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A tray of circular ship's wheel barometer, four assorted desk clocks, Weiss carriage clock and an eight day miniature longcase clock

A 19th century inlaid mahogany longcase clock with painted dial, height 227cm

A REPRODUCTION OAK LONGCASE CLOCK, Tempus Fugit movement and Roman numerals, height 187cm (three weights and pendulum)

A GEORGE III OAK, MAHOGANY AND PARQUETRY INLAID 8 DAY LONGCASE CLOCK, swan neck pediment, the hood flanked by cylindrical columns, the painted dial with lunar calendar to arch, Roman numerals and seconds dial (missing handle) marked D. Hall, Ripley (winding key, two weights and two pendulums)

AN EARLY 19TH CENTURY OAK AND MAHOGANY BANDED LONGCASE CLOCK, the broken swan neck pediment with brass sphere finial to centre, the hood with fluted columns, painted 13 1/2'' / 34cm dial, dial with floral spandrels, lunar phase mechanism date aperture, Arabic numerals, named 'W. Edwards, Bishops Castle', shaped trunk door with shell paterae, flanked by quarter columns with brass caps and castors, the plinth with shell paterae, on bracket feet, overall height 225cm, replacement winding key, key for trunk door, pendulum and weights (condition: repainting to areas of the dial, dial probably matched to case)

An oak longcase clock the face with a plaque Mappin & Webb

An early 19th century mahogany longcase clock the face handpainted with a mill & figures the dial with makers name Adam Liddell, Newry

A Quality and rare late 18th Century Carved Oak longcase clock with a brass dial and eight day going Maker Geo Searle Chudleigh. This is the only known longcase clock made by this master clock maker. The movement with automatic night Strike silent.

A 19th century Scottish eight day longcase clock H.230cm

A 17th century longcase clock, engraved brass dial marked William Shaw Botesdale, in associated case H.210cm

~ An Oak and Mahogany Oval Shaped Dial Eight Day Longcase Clock with Windmill Automata, signed Wainwright, Nottingham, No.5, circa 1780, swan neck pediment, Corinthian capped columns, mahogany crossbanded trunk door, 14-inch silvered oval shaped dial signed and numbered, dial centre with an engraved landscape scene and a windmill automata, moonphase aperture inscribed above ''Time Sheweth The Way Of Mans Decay'', four pillar movement with an anchor escapement and striking on a bell, later case, 241cm high 05.06.19. Later case, hood with chips and detail moulding missing in parts, one piece of veneer is missing around the hood door, hood door with chips and small cracks, trunk with beading missing and one piece of crossbanding, plinth with scuff marks and small pieces of later veneers in parts, dial slightly discoloured, later wooden side cheeks, later wooden dial surround, movement looks complete, in going order, with two weights and a pendulum.

~ An Unusual Scottish Column Shaped Eight Day Longcase Clock, signed Wm Paterson, Edinburgh, circa 1820, drum shaped pediment with a carved shell crest, column shaped trunk, faceted recessed panelled plinth, 13-inch circular painted dial with Roman numerals and signed, seconds and date dials, four pillar movement with an anchor escapement and rack striking on a bell, 214cm high see illustration 06.06.19. Hood sides with cracks and one piece of veneer is missing, trunk and plinth with small dents, plinth with chips and scuff marks, dial with scratches, winding holes with minor chips, movement looks clean and complete.

~ A Mahogany Eight Day Longcase Clock, signed John Wyke, Liverpool, circa 1780, swan neck pediment, later inlaid case, pierced side sound frets, inset fluted pilasters, later skirting and paw feet, 13-1/4-inch arch brass dial, dial centre with engraved scroll decoration, seconds dial and date aperture, arch with moonphase aperture and signed above, four pillar movement with an anchor escapement and rack striking on a bell, 252cm high see illustration 06.06.19. Case is faded in parts, later inlay, pediment with chips and later finials, hood with later wooden sound frets, case with cracks in parts, later skirting and later feet, front of the plinth with one later piece of beading added, front panel is slightly lifting and slightly bowed, wooden dial surround is missing, dial is discoloured, seconds hand is missing, later seatboard, small wooden blocks added to both side cheeks, movement needs cleaning.

~ A Walnut Eight Day Longcase Clock, signed Greaves, Newcastle, circa 1750, flat top pediment, arched trunk door, 12-inch arched brass dial with a chapter ring signed, seconds dial and date aperture, arch with lunar dial and aperture, four pillar movement with an anchor escapement and rack striking on a bell, 221cm high see illustration 05.06.19. Case is faded, case with cracks and chips in parts, some scuff marks, trunk door is bowed, base and feet with chips, dial is dirty, movement is dirty.

