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A late 18th/early 19th century English oak longcase clock, having a gilt metal applied broken scrolled pediment over enamel Roman dial named Beal? Oundle, within gilt bird painted spandrels supporting a 30 hour bell striking movement, the three quarter length door within reeded stiles above a box base on bracket plinth. 197cm.

An Oak cased Longcase Clock by 'Green, Tenbury', the 11'' square painted face with Arabic numerals and illustration of a bird and rose blooms, having a semi-circular date register, the 30 hour movement having an external count wheel and striking the hours on a bell, 78'' high

A mahogany cased longcase clock with Roman numerals to the enamelled dial, inscribed "Bulluck Bradford" CONDITION REPORTS We cannot guarantee is in working order or if clock movement parts are original, the clock appears to have had some restoration over the years. Size 207 cm high by 49 cm width, Case - the top pediment may have possibly been cut down at some point and has some knocks, the veneer in lifting in places on the hood with some small splits tot he veneer, hands slightly been and show signs of some repairs, wear to edges of the enamel dial and wear to to paint work, show signs of a spillage of some cleaning fluid resulting with a stain! veneer of body splitting in places with some knock and dumps throughout the case from general wear and age, has some white dots of paint throughout, some scratches. pendulum is slightly depend and a light grey cap has been added to one of the weights and is possibly a new section of veneer on the base door.

A GEORGE IV IRISH MAHOGANY LONGCASE CLOCK, the hood with arched top standing on plinth base, with circular painted dial with Roman Numerals and subsidiary seconds dial, signed J Whelan, Clonmel, eight day striking movement, 198cm high

A 19th century mahogany arch dial eight day longcase clock, the brass dial inscribed `James Bonnery, Aberdeen`

A 1920`s dark oak longcase clock, full-length glazed door enclosing brass dial, German movement chiming and repeating on three rod gongs, with two brass-cased weights and pendulum, 6ft. 10in.

A 19TH CENTURY LONGCASE CLOCK The arched enamel and painted dial with Roman numerals and decorated with pheasants and dead game and contained in a mahogany case, the canopy with pillar supports and swan neck pediment, height 216cm

A 19th Century Longcase Clock with square painted dial having subsidiary seconds dial and date aperture, inscribed W. Weare, Wincanton, 8-day movement in oak case having mahogany cross-banding, the hood with turned columns

An 18th Century walnut Longcase Clock with engraved square brass dial inscribed David Philip, Lan, 3 Saint 30-hour movement, the case with cross-banded door, 6ft 6in H

An antique oak Longcase Clock with 8-day movement and brass face with hour and minutes dials by Watkin Owen, Llanrwst, 6ft 9in H, 13in dial

Victorian mahogany longcase clock with painted arch top dial (no weights)

19th Century mahogany cased longcase clock with brass and silvered arched top dial by Thomas Grey of Durham, having eight day movement

Early 19th century oak 30 hour longcase clock, circular brass dial signed Hill Sheffield

19th century oak longcase clock, painted enamel dial with 30 hour movement signed T J Sharp, Budsworth H

Late 18th century oak longcase clock by Swinburn of Stokesley

A 19th century thirty-hour longcase clock

A 30 hour oak longcase clock, the 12 inch painted dial signed Geo. Tesseyman, Northallerton, calendar sector, florally painted spandrels, the arch painted with a woodcutter and dog, the four pillar movement in a case with swan neck pediment and mahogany crossbanding, 91in (231cm) high.

A Scottish quarter chiming mahogany longcase clock with moon work, the 14 inch brass dial signed Robt. Brinton, Lochwinnock, foliate engraved silvered centre with subsidiary seconds, the arch containing lunarwork, flanked by two lower subsidiaries for Chime / Silent and Whittington / Westminster, the three train movement with a carillon of eight bells, in a flame veneered case with stringing and crossbanding, the hood with swan neck pediment and urn finial, 91.5in (232cm) high.

