We found 41737 price guide item(s) matching your search

A George III eight day longcase clock, the 12 inch square brass dial signed `John Richard Lansamlet`, with centred date aperture and subsidiary seconds dial, within a ring of Roman and Arabic numerals, with pierced corner spandrels, the hood with chequer stringing and fluted front corner hood pilasters, over a serpentine arched trunk door between front corner fluted trunk pilasters, on a box base with quatrefoil shaped single panel, on short bracket feet, 200.5cm high Note: Brian Loomes notes a John Richard Llansamlet as active in the late 18th century in `Watchmakers and Clockmakers of the World Volume 2`.

A George III mahogany longcase clock with 12ins painted arched dial marked Conway, the arch with a scene of elephants, crouching tiger, rabbits and peacock, with swan necked hood, height 222cm.

An Edwardian mahogany cased longcase clock, the arched brass dial with silvered chapter ring, pierced spandrels, and an eight day movement, with inscription plaque

A 19th Century Longcase Clock with painted arch dial and date aperture, with 30 hour movement in oak and mahogany case with swans neck pediment. 7" (214cms) high.

A small month going Longcase Clock of William and Mary design, with silver chapter ring and ormolu spandrels on a black velvet background and bell strike in a walnut and floral marquetry case, the stepped hood with a fret carved panel above plain turned pilasters and on a plinth base. 6` 1" (185cms) high.

An early 19th Century Longcase Clock, the brass arched dial inscribed "T Ramsbottom, Criglestone" with phases of the moon aperture and date ring, the arch painted with a rural landscape, in oak case with swans neck pediment, the trunk with quarter round mouldings and shaped door. 7` (214cms) high.

A 19th Century Longcase Clock, the painted arch dial inscribed "J Reed, Brampton" with date aperture, 30 hour movement in oak and mahogany case with swans neck pediment and bracket feet. 7` 3" (221cms) high.

An early XIX century "North Country" longcase clock, the painted dial with a moon roller movement, doves and castles with an eight day movement, the cross banded mahogany case with an arched door on ogee bracket feet 240cm high, 64cm wide, the dial 14"

A 19th Century carved oak longcase clock, the square hood having a scrolled pediment with turned pillars and the case having a long door with carved scrolls and flowers, square brass dial, thirty hour movement by John Batty, Halifax

An early 19th Century mahogany longcase clock having an arched hood with scrolled pediment, turned pillars, painted dial with eight day rolling moon movement, maker indistinct

Late eighteenth century eight-day longcase clock movement by Daniel Webber of Lavenham with calendar aperture and painted arched dial decorated depicting sea shells

Eighteenth century eight-day longcase clock by Robt. Page of Harwich with arched brass dial with silvered chapter ring, subsidiary seconds and ringed winding holes in oak case

George III eight-day longcase clock with arched brass dial with ornate brass spandrels, silvered chapter ring, with subsidiary seconds and calendar aperture in mahogany case, 208 cm high

George III eight-day longcase clock with painted arched dial with urn and scrolls, subsidiary seconds and date dials in mahogany case with Corinthian column, 218 cm high

A 17th century 30 hour birdcage longcase clock movement, Robert Warr, London, the silvered dial inscribed Robt Warr, London, with Arabic numerals and single hand, in later oak case, 11inch dial 211.5cm high, 54cm wide

An early 18th century walnut month going longcase clock, the 11" square brass dial inscribed `A.M.Cressener London`, with ringed winding holes, seconds and date rings, the five pillar movement with outside count wheel and with two massive brass weights, cut down and new with a later separate plinth, 203cm high

A longcase clock, Thomas Lupton, London, mid 18th century, 8-day moon phase movement with arch dial, subsidiary second dial, the mahogany case with swan neck pediment, reeded pilasters and waisted body with N pilasters, on box base with ogee bracket feet, the dial 35 x 50cm, 245cm high

An oak longcase clock, 19th century, the brass dial inscribed `Geo. Suggate Halsworth`, with a three train musical movement stirking the quarters on a gong, 207cm high