~ A Green Chinoiserie Eight Day Longcase Clock with Rocking Father of Time Automata, signed Edward Greatrex, Birmingham, circa 1750, green chinoiserie case with gilt painted floral decoration, trunk dial with oriental scenes depicting a pagoda, boats and figures, 14-1/4-inch arched brass dial with a silvered chapter ring signed, dial arch with a rocking ''Father of Time'' aperture, dial centre with a lunar scale and date aperture, four pillar movement with an anchor escapement and inside countwheel striking on a bell, 240cm high see illustration 05.06.19. Case is nicely aged throughout, gilt painted scenes are discoloured, case with cracks, chips and rubbing in parts, some surfaces feel dry and some shrinkage to the paint, door mouldings with splits, base with scuff marks, dial is slightly discoloured, movement is clean, with two weights and a pendulum.

An Early 18th Century Walnut Longcase Clock, signed Roger Penton, circa 1710, later caddy pediment, pierced blind fret work panels, side viewing windows, well figured trunk door with moulded borders, re-built plinth, 12-1/4-inch square brass dial with a silvered chapter ring signed, matted dial centre with seconds dial and date aperture, crown and cherub spandrels, five latched pillars, anchor escapement, outside countwheel striking on a bell, 266cm high see illustration 06.06.19. Case with a later built caddy pediment, case needs restoration throughout, hood door with later hinges, wooden dial surround is later, hood with chips and cracks to veneers and some veneers are missing, trunk door with cracks to the top and bottom sides, half of the trunk door moulded edges are missing, plinth has been re-built, backboard is patched to the top and bottom sides, dial is dirty, movement with one dial foot not locating into the movement front plate, movement needs cleaning, with two weights and a pendulum.

An Impressive Inlaid Carved Chiming Longcase Clock, signed John Lewis, London, circa 1900, swan neck pediment, Corinthian capped columns, case back sides finely carved with flower heads, griffins head and scroll decoration, finely inlaid canted sides, inlaid trunk door with swag and musical instruments, urn and floral inlaid recessed plinth, raised upon a carved plinth and paw feet, 17-inch arched brass dial with a silvered chapter ring signed, two selection levers at 3 and 9 for chime on eight bells/chime on four bells and chime/silent, arch with moonphase, triple weight driven movement, chiming on a nest of eight bells and striking the hours on a larger bell, 251cm high see illustration 06.06.19. Hood right hand side sound fret with one small piece of fret missing, case sides with small staining marks, case with scratches and dents in parts, dial is slightly discoloured, movement plates are dirty and needs a service.

An early 19th century mahogany longcase clock by Thwaites & Reed, London, the 12 inch silvered round dial in a flame veneered case, flat top, height 190cm, width 45cm, depth 23cm

George Hobart, London; a George III and later mahogany and inlaid longcase clock, the arched hood with pierced fretwork and three brass ball and spike finials, brass mounted rounded freestanding pillars, the trunk with arched moulded long door, the 11.75" brass dial with silvered chapter ring, Arabic and Roman numerals, the movement now three train and striking on a gong and chiming on eight bells, 227cm high. Illustrated

A 19th Century West Country longcase flame mahogany grandfather longcase clock having  l detailing to the trunk and case.  The painted face with church scene and married couple on path, fruits to the spandrels. Complete with the weights and the pendulum. Measures 230cms high x 65cms wide x 27cms depth

A contemporary 20th Century reproduction mahogany longcase clock, stepped arch hood, gilt dial with silvered Roman chapter ring, plate 'Tempus Fugit', triple weight driven movement. Measures 184 cm high.

A contemporary shabby chic painted longcase clock, roman numeral chapter ring with hunting scene above, notation to the face reading Edward Dillon Waterford. Quartz movement. Measures 199cm high x 49cm wide x 23cm depth.

A Contemporary mahogany moonphase longcase clock, H. 187cm.

