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GEORGE III OAK LONGCASE CLOCK, early 19th century, by Scales of Kendal, the case attributed to Gillows, the projecting cornice supported on a pair of baluster columns flanking a painted dial with Roman numerals, thirty hour movement, the trunk crossbanded throughout, the door with cut-out corners flanked by quarter columns, on a rectangular plinth. 2.06m.

A Longcase Clock, the 28 cm square painted dial signed Barrett, Blandford, having a calendar aperture, and fitted a 30 hour movement, in a stained case (distressed)

A Longcase Clock, the 30.5 cm square painted dial signed Thos Osmond, Tisbury, with Roman numerals, subsidiary seconds dial and calendar aperture, the spandrels painted with flowers, in a mahogany case, the hood with a swan neck pediment, 197 cm high

A Longcase Clock, the 28 cm square white painted dial signed M. Norman, Sherborne, with second aperture, and gilt and green decoration to the spandrels, fitted with 30 hour movement, in oak case, 190 cm

A Dwarf Longcase Clock, the white dial with Arabic numerals, fitted an 8 day movement, in a mahogany case, 130 cm

A Longcase Clock, the 30 cm arched square painted dial signed GEOEE CLARKE, LONG BUCKBY, with Arabic numerals and calendar aperture, fitted a 30 hour movement, striking on a bell, in an oak case, crossbanded in mahogany and rosewood (lacks pendulum and weights) 228 cm

A Longcase Clock, the 30 cm arched square brass dial signed DANIEL TRIBE PORTSMOUTH, on a silvered plaque, having a silvered annular chapter ring with Roman numerals, subsidiary seconds dial and calendar aperture, the arch with phase of the moon, fitted an 8 day movement striking on a bell, in a mahogany case, 204 cm See back cover colour illustration

A Longcase Clock, the 25 cm square painted dial with Roman numerals, subsidiary seconds dial and calendar aperture, painted strawberries to the spandrels, in a stained wood case, 191 cm

A Longcase Clock, the 30 cm painted square dial, with black Roman numerals, and second aperture, signed Will.m Burch Glastonbury, the spandrels with painted floral decoration, fitted with an 8 day movement, in oak case with mahogany crossbanding, 205 cm

A Longcase Clock, the 32 cm brass arched square dial with silvered chapter ring and Roman numerals signed Bain Brechin, subsidiary seconds and minutes dial, fitted an 8 day movement, in an inlaid mahogany case, 220 cm

A Longcase Clock, the 35 cm painted arched square dial with Roman numerals, with moon phase aperture, subsidiary seconds and calendar dials, the spandrels with painted floral decoration, fitted with an 8 day movement, in an oak case crossbanded with mahogany

An Oak Dwarf Longcase Clock, a mahogany cupboard with two glazed doors, a pine blanket box, an oak fender and an invalid chair (5)

19th Century mahogany and oak longcase clock, square pilasters flanking the glazed door, enclosing 32cm square painted enamelled dial with eight day movement, trunk with short door, 220cm high.

A mahogany cased longcase clock with two-train movement, basically 19th Century, subsidiary seconds and date aperture, basket-weave frieze and barleytwist pilasters, with weights and pendulem, 207cm high.

An oak longcase clock, early 20th century, the three-train movement chiming and striking quarterly, the brass dial with silvered chapter ring and mask and scroll spandrels, the arched hood above a glazed door on a moulded panel base and bracket feet, 6'5" high.

A George III oak 8-day longcase clock, the 12 inch, silvered dial with two train movement inscribed 'John Price, Chichester', with silvered chapter ring, subsidiary seconds dial and date aperture, and strike/silent to the arch, the domed hood with three urn finials and fluted pillars, above an arched door on bracket feet, 218cm high.

A 19th Century oak 8-day longcase clock with two-train movement and 12 inch painted dial inscribed Robert Skewis, Worcester, and with an oval reserve containing a resting lady painted to the arch, the movement with a false plate stamped T.Keeling, the hood with swan-neck pediment and brass finials and fluted pillars, 233cm high.

