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A collection of assorted clock related books. Including Grandfather Clocks and Their Cases and British Longcase clocks etc. ** Being sold on behalf of Radstock Museum Society **

Clocks - a collection of books (30+) to include Britten's Old Clocks & Watches and Their Makers (9th Edition), The Longcase Clock by Tom Robinson, Clocks & Watches by Eric Bruton, The Book of Sun-Dial by Eden and Lloyd, The Georgian Bracket Clock by Barder, Skeleton Clocks by Royer Collard, English Country Grandfather Clocks by Barder etc.

19TH CENTURY OAK & MAHOGANY LONGCASE CLOCK with painted dial, twin weights and pendulum, Owen Roberts, Gaerwen, 230 (h) x 64 (w) x 26cms (d)Provenance: private collection Conwy

19TH CENTURY OAK LONGCASE CLOCK with painted dial and pendulum (no weights), 217 (h) x 65 (w) x 26cms (d)Provenance: private collection GwyneddGOV.UK Ivory content- to comply with current regulation - self-declaration form completed for the sale of this item - Submission reference ZFCCP7AH

20TH CENTURY WALNUT LONGCASE CLOCK with carving and relief, brass face, Westminster chime and pendulum (no weights), St Michael, Whittington, 216 (h) x 43 (w) x 30cms (d)Provenance: private collection Conwy

VICTORIAN OAK & MAHOGANY LONGCASE CLOCK with 8 day painted dial, by 'John Hughes of Carnarvon', twin weights and pendulum, 216 (h) x 60 (w) x 24cms (d)Provenance: deceased estate Anglesey

A Scottish George III eight-day longcase clock movement, Robert Dalgliesh, Falkirk, the 13 inch breakarched brass dial with engraved centre, date aperture, subsidiary seconds ring, original thistle hands and silvered chapter ring, rococo-and-dolphin spandrels, silvered signature disc to the arch

A mahogany wall timepiece, early 20th c, with painted dial, 42cm w, a dwarf longcase clock movement, the brass breakarched dial with silver chapter ring, miscellaneous other clocks and clock parts, including finials, pendulums, panels and doors, etc

A George III mahogany and inlaid eight-day longcase clock, Charles Robertson ..., the 12 inch breakarched, painted dial with twin subsidiary dial, flower spandrels and further flowers to the arch, in line inlaid case with swan neck pediment and brass mounted pillars, the trunk enclosed by a well figured, shaped door flanked by pilasters, pendulum and weights, 210cm h Requires restoration

A George IV oak thirty-hour longcase clock, Owns, Wymeswold, the 11.5 inch repainted dial with date sector and birds to the centre, the hood with swan neck pediment, on brass mounted fluted pillars, the trunk enclosed by a low arched door, pendulum and weight, 206cm h

A Victorian oak thirty-hour longcase clock, the round painted dial with thatched cottage to the centre, in oak and line inlaid case with swan neck pediment and brass mounted pillars, the trunk enclosed by a crossbanded door, on conforming base, pendulum and weight, 208cm h Dial cracked and stained, shrinkage splits and cracks to base

A George III oak eight-day longcase clock, Andrew Knowles, the 11.5 inch brass dial formerly with mock pendulum, date aperture and ringed winding square, rococo spandrels, in oak and crossbanded case with open pediment and brass mounted plain pillars, the door to the trunk with shell paterae, pendulum and weights, 206cm h

A George II oak thirty-hour longcase clock, J R Molton, the 11.5 inch brass dial with matted centre, date sector and subsidiary seconds dial, mask spandrels, flat topped, moulded hood and plain pillars, the trunk enclosed by full-length ogee arched door with fruitwood flanks and mouldings, pendulum and weights, 207cm

A George III mahogany eight-day longcase clock, Winstanley, Holeywell [sic], the 13 inch breakarched brass and partly silvered dial with subsidiary date and seconds rings, mask spandrels and painted lunar work to the arch, the hood with swan neck pediment on brass mounted plain pillars, the trunk enclosed by a full-length figured door flanked by pilasters, on panelled base, pendulum and weights, 227cm h

