We found 41749 price guide item(s) matching your search

A late 17c month going longcase with 30cms arched brass dial signed John Miller Londini fecit and having cherubs and orb spandrels with wheat ear engraving to the dial edges. The movement has five pillars and employs outside counterwheel striking and is of month duration. John Miller was apprenticed to Samuel Knibb in 1666 and later to Joseph Knibb. The movement is lacking its pendulum. the clock is now housed in a later black lacquer base which has a flat caddy top to the hood and plain columns attached to the hood door. The long arched trunk door and the base have chinoiserie lacquer work and the base has a plain plinth. 221cms h.

A late 18c 8 day longcase clock the 30.5cm arched painted dial signed Hampston Prince and Cattles , York. the dial is plain with no corner decoration and has Roman numerals with outer Arabic 5 minute markers and has seconds and date dials. The hands are of unmatched steel and the four pillar movement is rack striking on a bell and has anchor escapement. it is contained in an oak and mahogany case with swan necks to the hood and three bell and spire finials. there are freestanding fluted columns flanking the dial and the trunk has fluted quarter columns. the long trunk door has a wavy top and a mahogany cross banded strip around its edges. the base has a rectangular applied panel with a similar strip and a plinth with bracket feet. 228.5cms h.

A Georgian mahogany 8-day Longcase Clock, the painted arched dial with Roman numerals, subsidiary seconds dial and date aperture, boy and dog painting to the dial, the hood with spiralled columns on a trunk with inlaid decoration, 83in (211cm) high, with pendulum and weights.

A Georgian mahogany 8-day Longcase Clock, signed Alex Moffat, Musselburgh, the arched painted dial with black Roman and Arabic numerals, subsidiary seconds and date, an oval in the arch depicting a woman leaning on an anchor looking out to sea, the swan-neck hood with blind fretwork detailing, giltwood finials and columns, 90in (228.5cm) high, complete with weights, key and pendulum.

A 19th Century longcase clock with 12" square dial and 30-hour movement in mahogany traditional case

A good quality modern longcase clock in 18th Century-style floral decorated walnut case

A 19th Century longcase clock with 12" painted arched dial with moon-phase and shipping aperture, 8-day movement in oak and mahogany traditional case

An 18th Century longcase clock with 11" square dial by Presbury of Coventry, 30-hour movement in oak traditional case

8 day Longcase clock by John Thacknell of Cardiff circa 1740-1830: The case is veneered with Mahogany and cross branded with Fruitwood. It has a white dial showing date and seconds. Reeded columns with cast capitals.

30 hour Longcase clock with square dial: Maker unknown. Cottage style case circa 1795. Oak case.

Victorian Wilkinson of Nantwich Mahogany cased 8 day Longcase Clock: Painted arch dial, width 60cm x height 226cm.

Thomas Robinson Jnr., Sheffield, a Victorian mahogany eight day painted dial longcase clock, the 13 1/2" dial with huntsman to the arch, subsidiary seconds and date dials, with swan neck pediment hood, the case with turned pillars, 245 cm.

Chas. Low, Arbroath, a Victorian Scottish mahogany eight day painted dial longcase clock, the 13" dial with subsidiary seconds and date dials, vase to the arch top, the movement striking on a bell, swan neck pediment to the hood, key, pendulum and two weights, 220 cm.

William Flint, Driffield, a Victorian 8 day painted dial oak and mahogany longcase clock, the 13" dial with subsidiary seconds dial and date aperture, Roman numerals, buildings to the arch and spandrels, the movement striking on a bell, turned columns to the hood and trunk, key, pendulum, 2 x weights, 221 cm.William James Flint operated as a clock and watchmaker from Mill Street, Driffield between 1846 and 1867.

E. Hunt, London, an Edwardian mahogany cased eight day chiming longcase clock, the 12" dial with silvered chapter ring and Roman numerals, subsidiary seconds dial, Chime/silent and Whittington/Westminster dials to the arch, the movement striking on eight bells and a gong, the case with boxwood stringing, 233 cm.

Gilbert Kidd, Malton a 30 hour oak longcase clock, the brass dial with only hour hand, signed the movement striking on a bell, the case ornately carved.

