An 18th century mahogany cased longcase clock the hood with Corinthian columns flanking the arched glazed door opening to reveal pierced brass spandrels with circular boss to the centre engraved ‘R Glanville, London’. The chapter ring with Roman numerals and surrounded by pierced brass spandrels with central subsidiary seconds dial and date dial with pierced hands. The case with arched door, canted side pilasters with boxwood and ebony inlay on a plinth base with shield shaped boxwood inlay. 19 by 81ins.
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A 19th century mahogany cased longcase clock, the hood with urn and scroll decorated pediment above a painted glass panel depicting an urn and swag above an arched glazed door flanked by Corinthian columns. The arched dial with painted panel to the centre above pierced brass spandrels, a silvered chapter ring with Roman and Arabic numerals, a central date dial and seconds dial. The case with reeded pilasters flanking the shaped door, on a plinth base and ogee bracket feet. 24½ins wide maximum by 94ins.
A 19th century oak cased longcase clock by B Ellis of Woodbridge. The hood with scroll fret carved pediment and central brass urn finial above reeded pilasters and a glazed door, the dial with painted floral spandrels, Arabic numerals and central depiction of a cottage above a plain oak case with rectangular door, on a plinth base and bracket feet. 18¼ins wide by 79ins.
An early-Victorian oak and mahogany longcase clock, the enamel painted arched dial decorated with rural lake scene, hand-painted spandrels depicting shells, Roman numerals, subsidiary seconds dial, aperture dial, twin winding holes, eight-day movement striking on a bell, the hood with break-arch pediment and brass ball-and-spire finial, turned pilaster stepped waist, the trunk with short door flanked by reeded pilasters, cross-banded plinth base
EIGHTEENTH CENTURY INLAID OAK LONGCASE CLOCK, signed John Hough, Knutsford, (1696-1755), the 12" brass dial with silvered chapter ring and subsidiary seconds dial and date aperture to the gilt matted centre, enclosed by cherub mask and pierced gilt scroll spandrels and set beneath a moonphase dial with circular aperture to the gilt scrolled centre, powered by an eight day movement striking on a bell and housed in a caddy top case with blind fret border to the moulded cornice and free standing turned columns to the forecorners, above a crossbanded, long trunk door with star inlay, moulded border and shaped top, raised on a conforming base with shaped plinth, 86" (218.4cm) high
EIGHTEENTH CENTURY OAK LONGCASE CLOCK, signed Peter Bower, Redlinch (1715-1795), the 10" brass dial with silvered chapter ring and centre engraved with a river landscape, within pierced gilt scrolled spandrels, powered by a 30 hour movement and housed in a flat topped case with moulded cornice and turned columns, above a long, moulded trunk door and raised on a plain base with shaped plinth, 83" (210.8cm) high
LATE EIGHTEENTH CENTURY OAK LONGCASE CLOCK, signed Holland, Sallop, the 10" brass dial with silvered Roman chapter ring, matted centre and pierced spandrels, powered by a 30 hour movement, striking on a bell and housed in a flat topped case with moulded cornice and turned 3/4 forecolumns, over a long trunk door with arch top and raised on plain base with shaped plinth, 79" (200.7cm) high
LATE 18th CENTURY OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, the 10" painted dial with scroll spandrels and scrolled panel depicting a seated female figure to the arch, powered by an associated 8 day movement and housed in an arch top case with swan neck pediment, three brass ball and spire finials and free standing fluted fore columns with brass capitals, above a long trunk door with suspid top and moonshine style arched inlay, flanked by a conforming pair of split turned and fluted quarter columns and raised on a panelled base with bun feet, 95" (241.3cm) high, feet later, bell missing from movement, dial re-painted badly and subsidiary dial blanked off
A miniature longcase clock in the 18th century style, with removable broken arched hood and hinged door, the trunk with hinged door and lenticle enclosing dummy weights and pendulum, veneered in rosewood, mahogany and walnut, the verge movement signed John Pitt, London with an engraved brass dial (31cm).
A Peter Rabbitman Heap of Wetwang adzed oak longcase clock, first model, the plain oblong hood with half-penny style moulding and carved rabbit motif to the top, enclosing a German two-weight movement striking on three gongs, silvered chapter ring with Roman and Arabic numerals, adzed panels to the hood, trunk and cupboard base with wrought iron fittings and stile supports, 200cm high Peter Heap advises that he only made two clock cases in this style as later ones were a different design without the cupboard base***AMENDED ESTIMATE***
EARLY VICTORIAN SCOTTISH MAHOGANY DRUMHEAD LONGCASE CLOCK the dial signed 'A & W Millar, Airdrie', the eight day two train movement striking on a bell, the 12.5 inch Roman numeral chapter ring with pierced blued steel hands, with subsidiary seconds dial and calendar dial, bearing presentation plaque dated 1849, with carved foliate hood and over four bun feet, 206cm high
A late 19thC oak longcase clock by Thomas Armstrong & Brother, Manchester, the engraved silvered break arch dial with chapter ring bearing Roman numerals, chime silent subsidiary dial, eight day movement with quarter Westminster chimes, the case with architectural hood bearing Doric capitals, trunk door inset bevelled glass raised on a plinth base, 213.5cm high.
A quantity of Dutch silver miniature furniture with .835 purity mark, Minerva head duty mark with Schoonhoven assay office cypher, date mark for 1967 and 1969, maker's mark of Herbert HooijkaasComprising: bombe shaped cabinet, longcase clock, fire surround, hanging birdcage, bureau, wall glass, spinning wheel, kettle and hanging chandelier, housed in an oak diorama. The longcase 12 cm high. CONDITION REPORTS: All generally in good condition, expected wear.
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