We found 41737 price guide item(s) matching your search

Oak eight day longcase clock, the 12" square brass dial signed Fab. Robin's, London on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, the case with long door carved with a mask amidst scrolling foliage, with further carving to the base, the hood surmounted by a moulded stepped pediment over a blind foliate fret carved frieze surmounted by two gilded ball finials, 86" high (pendulum, weights and winding key)

Oak eight day longcase clock, the 12" brass arched dial signed Thomas Applin, Queen Camel to the centre with subsidiary seconds dial and calendar aperture engraved to the corner spandrels with figures depicting the four seasons, with further engraving to the arch depicting a seated shepherdess, the case with long rounded arched door and the hood surmounted by a flat pediment over a rounded arched cornice, 82" high (pendulum and two weights)

Oak thirty hour longcase clock, the 12" painted arched dial indistinctly signed with subsidiary seconds dial and calendar aperture, the case with cable banding and mahogany crossbanded short door and the hood surmounted by a swan neck pediment, 88" high (pendulum and weight)

Mahogany and crossbanded eight day longcase clock, the 12" painted square dial signed William Cawdle, Torquay to the centre with subsidiary seconds dial and calendar aperture, the case with short door and the hood surmounted by a swan neck pediment and brass ball and eagle finial, 84" high (pendulum, two weights and winding key)

Good early oak thirty hour longcase clock, the 11" square brass dial signed James Webb, Bristol on the silvered chapter ring enclosing a matted centre with engraved Tudor rose and single iron hand, the case with long beaded moulded edged door and the hood surmounted by a stepped moulded cornice over a blind foliate fret carved frieze, 82" high (pendulum and weight)

Dark stained oak thirty hour longcase clock, the 11" square brass dial signed Samuel Whittaker on the silvered chapter ring enclosing a matted centre with calendar aperture enclosed by finely engraved scrolling foliage, the case with long foliate carved door with central oval inlaid panel and the hood surmounted by a moulded stepped cornice over a repeating carved leaf frieze, 78" high (pendulum and weight)

Oak thirty hour longcase clock, the 12" square painted dial indistinctly signed and with subsidiary seconds dial and calendar aperture, the case with long door and the hood surmounted by a wavy moulded pediment, 78.5" high (pendulum and weight)

Oak thirty hour longcase clock, the 10" square brass dial with brass chapter ring enclosing a matted centre with single iron hand, the case with long door and the hood surmounted by a moulded stepped pediment, 75.5" high (pendulum, no weights)

Oak eight day longcase clock, the 10" square brass dial signed JNO Bonsall, Breason on the silvered chapter ring enclosing a matted centre with ringed winding holes and calendar aperture, the case with long beaded moulded door and the hood surmounted by a caddy top with three wooden ball and spike finials, 87" high (pendulum, two weights & keys)

Mahogany eight day longcase clock, the 13" painted arched dial signed Jas Black, Kirkaldy, with subsidiary seconds and calendar dials, the spandrels painted with scenes depicting the four seasons and the arch with an interior scene titled 'Fair Maid of Perth', the case with long crossbanded pointed arched door and the hood surmounted by a moulded swan neck pediment, 80" high (pendulum, two weights and keys)

Scottish mahogany eight day longcase clock, the 12" silvered arched dial signed Andrew Adie, Miln Drummond to the foliate engraved centre with calendar dial and seconds hand, the case with long rounded arched beaded edged door and the hood surmounted by a rounded arched carved foliate pediment with single brass ball and spike finial, 90" high (pendulum and two weights)

Good mahogany eight day longcase clock, the 12" silvered arched dial signed Towson, Plymouth Dock, with subsidiary seconds dial and calendar aperture, with Father Time engraved to the arch, the case with long rounded arched door inlaid with boxwood stringing and flanked by quarter cable pilasters, the hood surmounted by a rounded arched moulded stepped cornice and three brass ball and spike finials, 90" high (pendulum, two weights and winding key)

19th century mahogany eight day longcase clock, the 13.5" painted arched dial signed Edward Hyatt, Wolverhampton, with subsidiary seconds dial and calendar aperture, also with moon phase to the arch, the case with short door and the the hood with a rounded arched cornice with brass ball and eagle finial, 97" high (pendulum and two weights)