An Edwardian quarter chiming mahogany longcase clock, the 13 inch brass dial signed Maple & Co, London on the silvered chapter ring, subsidiary seconds, the arch containing chime / silent subsidiary, the three train movement with anchor escapement chiming on four gongs, in a case with panelled plinth, fluted pilasters to the trunk, the hood with swan neck pediment, 92in (234cm) high.

An eight day mahogany longcase clock, the 12 inch painted dial signed DeGruncy, Jersey, subsidiary seconds and date dials, the spandrels decorated with gilt fans, the arch with an urn, the four pillar movement in a break arch case, the hood flanked by fluted free-standing columns, 78.5in (200cm) high.

A 30 hour oak longcase clock, the 10 inch brass dial signed Edwd. Gatland, Cuckfield, date aperture in the matted centre, the birdcage construction movement with locking plate on the backplate, case with flat hood flanked by turned columns, plinth modern, 82in (208cm) high.

A Scottish eight day mahogany longcase clock, the 13 inch silvered circular dial signed James Howden, Edinburgh, subsidiary seconds and calendar dials, the four pillar movement with shallow arched plates, in a drumhead case, the plinth with recessed panel, the trunk door with good flame veneer, c. 1870, 82.5in (209 cm) high. Provenance: Sold on behalf of the Executors of Colin Popham deceased.

An eight day walnut marquetry longcase clock, the 11 inch brass dial signed Peter Wise, London on the silvered chapter ring, the matted centre with subsidiary seconds and date aperture, ringed winding holes, winged mask and scrolled spandrels, the five ringed pillar movement with latched centre pillar, inside locking plate striking, in a case with panelled sides, the hood with caddy top and ball finials, the whole inlaid with scrolled marquetry, the trunk door with two panels of hunting scenes, the lower panel beneath the glass lenticle decorated with shepherds, now with later ebonised plinth, 94in (239cm) high. Peter Wise, Cheapside, London: Free of the Clockmakers Company 1693, Master 1725-41. Provenance: The Old Rectory, Little Langford, Wiltshire. Sold by order of Trustees of the Estate of the late Miss S.F. Rooke.

An eight day Japanned longcase clock, the 12 inch brass dial signed on a boss in the arch Edgar Edlyne, London, subsidiary seconds and date aperture in the matted centre, the five pillar movement in a break arch case with pagoda top, decorated with gilt Chinoiserie designs against a black ground, 92in (233cm) high.

An eight day mahogany longcase clock, 13 inch painted dial signed Walter Rowland, Berwick, subsidiary seconds and calendar dials florally painted spandrels and arch, the four pillar movement in a case with canted corners to the trunk, the hood with basic swan neck pediment and dentilled cornice, fluted free-standing columns, the whole with stringing, 81.5in (207cm) high.

An 8 day mahogany longcase clock, the 12 inch painted dial signed Thos Sutton, Maidstone, subsidiary seconds, concentric date, the arch decorated with a shepherdess and sheep, the four pillar movement in a break arch case, flame veneered trunk door, the hood flanked by fluted columns with torch finials, 87in (221cm) including finial.

An 8 day burr walnut longcase clock, the 12 inch brass dial signed John Royale, Bolton Fecit on the silvered chapter ring, matted centre with date aperture, subsidiary seconds and ringed winding holes, later gilt appliques, four seasons spandrels, the added arch containing penny moon, the four ringed pillar movement with inside countwheel strike, in a break arch case with walnut crossbanding, 87in (221cm) high.

John Trubshaw. A late 17th century walnut marquetry longcase clock, the 11 inch brass dial signed John Trubshaw, London on the silvered chapter ring, the matted centre with subsidiary seconds and date aperture, ringing winding holes, aperture for day of the week at 3 o`clock, winged cherub spandrels, the movement with five ringed pillars, the centre latched, inside locking plate striking, the case inlaid with panels of floral marquetry, glass lenticle, the rising hood flanked by barley twist columns, on bun feet, c. 1695, 80in (204cm) high. John Trubshaw: apprenticed 1679. Free of the Clockmakers Company 1686, Warden 1714.