An early to mid 18th Century oak longcase clock with 11" square brass dial signed John Edwards, Norwich, 8 day rack and snail striking movement of four pillar construction. with crank key, weights and pendulum, 197cm high

A hand painted green delft miniature longcase clock, approximately 24 cm (h)

A walnut longcase clock of recent manufacture. 85' high

A 19th Century mahogany domestic regulator longcase clock, arched case with finials, 30cm circular painted dial with two subsidiary dials and maker W. Banks, Bolton, height 195cm, (pendulum and brass weight) 

William Wain, Thirsk, North Yorkshire, a George III oak longcase clock, circa 1770, dentil cornice, square dial with silvered chapter ring with Roman numerals, cherub mask brass spandrels, arched trunk door flanked by fluted pilasters, height 206cm (pendulum, dial key and two weights) 207cm HCondition Report:Good condition, signs of loss to one of the dentil shapes to the cornice, signs of general wear and scratching to the dial, general scuffs and scratches to the body. 

A George III mahogany and satinwood 8-day longcase clock, circa 1800, swan neck scrolling pediment with brass inlay centred with a globe brass finial over a painted arch dial, roman numerals with an Arabic subsidiary seconds dial, date aperture, twin winding 8-day keyholes striking to a bell, above a moulded panelled door, fluted columns, satinwood inlay throughout, moulded rectangular base on bracket feet. 13inch dial, two weights and pendulum 231cm HCondition report:Good condition with signs of a crack to the veneer, general scuffs and scratches. Door key and no winding up key.

Whitehurst & Son workshop, Derby, oak longcase clock, pierced hood sides from the Whitehurst & Son workshop, with typical 8 day, chain-driven, striking movement and painted 12” dial plate with gilded floral spandrels.  The numbered movement (6718) dates from the 1850s and was retailed by fellow Derby clockmaker, Thomas Moore I who was in business in Queen Street, Derby from 1833-78. weights and keys,  Height 217cm Condition Report Generally good condition, signs of splits to the hood, general scuffs to the bottom.  

A George I 18th Century lacquered oak chinoiserie decorated longcase clock, by John Hallifax (1694-1750), Barnsley, circa 1730, moulded pediment over an arch top brass dial mounted with foliage spandrels, silver chapter ring engraved with Roman and Arabic numerals, clockmakers name engraved, subsidiary seconds dial, date aperture dial, 8-day movement striking to a bell with twinned winding holes, moulded panel door enclosing two weights and pendulum, raised on moulded plinth base. 12inch dial, 217cm HCondition report:Good condition with signs of scuffs to the lacquer, later lacquered possibly in the late 19th century or early 20th.

Cornish interest - George III mahogany-cased eight day brass dial longcase clock with rocking ship automaton, Roger Wearne, St. Earth (St. Erth, Cornwall), (1748-1820), the 12-inch dial with Roman hours and Arabic minutes framing seconds dial, engraved lighthouse and tall-masted sailing ship, and shells flanking terrestrial calendar crescent, the signed arch framing demi-lune seascape with rocking ship automaton, the knopped four pillar movement striking on a bell, the case with pagoda surmount over moulded dentil cornice and blind fret work, plain turned trunk columns with brass capitals, shaped throat moulding and broad break-arch trunk door with ebonised cock beading on conforming base, 235cm high Condition: Dial has brown spot between I & II. Signature strip to arch is a separate section, break through H of Earth. Some bubbling to seascape. Movement appears sound but is untested and sold as seen. Case has minor losses to dentil mounding, very slight crack to blind fret work, a couple of tight veneer cracks to hood door and some shrinkage to trunk door and surround but is otherwise sound. Sold with two iron weights, two crank winders, trunk door key, hood door key, and pendulum - **General condition consistent with age

Early 19th Century oak-cased eight day painted dial longcase clock with see-saw automaton, John Warner, Evesham (Worcestershire), circa 1820, the 11-inch break-arch dial with Roman hours and Arabic minutes framing inscription and terrestrial calendar crescent, within floral spandrels, the arch with rural landscape and see-saw automaton, the movement rack striking on a bell, the case with swan neck pediment and Corinthian columns over long trunk door and stepped panel base, 232cm high. Pigott's Directory of 1820 records John Warner Senior working in High Street Evesham and John Junior in Bridge Street Evesham. Condition: The see-saw automaton may have been repainted. Minor flaking to edge of dial, typical light crazing. Some staining below terrestrial calendar crescent and between numerals 7 and 8. movement appears sound but is untested and sold as seen. Case has minor cracking through both swan necks but is otherwise sound - **General condition consistent with age