A Victorian stained oak eight-day longcase clock, the 11.5 inch breakarched and painted dial with date sector and bird to the arch, the hood with swan neck pediment, on brass mounted pillars, the trunk enclosed by a shaped, full-length door, pendulum and weights, 219cm h

A Victorian oak eight-day longcase clock, Thos. Watson, Newcastle, the 12.5 inch painted dial with brass ringed winding squares and two subsidiary dials, flower spandrels and further flowers to the arch, the case with flat topped wood, on turned pillars, the trunk enclosed by an arched door, 206cm h Flaking of paint on dial, door in pieces and possibly incomplete

A George III mahogany eight-day longcase clock, Thomas Brown, Chester, the 12 inch brass breakarched dial with date aperture and subsidiary seconds ring, mask spandrels and painted lunar work to the arch, the hood with swan neck pediment and painted with two gilt birds, on brass mounted, fluted pillars, the trunk enclosed by a full-length shaped door flanked by fluted pilasters, pendulum and weights, 224cm h

A George III oak thirty-hour longcase clock, the 10.5 inch painted dial with date sector and flowers in flat topped hood with cavetto cornice and turned pillars, the trunk enclosed by full-length moulded door with brass knob, pendulum and weight, 221cm h

A George III mahogany eight-day longcase clock, Clifton Liverpool, the 12in breakarched brass dial with matted centre, ringed winding squares, date aperture and subsidiary seconds ring, urn spandrels, painted lunar work to the arch beneath the inscription TEMPUS FUGIT, the hood with swan neck pediment and fretted cornice, fluted pillars, the front enclosed by a finely figured full-length door beneath blind fret and reeded pilasters, pendulum and weights, 234cm h

A George III mahogany eight-day longcase clock, the 12 inch breakarched and painted dial with twin subsidiary rings for seconds and dates, shell spandrels and huntsmen and hounds to the arch, the hood with swept cavetto pediment flanked by brass finials, on brass mounted spirally reeded pillars, the trunk enclosed by a full-length door flanked by inlaid pilasters, pendulum and weights, 230cm h

A George III mahogany eight day longcase clock, Wainwright, Overton, the 12.5 inch brass breakarched dial with date aperture, subsidiary seconds ring and engraving, mask spandrels, painted lunar work to the arch, the inlaid case with swan neck pediment, on brass mounted fluted pillars, the trunk enclosed by a shaped door with shell paterae flanked by fluted pillars, pendulum and weight, 230cm h

A George III mahogany eight-day longcase clock, Andrew Padbery, Bishops Waltham, the 12 inch brass breakarched dial with matted centre, date aperture and subsidiary seconds ring, mask spandrels, rocking bird to the arch circumscribed TEMPUS FUGIT, the hood with swan neck pediment and carved flower terminals, on brass mounted fluted pillars, the trunk enclosed by a full-length ogee moulded door flanked by fluted pilasters, paneled base, pendulum and weights, 225cm

A Victorian longcase clock movement, the 14 ¾ inch painted dial with figure spandrels and terrestial and celestial globes to the arch Incomplete, chips and losses to paint on edges of dial

A George III eight-day longcase clock movement, the 12 inch breakarched brass dial with matted centre, subsidiary seconds ring, mask-and-dolphin spandrels and date ring to the arch

A George III japanned eight-day longcase clock, John Downs, London, the 11.5 inch breakarched brass dial with matted centre, date aperture, signature cartouche and subsidiary seconds ring, rococo spandrels and STRIKE/SILENT ring to the arch, in arched case, with conforming door and decorated with chinoiseries on a blue-black background, pendulum and brass sleeved weights, 205cm h Base reduced, case much worn and with some old restorationMetal polish residue on dial

Miscellaneous clocks, movements and cases, including 1930s oak mantle clock, longcase clock movement, etc

