We found 41637 price guide item(s) matching your search

A George III brass faced oak longcase clock having 30-hour movement by Philip Corrie of Langholm

A 19th Century oak longcase clock the brass face inscribed to Robert Knox, Beith, with painted moon face, North and South hemispheres, seconds ring and date chapter, 207cm high

A 19th Century mahogany longcase clock the painted face with 'The Cottars Saturday Night' and figure spandrels, inscribed John Brown, Kilmarnock, with subsidiary dials, 202cm high

An oak longcase clock the brass face inscribed John Wawn Kr., Moorside, the scrolling spandrels enclosing Roman numeral chapter and day aperture, 201cm high

A 19th century eight day mahogany longcase clock with swan neck pediment and satinwood blind fretwork over brass dial engraved birds and flowers - signed to arch A Buchan, Perth Bridge - seconds dial and date dial, all over satinwood and ebony strung case flanked by pillasters - 219cm tall, dial 28cm

An early 19th Century eight day longcase clock, white enamelled dial, movephase, having turned columns to hood and turned columns to case, no makers name, complete with two weights and pendulum

A 19th Century 30 hour longcase clock, with a white enamel dial, by Edward Glafe

A George III longcase clock, white enamelled dial

Swedish Mora longcase clock 19th Century, weight and pendulum

A George III eight day oak longcase clock, 18th Century, brass dial inscribed E. Greatorex

A mahogany eight day longcase clock, early 19th century, the arched painted dial decorated with a river scene, indistinctly signed, possibly a London maker, fruit painted spandrels, the shaped door flanked by gadrooned columns, two weights, pendulum and winder, height 216cm, width 46cm, depth 23.3cm.

A George III style reproduction mahogany longcase clock, the brass dial signed Richard Broad, Bodmin, Cornwall, England, flanked by fluted columns above a rectangular glazed door on bracket feet, with three brass weights and a pendulum, height 195cm, width 51cm, depth 25.5cm.

A mahogany 30 hour longcase clock, early 19th century, the painted arched dial signed E.Mayell, Liskeard, the arch with a country scene, similar spandrels, flanked by rope twist columns, the rectangular crossbanded door flanked by chamfered columns, one weight and a pendulum, height 202cm, width 48.5cm, depth 27cm.

A George III oak eight day longcase clock, the square brass dial signed Maurice Thomas Caernarvon, above a rectangular solid door on a plinth base, two weights, a pendulum and a winder, height 204cm, width 45.5cm, depth 25cm. Condition report: Oak case in good condition. Clock face in good condition. Looks original.

A George III oak and mahogany crossbanded eight day longcase clock, the square unassociated brass dial with roman numerals, above a shaped door flanked by chamfered rounded columns, on bracket feet, two weights, a winder height 202cm, width 53.5cm, depth 24cm.

A mahogany eight day longcase clock, 19th century, the rolling moon arched dial painted with cottages, flanked by turned columns, above an arched rectangular flanked by inset columns, plinth base, two weights and a pendulum, height 209cm, width 51cm, depth 25.5cm.

A Victorian mahogany eight day longcase clock, the painted arched dial with a hunting scene, spandrels with floral sprays, flanked by turned columns, above a triple arched door, flanked by a pair of turned columns on a plinth base, three weights and a pendulum, height 223cm, width 62cm, depth 25cm.

An oak 30 hour longcase clock, late 18th century, the painted dial indistinctly signed Reynolds Twithe? weight and pendulum, height 186.5cm, width 43cm.

An oak and mahogany eight day longcase clock, the arched painted dial by Matthews Welshpool, the rolling moon arch also painted with a windmill and ship, floral spandrels, the crossbanded door flanked by a pair of rope twist columns, on bracket feet, two weights, a pendulum and a winder, height 241cm, width 55cm.

A reproduction oak longcase clock, the movement stamped 'Original Kieninger Made in Germany' with Westminster chime and three weights, the case with Old Charm label 201cm high

A 19th century French chestnut / oak large Breton compoise longcase clock having  oversized trunk and hook with decorative glass window and brass pendulum. Above an enamel face with   pressed gilt metal spandrels having flower basket design. Complete with weights

A 19th century French fruitwood longcase / comptoise grandfather clock. The white enamel dial signed for  the maker having stunning stamped leaf spandrels and the arch embossed with   decorative scenes . Set within a fruitwood case having glass pendulum window. With weights and pendulum

A 19th century longcase clock having oak trunk and hood with a brass face being unsigned. No movement weights or pendulum just trunk and clock face Measures 179cms high by 47cms wide by 20cms deep.

An 18th Century mahogany longcase clock with silvered brass dial and second and date function, W. 48cm, H. 230cm, (understood to be w/o).

An early 20th Century brass dial oak longcase clock with chiming movement, W. 42cm, H. 189cm, (understood to be in w/o).