Local Interest - Good George III mahogany-cased eight day longcase clock, John Hunter, Bristol (fl.1761-97), the 12-inch silvered break-arch dial with 'Dutch' minute band framing Roman hours, subsidiary seconds dial and terrestrial calendar crescent beneath signature and foliate scroll work, the arch with lunar calendar and rolling moon phase, inscribed above High Water at Bristol Key, the knopped four-pillar movement rack striking on a bell, the case with swan neck pediment over two registers of blind fret work decoration, fluted columns, and ogee-arched long trunk door between fluted canted corners on panelled base, 236cm high Condition: Dial appears to be in good order. Terrestrial calendar is functioning. Movement appears sound but is untested and sold as seen. Tip of swan neck pediment appears to have been slightly flattened, as does the central section of blind fret work to the upper register. A few flake losses just below this point. Vertical cracking to hood door. Dark scratch to trunk door. The case has been French polished some years ago. The sides of both hood and trunk are unveneered and appear to be pine with a mahogany stain. Sold with two weights, trunk key, crank winding handle and pendulum - **General condition consistent with age

Welsh Interest - George III oak-cased eight day bracket dial longcase clock, Watkin Owen, Llanrwst, the 13-inch square dial with Roman hours and Arabic minutes framing subsidiary dial and inscription, within engraved spandrels, the knopped movement rack striking on a bell, the original case with typical moulded break-arch pediment over turned columns, ogee-arched long trunk door between quadrant columns, and conforming panelled base, 222.5cm high Condition: Dial has heavy tarnishing but this appears to but largely superficial and would perhaps remove with a clean. Hole between name and town engraving suggests that the clock has previously had a 'penny' date aperture or similar, now lacking. Movement otherwise appears sound but is untested and sold as seen, case has old horizontal split to pediment as per images, minor losses to capital gilding, base moulding is dry and rubbed, missing to parts of side panels and original bracket feet are now missing. Sold with two iron weights, trunk door key, crank winding handle and pendulum - **General condition consistent with age

A George II burr walnut quarter-chiming eight-day longcase clock, Samuel Thorne, London, circa 1740, the triple train five pillar movement with anchor escapement regulated by seconds pendulum chiming the quarters on a graduated nest of eight bells and sounding the hour on a further larger bell, the 12 inch gilt brass break-arch dial with subsidiary seconds dial, calendar aperture and arched nameplate engraved Samuel Thorne, London to the matted centre within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers and Arabic five minutes to outer track, with pierced blued steel hands and mask and scroll cast spandrels to angles beneath STRIKE/SILENT selection dial flanked by dolphin cast mounts to arch, the case with generous break-arch cavetto cornice with fluted canted angles flanking the glazed dial aperture and scroll-pierced and engraved brass rectangular side frets to hood, the trunk with conforming canted angles flanking a book-matched burr-veneered herringbone banded shaped-top trunk door with cavetto moulded surround over conforming plinth base with the canted angles terminating with an out-swept curve just above the moulded skirt, 232cm (91.25ins) high Samuel Thorne is recorded in Baillie, G.H. 'Watchmakers & Clockmakers of the World' as apprenticed in 1722.The unusual design of the case of the current lot with its generous canted angles continuing almost for the entire height of the case, fine quality figured veneers and engraved brass sound frets to the hood is reminiscent of a small series of cases housing ogee-arched dialled movements by Daniel Delander and John Ellicott. One such example (by Delander) is in the collection of the Metropolitan Museum of Art, New York (accession number 64.101.864).Condition Report: Movement is in good clean working condition with no visible alteration or significant replacements or repairs. The dial is generally in fine condition and of very nice quality with faults limited to some patchy tarnishing to the silvering of the chapter ring. The movement sits at the correct level in the case with no apparent alterations to the seatboard or case uprights hence we are the opinion that the movement and dial are original to the case.The case is generally in fine condition. The curved top panel to the top of the hood is probably a replacement and there are some small chips to edges of the cornice moulding otherwise faults to the hood and trunk are very much limited to minor bumps, scuffs, light shrinkage and some small historic veneer chip patch repairs. The base is in similar condition with the exception of the sides which have some more noticeable (but not problematic) horizontal veneer shrinkage cracking.Clock has three brass-cased weights, pendulum and two case keys (no winder). Condition Report Disclaimer