A George III japanned eight-day longcase clock, William Valentine, Royston, the 11.5 inch brass partly silvered and engraved dial with date aperture and subsidiary seconds dial, Dutch style chapter ring, rococo spandrels and strike/sound ring to the arch, the hood with arched cavetto cornice on plain pilasters, the trunk enclosed by full-length breakarched and moulded door, pendulum and weights, 213cm h

A George III oak thirty-hour longcase clock, Plimer, Wellington, the 11.5 inch painted dial with pierced date sector and grass spandrels, the hood with open triangular pediment and plume paterae, on fluted pillars, the glass to the door probably original, trunk enclosed by a shaped crossbanded door flanked by brass mounted pilasters on panelled base, pendulum, 205cm h Minor signs of worm damage to top of hood, some cracking to paint on dial, otherwise good condition

A George III walnut eight-day longcase clock, William Winston, Hereford, the 12 inch breakarched and painted dial with date sector and subsidiary seconds ring, emblematic figure spandrels and gilt urns and festoons to the arch, the arched pediment with 'keystone' and pseudo fret on brass mounted fluted pillars, the trunk enclosed by a full-length moulded door flanked by fluted pilasters, panelled base, pendulum and weights, 223cm h

A George III japanned eight-day longcase clock, J H Hunsdon, Chelmsford, the 11.5 inch breakarched and silvered dial with date aperture and subsidiary seconds ring, engraved STRIKE/SILENT ring to the arch, the hood with swept cavetto pediment on decorated pilasters, the trunk enclosed by breakarched and moulded door with chinoiseries, pendulum and weights, 225cm h

A George III mahogany eight-day longcase clock, Edward Hopkins, Bradford, the 11.5 inch breakarched, silvered dial with date sector and subsidiary seconds ring, mask spandrels, the hood with cavetto cornice, 'keystone' and brass mounted plain pillars, the trunk enclosed by a full-length moulded door, on panelled base, pendulum and weights, 213cm h

A George II oak eight-day longcase clock, John Wyld, Nottingham, the 11.5 inch brass dial with matted centre, date sector and signature disc, vase spandrels, the later associated light coloured case with open pediment and fretwork, on brass mounted plain pillars, the trunk enclosed by a full-length door with pierced brass escutcheon, pendulum and weights, 302cm h

A George III mahogany eight-day longcase clock, Peter John, Bideford, the 12 inch breakarched, engraved and silvered dial with date aperture and subsidiary seconds ring, chinoiserie figure spandrels and TEMPUS FUGIT ring to the arch, the hood with arched pediment and Greek key cornice, on brass mounted fluted pillars, the trunk enclosed by a figured full-length door flanked by pilasters on panelled base, pendulum and weights, 236cm h

A Victorian mahogany and inlaid eight-day longcase clock, the 13.5 inch breakarched and painted dial indistinctly signed, fruit and flower spandrels and lunar work to the arch, black and gilt glass inset swan neck pediment and fluted pillars, the trunk enclosed by a full-length door in matched veneers flanked by fluted pilasters, pendulum and weights, 226cm h

A Victorian oak and crossbanded eight-day longcase clock, Hugh Evans, Holyhead, the 12.5 inch brass breakarched dial with subsidiary seconds and date rings, painted lunar work to the arch, the hood with swan neck pediment and fluted pillars, the trunk enclosed by full-length door flanked by fluted pilasters on panelled base, pendulum and weights, 211cm h

A Victorian mahogany eight-day longcase clock, Edward Clark, London, the earlier, George III, 12 inch brass breakarched dial with matted centre, date aperture and subsidiary seconds dial, rococo spandrels and STRIKE/SILENT ring to the arch, the hood with swept cavetto pediment and applied scroll mouldings, the trunk enclosed by moulded door, pendulum and weights, 237cm h