Mahogany and inlaid eight day longcase clock, the 13" painted arched dial signed C Tyte, Wells, the case with a short door and chevron marquetry inlaid borders, the hood surmounted by three brass ball and eagle finials, 88" high (pendulum and two weights)

Mahogany three train longcase clock, the 12.5" square brass dial signed S. Smith & Son, 9 Strand, London on a shaped plate above six o'clock to the matted centre with subsidiary seconds dial, enclosed by a silvered chapter ring, the substantial movement with deadbeat escapement and maintaining power, playing on four gongs and striking the hours on another, the case with long beaded moulded edged door inlaid with flowers and scrolling foliage, the hood surmounted by a rounded arched cornice inlaid to the front with a central lyre before a satinwood fanned background with trailing harebells, 97" high (large pendulum with brass bob and steel rod, three brass cased weights and keys)

Oak eight day longcase clock, the 11.75" square brass dial signed Samuel Greaves, Broomsgrove on the silvered chapter ring beneath six o'clock, enclosing a matted centre with subsidiary seconds dial and calendar aperture, also with a calendar chapter ring to the arch enclosing a foliate engraved centre with moon phase aperture, the case with long door and the hood surmounted by a stepped moulded cornice, 87" high (pendulum, two weights and keys)

Oak thirty hour longcase clock, the 10" square brass dial signed James Weston, Lewes to the foliate engraved centre enclosed by a brass chapter ring, the case with long door and the hood surmounted by a moulded stepped cornice, 75" high (pendulum and weight)

19th century mahogany eight day longcase clock, the 13" painted arched dial signed Edgecumbe... Nichols, Bristol, with subsidiary seconds and calendar dials, also with moon phase to the arch, the case with medium length door and the rounded arched hood surmounted by two ball and eagle finials, 88" high (pendulum, two weights and winding key)

Mahogany thirty hour longcase clock, the 12" square brass dial signed Jos. Quarman, Temple Cloud on the subsidiary seconds dial over a calendar dial, engraved to the centre with a three masted ship in a port, enclosed by a silvered chapter ring, the case with long ebony banded door and the hood surmounted by a swan neck pediment and brass ball finial, 77" high (pendulum and weight)

Oak and mahogany crossbanded eight day longcase clock, the 13" painted arched dial signed JNO Stanyer, Nantwich to the centre with subsidiary seconds dial and calendar aperture, also with moon phase to the arch, the case with long wavy crossbanded door and the hood surmounted by a moulded swan neck pediment over a foliate gilded cobalt blue frieze, 85.5" high (pendulum, two weights and keys)

Mahogany eight day longcase clock, the 13" brass arched dial signed Thomas Becket, Durham on two silvered plates below the moon phase in the arch, over a silvered chapter ring enclosing a foliate engraved centre with subsidiary seconds dial and calendar aperture, the case with long rounded broken arched door flanked by blind carved stylised foliate fretwork canted corners, the hood surmounted by a moulded dentil cornice over a pierced foliate fretwork panel, 83" high (pendulum and two weights)

Good early Dutch walnut eight day longcase clock, the 13" brass arched dial signed Pieter Rossignol, Rotterdam under six o'clock on the brass chapter ring enclosing a matted centre with subsidiary seconds dial, central alarm dial flanked by twin calendar dials and over a calendar aperture, with moon phase to the arch enclosed by a surround engraved with maidens, the movement striking the hours and quarters on two bells, the case with long beaded door fitted with an oval glazed lenticle with pierced vase surround, the hood surmounted by a wavy foliate moulded cornice over a blind foliate fretwork carved frieze, with three ball and spike brass finials, 101" high (two large brass cased weights, alarm weight and key)

Good Dutch walnut eight day longcase clock with various complications, the 14" rounded arched dial signed Jan Henkels on the wide silvered chapter ring under six o'clock, enclosing a gilded and foliate engraved centre with calendar work and moon phase apertures, also with a subsidiary seconds dial, over a recessed automata featuring windmills, sailing boats and figures fishing before rural painted scenes, the movement striking the hours on one bell, the first quarter past with one stroke on the same bell, the full hour at half past on another bell, also the quarter to the hour on the same bell, the calendar work is automatic for a thirty-one day month needing to be corrected for other months by pushing round the date ring, the large windmill only operates whilst the clock is striking, the case with foliate carved beaded waisted door, fitted with an oval bronze overlaid figural cast lenticle and also inlaid with a vase of flowers and a reserve of musical instruments, the bombé base with a central foliate inlaid reserve enclosed by boxwood lines and the hood surmounted by a wavy moulded foliate carved cornice and caddy top with blind foliate fret carved frieze, 93" high (pendulum, two weights and winding key)