A George III mahogany eight-day longcase clock, Thomas Field, Bath, circa 1770, the four pillar rack and bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch brass break-arch dial with subsidiary seconds dial, calendar aperture and signed Thomas Field, BATH to the foliate engraved silvered centre within applied Roman numeral chapter ring with Arabic five minutes to outer track, with pierced blued steel hands and gilt rococo scroll cast spandrels to angles beneath arch flanked with a silvered boss engraved with an eagle over banner inscribed TEMPUS FUGIT flanked by dolphin case mounts, the case with swan neck pediment over dentil moulded break-arch frieze and fluted Corinthian columns flanking the dial aperture to hood, the trunk with shaped-top caddy moulded door flanked by reeded canted angles and the base with rectangular raised panel to fascia over moulded skirt incorporating bracket feet, 239cm (94ins) high Thomas Field is recorded in Moore, A.J. 'The Clockmakers of Bristol 1650-1900 as working in Bath at 2 Broad Street 1766-1812. He is also recorded by Ian White as working firstly from Broad Street then High Street from 1791/2 and Bond Street 1795-99. He also served as juror at Bath Quarter Sessions on fifteen occasions between 1786-95. Condition Report: Movement is in sound original albeit dirty condition with replacements limited to the escapewheel and pallets which appear to be 19th century (probably 'service' replacements due to wear). Dial is also dirty, discoloured and tarnished. The plate is a little bent (bows backwards at the top) and there are some light casting cracks to the surface. The seconds hand is missing and the minute hand has been repaired. The movement and dial sits on an old replacement seatboard but at the correct level in the case. The case is a perfect match for the movement and dial hence we are inclined to think that the movement, dial and case are most likely original to each other. The case is in sound original condition. The trunk door in missing its lock and there are some minor bumps, scuffs, veneer chips, light shrinkage and other faults commensurate with age. The surface is 'flat'/neglected in appearance but the colour is fairly good hence the appearance will no doubt with a good polish.Clock has pendulum, two weights and a winder but no case key. Condition Report Disclaimer

An unusual George II green japanned eight-day longcase clock with automaton, Stephen Rimbault, London, circa 1750, the five pillar rack and bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch brass break-arch dial with subsidiary seconds dial, calendar aperture and arched nameplate engraved Step'n Rimbault, London to the matted centre within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers and Arabic five minutes to outer track, with pierced steel hands and applied twin bird and urn cast spandrels to angles beneath arch centred with a silvered disc engraved with a disgruntled face incorporating 'rocking eye' automaton and flanked by dolphin cast mounts, in a green japanned Chinoiserie decorated case with generous cavetto cornice and scroll pierced fret over gilt floral trail painted glazed dial surround flanked by three-quarter columns and rectangular side windows to hood, the trunk with gilt eagle painted throat moulding over break-arch door decorated in raised polychrome and gilt with Oriental figures within a trellis garden landscape, the surround with hatch ground borders incorporating figural medallions to upper quadrants, the sides painted with birds in flight and the base decorated to match the trunk door over moulded skirt, 229cm (90ins) high Stephen Rimbault is recorded in Baillie, G.H. 'Watchmakers & Clockmakers of the World' as working 1744-88. A portrait of him by Johan Zoffany (dating to 1864) hangs in the Tate Gallery, London where he is described as a famous clock maker of Huguenot descent, particularly noted for his 'twelve-tuned Dutchmen', clocks which played twelve tunes, with moving figures in front of decorated backgrounds. He did business in Great Andrew's Street, St Giles.The 'rocking eye' automaton within the arch of the dial of the current lot is an unusual and particularly pleasing feature of the current lot as is the mellow, aged decoration to the case. Condition Report: Movement is in clean working condition with no visible evidence of alteration or significant repairs or replacements. The dial is in fine clean condition with correct operation of the automaton. The movement and dial rest on an old, probably original, seatboard onto uprights of the case which show no obvious evidence of alteration although it would appear that new blocks have fitted to the inside of the uprights to offer additional bracing with some re-colouring with red wash to match the old internal surface. The fact that some work has been done to this area of the case means that we cannot offer categorical assurances that the movement and dial belong to the case but the movement and dial and case are perfectly suited both in age and style and the dial is a perfect fit to the mask of the case.The top board of the hood appears to be a replacement otherwise the case appears to have survived in fine original condition retaining its original finish which has now mellowed to exhibit a particularly pleasing patinated appearance (commensurate with its age) with only minimal retouchiong/conservation work having been done to preserve this appearance. The structure of the case is sound although there is some historic internal bracing to the backboard at the base. Otherwise faults are very much limited to minor historic bumps, scuffs, shrinkage and wear to be expected in a case of this age.Clock is complete with pendulum, two weights, winder and case key. Condition Report Disclaimer