A William III walnut and floral marquetry eight-day longcase clock, Thomas Johnson, Ratcliff Cross [London], the 11 inch brass dial with signs, silvered chapter ring, matted centre with engraved date aperture, ringed winding squares and subsidiary date ring, having mask spandrels between scroll engraving, side pillar movement, the case in figured veneers, the full length moulded door to the trunk with three reserves of flowers and foliage, two with a bird and lenticle, on conforming base, pendulum and brass sleeved weights, 223cm h Good condition, restored/overhauled many years ago and long in the present, private family ownership

A George III oak eight-day longcase clock, the 12.5 inch breakarched painted dial (faded) with date sector and subsidiary seconds ring, strawberry and honeysuckle spandrels, the figure of Time to the arch, the flat topped hood with dentil pediment and fluted frieze on turned pilasters, the trunk enclosed by breakarched door, pendulum and weights, 210cm h

A George III mahogany eight longcase clock, Thomas Baines, Preston, the 13 inch breakarched and painted dial with brass ringed winding squares, subsidiary seconds ring and lunar work to the arch, the hood with swan neck pediment and brass mounted fluted pillars, the trunk enclosed by a moulded door flanked by convex pilasters, pendulum and weights, 223cm h

A Victorian eight-day longcase clock movement, indistinctly signed, the 13 inch breakarched painted dial with date sector, brass ringed winding holes, subsidiary seconds dial, flower spandrels and birds to the arch, 46 x 34cm Paint on dial chipped, rubbed and cracking, seatboard with some old worm damage

A George III mahogany eight-day longcase clock, James Douglas, Chertsey, the 12 inch brass breakarched dial with matted centre, date aperture and subsidiary seconds ring, mask spandrels, STRIKE/SILENT ring to the arch, the hood with swept cavetto pediment, on brass mounted fluted pillars, the trunk enclosed by full-length breakarched and moulded door with ivory escutcheon flanked by fluted pilasters, pendulum and weights, 224cm h Please note Mellors & Kirk have applied for an exemption licence for the ivory in this lot. Ref: H11DBE1B

A George III mahogany eight-day longcase clock, J & E Hunter, Longtown, the 13 inch breakarched partly silvered, brass and engraved dial with date aperture centering on a vase and subsidiary seconds ring, rococo spandrels, painted lunar work to the arch incorporating a coat of arms, the arched hood with unusual outset dentil corners and 'keystone' above fluted pillars, the trunk with richly figured full-length door flanked by pilasters, on panelled base, pendulum and weights, 221cm h

Miscellaneous longcase clock keys, late 18th c and later

A Victorian thirty-hour longcase clock movement, George Wadham, Bath, the 12 inch painted dial with date sector and bird on a branch, pierced brass hands, gilt shell spandrels

An oak dwarf longcase clock, c1930, the square dial with silvered chapter ring, 133cm h and two contemporary smaller examples

A Scottish mahogany eight-day longcase clock, John Dalgleish, Edinburgh, early 19th c, with 11 inch breakarched brass dial with matted centre, date aperture and subsidiary seconds ring, mask-and-dolphin spandrels and signature disc to the arch, in figured case with segmental pediment and fret, the trunk enclosed by a full-length breakarched door, pendulum and weights, 222cm h

A Victorian oak thirty-hour longcase clock, Deacon, Barton [in the Beams], the 11.5 inch painted dial pierced with date sector and painted with birds, rose spandrels, in plain flat top case with brass mounted pillars and crossbanded door to the trunk, pendulum and weights, 192cm h Dial restored

A Channel Islands George IV mahogany eight-day longcase clock, Edward Carrel, St Aubin's Jersey, the 12.5 inch painted breakarched dial with brass rings, winding squares and subsidiary seconds and date rings, gilt shell spandrels, painted lunar work to the arch, the hood with swan neck pediment on turned pillars, the trunk enclosed by narrow breakarched door, pendulum and weights, 214cm h