Oak and mahogany eight day longcase clock, the 14" painted arched dial with moon phase to the arch over subsidiary seconds and calendar dials, the case with long wavy mahogany banded door flanked by quarter fluted columns with brass Corinthian capitals, the hood surmounted by a flat stepped cornice, 88" high (pendulum and two brass weights)

Good English eight day walnut and marquetry longcase clock, the 12" square brass dial unsigned, the silvered chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, the case with long beaded edged door enclosing three floral marquetry panels and an oval lenticle, the hood surmounted by a flat moulded cornice over a blind foliate fret carved frieze, 84" high (pendulum and two weights) *The case has a later plinth foot but retains the holes for the original bun feet

Two pairs of heavy iron longcase clock weights; also a single weight (5)

Three eight day longcase clock movements with painted dials; also another with square brass dial and another movement without dial, all in need of extensive restoration (5)

Three thirty hour longcase clock movements with square painted dials (3)

Thirty hour longcase clock movement, the brass arched dial signed Daniel Cornwell, Billericay on a brass disc to the arch over a brass chapter ring enclosing a matted centre with subsidiary calendar aperture; also another thirty hour movement, the 10" square brass dial signed Peter Hitt, Liskeard to the engraved centre with calendar aperture (2)

Oak and mahogany thirty hour longcase clock, the 13" square painted dial signed Gibson, Kighley with moon phase aperture and subsidiary seconds dial to the centre, 87" high; also a pine thirty hour longcase clock, 76" high, both in need of restoration (2)

Mahogany thirty hour longcase clock, the 12" square brass dial signed Nicholas Roper, Oakhill to the foliate engraved centre with subsidiary seconds dial and calendar aperture, 77.5" high; also two other longcase clocks with square painted dials, all in need of restoration (3)

Stained pine thirty hour longcase clock, the 10.75" square brass dial signed Benj. Hulbert, Pucklechurch on the brass chapter ring enclosing a matted centre with calendar aperture, 82" high; also two other thirty hour longcase clocks with painted dials, all in need of restoration (3)

Mahogany eight day longcase clock, the 12" painted arched dial signed E. Matthews, Exeter, with subsidiary seconds dial, calendar aperture and moon phase to the arch, 86" high; also another oak and mahogany crossbanded eight day longcase clock, the 12" square painted dial indistinctly signed ...Dorchester with subsidiary seconds dial and calendar aperture, 83" high, both in need of restoration (2)

Mahogany eight day longcase clock, the 12" painted arched dial signed Jonathan Scandich, Worcester, with subsidiary seconds dial and calendar aperture, 84.5" high; also two other oak eight day longcase clocks with painted dials, all in need of restoration (3)

Oak eight day longcase clock, the 12" painted arched dial with subsidiary seconds dial and calendar aperture, 91" high; also two other eight day longcase clocks with painted arched dials, both indistinctly signed, all in need of restoration (3)

Mahogany eight day longcase clock, the 13" painted arched dial indistinctly signed ..., Wells, with subsidiary seconds dial and calendar aperture, 86" high; also three other eight day longcase clocks with painted dials, all in need of restoration (4)

Oak eight day longcase clock, the 11" square brass dial signed Anthony Vancolas, Falmouth on the silvered chapter ring at six o'clock enclosing a foliate engraved matted centre, 80" high

Oak thirty hour longcase clock, the 11" square brass dial signed William Peacock, Kimbolton to the foliate engraved matted centre with subsidiary calendar dial, the case with long door and the hood surmounted by a moulded dentil cornice, 75" high; also an eight day longcase clock, the 12" square painted dial signed St Cottell, Crewkerne, with subsidiary seconds dial and calendar aperture, 78" high and another oak eight day longcase clock, the 12" painted arched dial with moon phase to the arch, 77" high, all in need of restoration (3)