A George I/II green japanned eight-day longcase clock, Charles Clay, London, circa 1725-30, the five finned pillar rack and bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch brass break-arch dial with chevron bordered calendar aperture and subsidiary seconds dial to the matted centre within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers and Arabic five minutes to outer track, the angles applied with female mask and scroll cast spandrels within a herringbone engraved border, the arch applied with silvered boss inscribed Charles Clay, Inventor of the, Machine Watches, London within conforming border flanked by cast dolphin mounts, in a case with domed caddy superstructure and integral three-quarter columns to hood over rectangular trunk door and plinth base with stepped skirt, decorated with raised figural chinoiserie scenes within gilt trellis borders to front and floral trail panels to sides, 234cm (94ins) high Charles Clay was a fine and inventive clockmaker who originated from near Huddersfield and gained his freedom of the Clockmakers' Company prior to 1716. In 1723 he was appointed Clockmaker in His Majesty's Board of Works and in 1731 supplied the turret clock for the gateway at St. James's Palace. He specialised and experimented with musical mechanisms and is perhaps now best known for his organ clocks. One of which now resides at Windsor Castle which was acquired from his widow three years after Clay's death in 1743. Another incomplete organ clock was also acquired around this time for Augusta wife of Frederick, Prince of Wales, this clock was subsequently completed by George Pyke and now resides at Kensington Palace. A highly unusual ormolu timepiece (with unusual enamelled astronomical year calendar dial) made for Louis Frederick, Prince of Wales sold in these rooms 28th August 2014 (lot 118) and now resides in Victoria and albert Museum, London.Condition Report: Movement is in working condition with no visible evidence of alteration or significant repairs/replacements however as the mechanism is a little dirty/dusty a precautionary clean and overhaul is advised. The dial is in discoloured/patinated dirty condition but appears free from alteration or any other significant faults. The movement rests on a replacement seatboard which has slim packing slips applied to the lower edges where it rests on the case uprights. The uprights also may well have been reduced slightly in height which suggests that either the movement and dial are not original to the case or seatboards of varying thickness have been fitted at various times in the past. The case is generally in sound condition; the decoration is old but most likely re-done in the early 20th century but finely executed with nice detailing. The dial mask covers the upper engraved border of the dial which would add credence to the opinion that the movement and dial may not be original to the case. The hood no longer has rear quarter columns otherwise faults very much limited to minor bump, scuffs, wear and degradation to the finish most notably to the right hand side skirting to the base which appears to have been slightly affected by damp.Clock is complete with pendulum, weights, case key and winder. Condition Report Disclaimer

LATE GEORGIAN MAHOGANY AND INLAID LONGCASE CLOCK BY JOHN LAW, BEITH 19TH CENTURY the circular silvered brass dial with Roman and Arabic chapters, signed JOHN LAW/ BEITH, with two winding holes and a date aperture, in a chequer line inlaid case with a pierced swan neck pediment, the trunk with a shaped door with similar inlay and reeded quarter columns, on a moulded plinth base with ball feet(54cm wide, 213cm high, 26cm deep)

An oak cased longcase clock, broken pediment, painted dial, with Arabic numerals and two subsidiary dials, the door flanked by quarter-round reeded columns, 213cmH