A George III longcase clock, signed Blackie, Musselburgh, arched, painted dial with subsidiary seconds and date dial, replacement movement with anchor escapement striking on a gong, in mahogany case, the hood with swan neck pediment, 6ft. 1in. - complete with pendulum, weights and winding crank

An oak `grandmother` longcase clock, silvered dial above glazed trunk, chiming movement, 6ft. high

AN OAK DWARF LONGCASE CLOCK WITH BRASS DIAL AND CHIMING MOVEMENT

An early 19th Century oak and mahogany longcase clock with swan neck to the hood and turned pillars to sides, the trunk with similar pillars, fitted an arch top painted dial with second hand and date recorder, inscribed Reese, Portmadoc, fitted an eight-day striking movement

A mahogany longcase clock, Marshall, Dublin, the brass dial with date aperture and subsidiary second dial, in a mahogany case with central patera, 206cm (81") high

An 18th Century Stained Pine Longcase Clock by Joseph Kirk of Skegby (circa 1730). The 10½ inch (27 cm) square brass dial having maker`s name engraved on the chapter ring with Roman numerals counting the hours and Arabics counting the minutes, encircling a matted centre with round calendar aperture. The corners ornamented with scrolling spandrels cast with cherubs holding aloft crowns. The altered case having an inverted hood and cut down base, with a pendulum aperture to the long trunk door (lacking glass lenticle), 76¾ ins (195 cms) in height (A/F).

An 18th Century Eight Day Longcase Clock. The 12 inch (30.5 cm) square brass dial signed Ashton TIDSWELL on the chapter ring with engraved fleur-de-lys between the Roman numeral hour counters and outer ring of Arabic minute counters. The matted centre engraved with foliate scrolls and a compass rose, incorporating a subsidiary seconds dial and calendar aperture. The corners embellished with scrolling floriate spandrels. The oak case having a flat topped hood with moulded pediment raised on Doric columns flanking the dial. The cross-banded trunk inlaid with a compass rose. The base with alteration, 79 ins (201 cms) in height.

A 19th Century Oak Longcase Clock. The round painted dial decorated with a spray of honeysuckle and signed SAM HILL (place name indecipherable but possibly Sheffield) measuring 13 ins (33 cms) in diameter. The hood having a moulded swan-neck pediment with brass roundels adorning the terminals and fluted Corinthian columns flanking the dial. The mahogany cross-banded trunk having canted sides enhanced with inlay flanking a serpentine topped door, 84½ ins (215 cms) in height.

An 18th Century Eight day Longcase Clock. The 10½ inch (27 cms) square brass dial having two gilded ring-turned winding holes to the matted centre with calendar aperture, encircled by a chapter ring and embellished with fine scrolling face mask spandrels. The oak case ornamented with later intricate Victorian carving & `brickwork`, 80 ins (203 cms) in height.

A Small Walnut Longcase Clock with an 8 day movement signed John Ford Arundel. The silvered chapter ring enclosing a matted centre, a subsidiary seconds dial and a plaque inscribed with a makers name; bordered by ornate cast brass spandrels. The later case having a flat moulded hood above a fretted scroll frieze and ebonised barley-twist columns flanking the dial. The long trunk door veneered with burr walnut and bordered in ovolu moulding. Raised 79 ins (201 cms) in height, 17 ins (43 cms) in width, 9 ins (25 cms) in depth.

An 18th Century Mahogany Longcase Clock by George Jamison of London. The dial having a silvered chapter ring enclosing a decoratively engraved centre with a subsidiary seconds dial and calendar aperture. The arched top accommodating a strike silent dial flanked by pierced gilt brass spandrels. The pagoda style hood having two large brass ball finials and the glass door flanked by fluted columns with Corinthian gilt capitals. The canted trunk corners inset with brass reeds and flanking a flame-figured trunk door. 94 ins (239 cms) in height, 19 ins (49 cms) wide, 9 ins (23 cms) deep.