A superb 18th Century carved mahogany cased longcase clock by Robert Currie of Edinburgh, with second hand and date function, W. 46cm, H. 222cm, (understood to be in w/o).

An early 20th Century oak arched longcase clock with chiming movement, W. 51cm H. 193cm, (understood to be in w/o).

An 18th Century Welsh painted dial longcase clock (moon roller) with mixed wood case by H. Owens, Carnarvon with second hand and date function, W. 58cm, H. 225cm.

A 1920's mahogany cased longcase clock, H. 208cm.

A superb mahogany cased painted dial moon phase longcase clock by Robert Armstrong of Manchester, H. 253cm, (understood to be w/o, with a crack to glass).

An 18th Century oak cased longcase clock with silvered brass dial by Stephenson of Congleton (damaged hood).

A Regency figured mahogany longcase clock, in Regulator style, with ball topped pyramid finial above circular convex door to the hood, glazed circular panels to both sides, canted corners, the 12" (30.5cm) circular white dial (unsigned) with 8 day 5 pillar movement, the trunk with break arch glazed door, reeded corners and raised on a panelled plinth base 225 x 52cm (88 x 20in) Glazing to trunk door probably later.. With pendulum, 2 brass cased weights and key  

A George III mahogany longcase clock, the rectangular hood with swanneck moulding and reeded columns, above shaped top trunk door flanked by quarter reeded pilasters, the 13inch (33cm) brass dial signed 'William Wilkinson, Congleton', with moonphase disc to the arch, foliate mask spandrels, silvered chapter ring, seconds dial and inset calendar dial, engraved centre, four pillar eight day movement, all on a canted panelled base 227cm (89in)

A large oak tavern style longcase clock, basically late 18th century, the large re-painted black and gilt lettered 92cm mahogany dial marked 'Wagstaff, London 1787', with twin barrel six pillar movement rack striking on a large bell above, the trunk in two sections with fretwork brackets above short door, on a plinth base 278cm (108in) Condition:Newer curved section of timber below dial. Right side of trunk cut away with hole through case.  Dial repainted or later painted.  Movement not tested. With pendulum and two weights. Probably a marriage of sorts but longer previous history unknown.  Sold therefore as seen.

Chevrel a Brue', a French 19th century painted longcase clock, the 20cm white dial with central calendar within typical embossed brass surround, twin barrel bell striking movement, in a grained and decorated curvilinear glazed case 236cm (92in)

A 19th century mahogany longcase clock, the 31cm white painted dial with Roman numerals, subsidiary seconds dial, twin winding holes eight day movement striking on a bell the hood with swan neck cresting freestanding pilasters arched door to waist flanked by fluted angles, bracket feet, 225cm high

A George III longcase clock mechanism, 36cm arched painted dial inscribed Jos. Hull, rolling moonphase to arch, twin winding holes, eight-day movement striking on a bell, two weights, c.1800

AN EBONISED AND GILT DWARF 'AESTETIC' LONGCASE CLOCK, LATE 19TH C the gilt round earthenware dial painted in bright blue with fruit and blossom, the French gong striking movement with square plate and outside countwheel, the case with swan neck pediment, waisted top, panelled trunk and base and painted with gilt foliage, 156cm h overall++Hairline crack in earthenware dial, some structural repairs to case

A GEORGE III OAK EIGHT DAY LONGCASE CLOCK, HENRY SANDERS GATESHEAD, LATE 18TH C with brass breakarched dial, matted centre, ringed winding holes, date aperture, subsidiary seconds ring, Dutch style engraved chapter ring and mask spandrels, the case with flat topped hood, the breakarched door to the trunk with later lentical, pendulum and weight, 218cm h++Old seatboard resting on later old repaired cheeks, movement altered, now with false pendulum bob replacing date, lower part of case rebuilt

A GEORGE III OAK THIRTY HOUR LONGCASE CLOCK JOHN WYLD, NOTTINGHAM C1760  the round brass dial with subsidiary date dial, in light oak case with swan neck pediment,  198cm h, pendulum and weight

A GEORGE III MAHOGANY EIGHT DAY LONGCASE CLOCK, JOHN POLLARD PLYMOUTH DOCK the silvered dial with date sector, subsidiary seconds dial and engraved with ships, castle and neo classical spandrels, in figured case with flat topped hood and turned pilasters, 194cm h ++Movement apparently complete but oily/dirty, cheeks not packed and possibly original to the case, case with old repairs, some surface cracks and repolished

AN OAK ART DECO LONGCASE CLOCK WITH TWO WEIGHTS & PENDULUM

A 19TH CENTURY OAK AND MAHOGANY 8 DAY LONGCASE CLOCK BY JOHN STEEL OF LEEK, the arched brass dial with date aperture and subsidiary seconds dial, bearing maker's name, the case and hood with inlaid and crossbanded detail, two weights and pendulum, H 222 cm

