We found 41737 price guide item(s) matching your search

AN 18TH CENTURY OAK LONGCASE CLOCK by JOHN PEAT, DARLINGTON, with eight day movement, silent and strike action, engraved silvered dial. 7ft 3ins high, including finials.

A 19TH CENTURY COUNTRY MADE OAK AND MAHOGANY LONGCASE CLOCK, with swan neck pediment and hood containing an eight day movement with painted face by B. MASSON, LOUTH. 7ft 4ins high.

A 19TH CENTURY LONGCASE CLOCK the enamel dial with Roman numerals and subsidiary seconds and date dials, painted with buildings to the break arch and spandrels, in mahogany and oak case with broken swan neck pediment, 56cm wide 23cm deep 233cm high

AN 18TH CENTURY IRISH 8-DAY LONGCASE CLOCK the brass dial with Roman numerals and Arabic minutes, subsidiary dial and date aperture to the matted centre, signed to the chapter ring 'Charles Gillespy DUBLIN', in figured mahogany case with fluted pilasters and lion mask roundel to hood, 45cm wide 24cm deep 223cm high

A GEORGE III MAHOGANY 8-DAY LONGCASE CLOCK the enamel dial with subsidiary seconds dial and date aperture, moon phase to the break arch, inscribed 'Rodolphus Preece HEREFORD' the caddy top hood with three brass finials, 47cm wide 23cm deep 236cm high

An 18th century oak brass faced longcase clock by Daniel Dalton of Church Lawford. The hood with columns and swan neck pediment and brass finial. Brass 10" brass dial with roman numeral chapter ring, the  movement striking on a bell. Movement looks clean, lacks weight and pendulum. Measures 67cms x 53cms x 20cms 

A 19th century Georgian painted face longcase clock / grandfather clock with the dial marked for Ledbury. The oak case with cross banded mahogany detail. Painted face with detailed spandrels, faceted hands with brass movement set within. The hook with eagle brass ball finials to the swan neck pediment

A good 1920's large Westminster chiming longcase clock with large silvered dial over glass window trunk having brass weights and pendulum. Measures 209cms x 44cms x 24cms

An early 19th century provincial oak, mahogany and marquetry eight day longcase clock, the painted arched dial with Roman and Arabic numerals, subsidiary seconds dial at noon and crescent date dial at six, the spandrels painted with scenes emblematic of the abolition of slavery, in a mahogany cross banded oak case with swan neck pediment, fluted columns and pilasters and marquetry paterae inlaid to the trunk door and base, on shaped bracket feet, movement restored in the mid-1990s.

An 18th century Channel Islands eight day mahogany longcase clock by Nicolas Blondel, the four turned pillar movement striking the hours on a bell, the arched brass Roman dial with Arabic outer minute track, engraved sunburst subsidiary seconds dial at noon and date aperture at six, with gilt rocaille spandrels and signed roundel to arch, 'Nicolas Blondel à Guernesey', the mahogany case with cut card and fluted stile arched top on fluted pillars, the trunk with flame mahogany arched door, raised on a fielded panelled base with bracket feet, 88in. (223.5cm.) high.

An early 19th century North Country eight day longcase clock, the painted arched Roman dial with subsidiary seconds at noon, date dial at six and pierced gilt hands, the arch painted with Christ and Mary Magdalene within architectural spandrels, the case with swan neck pediment on spiral reeded columns, double arched trunk door flanked by spiral reeded pillars and cross banded base, on swept feet, 93in. (236cm.) high, 26¾in. (68cm.) wide.

AN OAK THIRTY HOUR LONGCASE CLOCK, BY WILLIAM BIRD, SEAGRAVE, C1770 the engraved brass dial with date sector and inscribed Willm Bird SEAGRAVE, with rococo spandrels, the flat topped hood with blind fret carved cornice, the trunk enclosed by a ogee arched door, 194cm h, with pendulum and lead weight ++The movement and dial original to the case, much old worm damage to backboard and seat board, dial loose on the movement, the movement with dirt, vertical shrinkage crack in base. The case of pleasing old deep colour and patina

An early 19th century 8-day longcase clock, movement striking a bell, arched painted dial with moonphase, subsidiary seconds dial and calendar aperture, inscribed J Wrapson, Chichester, oak case with dome top and three ball finials

A George III mahogany 8-day longcase clock, the white dial with Roman numerals denoting hours, the arched top and spandrels painted with historic buildings and marine scenes, the case decorated with boxwood and ebony stringing and raised on shaped and turned supports. 217cm high.

