Mahogany eight day longcase clock, the 12" brass arched dial signed John Hallifax, London on the chapter ring by six o'clock, enclosing a matted centre with subsidiary seconds dial and calendar aperture, with strike/silent dial to the arch, the case with long moulded rounded arched door and inlaid with cable banding, the hood surmounted by a pierced swan neck pediment and two fluted brass ball and spike finials, 84" high (pendulum and two weights)
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Mahogany eight day longcase clock, the 13" painted arched dial signed Bartles & Eggert, Bristol, with subsidiary seconds dial and calendar aperture, with moon phase to the arch, the case with long inlaid door and the hood surmounted by a moulded swan neck pediment with central gilded pressed metal vine finial, 87" high (pendulum and two weights)
Mahogany eight day longcase clock, the 14" square painted dial signed Jonathan Hindley, Swinton to the centre with subsidiary seconds dial and calendar aperture, the case with medium length wavy moulded edged door and the hood surmounted by a moulded swan neck pediment, 85" high (pendulum and two weights)
French rosewood and kingwood inlaid eight day Comptoise longcase clock, the 10" cream dial within a rounded hood over a central crossbanded bombé section fitted with a long drawer over the flaring base with repousse foliate frieze and supported upon cast brass lion paw feet, 83" high (pendulum, no weights)
Eight day longcase clock movement, the 13" raised painted arched dial indistinctly signed ...Scarboro, with subsidiary seconds dial and calendar aperture; also another eight day longcase clock movement, the 13" painted arched dial indistinctly signed ...Stockton, with subsidiary seconds and calendar dials (2)
An antique pine thirty-hour longcase clock, the painted dial with flower decorated spandrels, signed 'Tomlinson & Son, Thame', the dial 28cm wide, the plated movement striking on a bellthe case 52cm wide x 31cm deep x 189.5cm highQty: 1Signs of old restoration and old woodworm. The movement in need of restoration with some pins lacking.
An antique oak longcase clock, the brass dial with subsidiary second hand, date aperture and strike silent indicator, signed 'Thomas Gardner, London'46cm wide x 22cm deep x 214cm highThe movement seemingly complete but in need of restoration. Complete with weights. The case with losses, marks, dents and scratches overall and in need of restoration. The case and dial possibly associated.
A 19th century oak eight-day longcase clock, with a painted arching dial with moon phase and with subsidiary second hand and date indicator56.5cm wide x 25cm deep x 218cm highThe movement with pendulum and weights but in need of cleaning and restoration. The dial somewhat faded and worn. The case with signs of old woodworm. The door to the hos a later replacement. The clock reduced in height having lost its feet.
A 19th century mahogany cased thirty-hour longcase clock with painted arching dials signed 'W Richardson of Brampton'57.5cm wide x 29cm deep x 220cm highMarks, dents and scratches to the case overall. The movement complete with pendulum and a weight. One roundel of the swan neck pediment lacking.
A 19th century mahogany longcase clock, the case with swan neck pediment, the dial with silvered chapter ring, moon phase and subsidiary second hand and three train movement striking the hours and quarter hours on a carillion of bells, with strike silent lever60cm wide x 28cm deep x 218cm highMinor marks, dents and scratches to the case overall. Mouldings missing to the lower section of the trunk. Finial partially lacking. The movement complete with an associated pendulum and weights. The movement also lacking hour hand. In need of restoration and cleaning overall.
An antique oak longcase clock, the silvered dial signed 'William Midgley of Sheffield', with date aperture, the movement striking the hours on a bell, complete with pendulum but no weights, the case probably associatedMarks, dents and scratches overall due to age and use. The case with some losses particularly to the cornice. Repairs to where the hinges attach to the case. Some mouldings missing from the lower section of the case.
An early 19th century mahogany eight-day longcase clock, the painted arching dial decorated with a cartouche of a small girl holding a plate, with subsidiary second hand and date aperture, signed 'William Hall of North Sheilds'57cm wide x 30cm deep x 220cm highMarks, dents and scratches overall to the case. Damage to the door just above the escutcheon. The door locked shut and with no key. The lower left hand section of the trunk detached and in need of repair. Signs of repair overall, particularly some moulding to the cornice and the lower section of the case. Some venner lifting around the door. A replaced handle to the door. The dial with losses to the paintwork. The movement in need of restoration and cleaning. Complete with pendulum and two weights.
A North Country oak and mahogany cased eight-day longcase clock, with swan neck pediment and painted dial signed 'Thomas Jones of Bangor', the dial with subsidiary second hand and date aperture60cm wide x 27cm deep x 224cmhighThe movement with missing hour hand and in need of restoration. The dial with wear to the paintwork, and some scratches and marks, in need of some cleaning. The case with some minor marks, dents and scratches overall due to age and use.