A MAHOGANY LONGCASE CLOCK WITH SILVERED BRASS DIAL, 214CM H

A George III longcase clock with a brass dial and silvered Arabic and Roman numeral chapter ring and a 30-hour movement, the oak case with a rectangular door, box base and plinth, 75"h

A Georgian oak cased 8 day longcase clock having a gilt dial with applied spandrels and Roman numerals

A longcase clock, in a mahoagny case, eight day movement, “James Moore,Warminster”

A George III mahogany longcase clock, maker Isaac Hewlett, Bristol, the domed brass 11 3/4 inch dial with phases of the moon, date aperture and secondary dial, the eight-day movement striking on a bell, the hood with Chippendale style pierced swan neck design and barley twist supports, 227cm high

A mahogany longcase clock by Emperor, the broken arch over a brass dial and glazed trunk door, the three train movement striking on gongs, 185cm high

19th Century mahogany 30hr longcase clock by Blaycock of Longtown

19th Century mahogany 30hr longcase clock

Victorian carved oak 30hr longcase clock (adapted)

19th Century Burton Kendal Longcase Clock

A miniature longcase clock in carved wood case, 12.75"

SHAKESHAFT, PRESTON, NINETEENTH CENTURY LINE INLAID AND FIGURED MAHOGANY LONGCASE CLOCK, the 15? gilt lined circular, enamelled dial with subsidiary seconds and date dials to the centre, powered by an eight day movement striking on a bell, and housed in a case with eagle and ball finial to the floral painted porcelain mounted swan neck pediment, above a circular glazed door and free standing fore columns with brass Corinthian capitals, set over a long trunk door with shaped top, flanked by split quarter columns, and raised on a conforming chamfered and crossbanded base with bracket feet, 89 ½? (227.3cm) high Supplied with copies of receipts detailing work carried out on the movement and dial, dated 1997 and 1998

Whittington, Westminster clock dial, movement, weights and pendulum, in a longcase clock hood remnant

Mid to Late 19th Century mahogany longcase clock (case for restoration and having an arched hood with painted dial, eight day movement with rolling lion's eyes, maker William Edwards, Caernarfon

John Rayment, Huntingdon, an oak longcase clock: the eight-day duration movement striking the hours on a bell, with the twelve-inch brass break-arch dial having a raised, silvered chapter ring engraved with black Roman hour numerals and outer Arabic five-minute numerals, the matted dial centre having a date aperture and subsidiary date aperture, with cast-brass urn spandrels to the four corners, the arch with a round silvered boss engraved with the makers name Jno. Rayment, Huntingdon and with cast-brass dolphin spandrels to either side, the oak case having a break-arch hood with three-quarter turned pillars, with boxwood stringing to the break-arch trunk door and having a plain base, height 203 cms.* Biography John Rayment, born 1715, the son of clockmaker Richard Rayment is recorded as working from at least 1751 in Huntingdon and died in 1795. He was succeeded by his son, also John, born circa 1745 who is known working in Stamford, Lincolnshire also as an auctioneer, silversmith and dentist before becoming master of the Ladies' Boarding School at Huntingdon.

Thomas Ogden, Halifax, an eight-day longcase clock with 'Halifax' moonphase aperture: the eight-day duration movement striking the hours on a bell and having arched tops to the plates along with finned pillars both typical of this maker, the twelve-inch brass break-arch dial having a raised, silvered chapter ring engraved with black Roman hour numerals, outer Arabic five-minute numerals, decorative half-hour markings and diamond quarter-hour markings, engraved at VI o'clock with the makers name Thos. Ogden, Halifax, the matted dial centre having ringed winding holes, a date aperture with engraved surround and a round moonphase aperture with date as typical from the Halifax region, with cast-brass female-head spandrels to the four corners, the arch with a round silvered boss engraved with the inscription Moveo dum Moneo (I warn whilst I move) and with cast-brass dolphin spandrels to either side, contained in a modern walnut flat-top case with three-quarter turned pillars to the hood, a plain trunk and standing on a plain plinth to the base, height 226 cms.* Biography Thomas Ogden was a member of the well-known clockmaking family from Yorkshire founded by James Ogden born circa 1640. Thomas Ogden, born 1693 and the son of Samuel, lived near Ripponden before moving to Halifax in the 1740s where he died in 1769.

John Roberts, Dartmouth, a rare shuttlecock automata longcase clock: the eight-day duration movement striking the hours on a bell, with the thirteen-inch painted break-arch dial having black Roman hour numerals with the centre having a subsidiary seconds dial and signed for the maker John Roberts, Dartmouth and painted to each corner with a depiction of a flint house with tower, the arch having a painted scene of a couple playing badminton within a garden, the shuttlecock moving between each player's racquet with each beat of the clock, the mahogany case with canted corners to the trunk, a curved moulding to the trunk door, boxwood stringing to the base and trunk, the hood having an architectural pediment with a brass eagle-and-ball finial between and columns with cast-brass capitals, all standing on bracket feet, height 226cms. * Biography John Roberts is recorded as working as a watch & clockmaker in Dartmouth in 1793. Reference The Universal British Directory 1793.