Twelve various longcase clock pendulums (12)

Twelve various longcase clock pendulums (12)

Ten various longcase clock pendulums and bobs etc (10)

Eighteen various lead longcase clock weights (18)

Seventeen various cast iron longcase clock weights (17)

Pair of brass cased longcase clock weights; also a set of three cast iron longcase clock weights and three other pairs of weights (11)

Eight day longcase clock movement, the 11" rounded arched dial signed Ed Cockey, Warminster on the silvered chapter ring enclosing a foliate engraved matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, the arch with a silvered disc engraved with a classical urn *The dial and movement are a marriage

Good eight day longcase clock movement, the 12" silvered arched dial signed Court, Henley to the foliate engraved centre with subsidiary seconds and calendar dials, also with Father Time figure engraved to the arch

Nine various longcase clock bells (9)

Large quantity of brass longcase clock finials (over thirty)

Large quantity of various size new and old clock dials, some with bezels; also an old eight day longcase clock movement

Large quantity of various complete and incomplete French clock movements, longcase clock dials and various clock parts and fittings etc 

John Robey - The Longcase Clock Reference Book, volumes 1 & 2; also twelve other standard horological reference books (14)

Novelty mahogany miniature longcase clock with Elkington eight day pocket watch movement, 18.5" high and another novelty miniature ebonised longcase clock, small brass cathedral cased clock, nickel folding cased pocket watch, 'The Chronostamp' time recording watch, Horstmann Gear night/day watch within a cylindrical case, ships two train wall clock within a rope twist oak case, small oak cased wall/thermometer and a cased Clinometer field Mark III instrument used for setting up field guns (9)

Mahogany inlaid miniature longcase clock, the 2.25" white dial signed Mappin & Webb, London the movement with platform escapement, within an attractive case inlaid with floral swags and surmounted by a rounded arched cornice with paterae inlay, 15.25" high

Oak electric longcase clock, bearing a rectangular brass plaque fixed to the inside back of the case below the movement, 'inscribed M.S. Herbert, 1932', the 9.5" silvered dial enclosing a skeletonised centre with subsidiary seconds dial, within a glazed case fitted with a door to the base and surmounted by a moulded stepped pediment, 74" high (pendulum and bob)

An inlaid mid-19th century Channel Islands mahogany and rosewood cross-banded longcase clock, the white painted dial with Arabic and Roman numerals, subsidiary seconds and calendar dials, signed by Edward Billow, Jersey, the hood with swan neck pediment with three brass finials, the trunk with lancet arched door and cable twist pilasters, on square bracket feet with shaped apron, 88½in. (224.8cm.) high.

A good Victorian Regulator Longcase clock attributed to Moore and Son of London. (Clock attributed to Moore as a result of family provenance and hand written note attached to movement base board).12 inch silvered circular dial with typical regular dial design. Contained in a lovely flame mahogany case. With chamfered trunk and hood case sides panel to the base. With a substantial 5 pillar single train weight driven movement, anchor deadbeat escapement. Wooden pendulum attached to rear of the case. Brass weight. Untested.Provenance:Lightwater, Surrey:From: Jamie MandevilleDate: 13 September 2022 at 1:26:24 pm BSTSubject: ClocksMy parents started to care for mr and Miss Moore in approx 1974, Mr Moore was John moores grandson, he was Edward Gorden Moore, and his dad was Edward Lock Moore, John Moore's son.The regulator was a gift to Edward Gordon Moore from his dad on his dads 80th birthday(see paper attached) Edward Lock would have owned this clock form when it was made by his dad John Moore.Miss Moore died first in 1979 and Edward Gordon died in 1984.These clocks made by the Moore family then went to my parents and have never been on the market for sale.Regards Jamie Mandeville

A 19th oak longcase clock, the dial signed Pearce

A 19th century oak longcase clock

Dutch Walnut and marquetry inlaid longcase clock, by Ben Child London, 225 cms in height, 49 cms in width (at widest point) 28 cms in depth (at widest depth) Door is loose and will need restoration as there are mouldings and panel loose. t/w weights and pendulum, no key. We cannot guarantee running condition.

JOHN INKPEN - HORSHAM - A SINGLE FINGER BRASS FACED LONGCASE CLOCK - PENDULUM H-195 CM