A late 17th century quarter repeating ebony veneered verge bracket clock, the 7 inch brass dial signed Fuller, London on the silvered chapter ring, the matted centre with mock pendulum aperture, ringed winding holes and date aperture, strike / not lever at 12 o`clock, winged mask spandrels, the two-train five pillar movement signed on the profusely engraved backplate Wm. Fuller, London, pull quarter repeating on four bells, in a basket top case surmounted by carrying handle, on brass circular pad feet, 13.5in (34cm) high. William Fuller. Free of the Clockmakers Company 1675 - 1699. One of his longcase clocks illustrated in Cecinski & Webster.

A 19th century Longcase Clock, the painted square dial with seconds ring and date aperture, and inscribed ""John Couzens, Longport"", with eight day movement, in oak case with swan`s neck pediment.

An early 19th Century Longcase Clock, the steel and brass dial inscribed ` Delacourt, Beverley` with seconds ring, date aperture and eight day striking movement with ormolu spandrels in oak caddy top case, with fluted pilasters, the trunk with canted corners and on bracket feet. 7` 3"" (221cms) high.

An 18th Century Longcase Clock by Samuel Story, London, having arched brass dial with makers name in the arch, silvered chapter ring, subsidiary seconds dial and date aperture, gilt mask spandrels and in walnut and mahogany case 225cms high

An Art Deco longcase clock, with a stepped top, over a square printed dial, with a three train movement, 190cm high CONDITION REPORT: Dial scratched and bent. Pendulum and weights present. Some scuff marks and nicks to the edges of case. No guarantee that it works but it does tick.

A late 18c eight day longcase clock with unsigned 13"" arched painted dial with rose paintings to the corners and a ship in the arch. It has matched steel hands and seconds and date dials. The standard four pillar eight day movement has anchor escapement and rack strikes on a bell. It is contained in a mahogany case with swan neck pediments to the hood and rectangular fluted columns flanking the dial. The trunk has canted corners and a long rectangular trunk door and the base is plain with a wavy plinth, 84"" tall overall.

An early 19c eight day longcase clock, the 13"" arched painted dial signed John Wand, Wakefield and having depictions of the ages of man in the corners and the grim reaper in the arch. The standard movement has anchor escapement and is rack striking on a bell. The associated oak and mahogany case has swan neck pediments to the hood and fluted columns flanking the dial, the trunk has fluted quarter columns and a long trunk door with dished top. The base has an applied rectangular panel and a plain plinth, 90"" tall overall.

An early 19c eight day longcase clock, the 13"" arched painted dial signed Grove of Upton and having indications of the Welsh, Scots, English and Irish in the corners and a picture of the Duke of Wellington in the arch. The dial has Arabic numerals, date and seconds indicators and matched brass hands. The standard movement has anchor escapement and rack striking on a bell and is contained in an oak and mahogany case with swan neck pediments to the hood with a central ball and eagle finial and fluted columns flanking the dial. The trunk has fluted quarter columns and the rectangular trunk door has a central diamond shaped inlay and a band of edge stringing, the base has similar stringing, bracket feet and a wavy base, 90"" tall overall.

A 19c oak longcase clock by T Benbow, Northwood, the cream painted 12.25” square dial with Roman numerals and outer minute indicators. It has an eight day fusee movement rack striking on a bell, the clock stands 81” tall overall.

A 19th Century oak cased longcase clock, the hood with broken arch pediment over a square glazed door flanked by turned pillars over a plain trunk and base, the thirty hour movement with square painted enamelled dial and Roman numerals enclosing a floral spray inscribed "Pitt Tetbury (John Pitt 1830-56)" CONDITION REPORTS The brass roundel's to the top are dented. There is also a crack to the broken arches and the central piece. Wood worm holes are prevalent all over, with assorted marks and scratches throughout. The joins in the corners of the glass door in the wood are not meeting perfectly. There is a missing piece to the lower section, where the body meets the base on the right hand side. The bottom central panel is suffering from splits. The clock mechanism has not been tested. There is considerable crazing to the dial, and enamel is missing in places at the edges.