An early 19th century eight-day mahogany longcase clock, with reeded pilasters and shaped door to the trunk, the hood with swan neck crest and eagle mounted finials, the arching dial decorated with a pastoral scene of a young girl holding a rake, the dial signed 'William Hellewell, Leeds', the movement striking the hours on a bell56cm wide x 27cm deep x 228cm highThe case in need of restoration with some minor losses, marks, dents and scratches overall. A section o moulding to the hood detached but present. The dial in need of some restoration. The movement in need of a clean, complete with cast iron weights and a pendulum.
A George III thirty-hour oak longcase clock, the hood with painted gilt finials, the dial with subsidiary second hand and date aperture signed 'George Suggate, Halesworth', the movement in clean condition but not guaranteed working47cm wide x 200cm highMinor marks, dents and scratches overall to the case. Some signs of old woodworm.
A 19th century mahogany eight-day longcase clock, with swan neck cresting and painted dial with strike silent indicator, subsidiary second hand and date indicator, indistinctly signed 'Bladon'54.5cm wide x 25cm deep x 205cm highThe clock with pendulum and weights, but the movement in need of restoration. The case with some minor losses, marks and signs of old restoration and in need of further repair. The pendulum in need of repair.
Antique mahogany cased longcase 'Grandfather' clock, the silvered dial with Roman and Arabic numeral chapter ring, subsidiary seconds dial, gilt brass relief work to the spandrels, marked 'Da'd Somerveill St Ninians' for David Somerville, the swan neck pediment with fret work below, 218cm tall.
XIX Century Mahogany Eight Day White Dial Longcase Clock, (Sykes Huddersfield), hood with a swan neck pediment arched door, trunk with a shaped door, base with chamfered sides, on turned feet, arched dial with painted hunting scenes, Roman numerals, minuted and date apertures, 232cm high (no weights).
XIX Century Mahogany Oak Eight Day White Dial (C. Clark Wakefield) Longcase Clock, with a swan neck pediment, arched door, trunk with small door, inlaid chamfered sides, base with an oak panel on bracket feet, (white dial with painted cottage scene, Roman numerals, minute dial, (no weights) 243cm high.
XIX Century Mahogany Eight Day White Dial Longcase Clock, hood with a swan neck pediment, arched door, trunk, with reeded pilasters, arched door, panelled base (no feet), (moon roller dial, Roman numerals, minute and date apertures) moulding missing to the side, wood loss to the side of base (no weights) 226cm.
A late 18th century Channel Islands longcase clock, the eight day movement fronted by a silvered arched dial with Roman chapter ring with Arabic outer minute track, gilt leafy scroll spandrels and 'Strike/Silent' dial to the arch, the centre engraved with foliage, with date aperture and subsidiary seconds at 12, signed 'Jno. Watts Guernsey', in an oak case with brass ball finials to the pagoda top, on plain turned columns, 91½in. (232.5cm.) high, faults.
A 19th century oak-cased 8-day longcase clock, Joseph Barber of London, the 12" arch-top dial having silvered chapter ring with secondary dial and calendar aperture, strike/silent dial, brass-mounted Corinthian columns to the hood and brass finials, brass 5-pillar movement striking in a gong, height 228cm (7'6")Dial movement and case all appear to be contemporary, generally in good original condition apart from a split in the front panel on the base of the case, no other damage or restoration and all in working order
An 18th century walnut and marquetry cased 8-day longcase clock, the 12" square brass dial having silvered Roman chapter ring, matted centre with silvered subsidiary seconds ring and calendar aperture, no maker's details, brass 5-pillar movement striking on a bell, the case front decorated all over with fine scroll marquetry, the case door having an inset bullseye lenticle, height 214cm (approx 7')Case movement and dial all appear to be contemporary but probably with some restoration work in the past, some minor veneer flakes around the base of the case, small pieces of moulding missing from the sides of the hood, case front probably slightly faded, movement is in working order
William Macready of Ryde (Isle of Wight); a Victorian mahogany longcase regulator, with a silvered circular one-piece dial marked with typical three sub-dial configuration, indicating seconds, minutes and hours each with their own single hand, the "drum head" hood above a trunk with a narrow glazed door displaying a substantial pendulum and single brass cased weight; 31 cm diameter, 47 cm wide x 27 cm deep x 182 cm overall heightWilliam Macready is recorded as working as a clock and watchmaker at 153 High St, Ryde, Isle of Wight in an 1859 commercial and private directory, little else is known of this maker.A private collectionThe condition seems very good and came from the home of a local deceased clock maker, I have just set it up and it is running away quite happily without pause or hesitation, as with any old mechanical device I can't guarantee its accuracy or reliability. I will update the condition report tomorrow with how it has faired overnight. JRL 22/05/23The regulator is still running happily. JRL. 17.51 23/05/23