A 19th Century Oak Longcase Clock Case (no movement), having arched dial, Corinthian columns, further arched panel door, 2m 21cm high overall, opening for face 30cm x 42cm

A George III 24 hour oak longcase clock, the circular 12" dial with subsidiary day of the month aperture, signed `Wainwright Nottingham`, flanked by turned columns over shaped trunk door, resting on a plinth base, 203 cm high, weight and pendulum.

An 18th century 24 hour oak longcase clock, the square 11" dial with subsidiary day and month aperture, the dial signed `J Robinson Bakewell` over arch trunk door, raised on bracket feet, 215 cm high, weight and pendulum.

Victorian mahogany longcase clock , broken arch painted dial with rolling moon, figural spandrels personifying the Continents, Roman hours, subsidiary seconds and date rings, signed Summersgill, Preston , two-weight movement on a false plate, in a swan neck hood with twist columns on broad tunk and set-out plinth (no feet) Height 225cm (two weights, pendulum).

A 19TH CENTURY MAHOGANY LONGCASE CLOCK having an eight day movement with painted arched dial and decorated children and poultry, with date and second dials and indistinctly signed, the case with brass ball finial, break arch pediment and arched panel door with weight and pendulum, 84" high.

William Gill, Maidstone A mid 18th century lacquer longcase clock, the five pillar, eight-day duration movement striking the hours on a bell with internal rack striking, the twelve-inch arched brass dial engraved with wheatear border decoration, with the raised, silvered chapter ring engraved with black Roman numerals, Arabic outer five-minute numerals and ‘fleur-de-lys’ half-hour markings, the matted dial centre having engraved floral and bird decoration, ringed winding holes and having a subsidiary seconds dial and date aperture, with ‘female-head’ cast brass corner spandrels and blued steel hands, the silvered boss to the arch engraved with the maker’s name ‘Wm Gill, Maidstone’, the case of ‘tortoiseshell’ lacquer decorated with raised gilt chinoiserie work, with an arched trunk door, the arched hood with three-quartered columns to the front and two giltwood ball and spire finials, height: 200cm. * William Gill is recorded as working in Maidstone, Kent in the early 18th century having been apprenticed in 1704 and given his freedom in 1710. He is one of Maidstone’s most celebrated & competent clockmakers’ with a number of fine longcase clocks known by him. He supplied the clocks for a number of public buildings including both Rainham and St Nicholas of Leeds churches.

A mahogany moonphase longcase clock, the eight day duration movement striking the hours on a bell with the fourteen-inch painted arched dial having black Roman numerals, gilt floral corner spandrels and moon phase disc to arch, with decorative brass hands and subsidiary seconds dial and date aperture, the falseplate to the dial embossed with the dial makers’ name ‘Finnemore & Sons’ of Birmingham, the case profusely inlaid in various woods and having a short door, canted corners to the trunk, fluted hood pillars with brass capitals and a swan neck pediment, height: 250cm. * Finnemore & Son were well known Birmingham dialmakers’ with William Finnemore originally being part of the Walker & Finnemore partnership, continuing on his own account from 1812 and becoming ‘& Son’ from 1828 until 1836.

Wesley, Denham An oak longcase clock, the eight day duration movement striking on a bell with the twelve-inch painted arched dial having black Arabic numerals, floral corner spandrels, the decoration to the arch depicting swans on a lake, with brass hands, a subsidiary seconds dial and signed ‘Wesley Denham’, the false plate stamped with the dialmakers’ name ‘Francis, Birmingham’, the case having a curved trunk door, plain base, with the hood having fluted columns with brass capitals and three ball-and-spire finials to the moulded pediment, height: 225cm. * The dialmaker William Francis is recorded as working firstly in Thorp Street, then Old Inkleys and finally 11 Smallbrook Street, Birmingham from 1810 until 1831 and was a prolific maker.