A mid-19th century mahogany longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch painted break-arch dial having black Roman hour numerals, a subsidiary seconds dial to the centre, unusual decorative painted corner spandrels and with a painted scene within the arch depicting a gentleman hunting with dogs, with blued steel hands, the mahogany case having crossbanding to the trunk and base, with boxwood stringing, the trunk with canted corners, with the hood having turned columns, a whale’s-tails pediment to the top and three brass ball-and-spire finials, height 207cms.

Modern mahogany triple weight longcase clock and bentwood hat and coat stand (2).

An early Victorian oak and mahogany longcase clock, square brass dial, repainted, signed Josh Clare, Kimbolton, subsidiary second dial, thirty-hour movement, case with swan-neck pediment, short door, bracket feet, height 208cm.

Longcase clock movement, 12" square brass dial with cast spandrels, subsidiary date aperture, signed J. N. Tibbott, Newtown, thirty-hour movement, striking on a bell, with a hood.

W Bernard, Newark 517, an 18th century oak 8-day longcase clock, the 28 cm square engraved brass dial with arched calendar aperture, 210 cm h o/a

F M Davy, Fakenham, a 19th century mahogany 8-day longcase clock, the enamelled arched dial with subsidiary seconds and arched date aperture, 220 cm h o/a

Oak cased miniature longcase clock, the square hood above a shaped trunk door and quarter columns above a panel base, with an arched dial to the hood and battery movement, 67cm high

18th Century oak longcase clock by A Royland Loughborough, the hood with down swept pediment above reeded pilasters and glazed door, the brass dial with pierced spandrels and Roman numerals to the chapter ring, shaped door, on a plinth base, 50cm wide, 200.5cm high

MODERN C W WOOD AND SON MAHOGANY FINISH VIERINA STYLE WALL CLOCK OF TRADITIONAL DESIGN WITH 31 DAY STRIKING MOVEMENT 30£ HIGH (PEDIMENT REQUIRES MINOR REPAIR) A SIMILAR DARK STAINED MODERN VIENNA CLOCK CASE ONLY 23" HIGH AND A MANTEL CLOCK IN THE FORM OF A LONGCASE HOOD WITH GILT SPIRAL COLUMNS, BATTERY POWERED MOVEMENT (2)

LONGCASE CLOCK, George III oak and mahogany with eight day movement and with a brass face inscribed 'J. Morgan, Salop', 225cm H x 47cm x 24cm.

A George III oak cased longcase clock, the painted dial signed Ipswich, having an eight day movement, 201cm high

A 19th century longcase clock, with a painted dial, 198cm high

Six stools and a dwarf longcase clock

A 19th Century oak and mahogany 8-day longcase clock

WEST COUNTRY OAK LONGCASE CLOCK, the 11" brass dial with date aperture and inscribed Samuel Pearce, Honiton on a brass, four pillar, eight day movement hourly striking to a bell, the crossbanded case with square glazed hood door flanked by columns, with weights, key and pendulum, height 208cm

MAHOGANY AND INLAID MUSICAL LONGCASE CLOCK, the brass dial with 11 1/2" silvered chapter ring with subsidiary seconds dial and chime silent dial to the arch on a brass, eight day three train movement chiming to a nest of eight bell and striking to a gong, the case with a broken swan neck pediment, arched, glazed door to the hood, arched and inlaid door to the trunk, with weights and pendulum, height 239cm

MAHOGANY LONGCASE CLOCK, the brass dial with 11" silvered chapter ring enclosing a subsidiary seconds dial and date arch and inscribed Benjn Abrahams Yeovil, on a brass, four pillar, eight day movement striking hourly to a bell, the hood with a rectangular, glazed door flanked by 3/4 octagonal columns on a base with a rectangular trunk door, with weights and pendulum, height 194cm

MAHOGANY LONGCASE CLOCK, the 12" enamelled dial inscribed Pitt, Tetbury, on a brass, eight day, four pillar movement striking to a bell, the hood with a circular aperture flanked by brass mounted columns and surmounted by fretwork, the trunk with quarter columns with foliate brass capitals, with keys, weight and pendulum, height 215cm

A mid 18th Century Mahogany Longcase Clock With brass dial and chapter ring marked 'John Allen, Macclesfield' Flamed mahogany case with ornate trailing floral inlay and blind fretwork to hood. Height 88 inches, 16 1/2 inches wide.

AN OAK CASED LONGCASE CLOCK with 30-hour movement, the enamel dial with Arabic numerals and date aperture, 42cm wide 22cm deep 210cm high including brass finial