Barocke Standuhr mit Blumenmarketerie Niederlande, Zwolle, 18. Jahrhundert H. 247 cm Schlanker, zweiteiliger prachtvoll intarsierter Nussbaum-Korpus. Mit seitlichen Säulen flankierter Aufsatz mit durchbrochenem Giebel und geschnitzten Seitenteilen. Messing-Zifferblatt mit der Darstellung der 4 Jahreszeiten, Mondphase, Tag, Datum und gebläuten Eisenzeigern, bez.: W. (Willem) Bramer, Zwolle". Massives Messingwerk mit 8 Tagen Laufdauer, Halbstundenschlag auf 2 Glocken, Langpendel. Marketterie eventuell später. Rest., erg. Alterssch. Aufsatz fehlt. Gehfähigkeit nicht geprüft. FINE DUTCH BAROQUE LONGCASE CLOCK WITH MOON PHASE AND DATE, the dial signed W. (Willem) Bramer, Zwolle, 18th century. Walnut with rich floral marquetry. Brass dial with Four Seasons pattern, finely painted moon phase and date. Brass anchor escapement with 8 day movement and half hour striking on 2 bells. Marquetry probably later. Restorations, additions, damages due to age. Functionality not inspected.

A modern mahogany 31 day longcase clock with a glazed door together with An Australian didgeridoo, with jewelled decoration together with an Australian didgeridoo inspired standard lamp and a barometer, gilt wall mirror and bell pull

A George I walnut eight-day longcase clock, James, Leicester, London, circa 1725, the five finned pillar rack and bell striking movement with anchor escapement for regulation by seconds pendulum, the 12 inch brass break-arch dial with subsidiary seconds dial and calendar aperture to the matted centre within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers, Arabic five minutes to outer track and signed James Leicester, ye Strand, London to lower margin, with pierced steel hands and gilt mask and scroll cast spandrels to angles beneath arch centred with subsidiary Strike/Silent dial flanked by conforming mounts, in a case with foliate fret fronted domed caddy box upstand over moulded cornice and hinged break-arch glazed dial aperture flanked by three-quarter columns and rectangular side windows with conforming quarter columns set against bargeboards to the rear, the trunk with concave throat over herringbone-bordered book-matched veneered rectangular door over conforming reduced plinth base, (generally distressed, lacking pendulum and weights), 241cm (95ins) high. James Leicester is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working from circa 1710 until 1729 when he was declared bankrupt.Condition Report: Movement appears essentially complete and in sound original condition with no obvious alterations, significant repairs or replacements although the pendulum suspension block is later and is generally in dirty/neglected condition. The dial is also in sound original albeit dirty/neglected condition, the seconds hand is missing and both the hour and minute hands have been repaired; there is also a very small chip to the lower left hand corner of the dial plate and the chapter ring is somewhat rubbed. The movement rests on an old seatboard which has packing slips applied to the underside where it rests on the case uprights (cheeks) this would indicate that the movement and dial are most likely not original to the case.The case is generally structurally sound and fundamentally original but presents in unrestored and somewhat distressed condition. The superstructure to the hood is lacking part of its front fretwork and the quadrants above the dial now have applied wooden panels where there would have been frets. The rear quarter columns are replacements and one is lacking its capital. The side apertures have been blanked-off with wooden panel inserts. The mask around the dial (behind the hood door) has additions to the veneer overlap which adds to the view that the movement and dial are probably not original to the case. Faults to hood otherwise limited to bumps, scuffs shrinkage and veneer and moulding chips. The trunk has losses to the mouldings of the front door as well as overall wear, chips and losses to the veneers. The base is basically structurally intact but has significant wear to the lower edge as well as large losses to the veneers and chips to the mouldings.Clock does not have pendulum, weights, case keys or winder.  Condition Report Disclaimer