An Oak Longcase Clock, the eight day duration movement striking the hours on a bell with the twelve-inch painted arched dial having black Roman numerals, subsidiary seconds dial, date aperture and blued steel hands, having a painting depicting Carew Castle within the arch and various rural scenes to the four corners, the falseplate to the dial stamped with the dialmaker’s name ‘Wilson, B/Ham’, the oak case having a plain base, arched door to the trunk, with three gilt-wood finials and turned three-quarter columns to the pagoda topped hood, height: 238cm. * James Wilson, working pre-1777 to 1809, was one of the pioneers of the Birmingham dial making industry having dissolved his partnership with the other well-known maker George Osborne in 1777. He was considered as one of it’s finest exponents as well as one of the most prolific. * Carew Castle, Pembrokeshire, was originally a Norman fortification developing into a fine Elizabethan country house and was the site of the last great tournament staged in Britain in 1507.

John Bennett, Plymouth A late Georgian longcase clock, the eight-day duration movement striking the hours on a bell with the twelve-inch arched brass dial having a subsidiary seconds dial, date aperture and engraved with black Roman hour numerals, floral corner decoration, with an engraved depiction of Father Time within the arch and maker’s name ‘J. Bennett, Plymouth’ to the centre, the stained case having an arched trunk door, fluted, canted corners to the trunk, turned pillars to the hood and surmounted by three wooden ball finials, height: 214cm. * John Bennett is recorded as working in Plymouth in the mid-to-late 18th century.

An 18th Century Longcase Clock with arched brass dial inscribed James Savage, Howden, eight-day movement, subsidiary seconds dial and date aperture in oak case, the hood with three quarter round pilasters, 6ft 5in high

An early 18th Century Longcase Clock with square brass dial having silvered chapter ring inscribed Jas Delance, Dounton, brass spandrels, single hand, 30 hour striking movement, in pine pencil box style case with glass panel to door. Probably originally a wall clock

AN XVIII CENTURY OAK LONGCASE CLOCK BY ROBERT SCHOFIELD, THIRTY HOUR MOVEMENT WITH BRASS DIAL, THE HOOD WITH STEPPED PEDIMENT AND TURNED SUPPORTS, 212CMS HIGH.

A GEORGE III OAK LONGCASE CLOCK with a brass dial signed "Major Schofield, Manchester", with subsidiary moon phase dial and date dial, with a silvered chapter ring within gilt spandrels with an eight day two train movement striking on a bell, the flat topped hood with a pierced gallery and brass finial, the trunk with tall door with shaped top flanked by quarter recessed columns, 89" high. See illustration

A GEORGE III PROVINCIAL OAK LONGCASE CLOCK by Oldham, Southam, the case with crossbanded long door and square hood with turned tapering columns surmounted by a blind fret frieze and stepped pediment, the square silvered dial with Roman and Arabic numerals to the chapter ring and date aperture, the thirty hour movement striking on a bell, 69". See illustration

AN 18TH CENTURY OAK LONGCASE CLOCK by John Ramsbottom Hall-Green, the case with long crossbanded door surmounted by a square hood with turned columns, the brass dial with Roman and Arabic numerals to the chapter ring, pierced spandrel, subsidiary "penny moon" dial and date aperture, with two train eight day movement, 80". See illustration

A DUTCH MAHOGANY AND FLORAL MARQUETRY LONGCASE CLOCK, the brass arched dial inscribed "Fromantell and Clark", the case with long door inlaid with ferns, flowers and swags, with an oval neo-classical urn brass lenticle, the hood with square tapering pilasters with gilt brass finials, surmounted by a blind fret frieze and architectural pediment, the brass dial with serpent and mask spandrels, with a silvered chapter ring with Roman and Arabic numerals, the matt centre with subsidiary dials for alarm, seconds and date, the two train movement striking on a bell, 95" high. See illustration

A WILLIAM IV OAK AND MAHOGANY LONGCASE CLOCK by D. Herbert, Aberistwith, the case with quarter fluted columns above a hood with turned columns and swan-neck pediment and urn finial, the arched brass dial painted with rural scenes with Roman numerals, subsidiary seconds dial and date aperture with two train eight day movement striking on a bell, 90". See illustration

