We found 44426 price guide item(s) matching your search

A 19th century figured mahogany longcase clock, the painted dial inscribed "T. D. Pinkstone Tiverton"

A longcase clock movement, the 12ins arched brass dial with silvered chapter ring with Roman and Arabic numerals and named "William Midgley, Sheffield" to the eight day two train movement striking on a bell (dial and movement associated and with later alterations)

A late 18th Century oak longcase clock by Josiah Kember of Shaw, the 11ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals and matted and engraved dial centre to the thirty hour brass and iron framed movement with outside locking plate striking on a bell, contained in "North Country" oak and mahogany banded case with moulded cornice and slender turned and fluted pillars to hood, shaped trunk door crossbanded in mahogany and flanked by reeded quarter columns and conforming raised panel to base, on bracket feet, 78ins high Note : Josiah Kember recorded working before 1771 to 1777

A 19th Century oak and mahogany longcase clock by George Bickerton of Kidderminster, the 12ins square painted dial with Roman numerals and with spandrels painted with houses and windmills to the thirty hour movement striking on a bell, contained in oak and mahogany banded case with scroll pediment and turned pillars to hood, small angular door banded in mahogany and flanked by fluted quarter columns and conforming base, 80ins high (dial chipped overall and case chipped and damaged and lacking bracket feet) Note : George Bickerton recorded working Kidderminster 1828-1850

An early 19th Century oak longcase clock housing earlier movement by John Watts of Canterbury, the 12ins square brass dial with silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, and with added arch with applied cast Royal Coat of Arms to the eight day two train movement striking on a bell, contained in associated case banded in mahogany with arched and shaped cresting, plain turned pillars to hood 86ins high Note: John Watts - a renowned maker recorded as free 1720/21 - died 1775 - this movement illustrated in Kent Clocks and Clockmaker by Michael Pearson, Mayfield Books 1997, page 243

An early 19th Century mahogany longcase clock by Edward Shilling of Milton, the 12ins arched painted dial with Roman numerals and subsidiary seconds dial, the arch painted with a romantic rural landscape and with floral sprays to spandrels to the eight day two train movement striking on a bell, contained in case probably by Goulden of Canterbury, with shaped "Dolphin Tail" cresting above moulded cornice and with turned and fluted pillars to hood, arched trunk door veneered in figured mahogany, on bracket feet, 85ins high Note : Edward Shilling recorded working Milton (Sittingbourne) circa 1800-1838

An 18th Century mahogany longcase clock by Robert Evens of Halsted, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, the matted dial centre with subsidiary seconds dial and date aperture to the eight day two train five pillar movement striking on a bell, contained in figured mahogany case probably by Goulden of Canterbury, the hood with shaped cresting and moulded cornice, and turned and fluted pillars to hood, the shaped trunk door veneered in figured mahogany, the confirming base with raised astragal moulding and double plinth base, 89ins high Note : "Kent Clocks and Clock Makers" by Michael Pearson, published by Mayfield Books 1997 shows two makers of the same name, movement probably made by the father, circa 1730-1740 and the case would date later, possibly during the time of the son, recorded working circa 1795 

Jeremiah Hartley, Norwich,a longcase clock dial and movement,the square dial with cherub and crown spandrels, a silvered chapter ring and subsidiary seconds dial, and calendar aperture inscribed 'Jeremiah Hartley Norwich', the five-pillar, two-train, eight-day movement striking on a bell,11in diameter (28cm)

Late 18th / early 19th century longcase clock with eight day movement, break arch painted dial, signed - Willm Flint Ashford, with Arabic numerals and painted figure spandrels, subsidiary seconds dial and date aperture, break arch with painted hemispheres and moon roller dial, in a mahogany case with inlaid stringing and short door, domed hood with three brass finials, 228cm overall height (winding key, weights and pendulum present)

18th century longcase clock with eight day movement, brass break arch dial, pierced brass face mask spandrels, silvered chapter ring, matted centre with subsidiary second dial and date aperture, break arch with dolphin spandrels and cartouche signed - William Skikelthorp, London, in a later carved oak case with floral, bird and dolphin decoration, 240cm overall height (winding key, door key, weights and pendulum present)