A late 18th Century mahogany cased 8-day longcase clock, with painted arched dial and foliate spandrels, the two train movement with fabe plate stamped 'Walker & Hughes'.

"A lacquer longcase clock, the 8-day movement striking on a bell to an arch brass dial with silvered chapter ring, subsidiary seconds dial and date aperture, the boss inscribed ‘Samuel Marshall, London’, the gilt highlighted case with an arched door applied and painted prints, ‘Gripe the Userer, ‘The Sailor’s Pleasure’ and ‘The Sovereign’, 88.5in (224.6cm) h."

"A 19th century oak and mahogany longcase clock, the 30-hour striking movement to a 12in painted square dial with date aperture inscribed ‘And-Esdaile BINGHAM’, the case inlaid stringing with a shaped trunk door, 76.5in (194.3cm) h."

"An oak longcase clock, the 30 hour movement striking on a bell within a posted frame, to a square brass dial with silvered chapter ring and date apertures with moon phase, the applied plaque inscribed 'Isaac Dominy, Cerne,' the case with stringing to the waist door and base, 80in (203.2cm) h."

"An oak longcase clock, the 8-day striking movement to a 10in square brass dial with a silvered chapter ring and shaped applied plaque inscribed ‘Thos. Fordham, BRAINTREE’, to shell and foliage case spandrels, the hood with ball and spire finials to a dentil cornice, the glazed door with three quarter pilasters, the trunk door with an applied edge, the base on a raised arch, 82in (208.4cm) h."

"A mahogany longcase clock, the 8-day movement striking on a bell to an arch brass dial with silvered chapter ring, subsidiary seconds dial and date aperture, the boss inscribed ‘Geo. Fraser, Old Abdn’, 88in (223.5cm) h."

"A George III mahogany longcase clock, the later 8-day movement striking on a bell to a painted arch dial with subsidiary seconds dial, the hood with a broken swan neck pediment and ball and eagle brass finials above Corinthian capital reeded pilasters, to a dentil moulding and a shaped top waist doors, flanked by fluted pilasters to a conforming panel base on ogee bracket feet, 95in (241.4cm) h."

"A George III mahogany longcase clock, the 8-day striking-movement to a painted arch dial, with subsidiary seconds dial and date aperture, inscribed ‘TORKINGTON NEWCASTLE’, the arched wood with later turned finials, above stop fluted columns, the shaped waist door flanked by stop fluted quarter pilasters, the base with a shaped panel to bracket feet, 97.5in (247.5cm) h."

"A George III mahogany longcase clock, the 8-day movement striking on a bell to an arch painted dial, with subsidiary seconds dial and date aperture, decorated a couple in a landscape, the spandrels representing the four seasons, the arch inscribed ‘JOHN BANKS, OLDHAM’, the case with marquetry and parquetry inlay and a double lancet topped door, flanked by cluster columns, the base on ogee bracket feet, 93in (236cm) h."

"A George III mahogany bracket clock, with repeat, the twin fusee movement with a verge escapement and striking on a bell, to an engraved backplate, the arched 'Battersea' enamel dial inscribed 'Marmke Storr, LONDON,' with subsidiary Strike/Silent dial, to painted decoration, the bell top case with a brass carrying handle, pierced fret sides, the base base moulding on pads, 20in (50.8cm) h, 11.5in (29.2cm) w,7.5in (19cm) d. Baillie states; Marmaduke Storr, Lombard Street, London, was active from 1724 - 1775. See Barder, Richard C.R. The Georgian Bracket Clock 1714 - 1830, for a similar example by James Upjohn. This rare enamel dial is thought to be the work of a former Battersea enamel worker, Anthony Tregent. Who on leaving the enamel factory set up his own business in Denmark Street. There are a handful of both longcase and bracket clocks with these type of dials. Anthony's brother, James was a well known London clockmaker."