CHANNEL ISLANDS INTEREST. A MAHOGANY EIGHT DAY LONGCASE CLOCK, EDWARD CARREL ST. AUBINS JERSEY, THE PAINTED, BREAKARCHED DIAL WITH TWIN SUBSIDIARY DIALS, GILT SHELL SPANDRELS AND LUNAR WORK, CASE WITH SWAN NECK PEDIMENT AND BRASS FINIAL, MOULDED DOOR AND SLIGHTLY BOWED BASE, 214CM H, PENDULUM AND TWO IRON WEIGHTS The case of pleasing dry colour requiring some cosmetic restoration, in particular to base. Dial with wear evident from illustration, but unrestored, the three brass finials damaged

A MAHOGANY AND BLACK WALNUT EIGHT DAY LONGCASE CLOCK THOMAS CROSS [OF NATWICH], THE BREAKARCH AND DIAL WITH MATTED CENTRE, DATE APERTURE, RINGED WINDING SQUARES AND SUBSIDIARY SECONDS DIAL, MASK AND DOLPHIN SPANDRELS, IN ENGRAVED BORDER, THE MOVEMENT WITH FINNED PILLARS, IN CROSSBANDED AND LINE INLAID CASE WITH SWAN NECK PEDIMENT AND REEDED PILLARS, ON SPLAYED FEET, 215CM H, PENDULUM AND IRON WEIGHTS Movement and dial original and apparently complete but dirty, case with structural repairs and later additions, faded

A George III oak longcase clock, the matted brass dial with mask scroll spandrels, the chapter ring inscribed John Horsmaile Warfield, the 30 hour movement striking on a bell, 193 cm high, 27 cm dial

A large Edwardian mahogany longcase clock, with three train movement striking on nine gongs, with Whittington & Westminster chimes and bearing plaque C S Davies, Haverford West. Height 236 cm (see illustration).

A mahogany longcase clock, with three train spring driven movement and silvered brass dial. Height 175 cm, width 31 cm. CONDITION REPORT: There is no makers mark inscribed on the dial. There is no mark to the actual movement but the metal gong support is stamped Embee.

A George III mahogany longcase clock by Joseph Gibson Ecclefechan, with brass dial and eight day striking movement with moon phase, the case with swans neck pediment, fluted columns and well figured trunk door. Height 236 cm (see illustration). CONDITION REPORT: The clock is in generally extremely good condition. The case has clearly been fairly recently re-polished and is in extremely good order. The gilt terminals to the swans neck pediment and the capitals to the pillars have been re-painted. The hood is in good condition. The trunk door is not warped. The sides of the case are in good condition. The bracket feet are original. We can see no evidence of any woodworm. The movement winds on both trains and is currently ticking away. It strikes when advanced. The dial and moon phase have had some restoration and are in good condition with only minor marks and scratches as one would probably expect.

An early 18th century longcase clock with eight day striking movement by Wat Broadhurst Lichfield, the two train striking movement with subsidiary seconds dial and date aperture, face dimensions 28 cm x 28 cm, the hood with moulded cornice and the trunk door with lenticle and all raised on bun feet complete with weights and pendulum. Height 213 cm (see illustration). CONDITION REPORT: The movement winds on both trains and is currently ticking away, striking and keeping good time. The case is in extremely good condition from top to bottom. The door closes as it should and is not warped. The clock has a rising hood (i.e. no door). With the hood in situ the face does seem to fit correctly. The seat board is clearly original. In our opinion the clock is not a marriage. The clock has come in for sale from an extremely good local estate along with the better pieces of oak furniture in this sale.

An early 19th century mahogany longcase clock, by Muncaster Whitehaven, with verre eglomise glass panels to the swans neck pediment with two train striking movement. Height 117 cm excluding finial. Height 227 cm including finial.

An oak longcase clock, with brass dial inscribed "Jonas Barber" with eight day movement. CONDITION REPORT: This clock is a marriage. The dial does not match the movement. The movement and dial do not match the case. The hood is in generally good order with no significant issues. There is a veneer nibble to the bottom left hand corner of the door. The trunk door is not warped. It locks and we have the key. The base is in generally good order. The lower moulding and bracket feet are old but later replacements. The clock winds on both trains and does strike when advanced. It appears to be ticking away. The movement is dirty. The silvering to the chapter ring is a little perished.

A William Kemp of Lewes eight day striking longcase clock movement in matched case, with arched trunk door and raised on bracket feet. Height 206 cm.