18th century longcase clock with eight day five pillar movements, twelve inch square dial with pierced classical head spandrels, wheat ear border, matted centre with engraved dove and flower decoration, subsidiary second dial and calendar aperture, silvered chapter ring signed - Henry Thornton, London, in a green chinoiserie lacquered case, caddy top hood with three urn finials, 244cm overall height (weights and pendulum present, winding key and door key lacking) CONDITION REPORT General overall condition is good. Movement is dirty. Appears to be in working order, although we have not had it going. No evidence of major damage or repair. Rack strike. Dial is good, minor cracks to border on right hand side. Case is quite good, some restoration and upper part of back board has been replaced. Lacquering is good, although one area on front door above lenticel is damaged. Gold finish is worn in places. Hood is good, door is secured by hook that has damaged decoration. Gold finish has been retouched

18th century longcase clock with eight day movement, brass twelve inch square dial with angel spandrels, matted centre with engraved decoration, turned winding holes, subsidiary seconds dial and date aperture signed - Rich Rooker, London, in an oak case, hood with fluted columns and temple-style top, 220cm overall height (weights, pendulum and door key present, winding key lacking)

George III longcase clock with eight day five pillar movement, twelve inch brass break arch dial with cast and pierced spandrels, matted centre with subsidiary second dial and date aperture, break arch with cartouche signed - Wm Vise Wisbich, in a tall oak case with full length door and pagoda-style hood, 239cm overall height (weights, pendulum and winding key present)

Late 18th century longcase clock with eight day five pillar movement, twelve inch break arch dial with cast and pierced spandrels, matted centre with subsidiary seconds dial and date aperture, silvered chapter ring with Roman numerals, break arch with dolphin spandrels and cartouche, signed - Jno. Harrison, Norwich, in a carved oak case with inlaid herringbone stringing, caddy hood with three ball finials, plinth may have been reduced, 252cm overall height (pendulum, weights, winding key and door key present)

Late 18th century longcase clock with eight day movement, twelve inch white enamel break arch dial with painted floral decoration, brass ringed winding holes, subsidiary seconds dial and calendar aperture, signed - M. Godfrey, Cowbridge, in an elm case, hood with fluted columns and wavy pediment, 209cm overall height (pendulum, weights and door key present, winding key lacking)

Early nineteenth century eight day longcase clock with eight day bird cage movement with wooden plates, thirteen inch break arch dial with Roman numerals, floral spandrels and scene of Kirkstall Abbey in a mahogany case with boxwood stringing, short door, on tall plinth with bracket feet, domed hood with twisted columns and decorative crest with three turned finials, 227cm overall height (pendulum, weights and key present)

A 13 Inch Round White Dial Mahogany Longcase 8 Day Clock, early 19thC. Three original brass finials.

A Victorian mahogany and oak eight day longcase clock, the painted dial with moon phase signed Owen Llanerchymedd, with swans neck pediment above a cross banded door, on bracket feet, 220cm

Miniature rosewood longcase clock with silvered dial, 36cm high

An Edwardian oak cased chiming longcase clock, the case having full length barley twist columns, decorative carving and slide off hood, brass arched dial with silvered chapter ring, applied spandrels and gilded numerals,cartouche displaying the figure of Father Time in the arch, three train weight driven movement of substantial contruction, chiming Westminster on coiled gongs, with key and pendulum - Est £1200 - £1500

An early 19th century oak and cross-banded mahogany cased longcase clock, the 13inch arched painted dial having Arabic numerals, floral decoration and signed Thomas Pattinson, Winton, a small village between Brough and Kirby Stephen in Cumbria, matching gilded brass hands and date indication, 30-hour bell strike movement, with pendulum and weight. Note: Thomas Pattinson is listed by B.Loomes as working in Winton from late 18th century until 1829. Estimate £250 to £300

A reproduction three train longcase clock with Italian case and German movement, made in Norwich

A Mahogany eight day longcase clock with silvered dial chapter ring and Brass spandrels by R. Simpson of Yarmouth