An Edwardian Sheraton Revival mahogany longcase clock the eight-day Westminster chiming movement striking on five tubular brass bells and having 12.25ins broken-arch brass dial with silvered Roman chapter ring and subsidiary seconds dial decorated with dolphin and shell pierced spandrels the satinwood-banded case having broken swan-neck pediment and urn finial over fluted quarter pilasters and glazed trunk door on plinth base and bracket feet H 245cm W 55cm

A George III Scottish mahogany longcase clock John Coles Alloa the eight-day movement having 14ins broken-arch painted dial with subsidiary seconds and date dials decorated with a painted scene of 'The Lady of the Lake' and figured painted spandrels; the case with a broken swan-neck pediment over cross-banded trunk flanked by quarter pilasters on plinth base and bracket feet (modified) H 223cm W 51cm

A Victorian mahogany longcase clock the eight-day movement having 14ins broken-arch painted Roman dial indistinctly signed with subsidiary moonphase seconds and date dials and with painted spandrels decorated with shell motifs; the cross-banded case having a broken swan-neck pediment over turned columns the shaped trunk door flanked by turned quarter columns on plinth base and ogee bracket feet H 233cm W 65.5cm

A George III mahogany longcase clock B. Wall Richmond the eight-day anchor movement having 12ins circular enamelled Roman dial the case having broken-arch hood and surmounted with urn finials over an arch-top trunk door flanked by brass stop-fluted pilasters on plinth base with shaped apron H 228cm W 44cm

An oak longcase clock John Wills Lifton the eight-day movement having 12ins broken-arch brass dial with Roman and Arabic silvered chapter ring subsidiary seconds dial and date aperture the arch inscribed 'Tempus Fugit' with stylised dolphins and scroll-pierced spandrels in later oak case H 225cm W 46cm

A George III oak and mahogany cross-banded longcase clock the eight-day movement having 12ins broken-arch painted Roman dial with subsidiary seconds dial decorated with gilt-painted game bird spandrels the case having ropetwist columns and pilasters flanking a cross-banded trunk door with oval shell paterae on plinth base and bracket feet H 207cm W 49cm

A 19TH CENTURY WELSH PINE EIGHT DAY LONGCASE CLOCK having broken swan neck pediment above arched painted dial with rolling moon and date apeture floral spandrels shaped waist door on panel base. Strikes on one bell. Face indistinctly marked with name and Llanelly. 84" High.

A 19TH CENTURY ENGLISH REGULATOR LONGCASE CLOCK by J.F. Wood of 24. Drake Street Rochdale having mahogany arch top case with 3/4. length glazed door circular silvered face having sweep minutes finger and separate seconds and hour dials. Foliate moulded decoration mercury compensated pendulum and panelled base. 75" High. Dial 14" Diameter. Circa 1875.

A 19TH CENTURY OAK EIGHT DAY LONGCASE CLOCK with painted square face and crossbeaded case with half pillasters panelled base on bracket feet. Strikes on one bell. 86" High.

A 19TH CENTURY ENGLISH REGULATOR LONGCASE CLOCK by Richard D. Pugh of Liverpool having mahogany case and circular hood with scrolled foliate moulded mounts brass circular face with sweep minutes finger and separate seconds and hour dials. Glazed waist door flaked by canted angles and revealing brass pendulum above a panelled base. 80" High. Dial 13" Diameter. Circa 1840.

AN EARLY 18TH CENTURY ENGLISH 30. HOUR LONGCASE CLOCK MOVEMENT by Jon Coles of Barum (sic) having brass 11" square face with cherub spandrels brass chapter ring with roman numerals single finger and date apeture striking on one bell with brass Bob pendulum.

ROBINSON (Tom). THE LONGCASE CLOCK. Illus 22 colour plates, half tone plates and figures throughout the text. 1981. Cloth (d.w.)