A LATE 18TH CENTURY OAK 30 HOUR LONGCASE CLOCK BY SAMUEL HARLEY - SALOP, the 11" brass dial with single finger, date aperture and bearing maker's name, the hood with three quarter turned columns and blind carved detail to the frieze, single weight H 192 cm (no pendulum)

A MAHOGANY LONGCASE CLOCK by John Grundy, Whalley, the eight day movement with anchor escapement striking on a bell, 13 1/2" arched brass dial, the silvered chapter ring with Roman and Arabic numerals, leaf chased centre with secondary dials, the arch with painted moonphase and signature, the case with scrolled pediment carved with rosettes on turned columns, arched door flanked by quarter columns, canted panel base and ogee bracket feet, 88 1/4" high (Est. plus 21% premium inc. VAT) (Illustrated)

Jonathan Bunting, Long Buckby, 18thC longcase clock movement with Roman 250mm brass dial and single finger hand, the 30-hour movement and 8-day example with a 300mm painted dial, singed Houghton, Uppingham, and another 280mm brass Roman dial signed Jonathan Overall Ramsey

English made c1930's longcase clock in oak Art Deco case with swag beaded decoration, the silvered Arabic dial with stylised chrome overlaid numerals, with two train movement, 123cm tall

Haller of Germany c1930s longcase granddaughter clock in oak case with beaded decoration to arch, the metal Arabic dial with strike / silent facility, the two train movement striking on chimes, 99cm tall

Haller of Germany c1930s longcase grandmother clock with banded decoration to door, the dial with silvered Roman chapter ring and masked spandrels, the two train movement with Westminster chime, 168cm tall

Twentieth century made longcase granddaughter clock in Victorian cottage style, the faux enamelled Roman dial marked 'Rutherford England', fitted with jewelled T68 quartz movement, the case in distressed painted finish with floral decoration, 128cm tall

Smiths Enfield c1930's longcase granddaughter clock in oak case, the utility dial with silvered chapter ring, the three train movement striking on chimes, 144cm tall

Thomas Byrne c1970s longcase granddaughter clock in mahogany finish case, the gilt brass etched dial with silver Roman chapter ring, decorative spandrels and pieced hands, the German Westminster chime movement with strike silent facility and glass door revealing lyre-style pendulum, 147cm tall

Twentieth century longcase skeleton clock / timepiece with Roman chapter ring, the movement striking on a bell, the glass case framed in white finish, 161cm tall

A modern longcase grandfather clock in the 18thC style, with brassed Roman dial with contrasting surround and painted spandrels, the two train 31 day movement striking on chimes, the glass panelled door revealing faux brassed weights, 190cm tall

A modern longcase grandfather clock in the 19thC style, the brassed ornate dial with contrasting Roman numerals and globe / moon feature decorating the arch, the two train movement striking on chimes, the glass panelled door revealing faux brass weights, with half columned reeded decoration to mahogany finished case and carved swan neck pediments to the hood, 204cm tall

John Chambley, Wolverhampton, late 19thC/early 19thC longcase clock, the 8-day movement striking on a bell, the painted break arch dial with Roman numerals and Arabic minutes, secondary seconds and date aperture, named to arch, the hood with swan neck pediments and reeded columns with brass capitols and the case with quartered reeded columns and scalloped door, 222cm tall

William Porthouse, Penrith, George III oak longcase clock, the square brass 31cm Roman dial with silvered chapter ring and Arabic minutes, secondary seconds and corner spandrels with quartered pillars and scalloped door. The 8-day movement striking on a bell, 215cm tall

Ralph Banks, Plymouth Dock (Devonport) mahogany longcase clock, c1780-1800, the 8-day movement striking on a bell, the brass break arch dial with raised Roman chapter ring, the centre with subsidiary seconds dial and date aperture engraved Ralph Banks, Plymouth Dock, floral spandrels to the corners and rocking ship automaton over, the hood with reeded pillars and brass capitols, the arch top with acorn finials, approximately 218cm tall. Ralph Banks worked in Plymouth Docks, Devonport and often used movements bought in from John Thwaite, London, and cases made by a local carpenter. He married Rebecca Palmer Collings at Stoke Dameral parish in 1782 (listed as clock maker on marriage certificate) by 1812 the business was listed under Rebecca's name

John Cameron and Son, Kilmarnock, c1900 mahogany longcase clock, the 33cm brass break arch dial with silvered Roman chapter ring, Arabic minutes, secondary seconds and date dials, masked spandrels to corners and dolphins in the arch. The door with scalloped corners, the arched hood with turned columns and 8-day duration movement striking on a gong, 214cm tall

A pine 19thC longcase clock case with pendulum