John Russell of Falkirk; A George III mahogany-cased 8-day longcase clock, the one-piece silvered broken arch Roman & Arabic dial with a moon phase dial with painted detail, the hood with swan neck pediment and fluted pilasters, the case with blind fret detail above arched trunk the plinth with a moulded foot. 36 cm dial, 54 cm wide x 26 cm deep x 228 cm overall height.John Russell was the most famous of Falkirk's clockmakers. He was born in 1745 in Denny or Dennyloanhead and was originally a blacksmith or Wright. By 1770 he had become a clockmaker in Falkirk. IN 1780 he was elected as a Stentmaster to represent the town's watch and clockmakers. Russell made longcase clocks, musical clocks, watches, thermometers, and barometers and also installed the Town clock in the Steeple. Credit: Feel Falkirk websiteA private collectionThe clock comes with two cast iron weights and a pendulum. The clock would have been functioning and is equipped with gut lines, the bell staff is broken and the bell has been fractured but glued back together.the dial is good and bright but shows a crack, see images.This was from the home of a local clock restorer who sadly diedi can not guarantee the clock being in working order but can not see why it wouldnt be but it will obviously need work to re-seat/replace the bell and bell staff.Update: Inhave now set up the clock and it runs without any problems, obviously this is no guarantee of reliability of accuracy.I will updat later. JRL 13.16 23/05/23
F. W. ELLIOTT LTD, LONDON (FRANK WESTCOMBE ELLIOTT); an early 20th century mahogany quarter chiming longcase clock, the 12" silvered dial with applied gilt fret, Arabic numerals and signed panel, "with chime/silent, Guildford, St Michael, Westminster and Whittington chime subsidiary dial, chime/silent is one dial and also all them chimes is another dial so subsidiary dials to the arch", weight driven movement with chiming quarter and striking the hours on nine tubular bells, in mahogany case with astragal glazed door with break arched hood, fretted side apertures, cantered corners, on moulded panelled base, height approx. 225cm.Condition Report: This stood since new in Whittle's Jewellers, Preston, and was regularly maintained by the resident horologist, the case is in good condition, but expect some areas of scratches and wear, the face of the dial is very clean, depth of base 37cm, width of base 53cm.
An oak and mahogany eight day longcase clock, signed Cairns and possibly Morpeth, early 19th century, the 33cm painted break arch dial centred with subsidiary date and second dials, signed with the makers name enclosing the two train movement striking on a saucer bell, the case with canted corners and a lancet shaped, upon a shaped apron and bracket feet, 216cm high, two weights and pendulum
A late George III oak cased longcase clock signed 'Moses Evans, Llangernew', the twin swan neck hood with freestanding pillars flanking the 33cm painted square dial, centred with a date aperture and subsidiary second dial, signed with the makers name and enclosing the two train movement striking on a saucer bell, the case with conforming quarter pilasters and a door with shaped upper corners, upon bracket feet, 206cm high, two weights and pendulumCondition reportReplaced movement board and guide rails to the cheek pieces, the back board also replaced indicating the clock has undergone a degree of restoration and possibly the clock movement is associated to the case.The movement looks/clean well maintained however this cannot be taken as a guarantee of working condition.Overall the clock appears to be in sound condition with no visible damage or faults to the case, although it appears to have had some sympathetic restoration
A George III mahogany cased eight day longcase clock by Eardley Norton, London, mid to late 18th century, the pagoda shaped hood with pierced gilt metal side grilles and fluted freestanding pillars flanking the 31cm gilt metal and silvered dial, applied with integral Arabic date numerals to the outer track indicated by a third hand, below a strike/silent indicator, signed with the makers name, enclosing the four pillar two train movement striking on a saucer bell, the case with conforming quarter pilasters and an arched and moulded door over a panel applied with beaded detail, upon a plinth base, 244cm high, two weights and pendulum
A late George III mahogany cased eight day longcase clock signed R Fletcher, Chester, early 19th century, the 36cm painted break-arch dial with moon phase, subsidiary seconds dial and date crescent, signed with the makers name, enclosing the two train movement striking on a saucer bell, the case with an arcaded door flanked by quarter cluster columns, over a canted lower board, lacking feet/plinth, 220cm high, two weights and pendulum
Welsh oak and mahogany longcase clock by George Sharratt-Ford, Newtown, Monmouthshire, circa 1840, the arched hood with swan neck pediment, supported by turned baluster pilasters, the painted dial with landscape to the arch and castellated buildings to the spandrels, the circular chapter ring with Roman numerals in a seconds chart, date crescent, eight-day movement, the central body with mahogany crossbanding and diamanted centre inlay with Asiatic pheasant highlighted with mother of pearl, quarter ringed pilasters, the box base similarly inlaid, cross-banded and on bracket feet, height 217cm.

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