A mahogany miniature Longcase Clock. Junghans. German. The 45mm diam dial with Arabic numerals and brass bezel, and with single train movement, the case with turned finials and arched pediment on brass pilasters, incorporating a green and white Jasperware panel below the dial and with stepped plinth on turned feet. 8.75in high

A stained beechwood miniature Longcase Clock. Hamburg American Clock Co., German. The 48mm diam dial with Arabic numerals and brass bezel and with single train movement, the case with brass finial architectural pediment, applied decorative panel below the dial and plinth with bracket feet. 11.5in high

Two pairs of brass cased Longcase Clock Weights, three other similar brass cased weights and two lead weights (9)

An eight day Longcase Clock Movement, the four pillar movement with anchor escapement and rack striking (1) and one other similar movement (1) - (2)

Assorted Longcase Clock Spandrels, Pulleys and Winding Keys etc, a lot

Four Longcase Clock Pendulums (4)

A Thirty Hour Longcase Clock Movement, the four pillar two train chain driven movement with anchor escapement and outside count wheel (lacking pendulum chops, and bell)

A Longcase Clock Dial and Movement. Thomas Hill, Fleet Street, London. Circa 1765. Signed on the chapter ring 'Thos Hill, Fleet Hill, London' with Roman numerals, Arabic five minute intervals, finely matted centre with calendar aperture and seconds dial and with pierced foliage and flower head spandrels, the four pillar movement with anchor escapement, rack striking on a bell. ***Thomas Hill is recorded as working in Fleet Street in 1762. He died in 1782***

An oak and mahogany thirty hour Longcase Clock. The 12in square painted dial with Roman numerals, calendar aperture, pierced gilt metal hands, foliage and flower head spandrels, the centre painted with a young woman seated by a tree, a lake, parkland and a country house beyond, the four pillar chain driven two train movement with anchor escapement and outside countwheel, striking on a bell, the case with broken swans neck pediment on fluted pillars, long trunk door flanked by fluted pilasters and panelled plinth. 76.5in high (with pendulum, keys and weight)

A mahogany Longcase Clock. Saml Granville, Devonport. The 12in broken arch brass dial signed in the centre as above, with Roman numerals, seconds dial and calendar aperture, the arch inscribed 'Tempus Fugit', and with engraved foliage and flower head spandrels, the four pillar movement with anchor escapement rack striking on a bell, the case with broken arch pediment on turned pillars, long trunk door flanked by writhen carved pilasters, crossbanded plinth and splayed feet. 85in high (with pendulum, weights and keys). (Hood lacks glass)

An oak Thirty Hour Longcase Clock. Edmund Smith, Bury. No 759 The 10.75in square brass dial signed on a tablet in the centre 'Edwd Smith, Bury from London, No 759', with Roman numerals, Arabic five minute intervals, seconds dial, calendar aperture, matt centre and mask and foliage spandrels, the four pillar movement with anchor escapement and outside countwheel, striking on a bell, the case with flat pediment on turned pilasters, long trunk door and three tier plinth. 73in high (with ropes, pendulum and weight)

A scumbled pine Longcase Clock with alarm. William Uglow, Truro. The 8in broken arch brass dial signed in the centre 'Wm Uglow, Truro' with Roman numerals, alarm selector dial with Arabic numerals, foliage and flowerhead spandrels and the arch engraved with an eagle grasping a scroll inscribed 'Tempus Fugit', the single train four pillar movement with anchor escapement striking on a bell, the case with broken arch pediment on turned pillars, long trunk door and panelled plinth. 73in high (with pendulum, weight and winding key)

A walnut and marquetry month going Longcase Clock. Joseph Kenton. London. Circa 1695. The 11in square brass dial with silvered chapter ring, Roman numerals, small Arabic five minute intervals, half hour markers, inner circle of fifteen minute intervals, seconds dial, ringed winding holes, calendar aperture, matt centre, the hands set in a flower head, pierced gilt brass mask and foliage spandrels separated by engraved foliage and flower heads and signed below the chapter ring 'Joseph Kenton Londini Fecit', the five pillar movement with anchor escapement and small outside countwheel striking on a bell, the rising hood with moulded flat pediment on twist turned tapering pilasters, marquetry inlaid with borders of foliage and flower heads, the long trunk door with oval lenticle, marquetry inlaid with panels of birds among foliage and flowers over a similarly inlaid plinth, the sides crossbanded and divided into panels with boxwood stringing. 82in high (formerly on turned feet) with pendulum, brass cased weights, winding and case keys. *** Joseph Kenton, London, was apprenticed in 1679 and Free of The Clockmakers' Company in 1686 ***