Edwardian stained black cased mantel clock, minature longcase clock, with light fitting and an early telephone type system

A 19th century French longcase / comptoise grandfather clock. The white enamel, signed Cosse having stunning stamped brass spandrels and the arch embossed with a decorative scenes. Set within a fruitwood case having glass pendulum window

A 19th century oak 30 hour longcase clock, with circular brass dial showing Roman numerals and calendar dial, signed Benj. Smith, Alfreton

A 19th century heavily carved oak longcase clock, the brass dial with pierced brass spandrels and twin train movement, by Joseph Rose, London, 11" dial

An 18th century oak eight day longcase clock, the square brass dial signed 'Minshul Denbigh'

A 13 Inch Round White Dial Mahogany Longcase 8 Day Clock, early 19thC. Three original brass finials.

λ A miniature inlaid rosewood longcase clock, French drum movement stamped E.G.L. with vertical lever escapement, white enamel dial, the case inlaid with vases of flowers, flanked by free-standing turned columns, break arch pediment, 16.5in (42cm) high.

An interesting 30 hour longcase clock movement, the 10 inch brass dial signed on the chapter ring Jno. Reynolds, Hagbourn, matted centre, cherub and crown spandrels, the birdcage movement of unusual construction with fretted posts.John Reynolds, Hagbourn: working circa 1732.

An eight day mahogany longcase clock, the 13 inch painted dial signed D. Thomas, Hafod, Swansea, the spandrels and arch painted with ruins of castles and churches, subsidiary seconds and calendar sector, the four pillar movement in a case with free-standing columns flanking the trunk and hood, swan neck pediment, the whole with mahogany crossbanding, 89in (226cm) high.

An 8 day mahogany Scottish longcase clock, the 13 inch painted dial signed J.Douglas, Dunbarton, subsidiary seconds and calendar dials, florally painted spandrels, the arch decorated with a greyhound chasing a rabbit, the four pillar movement in a break arch case with flat hood, the whole with crossbanding and fluted pilasters, 83.5in (212cm) high.

An eight day oak longcase clock with moonphase, the 12 inch painted dial signed Wright, Kennoway, subsidiary seconds and calendar sector, florally painted spandrels, the arch containing a rolling moon with unusual scene of a man o'war in flames, the four pillar movement in a slender bleached oak case, the trunk flanked by fluted pilasters, the hood with swan neck pediment and turned wood urn finial, 81in (207cm) high.

An eight day oak longcase clock, the 14 inch brass dial signed on the silvered chapter ring W. S. Shuker, Birmingham, subsidiary seconds and date aperture in the foliate engraved centre, the arch containing a boss engraved with a warrior on horseback slaying a dragon, the four pillar movement now striking on a gong, the case flanked by free-standing columns, hood with swan neck pediment and blind frets, the whole with mahogany crossbanding and shell pattern inlays, 93in (236cm) high inc eagle finial.

An eight day oak longcase clock, the 12 inch dial signed Lawrie, Carlisle in the foliate engraved silvered centre, date aperture, added arch with engraved boss, the four pillar movement in a case with fluted pilasters to the trunk, the hood with swan neck pediment, dentil cornice and Corinthian columns, 90in (228cm) high.

An eight day oak longcase clock, the 12 inch brass dial signed Willm. Tarry, Newport on a plaque in the matted centre, recessed subsidiary seconds, date aperture, the arch containing Strike / Silent over a recessed star, the four pillar movement in a breach arch case with panelled plinth and double moulded base, 83.5in (215cm) high.

An eight day black Japanned longcase clock, the 12 inch brass dial signed Thos Burges, Gosport on a silvered boss in the arch, subsidiary seconds and date aperture in the matted centre, the four pillar movement in a break arch case with pagoda top, the whole decorated with gilt chinoiserie designs against against a black ground, urn finials, 86.5in (220cm) high.