AN EARLY 18TH CENTURY CHINOISERIE LACQUERED LONGCASE CLOCK by George Avernell, Farnham, the tall slender case with a black ground decorated with gilt and polychrome chinoiserie scenes and diaper panels, the square hood with turned columns and stepped pediment, with gilt ball finials, the brass arched dial with lion, unicorn and coronet-mounted name tablet flanked by dolphin and scroll spandrels, the silvered dial with Roman and Arabic numerals enclosing a matt centre with subsidiary seconds dial and date aperture, the two train movement striking on a bell, with two brass cased weights 96". See illustration

EARLY 19TH CENTURY EIGHT DAY MAHOGANY LONGCASE CLOCK, BREAK ARCH FACE WITH NAUTICAL SUN AND MOON WINDOW, EACH SPANDREL PAINTED WITH REGENCY ;LADIES WITH SWAN NECK HOOD AND BRASS EAGLE CRESTED KNOBS

EARLY 19TH CENTURY CORNISH EIGHT DAY LONGCASE CLOCK BY MAUNDER OF BODMIN, PAINTED BREAK ARCH FACE DEPICTING VILLAGE BUILDINGS IN MAHOGANY INLAID CASE ( REQUIRING RESTORATION)

A 30cms square brass dial "Jams Smyth, Woodbridge, 3 other dials, assorted longcase clock pendulums and weights

A 30 hour longcase clock movement and 30cm dial, the broken arch painted dial with Roman numerals, subsidiary seconds and calendar aperture, four pillar chain driven movement with anchor escapement and outside countwheel striking on a bell, and an 8 day movement on false dial plate

An 8 day longcase clock movement and a 30 hour longcase clock movement

A 30 hour longcase clock dial and movement the 30cm square painted dial with Roman numerals, seconds dial, calendar aperture and 4 pillar chain driven movement with outside countwheel, striking on a bell and 2 other chain driven 30 hour movements

ISAAC GODDARD, LONDON, an eight day longcase clock dial and movement, the 30cm square brass dial with Roman numerals, Arabic five minute intervals, half hour markers, matted centre, subsidiary seconds, ringed date aperture and winding holes, foliage, cherub and crown spandrels, engraved wheat-ear border, the 5 pillar movement with anchor escapement and inside countwheel, striking on a bell

WILLIAM PREDDY, TOTNES, a mahogany longcase clock the 35.5cm painted, broken arch dial with Roman numerals, seconds dial, calendar aperture and signed in the centre "Preddy Totnes" the four pillar movement mounted on a false dial plate with anchor escapement, rack striking on a bell, the case with broken arch pediment, writhen columns, short trunk door flanked by similar columns, panelled plinth and bracket feet, 230cms high (with 3 brass eagle and ball finials, pendulum weights & key)

TYTE, WELLS, a mahogany longcase clock, the 33cms painted broken arch dial signed in the centre "C Tyte Wells" with Roman numerals, seconds dial, calendar aperture, pierced gilt hands, floral spandrels, the arch with figures and a castle beyond, the four pillar movement mounted on a false dial plate, with anchor escapement, rack striking on a bell, the case with broken arch pediment, writhen columns, short trunk door, panelled plinth and bracket feet, 224cms high (with finials, pendulum, weights & key)

GEOe WILLIAMS, AXBRIDGE, a brass 30cm broken arch longcase clock dial with Roman numerals, Arabic five minute intervals, seconds dial, calendar aperture, etched spandrels representing the seasons, Phase of the Moon arch and "High Water at Swansea" the four pillar movement with anchor escapement, rack striking on a bell (defects)

An oak longcase clock, signed Robert Davey, Hoveton, 18th century, oak case, fretted pediment, arched door with radiating marquetry lunette, herringbone stringing, arched brass dial, rocking ship motif to the lunette, inscribed - "The Royal George", cast spandrels, second dial and date aperture, eight-day movement, striking on a bell, 225cms, (88½").

A stained wood longcase clock, signed Thos. Pinfold, Banbury, 18th century, plain moulded pediment, long door, plinth base, square brass dial, cast spandrels, silvered chapter ring, single hand, thirty-hour movement, striking on a bell, 188cms, (74").