A FRUITWOOD LONGCASE CLOCK, signed Jas Hawke, Bury, the eight day movement with anchor escapement striking on a bell, 13" arched dial painted with floral spandrels, Roman and Arabic numerals, two secondary dials, rolling moon phase in the arch, the case with scrolled pediment and turned fan finials, on turned columns, arched door, and bracket feet, 93 1/2" high (Est. plus 18% premium inc. VAT)

A MAHOGANY LONGCASE CLOCK by Samuel Hirst, Leeds, the eight day movement with anchor escapement striking on a bell, 12 1/2" arched brass dial with silver centre chased with foliate scrolls, Roman and Arabic numerals and two secondary dials, signature roundel to the arch, the later case with blind fret panels, arched key moulded cornice on fluted Corinthian columns surmounted with urn finials, canted trunk with arched door, panelled base and ogee bracket feet, 102 1/2" high (Est. plus 18% premium inc. VAT) (Illustrated)

A George III oak longcase clock, with caddy top hood, ball and spike finials, the brass 30cm square arched dial having Royal crest to arch, and applied spandrels, the silvered chapter ring signed Geoff Devis London, with Roman and Arabic numerals, subsidiary second ring and date aperture, revealing an eight day movement striking on a bell, with full length trunk door and moulded base, 240cm overall.

Modern oak longcase clock with brass face and large brass pendulum. (B.P. 24% incl. VAT) CONDITION REPORT: 3 brass weights.

An oak thirty hour longcase clock, 19th century, the brass dial plate detailed 'Samuel Holts Dulverton 1795', with subsidiary seconds hand over a waisted case (one lead weight and pendulum), 210cm high.

A mahogany eight day longcase clock, the moonphase dial detailed 'Bennett Edwards, Swaffham', with seconds dial and date aperture over a waisted case, 220cm high (two cast iron weights and a pendulum).

An oak longcase clock, 19th century, the painted dial detailed 'Samuel Esau Presteigne', with subsidiary seconds dial and date aperture with two train movement, 227cm high (pendulum and two cast iron weights).

Walnut longcase clock, hood with moulded cornice, turned columns, long arched door moulded outlines, plinth base, arched brass dial, with strike/silent, signed Jasper Taylor, London, cast seraphim spandrels, silvered chapter-ring, subsidiary seconds dial and date aperture, eight-day movement striking on a bell, height 232cm.

Oak longcase clock, swan neck pediment centred by a brass finial, turned and fluted columns, long door with mahogany cross-banding, bracket feet, 12" arched painted dial the arch inscribed 'Sic est vita hominis', painted sub dial with a ship in harbour, scrolled spandrels, the chapter ring with Roman numerals, subsidiary seconds dial and date aperture, eight day movement striking on a bell, height 212cm.

Oak longcase clock, square brass dial, signed PATTISON, HALIFAX, subsidiary second dial and blank lunette aperture, cast mask head spandrels, eight day two chain movement striking on a bell, (the dial is restored), the face with swan neck pediment, shaped door with quadrants, height 219cm.

An Edwardian domed mahogany cased clock, the case on ball feet with inlaid patera and stringing, the pendulum movement with enamel dial, single front keywind; an Edwardian mahogany lancet cased clock with stringing and urn inlay, the pendulum movement with enamel dial , domed glass and single front keywind, ht.21cm., a miniature mahogany longcase clock with balance movement, ht 27cm., a gilt metal cased bedside alarm and one further clock. Movements all in need of cleaning, cases good apart from veneer loose or missing on rear of lancet case.

