Arabic five minutes and fleur de lys half hour markers and signed Will. Rufsell along lower edge, with bird and urn pattern spandrel applied angles, the case with moulded cornice above long trunk door and reduced plinth base, 195cm high. William Russell is recorded in Loomes, Brian Watchmakers & Clockmakers of the World Volume 2 as working in Wootton, Bedfordshire up to 1770.

A carved oak eight-day longcase clock, with rocking ship to arch, the four-pillar rack and bell striking movement with associated 12 inch brass break-arch dial with calendar aperture, subsidiary seconds dial and bearing signature Jno Charlton DURHAM to the foliate scroll engraved centre, within an applied Roman numeral chapter ring with Arabic five minutes and foliate scroll pierced and cast spandrel applied angles, with rocking ship before a maritime view to arch above, now in a case with swan neck pediment above shallow arch trunk door and plinth base now with later foliate carved decoration throughout, 220cm high.

An oak and mahogany eight-day longcase clock, unsigned, early 19th century. The four-pillar rack and bell striking movement with 13 inch white painted Roman numeral break-arch dial with arched calendar aperture, subsidiary seconds dial and indistinctly inscribed Congleton to centre, with polychrome and gilt chinoiserie figure painted spandrels and oval vignette of a cottage within a gilt and foliate ground to arch, the case with swan neck pediment above reeded pilasters to hood and shaped-top short trunk door between crossbanded friezes, on plinth base with canted angles, 219cm high.

A George III mahogany eight-day longcase clock, with deadbeat escapement Walker, Newcastle, late 18th century, the four-pillar rack and bell striking movement with V-shaped pallets, low escape wheel and 12.5 inch brass break-arch dial with ringed winding holes, recessed subsidiary seconds dial and calendar aperture to the matted centre, within an applied Roman numeral chapter ring with Arabic five minutes and mask and scroll cast spandrel applied angles beneath boss signed Walker Newcastle flanked by dolphin cast mounts to arch, in a pagoda pedimented case with swan neck frieze and fretwork infill above brass stop-fluted pilasters to hood and break-arch door to trunk, on panel fronted plinth base with moulded apron, 238cm high. Probably John Walker who is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Newcastle-on-Tyne 1787-95.

A George III mahogany crossbanded oak eight-day longcase clock, with moonphase, Seddon, Frodsham, circa 1790, the four-pillar rack and bell striking movement with 13 inch brass break-arch dial with calendar aperture, recessed subsidiary seconds dial and oval plate signed Seddon Frodsham to the matted centre, within an applied Roman numeral chapter ring with foliate half hour markers and Arabic five minutes and mask and scroll cast spandrel applied angles, the arch with rolling moonphase calibrated for the lunar month to circumference, the case with swan neck pediment above turned hood pilasters and shaped-top trunk door flanked by quarter columns, on raised panel fronted plinth base with ogee bracket feet, 218cm high. Probably John Seddon who is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Frodsham 1784-95.

A carved oak eight-day longcase clock. The four-pillar rack and bell striking movement with associated 12 inch square brass dial with arched calendar and penny moon to the foliate engraved matted centre within Roman numeral chapter ring with fleur de lys half hour markers, Arabic five minutes and bearing signature Major Schofield ROCHDALE, the angles with female mask and scroll pattern spandrels, now in a caddy-top case with spiral twist pilasters to hood above shaped-top trunk door and plinth base now with later foliate carved decoration throughout, 219cm high.

A mahogany eight-day longcase clock, Walter Mayers, Gloucester, circa 1800. The four-pillar rack and bell striking movement with 12.5 inch white painted Roman numeral square dial with arched calendar aperture, subsidiary seconds dial and signed Walter Mayer GLOUCESTER to centre, with floral painted spandrels, in swan neck pedimented case with rectangular trunk door and panel fronted plinth base, distressed, 224cm high. Walter Mayers is recorded in Dowler, Graham Gloucestershire Clock and Watchmakers as working 1782-1802.

A 9" longcase clock movement, the silver chapter ring detailed with numerals and flanked by gilded rococo scrollwork design, the dial detailed Harry Niblett, Dorking circa 1770, along with two other brass clock faces, 'Instripe Chichester and Pierre Peyraud'.

A late George III oak eight day longcase clock, the dial painted to the arch with a cottage and a castle in a landscape and inscribed 'Nichols & Son, Newport', the false plate stamped 'Birmingham' with a domed hood and door, with pendulum and weights, 203 cm high.

An early 19th Century oak and mahogany banded eight day longcase clock, with a 13 inch painted square dial and false plate stamped 'Finnemore & Son', with a swan neck pediment and canted trunk with shell inlaid door, 211 cm high.

An 18th Century oak and ebony strung eight day longcase clock, the brass dial inscribed 'John Cornforth, Stokesley', with applied spandrels and silvered chapter ring, with a subsidiary seconds dial and date aperture.

Longcase clock with pendlum and two weights Oak longcased clock banded in mahogany, broken arch brass face with painted rolling moon, brass chapter ring with subsidiary seconds and date aperture, the field named Thomas Moss, Frodsham, two train movement striking the hour on a bell, in a swan neck hood with columns, on quartered column trunk and set-out canted base. Height 230cm. (Pendulum (lacking suspension), 2 weights, door key)

Longcase clock Oak longcased clock banded in mahogany, square brass face with The Seasons spandrels, brass chapter ring, subsidiary seconds, reserved oval signed Brandreth Middlewich and date aperture, in a flat topped hood with fluted columns, on quarter column trunk and set out base. (Two weights, key, pendulum)