A George III walnut eight-day longcase clock, Richard Alexander, Chippenham, the 11.5 inch breakarched, engraved and silvered dial with date sector and subsidiary seconds ring flanked by insects, painted lunar work to the arch, the hood with moulded, arched cornice on brass mounted plain pillars, the trunk enclosed by a full-length door of fretted outline flanked by fluted pilasters, the conforming panelled base inlaid with paterae, pendulum and weights, 225cm h

A George II oak thirty-hour longcase clock, Thos. Baxter, Conderton, the dial with matted centre and engraved date aperture, signature reserve and seasons applique spandrel, in associated plain flat top case with fluted pillars, pendulum and weights, 190cm h

A Victorian mahogany eight-day longcase clock, the 13 inch breakarched and painted dial with date sector and subsidiary seconds ring, raised gilt spandrels, painted lunar work to the arch, the hood with swan neck pediment, on brass mounted fluted pillars, trunk enclosed by a crossbanded, full-length and figured door flanked by fluted pilasters, on panelled base, pendulum and weights, 227cm h

A George III walnut eight-day longcase clock, T Oliver, London, the 11.5 inch silvered brass breakarched dial with date aperture and subsidiary seconds ring, STRIKE/SILENT ring to the arch, the hood with swept cavetto pediment on plain pillars, the trunk enclosed by breakarched, moulded and quarter veneered door, pendulum and weights, 214cm h

A George III longcase clock movement, Richard Simpson, Yarmouth, the 12 inch breakarched brass dial with matted centre, date aperture, subsidiary seconds ring, rococo spandrels and signature disc to the arch

A George III mahogany eight-day longcase clock, Skinner, Exeter, the 12 inch breakarched and engraved brass dial with date sector and subsidiary seconds ring, comical figure spandrels emblematic of the four seasons, an eagle and TEMPUS FUGIT to the arch, the hood with arched cornice and fretwork frieze above brass mounted fluted pillars, the trunk enclosed by a figured ogee arched full length door flanked by pilasters, on panelled base, pendulum and weights, 222cm h

A Victorian longcase clock movement, with damaged 12.5 inch painted dial Dial bent and rusted to edges, paint lost and flaking, seatboard with signs of old worm

A George III walnut eight-day longcase clock, Benjamin Fieldhouse, Leominster, No 355, the 12 inch brass breakarched dial with matted centre, date sector and subsidiary seconds ring, crown spandrels, signature disc to the arch, the hood with arched cavetto pediment and fretwork on plain pilasters, the trunk enclosed by figured full-length and flat arched door, pendulum and weights, 215cm hSome minor chips , losses and old small repair to case/hood.Some signs of old minor worm damage. Replacement lock/hinges to case. Clock is working but in need of some attention for correct running

A George III oak eight-day longcase clock, John Benjamin Cole, Barbican London, the 11.5 inch breakarched silvered dial with subsidiary rings for seconds and dates, STRIKE/SILENT ring to the arch, the breakarched hood with fretted pediment and finials on brass mounted plain pillars, the trunk enclosed by full-length door, pendulum and weights, 121cm h

A George III mahogany eight-day longcase clock, Chamlley, Newcastle, the 13 inch breakarched and painted dial with brass ringed winding squares, date sector and subsidiary seconds ring, flower spandrels, lunar work to the arch, the hood with swan neck pediment and gilt blue-backed glass, brass mounted fluted pillars, the trunk enclosed by a crossbanded door flanked by conforming brass mounted pilasters, pendulum and weights, 227cm h

A George III oak eight-day longcase clock, David Paterson, Sunderland, the 12 inch brass breakarched dial with matted centre, ringed winding holes, date aperture and subsidiary seconds dial in faceted surround with rococo spandrels, painted lunar work to the arch with two indicators, flat topped hood with cavetto cornice on plain pilasters, the trunk enclosed by a full-length breakarched and moulded door, pendulum and weights, 217cm h

Georgian oak cottage longcase clock, the square brass dial with calendar dial and single hand pointer with 30 hour striking movement by Thomas Bayley of Burton Somerset