An eight day oak longcase clock, 12 inch brass dial signed Jno. Johnson, Halesworth in the foliate engraved silvered centre, recessed subsidiary seconds and date aperture, the arch containing strike / silent, the five pillar movement in a plain case with pagoda top, hood flanked by fluted pilasters, 88in (234cm) high excluding later turned finial.John Johnson, Halesworth (Suffolk) c. 1770 died 1789.

A Scottish eight day mahogany longcase clock, the circular 13 inch painted dial signed J. Adair, Dumfries, subsidiary seconds and calendar dials, the four pillar movement in a drumhead case, panelled base and trunk door flanked by fluted columns, 78.5in (189cm) high.

An early 18th century eight day black lacquered longcase clock, the 12 inch brass dial signed Claudius Du Chesne, London on the silvered chapter ring, the matted centre with subsidiary seconds, ringed winding holes and date aperture flanked by engraved birds, cherub and crown spandrels, wheatear engraved border, the five ringed pillar movement latched to the centre, locking plate striking also with passing half hour strike on a smaller hammer, the case decorated with gilt chinoiserie designs against a black ground, the flat hood flanked by gilt painted columns to simulate fluting, 82.5in (210cm) high.Claude Duchesne: Free of the Clockmakers Company 1693-1730.

An eight day mahogany longcase clock, the 12 inch dial signed John Beck, Salisbury, subsidiary seconds and calendar sector, the arch inscribed Tempus Frigit beneath an engraved eagle, the four pillar movement in a case with panelled plinth and double moulded base, break arch hood flanked by brass inlaid fluted columns, stave veneered trunk door, 86in (288cm) high.

A 19th century mahogany longcase clock, the arched painted dial painted with ladies dressed for the different seasons, with an eight day movement striking the hour

A Georgian-style mahogany longcase clock, with square brass dial and 30-hour movement, trunk door flame-veneered, with pendulum and weights, 7ft

A George III 8-day longcase clock, arched brass dial signed Dickerson, Framlingham, silvered chapter ring with engraved dial centre featuring subsidiary seconds and date aperture, mahogany case with fluted columns to hood and inlaid trunk door, with key, pendulum and weights, some service history and seconds hand retained

A reproduction mahogany longcase clock, featuring traditional arched brass dial and glazed trunk door, movement chiming on eight rod-gongs, with pendulum and three weights, 5ft. 10in.

A Victorian inlaid mahogany 8-day longcase clock, the broken swan-neck hood enclosing an oversized painted arched dial incorporating a nautical theme moonphase, the trunk with arched door, raised on a plinth, approx. 222 cm h to top of hood excluding gilt metal finial Condition Report appears complete, the base reduced in height forming the plinth, for restoration

A 19th century oak and mahogany 8-day longcase clock with painted arch dial depicting abbey ruins, in arched hood above short trunk door, box base and bracket feet, 232 cm overall

Thomas Perkins, Evesham, an 18th century oak eight-day longcase clock, the 29 cm square brass dial with arched date aperture flanked to the corners with pierced mask head spandrels, the trunk with double arch top door, raised on shaped bracket feet, 207 cm high

Oak longcase clock, square painted dial, signed "Price Evans, Shrewsbury", with subsidiary second dial and date aperture, scrolled spandrels, eight day movement, the case distressed with mahogany banding, height 213cm.

An early 19th century oak and mahogany longcase clock having swan neck and pillar hood containing painted arch dial and 30 hour movement on crossbanded trunk and square base

A late 18th century longcase clock, having square pillar hood, containing brass 30 day movement, by Alex Marshall, Douglas, on rectangular trunk and square base

A late 18th/early 19th century oak and mahogany longcase clock, having square pillar hood, containing replacement brass face with additional painted original and 30 hour movement, on shaped reeded and crossbanded trunk and square base

Modern triple weight longcase clock having arched moon phase dial

Silver plated butter dish, pottery longcase clock, rifle, telescope and coin box

Antique oak and mahogany eight day longcase clock having painted arched dial

Antique oak eight day longcase clock having square painted dial

Antique carved oak eight day longcase clock having brass and silvered dial

Antique oak cased thirty hour longcase clock having square brass dial, Houghton, Chorley

James McBride of Kilmarnock oak longcase clock with painted dial