EARLY OAK SHELL INLAID CASED LONGCASE CLOCK WITH ORMOLU MOUNTED, SQUARE BRASS DIAL BY THOMAS GASKELL

Oak longcase clock circa 1930, the circular brass dial with Arabic numerals and two train weight driven movement

Walnut and burr walnut longcase clock, the broken arch hood with flanking pilasters above an arched crossbanded door and conforming plinth base, the engraved brass dial with silvered chapter ring, Arabic and Roman numerals, with strike / silent selector in the arch and a moon phase aperture, signed, David Linley Furniture, London, the two train six pillar movement with anchor escapement striking on a bell

George III mahogany longcase clock, the square painted dial with Arabic and Roman numerals inscribed Wallier Bolton, with subsidiary calendar and moon phase, the two train movement striking on a bell (for restoration and minus weights)

19th Century carved oak longcase clock, the brass broken arch dial with silvered chapter ring having Roman and Arabic numerals with subsidiary seconds, with eight day movement, the hood with brass capped turned reeded pilasters and flush panelled door on conforming base raised on bracket feet, 87ins high

George III oak longcase clock having square painted dial with Arabic numerals and thirty hour movement with a flush panelled door and conforming plinth base (a/f) including pendulum and weight

George III mahogany longcase clock, the broken arch hood with swan neck pediment and flanking pilasters above a shaped panelled door with flanking quarter pilasters and a conforming plinth base with carved centre panel, the brass moon phase dial with a silvered chapter ring, Arabic and Roman numerals, subsidiary seconds and date dials, signed Dodson Holbeck, the two train movement with anchor escapement striking on a bell

George III mahogany longcase clock, the arched hood above an arched panelled door and a rectangular plinth with bracket feet, the gilded and silvered dial with Arabic and Roman numerals, subsidiary seconds and calendar aperture with strike / silent dial, inscribed James Brogden of London with a two train movement striking on a bell

An early 19th century oak, mahogany and strung Longcase clock, the painted dial with Roman numerals singed Gittos, Bridge North, the movement striking on a bell, 233cm high

An antique oak cased longcase clock with 30 hour movement the brass face signed William Field Bungay who established clock makers in 1750.

Oak Longcase Earth Clock, the square hood with an open white enamel face revealing the clock workings and seconds dial

A 19th Century oak and mahogany crossbanded longcase clock with twin swan neck pediment, the eight day movement striking on a bell, the painted broken arch dial with moonphase, subsidiary seconds and date dials and figural corners spandrels, some damage and later repairs, overall height including finials 236cm.

A 19th Century longcase clock of large proportions, the later associated eight day striking movement and painted dial enclosed by a marquetry inlaid and domed stepped pillared hood above an arched door flanked by gilt scroll capital columns and dolphin carved side brackets, the case decorated with a windmill in a landscape, raised to a canted plinth base and splayed lion paw feet, some damage and later repair, height 272cm

A 19th Century inlaid oak and mahogany 30-hour longcase clock, the dial signed Thomas Hallam, Nottingham, the movement signed Walker & Hughes, Birmingham

Four longcase clock movements

A George III oak 30-hour longcase clock, the 12 inch brass dial and silvered chapter ring with Roman numerals, signed Thomas Bradley, Ilkiston

A circa 1800 oak and mahogany crossbanded longcase clock, the painted arch dial decorated with hunting scene, having eight day movement, with pendulum, two weights and winding key

A reproduction mahogany longcase clock, 203cm tall

A modern longcase clock, 165cm tall, together an open bookcase

A George III oak longcase clock case, 220cm tall, together with another similar

A collection of clocks and clock parts, to include Vienna regulators and longcase clock movements and dials, together with other various items including a 19th century rosewood box and cast metal signs

An interesting brass dial from a longcase clock circa 1720 inscribed David Philip Lan, Tris, Saint together with four twentieth century clocks

A late 18c eight day longcase clock, the 12 arched brass dial signed William Salmon, Horncastle and having urn spandrels, scalloped edge seconds ring, date aperture and sunburst in the arch. The dial centre is matted and engraved with birds, and the silvered chapter ring has Roman numerals and Arabic outer five minute numerals. The four pillar movement has anchor escapement and is rack striking on a bell. It is contained in an oak case with flat topped hood which has sound frets each side of the arch and plain columns flanking the dial. The long trunk door has an arched top and London type raised edge moulding. The plain base has a skirting with wavy edged base. The clock stands 80.5 tall overall.