An oak thirty hour Longcase Clock. Joshua Jones, Brecon. The 11in square painted dial signed in the centre 'Josh Jones, Brecon' with Roman numerals, calendar aperture, Arabic five minute intervals and gilt foliate spandrels, the four pillar movement with chain drive, anchor escapement and outside countwheel, striking on a gong, the case with swans neck pediment on turned columns, long trunk door and plain plinth. 82in high (with pendulum and weight and two brass ball and spire finials) *** A Joshua Jones is recorded as working in Brecon in 1791 ***

An oak and mahogany Longcase Clock. Robert Simpson, Congleton. The 14in square painted dial signed in the centre 'Robt Simpson, Congleton', with Roman numerals, Arabic five minute intervals, seconds dial, calendar aperture and fan, foliage and flower head spandrels, the four pillar movement mounted upon a false dial plate, with anchor escapement rack striking on a bell, the case with broken swans neck pediment on fluted columns, long trunk door flanked by fluted pilasters, and panelled plinth with canted corners on ogee bracket feet. 85in high (with pendulum, weights and keys)

A walnut and inlaid Longcase Clock. Christopher Gould, London. The 11in square brass dial with silvered chapter ring signed 'Chr. Gould, Londini fecit', with Roman numerals, Arabic five minute intervals, matt centre, ringed winding holes, seconds dial, calendar aperture, pierced hands and winged mask and foliage spandrels, the five pillar movement with anchor escapement and internal rack, striking on a bell, the case with shaped pediment, fluted pilasters, long trunk door inlaid with a six pointed star, repeated in the panelled base, on shallow plinth. 84in high (with pendulum, brass cased weights and 2 keys), *** Christopher Gould, London, was Free of The Clockmakers Company in 1682 and died in 1718 ***

An oak and mahogany Longcase Clock. Percy Evans, Salop. The 13in square brass dial signed in the centre as above, with Roman numerals, Arabic five minute intervals, calendar aperture, seconds dial, pierced foliage and flower head spandrels, the four pillar movement mounted upon a Wilson false dial plate, with anchor escapement, rack striking on a bell, the case with carved pediment on fluted pillars, long trunk door flanked by conforming pilasters and with panelled plinth. 83in high (with pendulum, weights and winding key)

A mahogany Longcase Clock. Jefferys & Son, Chatham. The 12in silvered broken arch dial signed in the centre as above, with Roman numerals, Arabic five minute intervals, seconds dial, calendar dial, Strike/Silent dial in the arch and with engraved foliage and flower head spandrels, the five pillar movement with anchor escapement rack striking on a bell, the case with broken arch pediment on fluted pillars, long trunk door flanked by conforming pilasters and fielded panelled plinth. 84.5in high (with pendulum, weights, winding and two case keys)

A walnut and marquetry Longcase Clock. Henry Jones, London. The 10in square brass dial signed 'Henry Jones in ye Temple', the silvered chapter ring with Roman numerals, small Arabic five minute intervals, half hour markers and inner circle of fifteen minute divisions, matt centre with seconds dial, calendar aperture, pierced blued steel hands and winged cherub mask spandrels, the five pillar movement with anchor escapement, bolt and shutter, maintaining power, and small outside countwheel, striking on a bell, the formerly rising hood with flat top, pierced fret carved frieze, twist turned tapering pilasters, long trunk door with circular lenticle, marquetry panels of foliage and flower heads, the plinth with a similar panel and spandrels, on turned feet. 77in high (with pendulum, brass cased weights, winding and case key) *** Henry Jones, a well known maker, was apprenticed in 1654, Free of the Clockmakers Company in 1663, Master of the Company in 1691 and died in 1695 ***

An oak Thirty Hour Longcase Clock. Hooker, Lewes. The 11in square painted dial with Roman numerals, calendar dial, pierced hands, foliage and flower head spandrels, the two train posted movement with chain drive, anchor escapement and outside countwheel, the case with shaped pediment on turned pillars, long trunk door panelled plinth and splayed feet. 83in high (with pendulum, weight and door key)

An early 19th Century oak longcase clock banded in mahogany and having a square painted dial with subsidiary dial and eight-day movement by T Green, Ledbury.