An early 19th century oak and mahogany crossbanded longcase clock with eight day striking movement by Caygill of Askrigg, the case with swans neck pediment above the arched glazed door and with long trunk door flanked by fretwork quarter round columns. Height 220 cm. CONDITION REPORT: The dial is inscribed Cr Caygill Askrigg. The round dowel in the arch is inscribed Henry Gilles Lodge 1771. The mask around the dial does not quite fit. The seatboard is clearly later and not quite deep enough by +/- 0.5 cm. The dial configuration is slightly odd in that there are roundels above the winding apertures indicating that the current eight day movement may not be original to the face (this is pure supposition). The movement winds on both trains. We have both weights. The movement is ticking away and advancing when striking. The pendulum does not appear to be quite the correct fit. The case is in generally good condition. The brass finial is loose as is the carved section beneath the finial. There are some nibbles to the extremities of the swans neck pediment but all dentil work is present. The hood is in generally good order, the door closes correctly. The glass is not cracked. The trunk door is not warped. The blind fretwork to the sides of the trunk door is in good order. The sides of the trunk are in good condition also. The right hand side base fretwork has one small loss. The base itself is in generally good order. The bracket feet are intact. We can see no evidence of any woodworm. Dial width 12”, dial height 17.25"

A group of doll's furniture, including oak monk's settle, width 27cm, a miniature longcase clock, a mahogany 3-tier dumb waiter, and sideboard (4)

An 18th century oak and mahogany 8-day longcase clock, with painted dial signed Thomas Gadsby of Leicester, crossbanded case with brass finial

Antique Longcase Clock with painted Dial with Windmill Scene. 2 Weights and Pendulum and key. ( Removed from a deceased estate )

Modern Longcase clock with pendulum

A fine Edwardian inlaid mahogany cased nine tubukar chiming longcase clock, the brass arched dial with chased filigree panels, engraved chapter rings with applied Arabic numerals.Subsidiary dials for seconds, strike / silent and chimes. 'Westminster', 'Whittington' and St. Michaels. Strike and silent control lever. The eight day three train movement chiming on eight tubular bells with tubular hour strike, brass cased weights and pendulum. The hood having swan neck pediment with string inlays, reeded side columns and brass capitals, the case trunk with oval plate glass panel exposing tubular bells and having inlaid corner spandrels to door with complimentary panel to plinth base. Approx. 230 cms high. By Mappin & Webb of London. Est. £2000 - £3000.

A 19TH CENTURY MAHOGANY EIGHT DAY LONGCASE CLOCK WITH SWAN NECK PEDIMENT AND SQUARE BRASS FACE

Antique Longcase Clock with painted Dial . 2 Weights and Pendulum . ( Removed from a deceased estate )

18th Century oak 8 day longcase clock marked 'John Whitfield, Clifton', the hood with caddy top above square aperture flanked by turned tapering columns, moulded arch waist door on a panel base with skirted support. Brass face with Roman and Arabic chapter ring ,date aperture and with foliate spandrels. Two train movement with baluster columns, striking on one bell. 11" square face. (B.P. 21% + VAT) Caddy top may be a later edition, overall appearing good with reasonable colour. The skirted base is probably also an addition. Pendulum and two weights.

Early 19th Century oak eight day longcase clock, having broken arch pediment above arched painted dial with rolling moon and Roman numerals. Probably West Midlands, unnamed. (B.P. 21% + VAT)With two weights but no pendulum. Case is dry and lacks patination. Grubby and dusty. Splits to base side. Face worn/faded. No seconds hand and footboard has been replaced.

Chinoiserie longcase clock (carcass only no face, movement, weights or pendulum). (B.P. 21% + VAT)Tired condition, losses in places, peeling to paintwork, some parts appear glued on.43cm aperture approx.

Early 20th Century oak presentation longcase clock in Jacobean style with arched brass face, having Roman silvered chapter ring. Three train movement with pendulum. (B.P. 21% + VAT)

Early 19th Century mahogany single train regulator style longcase clock, the silvered Roman circular face marked J Morse, Southampton. Together with pendulum and single weight. (B.P. 21% + VAT)  Overall Height 202 cms cornice is loose, pierced side panel detached very grubby and dusty.Footboard held up by modern screws, maybe a marriage of case and movement, to include pendulum and weight.