A mid 18c eight day longcase clock, the 12arched brass dial signed Jonathon Beake, Crutched Fryars, London and having a matted dial centre, urn spandrels and silvered chapter ring, seconds and date rings. The five pillar movement was rack striking on a bell but has had its rack, detent and lifting piece removed from the strike side. It is contained in a flat top oak case with walnut crossbanding around the doors and base. The hood has a line of dentil moulding around the top and the quadrants around the dial arch have sound frets. The hood has plain columns attached to the hood door with Corinthian capitals. The trunk has a long door with pointed top and the plain base has a skirting with wavy cut out base. The clock stands 86 tall.

An oak longcase clock with restored antique thirty hour movement in modern hand made case,, the dial signed Henry Hemming of Lymington,

19th century mahogany 8 day longcase clock with rolling moon enamel dial (Thos. Bostock, Sandbach), lacking weights No conditions reports for this sale.

Longcase clock with rolling moon No conditions reports for this sale.

An 18th century brass longcase clock dial and movement, thirty hour, W. Clarke, Kendal, with weight and pendulum. CONDITION REPORT: The seat board is later. The movement does appear to be complete and intact although requires a clean. There is a small 1.5 cm crack to the square brass plate beneath the number 6. The square dial is 28.5 cm high and 28.9 cm across.

A George III oak and mahogany banded longcase clock, by B. Collinson, Kendal, with two-train striking movement, with two weights and pendulum. Height 217 cm. CONDITION REPORT: The clock case is extremely dirty. The polish is tired. The hood is in generally good structural condition. The door is not warped. The lock escutcheon is missing. The trunk door is not warped. The sides are in good order. There are no splits to the base however there are some areas of crossbanding missing at the edges. The foot moulding is missing all the way round. Both sections of return moulding are missing above the arched trunk door on the left and right hand side. We have both weights and pendulum. The metal suspension is broken so we cannot attempt to run the movement. The movement is very dirty but appears to be complete. The face equally is dirty. The seconds hand is missing. There is no catgut.

A late Victorian Delft miniature longcase clock, with American New Haven single-train movement. Height 30 cm (see illustration).

An early 19th century mahogany longcase clock, by Dawes of Whitehaven, two-train striking movement, the inlaid case with swans neck pediment. Height 233 cm (see illustration).

An early 19th century longcase clock movement, with dial by Mitchell of Cockermouth, with weight and pendulum, thirty hour. CONDITION REPORT: 32.7 mm wide, 47.5 cm high. Small amount of chipping to the left hand and right hand edges. Painted dial is crazed but intact. Has an unusual pink coloured patch to left hand side of faux winding hole. 30 hour movement appears intact.

A 19th century mahogany drumhead longcase clock, with circular dial and two-train striking movement by William Richardson Drymen. CONDITION REPORT: The hood is showing signs of shrinkage. There is a 23 cm long filled split to the right hand side of the case but this is not detrimental our my opinion. There is a 5 cm filled split to the right hand side of the moulding to the trunk door. There is a scuff mark to the right hand side of the trunk. There are no weights or pendulum with this lot. The moulding to the upper section of the base has had some minor repairs. The dial has scrapes and patches of over varnish missing principally between number 12 & 1 and 5 & 6. The movement looks to have been cleaned in recent years and although the majority of the workings look complete attention is drawn to some vacant holes in the back plate. The workings do require professional renovation.

An early 19th century oak and mahogany banded longcase clock by Carruthers of Langholm, with two-train striking movement and subsidiary date and second dials, the case raised on bracket feet. CONDITION REPORT: The clock movement is extremely dirty and dusty. The catgut to the going train is now snapped. It weight is applied to the going train the clock does tick. The movement strikes when advanced to the hour. The movement seems to be complete but definitely requires at least a clean if it to run correctly. We have both weights and pendulum. The case is in generally very good condition with no significant faults. Neither door is warped and the feet and plinth are original. The colour of the case is generally good. There will have been some form of pediment between the swans neck necks which is missing.

A Georgian oak longcase clock, with brass dial, 30 hour by Emanuel Burton, Kendal, with weight, no pendulum. Height 203 cm. CONDITION REPORT: The clock case is principally complete but in need of restoration. The triangular pediment is loose. The door is not warped. The rear right hand upright at the back of the hood is missing. The trunk door has a stress fracture. The movement is in need of restoration. The seat board is not original. The sides of the trunk are in generally good condition. The base is split and cracked and springing away from the carcass. There are losses to the base. We have the pendulum and weight.