Thomas Humphreys of Barnard Castle, an oak cased longcase clock, 30hr movement, painted dial

AN OAK DWARF LONGCASE CLOCK WITH CHIMING MOVEMENT C1925

A 19th century mahogany longcase clock, with painted arched dial, maker Waller and Straub, Norwich, mis-spelled dial

A mid 19thC longcase clock, the arched painted dial signed D.Wehrle Dundee, painted with figures and buildings within landscapes, in a figured mahogany case, with a bowed door, flanked by turned pilasters, 251cm high overall

20TH CENTURY GLAZED MAHOGANY LONGCASE CLOCK with arched brass Roman dial, the movement by Hermle, above a glazed trunk, on a pedestal base, 214cm high

20TH CENTURY GLAZED MAHOGANY LONGCASE CLOCK with arched brass Roman dial, the movement by Hermle, above a glazed trunk and base cupboard, on block feet, 201cm high

VICTORIAN MAHOGANY LONGCASE CLOCK the 14-inch arched enamel Roman dial with seconds and date dials, castle and maritime spandrels, the case with dentil cornice, inlaid rectangular door, on plinth base, 200cm high

GEORGE III OAK LONGCASE CLOCK maker Thomas Rogers (circa 1810), with arched brass 12-inch Roman dial having seconds dial and square date aperture, the oak case with gothic arched door, on a plinth base, 212cm high

GEORGE III MAHOGANY LONGCASE CLOCK maker unknown, the 12-inch enamel Roman/Arabic dial paited with an oval arcadian landscape reserve and gilt scroll spandrels, the arched hood above an arched door, the plinth base on bracket feet, 213cm high

VICTORIAN MAHOGANY LONGCASE CLOCK with arched enamel Roman dial painted with Victoria spandrels, seconds and date dials, above a trunk with convex door, on bracket feet, 225cm high

REGENCY MAHOGANY DRUMHEAD LONGCASE CLOCK maker Joseph Johnson of Liverpool (fl.1796-1830) the circular enamel dial with Roman numerals, the movement chiming on a bell, above an arched door and quarter columns, on a base with bracket feet, 202cm high

EARLY 18TH CENTURY STYLE OAK LONGCASE CLOCK with 10-inch brass Roman dial, later movement strinking on a bell, the hood with dentil cornice and retangular door, on bracket feet, 200cm high

GEORGE III MARQUETRY MAHAOGANY LONGCASE CLOCK maker John Bowie of Stirling, circa.1811, the arched silvered Roman/Arabic dial with engraved scrolling foliage, seconds and date dials, the hood with blind fret carved panels above a door inlaid with a conch shell flanked by spiral fluted quarter columns, on bracket feet, 210cm high

A MODERN MAHOGANY LONGCASE CLOCK

AN OAK LONGCASE CLOCK, with glazed door (Whittington/Westminster chimes)

Thomas Pierce (Peirce), Bristol: an 18th century longcase clock face and movement with moon phase dial inscribed 'High Water at Bristol Key' (sic), the square silvered Roman numeral dial with calendar aperture, subsidary seconds dial and signed 'Thomas Pierce, Bristol with pendulum (no weights). Thomas Pierce (II) is recorded in Moore, A J 'The Clockmakers of Bristol 1650 - 1900' as working 1739 - 93

Oak drop leaf dining table, four chairs, occasional table and modern mahogany longcase clock (7)

Antique mahogany eight day longcase clock having painted arched dial

Modern oak cased triple weight longcase clock

Victorian richly figured mahogany Yorkshire longcase clock, painted enamel dial signed Lister Halifax, H250cm

An early 19th century oak longcase clock, the hood with scrolled pediment above arched door, enclosing eight day bell striking movement faced by painted arched Arabic dial, above a three-quarter length door, box base and plinth, 215cm.

A 19th century mahogany line inlaid and crossbanded longcase clock, by "John Halls" of Mansfield, the hood with swan neck pediment over arched glazed door flanked by three quarter columns, upon conforming shaft and base, the painted dial with 30 hour movement, 221cm high